John Fogerty and ZZ Top join forces for a ‘Blues and Bayous Tour’ this year. These Rock & Roll Hall of Fame legends set off on their epic musical journey in New Jersey in May, with stops in New York at Jones Beach Theater in Wantagh on June 20 and Marvin Sands Theater in Canandaigua on June 23. Tickets go on sale to the general public on March 2 at 10am local time. Presale ticket information can be found on the websites for John Fogerty and ZZ Top.
John Fogerty and ZZ Top Blues and Bayous Tour
May 25 – Atlantic City, NJ – Borgata Spa & Resort – Event Center
May 26 – Holmdel, NJ – P.N.C. Bank Arts Center
May 27 – Uncasville, CT – Mohegan Sun Arena
May 29 – Vienna, VA – Wolf Trap
May 30 – Vienna, VA – Wolf Trap
June 1 – Pensacola, FL – Pensacola Bay Center
June 2 – Clearwater, FL – Coachman Park
June 3 – West Palm Beach,FL – Coral Sky Amphitheater
June 5 – St. Augustine, FL – St. Augustine Amphitheater
June 6 – Atlanta, GA – TBA
June 10 – Oklahoma City, OK – Zoo Amphitheater
June 12 – Chicago, IL – TBA
June 13 – Noblesville, IN – Ruoff Home Mortgage Music Center
June 14 – Cincinnati, OH – Riverbend Music Center
June 16 – Southaven, MS – BankPlus Amphitheater at Snowden Grove
June 17 – Maryland Heights, MO – Hollywood Casino Amphitheater
June 19 – Youngstown, OH – Covelli Centre June 20 – Wantagh, NY – Northwell Heath at Jones Beach Theater
June 22 – Gilford, NH – Bank of NH Pavillion June 23 – Canandaigua, NY – Marvin Sands Performing Arts Center
June 24 – Camden, NJ – BB&T Pavilion
June 26 – Mt. Pleasant, MI – Soaring Eagle Casino & Resort *with Willie Nelson
June 27 – Detroit, MI – DTE Energy Music Theatre
June 29 – Welch, MN – Treasure Island Resort & Casino
Juicy Connotation is the latest band to be featured on the interview/concert series Rochester Indie Musician Spotlight. The five piece group blends funk, jazz, Latin and rock to create what they identify as “juice funk.” In this episode, they speak with the show’s host Dan Gross about their origin, the magic behind the making of their material, and their upcoming self-titled album.
Upcoming Rochester Indie Musician Spotlight featured artists for Season 5 include Tough Old Bird, Hannah PK, Vanishing Sun, Grand Canyon Rescue Episode, Seth Faergolzia, and Jimmy Highsmith Jr.
For more about Juicy Connotation and Rochester Indie Musician Spotlight, read the NYS Music feature. For the latest news and access to dozens of episodes, visit Dan Gross Music and Journalism.
Vibrant pop punk outfit Young Culture made their way from their hometown of Albany to Rochester on February 17 for the first night of their coast to coast tour. They’re on the road promoting their sophomore EP, Blue, which was released in the fall. NYS Music met up with founding members Alex Magnan and Gabe Pietrafesa just before their show at Vineyard Community Space to talk about the release, tour, the importance of support from friends and family, and the game called Odds.
Photo by Danny DeRusso Photography
Paula Cummings: You’re on tour for your new EP. Tell me about Blue.
Gabe Pietrafesa: We recorded last January, about a year ago. We went out to Always Be Genius Studios in Indiana and recorded it with Seth Henderson and Derek Discanio from State Champs. We were there for eight days, did five songs. We had a blast. Now it’s out and it’s going good. The shows have been really great, and the songs are where we want them to be.
Alex Magnan: It definitely felt like a good follow-up to our first EP You because that one we recorded when we were pretty young. We were 17/18 when we recorded Blue, so it’s just more mature than the last one. It felt like the next step.
PC: You recorded with Derek from State Champs. They’re from your hometown of Albany, right?
GP: We’re homies with the State Champs guys. Derek actually worked with us on our first record, too. He’s a friend now and he’ll come to us with ideas or we’ll come to him with ideas. He just wants to be part of what we’re creating because he’s been with Young Culture from day one. State Champs has been a big thing in the Albany scene.
PC: Also important are supportive parents, and I’ve heard that you guys have an awesome band mom.
AM: Both my parents, Mike and Gina, are the greatest souls ever. They just love everybody and they really are into what we’re doing. So they’re very supportive of it. Every time before we leave for tour they always make us mad food, a big breakfast and food to take.
GP: And any time we have friends’ bands, like if Rarity was in town, they’ll have them over, let them stay and do their laundry, cook them food. They go out of their way. They’re great people.
AM: I feel like they were never doubtful about it. When I was like “Mom, Dad, I want to do music,” they were like, “This is the right move, but if you want to do it, you better haul ass and be 100% about it.” They pushed us to keep doing what we’re doing, which is pretty unorthodox. A lot of parents don’t do that.
Photo by Danny DeRusso Photography
PC: You spend a lot of time on the road. I hear you like to play a game called Odds.
GP: So the rule for Odds is… I’ll use (friend and cameraman) Danny as an example. I’ll think of a crazy task. I’ll be like, Danny, what are the odds that every photo you take tonight you have to close your eyes. Danny will be like one out of ten. And Alex will count us in like 3, 2, 1. And then we both say a number between one and ten, and if we both say the same number, then he has to do it. If I said four and Danny said six and it adds up to ten, then the odds are reversed, and I have to do it, and he won’t have to. We’ve done some pretty stupid odds.
AM: It’s like you’re on the road in a van a long time with a bunch of dudes and you’ve got to keep things interesting sometimes. So we’ve gone to some extremes.
GP: We make an agreement that we don’t do odds for the show. We don’t do anything that’s going to mess with it. That’s a big thing. One time we were doing the drive from here to Texas, and it was insane and we were really bored, and there was a cup of Alex’s pee and someone odds me to drink a sip of it. I didn’t think it would happen.
AM: Needless to say, we’re more than friends now. We’ve done some outlandish stuff.
GP: One time we had our manager Joe go up to someone after their set and say, “Good set. Not great, though.”
Photo by Danny DeRusso Photography
PC: You’re ending this tour with a hometown show. How psyched are you for that?
GP: So stoked.
AM: We’re going to try to sell that one out. It’s going to be at a venue called Lucky Strike Social. All the openers for it are friends of ours. The Maloy Brothers, who have never done a full show are going to be the openers. And then we have Perfect Scores. And a band called Viewpoints – they’ve been doing this as long as we have.
GP: It’s going to be two weeks of us playing shows, and then we get to come home to a big hometown show. We haven’t done a hometown show in like six months.
AM: That’s the best way to do it. You come home and end tour with a bang.
GP: We’re playing so many places we’ve never even been to.
AM: I was excited to come back to Rochester.
GP: It’s cool because not only do we get to play music, we get to travel the world.
AM: What better platform to travel than music.
GP: It’s a lot of fun.
Catch Young Culture on their remaining tour dates:
Feb. 23 – Los Angeles, CA – The Vibe
Feb. 24 – Lake Forrest, CA – Rushbar
Feb. 25 – Santa Anna, CA – 4th Street Market
Feb. 26 – Phoenix, AZ – The Rebel Lounge
Feb. 27 – Albuquerque, NM – The Jam Spot
March 1 – Indianapolis, IN – Hoosier Dome
March 2 – Cleveland, OH – Euclid Tavern
March 3 – Erie, PA – Basement Transmissions March 4 – Albany, NY – Lucky Strike Social
Find Blue, and their 2016 debut EP You on iTunes. Follow on Facebook, Twitter and Instagram to stay up to date on their adventures on (and off) the road.
I Set My Friends On Fire has come a long way in the past decade. The post-hardcore band that started with two teens and a laptop and has evolved into a full band with members from across the U.S. NYS Music caught up with guitarist Nate Blasdell and bassist Connor Mitchener as they were readying to take off for the tour to celebrate the 10th anniversary of ISMFOF’s debut album You Can’t Spell Slaughter Without Laughter.
photo: Daniel Finkelstein
Paula Cummings: How did you get your start in I Set My Friends On Fire?
Nate Blasdell: I played in a band called The Bunny The Bear. I was pretty young, 18 years old, just out of high school. I learned a lot from that band. It was everything I thought I wanted. We were signed to a label, doing well on tours. We had a booking agent. On the outside, that looks awesome. But there’s a lot of awful stuff that happened. We burned bridges, we made mistakes. We were kids. I was considering what I wanted to do with my life and how I wasn’t a free-spirited 18 year-old looking to run away anymore. I just wanted to play music with people I cared about. Matt Mehana and I started talking and one day I asked if he wanted to get ISMFOF rolling again. We went back and forth for eight months. One day, I was like, “Let’s make a deal, if I can book us a tour in Russia, you’ll start ISMFOF up again and we’ll start touring.” Twelve hours later we had a contract and the plane tickets were fully paid… You have to be crazy to be a musician.
Connor Mitchener: You have to be a masochist.
NB: You have to make a lot of sacrifices. It’s hard to maintain relationships. We sleep in a van, from sleeping in hotels. We went from having plane tickets paid for you to having to front for plane tickets. So we started to lose money and we went through member changes before things fell into place. We had this strand of two months of touring that were horrendous. Not just financially but emotionally. We were in Russia and we all got sick.
CM: I missed a show.
NB: Our drummer got robbed of his camera. My Uber driver ran someone over.
CM: I almost got detained.
NB: He almost got kicked out of the country because his visa expired. We saw money lost from our hotel room.
CM: Literally all the money gone.
NB: All the money we made from tour we lost on our last day in Russia.
CM: That was the kick in the gut.
NB: The biggest thing about that is we flew from Russia to New York and had to play a show in New Jersey that night. We ended that tour with a smile on our faces. Everyone was still laughing, still making the best of it. That’s when we knew we had the right lineup. I think we’ve finally got it right. We’ve all been through the struggle. Instead of being jaded, it makes us that much more hungry and more appreciative of whatever comes our way.
PC: How many countries and continents have you played?
NB: It was thirty last year. Then we did Estonia, Latvia and Sweden. So thirty three. We did Asia, Europe, North America and Australia. Russia was awesome. We didn’t expect to be treated so well there. People were waiting at the train station. We couldn’t walk outside the show. They were really appreciative. We can have that experience, then we can come home and be completely normal people. I think it’s cool because you can experience it, but it’s not your full life.
PC: What was the feedback from your teachers and school counselors when you wanted to pursue a career in music?
NB: I grew up in a suburban area. I came from a good family too. There were expectations. I went through a lot in high school. I used to be all about sports. As I fell out of love with sports, I fell in love with music. Teachers and counselors I had thought I was crazy. Not only teachers and counselors, but some friends of parents and some extended family. I got lucky that I have the most supportive family every. My father has a good job. He saw that money doesn’t buy happiness, and he wanted me to be happy. I went to college when I turned 21. I’m glad I went back. I think that anyone who had a tough time in high school shouldn’t rule out college. It’s crazy. I work as a substitute teacher now alongside of some of the teachers who told me to give up. I had an orchestra teacher tell me I was a failure at music when I was in 6th grade and that I should give up violin. When you tell a kid something like that…
CM: At the most vulnerable age.
NB: It’s funny how that stuff comes around. I had some caring teachers who wanted what was best for me, but I had some who were like, “You have no idea what you’re doing.” We went out and found ourselves.
CM: We learned a lot more than we ever would in school.
NB: It took a couple years to find ourselves. We learned a lot from touring. Every kid has a different plan. I highly advise finishing high school. I know it’s a battle for some people, but once you get that piece of paper, it’s like your life is about to get a thousand times better.
CM: Like Dobby getting a sock.
NB: It will make your life that much better. You can hang it on the wall and no one can take that away. I went on tour thinking I was going to tour for the rest of my life, and I came back as a teacher. That’s one of the reasons I became a teacher is to push kids in the direction of their own greatness instead of society’s standards of greatness, and find themselves. College is always there. It isn’t for everyone, but I encourage people to try it. But there’s no time frame on it.
PC: Connor, did you have similar experiences with teachers and counselors in high school?
CM: Oh, yeah. I come from a way smaller place than Nate did. It’s pretty country. I remember getting called to the counselor’s office to do financial aid. I’m like, “I’m not going to school right away, so I don’t need to do this.” They were like, “Yes you do, because you’re dumb not to.” It sucked. High school sucked. That place just didn’t get it. People in my town never leave. There were teachers who were like “I had your parents when they were in school.”
PC: How supportive was your family?
CM: So my mom was stoked. When Nate called me, he was like, “Buy a bass, learn to play bass and come join me.” We were homies. I was like, “cool.” I go home and tell my mom and she was ok. I was a cross country and track runner. I had scholarships. I go to my dad and say, “I’m going to play music,” and he told me I was pissing away my future. They saw where this led and my dad comes to out of state shows now. They were concerned. It was random. It wasn’t a plan I ever had because I never thought I could do it. Honestly, at face value, our story is kind-of ridiculous.
NB: We both grew up in good families where there was a lot of trust. It’s cool because they’ve been supportive. There was a point where they were worried, but now there are instances like my dad will be at work and say, “My son is in a band.” They’ll ask what band, and he’ll say I Set My Friends On Fire, and they’ll be like, “No way!” Our dads brag about us.
CM: It started like, “My kid plays in a band. He doesn’t really do anything,” and now it’s prideful to say.
PC: What advice would you give to 18 year-old you?
NB: Look at the bigger picture. Don’t be blindsided by the initial look of something. And don’t let hate affect you so much. People are going to hate. I don’t let it affect me at a personal level. Don’t get caught up in what everyone else is doing. Everyone has a different plan. You can’t compare your success to others. Try not to get attached to your idols on an emotional level.
CM: Heroes become human.
NB: Who they portray themselves as and who they are is way different.
Photo: Andrew Parker-West
PC: What is your favorite lyric on You Can’t Spell Slaughter Without Laughter?
NB: Matt’s lyrics are insane. “Don’t drink and park, accidents in cars cause population” from Beauty Is In The Eyes Of The Beerholder.
CB: The end of WTFWJD, “Let me get a sip of what you want me to say, I am so thirsty.” I love the end of that.
NB: IMFOF lyrics are more meaningful than they appear. You can’t deny that we’re a sexual and violent band with content.
CB: It’s more wacky than violent.
NB: The thing that Matt does that’s really cool is that he has lyrics that appear sexual or violent but they are part of a way bigger meaning. It’s not like he’s writing it to be edgy.
As I was thanking them for the interview, they mentioned that they will be doing an interview called ‘How Well Do You Know Your Bandmate?’ while on tour. I threw a few practice questions at them. Having known each other for seven years and spent so much time together, they nailed the answers. In case you were wondering… their favorite restaurants on tour are In-N-Out Burger, Chipotle, Cook Out and Chic-Fil-A. Connor’s favorite beverages are Code Red Mountain Dew and Dr. Pepper. And Nate doesn’t eat candy often, but when he does, his favorite is Lemonheads.
Tickets are on sale now for the I Set My Friends On Fire on their 10 Years of Slaughter Tour. They still maintain their MySpace page, as well as Facebook, Twitter, and Instagram. Find music by I Set My Friends on Fire, from their debut You Can’t Spell Slaughter Without Laughter to their latest single “My Uzi Holds A Hundred Round Conscience” on iTunes and Spotify.
alt-J will be criss-crossing the globe all year, hitting the U.S. in April and June. The first leg of the North American Tour takes place in April on the West Coast and includes Coachella.
They come back to hit up the East Coast in June, playing Forest Hills Stadium in Queens on June 15 and headlining Mountain Jam, which takes place that same weekend. Of note, Forest Hills will be the largest US venue alt-J has headlined, and will be piped out through an immersive sound system which envelops the audience in the audio experience. Tickets are on sale now for some shows on the North American Tour, including Mountain Jam and Forest Hills Stadium.
alt-J are Joe Newman, Gus Unger-Hamilton and Thom Green. With three successful albums to date, alt-J’s current project involves collaborating with other artists to reprise and re-imagine 2017’s Relaxer. No word yet on what the concept entails or when it will be available. Follow alt-J for updates.
TOUR DATES: April 7 – Denver, CO – Fillmore Auditorium April 10 – Magna, UT – The Great Saltair
April 12 – Phoenix, AZ – The Van Buren
April 14 – Indio, CA – Coachella
April 16 – Santa Barbara, CA – Santa Barbara Bowl April 18 – San Francisco, CA – Bill Graham Civic Auditorium
April 20 – Las Vegas, NV – The Chelsea Theatre – The Cosmopolitan Las Vegas April 21 – Indio, CA – Coachella
April 23 – Davis, CA – UC Davis – Pavilion at ARC
April 24 – Eugene, OR – Cuthbert Amphitheater
April 25 – Spokane, WA – Knitting Factory
June 6 – St. Louis, MO – Peabody Opera House
June 7 – Chicago, IL – Huntington Bank Pavilion at Northerly Island
June 8 – Louisville, KY – Iroquois Amphitheater
June 7-10 – Manchester, TN – Bonnaroo
June 11 – Charlotte, NC – Charlotte Metro Credit Union Amphitheatre
June 12 – Pittsburgh, PA – Stage AE
June 14 – Dover, DE – Firefly
June 15 – Hunter, NY – Mountain Jam June 15-17 – Forest Hills, NY – Forest Hills Stadium
June 18 – Portland, ME – Thompson’s Point
June 20 – Toronto, ON – Echo Beach
June 24 – Monterrey, MEX – Teatro Banamex
“It’s hard to believe it’s been 10 years since this crazy journey started,” says guitarist Nate Blasdell, a resident of Rochester, NY. “Although the band has gone through so many changes from being two high school students from Miami making music after school on a laptop to five best friends from all around the U.S. touring the world, this album is the footprint that got it at all started. We are so excited to bring this throwback to the fans that have stuck with us for so long.”
You Can’t Spell Slaughter Without Laughter 10 Year Anniversary Tour Dates:
Feb. 15 – Pittsburgh PA – The Funhouse @ Mr. Smalls Theater
Feb. 16 – Fayetteville NC – Drunk Horse Pub
Feb. 17 – Savannah GA – Aura Fest @ S.O.T.S. Maritime Museum
Feb. 18 – Richmond VA – The Camel
Feb. 20 – Stanhope NJ – The Stanhope House
Feb. 21 – Baltimore MD – The Ottobar Feb. 22 – Brooklyn NY – Kingsland
Feb. 23 – Philadelphia PA – The Voltage Lounge
Feb. 24 – Providence RI – Fete Music Hall Feb. 25 – Buffalo NY – Mohawk Place
Feb. 27 – Pontiac MI – The Pike Room @ The Crofoot
Feb. 28 – Chicago IL – The Beat Kitchen
March 1 – St. Louis MO – Fubar
March 2 – Merriam KS – Aftershock
March 3 – Wichita KS – Rock Island Live
March 4 – Denver CO – The Marquis Theater
March 6 – Seattle WA – Studio Seven
March 7 – Portland OR – The Analog Theater
March 9 – Sacramento CA – The Holy Diver
March 10 – San Diego CA – Soma Side Stage
March 11 – Los Angeles CA – 1720
March 13 – Scottsdale AZ – Pub Rock
March 14 – Albequerque NM – The Launchpad
March 16 – Oklahoma City OK – 89th Street Collective
Luke Cornwell’s Wallop Dollop catches your attention from the get-go. When you’re honing your songs in café’s like Cornwell has been doing, you have to find a way to be noticed above the din of cappuccino machines and the drone of conversation. This debut EP showcases Cornwell’s flair for theatrics, pairing playful storytelling with inventive acoustic arrangements.
Wallop Dollop begins with the spunky ditty “Good Morning Sunshine.” It’s an invitation to spend the day on a rollicking romp: taking a spin on the mall carousel, hanging at the park, and eating breakfast foods all day long. It’s a little earworm that I catch myself humming when I’m making coffee. I could almost imagine it in a film or television show, like when Bowling for Soup did the theme song for Disney’s Phineas and Ferb. It would even hold up next to a Moldy Peaches song on the soundtrack to the movie Juno.
Cornwell combines upbeat guitar melodies with punchy percussion from Noah Boss to create a sound that is a cross between art rock and punk folk. The lyrics are refreshingly whimsical, but also contain subtle tongue-in-cheek commentaries. Cornwell could have used almost any object to finish the line “Where is my…” A Google search I conducted suggested finishing the sentence with the words tax refund, mind, phone, or super suit. Instead, Cornwell chose the words oxygen mask, making the song a story about anxiety and a frantic, panicked search for his breathing apparatus. The anti-love ballad “Paint Thinner” recounts a laundry list of things Cornwell would rather do than be with the subject of the song.
Overall, Wallop Dollop is a study in contrasts. It’s punk and it’s folk. It’s sincere and it’s ironic. But one thing is for sure, it’s never boring!
Wallop Dollop was recorded in Rochester by Alexander Eschbach at Light 40 Studios. It features Cornwell on vocals and guitar, Noah Boss on drums and background vocals, and Amanda Kuzar on kazoo. Kuzar is also the one throwing blue goo at Cornwell on the album cover, which was photographed by Jason Ackerman. It’s available to stream on Spotify and purchase on Bandcamp. True to the DIY art aesthetic, a limited run of hand painted CD’s are also on sale via Bandcamp. Visit Luke Cornwell’s website for more information and updates.
Key Tracks: Good Morning Sunshine, Oxygen Mask, Paint Thinner
The Rochester Indie Musician Spotlight returns this month for its fifth season. The exciting lineup of talented independent musicians slated to appear include The Honey Smugglers, Hanna PK, Juicy Connotation, and Jimmy Highsmith, Jr. The season makes debut on Jan. 27 with a performance by jazz pianist Laura Dubin.
Laura Dubin
On Rochester Indie Musician Spotlight, producer/host Dan Gross conducts interviews with musical guests, then invites them to perform. All shows are filmed at Bop Shop Records at 1460 Monroe Avenue, and are free and open to the public.
The lineup through the end of March has been announced, with April updates to be unveiled soon. Follow Dan Gross: Music & Journalism on Facebook to view dozens of episodes from seasons one through four and get updates on season five. Check out the NYS Music profile on Rochester Indie Musician Spotlight for more about the series.
Rochester Indie Musician Spotlight Schedule of Upcoming Events:
Saturday, January 27th – Laura Dubin
– Laura Dubin is an excellent jazz pianist and superb composer, and she recently released a two-disc album from her performance at the 2016 Xerox Rochester International Jazz Festival. She will be joined by her husband on drums, Antonio H. Guerrero.Friday, February 2nd – Small Signals
– Stephen Roessner is an incredibly talented and well-respected musician and recording engineer in the Rochester area. He’s doing this solo project releasing music that set to the words of “Missed Connections” post on Craigslist.Wednesday, February 7th – Juicy Connotation
– Juicy Connotation is a smart, fun, fusion band that’s on the rise in the growing contemporary instrumental scene in Rochester. They’re gigging a lot, but you’ll never see them in this intimate setting again!Sunday, February 18th – The Honey Smugglers
– We’re already counting down the days to this one. The Honey Smugglers are beloved, respected, and one the best bands – folk or otherwise – around. Come celebrate this with us with beer tastings from Three Heads Brewing!
Wednesday, February 28th – Hanna PK
– Hanna PK is a growing part of Rochester’s blues scene. Her authenticity and personality shine through in every song. She is often joined by a number of great #blues musicians. Come watch our first #blues episode ever!
Friday, March 9th – Vanishing Sun
– Vanishing Sun is one of grooviest and most polished #contemporarysoul bands in Rochester right now. Perfectly balanced, exceptionally exciting. Led by Zahyia Rolle with an all-star cast, this is one you can’t miss.
Saturday, March 20th – Grand Canyon Rescue Episode
– GRCE is a mainstay in the folk rock WNY echelon. With a sound that’s equally at home at ROC’s many festivals, or tasteful enough for a small record store, you’ll dance your socks off for these cats.
The Crooked North presents the latest in a series of music videos recorded live in studio. This one features the title track from their 2017 EP Unquiet Grave. The song is a reinterpretation of a traditional folk ballad. They use lyrics recorded in a songbook by Appalachian folk singer Jean Ritchie. Jon Itkin, guitarist and vocalist for the band and nationally known songwriter, told NYS Music about the differences between the classic and their adaptation:
(Richie’s) version of the song is an a cappella ballad, in three quarter time. It’s ghostly and very beautiful. Ours takes the mournful sadness of the lyric and channels it into a throbbing beat, with a lot of energy and a much more detailed musical arrangement.”
The Crooked North at Temperamental Studios Photo: Stephen S. Reardon
The video was recorded in the quaint and picturesque space at Temperamental Recordings. Located in Geneseo, this former church was converted into a recording studio by Grammy-nominated singer/songwriter Mike Brown. Unquiet Grave was produced and mixed by Brown, and mastered by Grammy-winning musician/sound engineer Stephen Roessner. The recording sessions were captured on film by Clay O’Dell and his team at 33U Productions;Stephen S. Reardon shot the still photography. Costume and styling credits go to Beth Roberts, owner of Jane Vintage, a shop in Rochester’s South Wedge which specializes in period pieces. The resulting music video gives fans an intimate behind-the-scenes look at The Crooked North’s time in the studio.
The Crooked North carries on the traditions of bluegrass and folk music, refashioning them with progressive elements while retaining their fundamental roots. Pairing lush harmonies with toe-tapping melodies, they’ve been winning over the hearts of music lovers in their hometown of Rochester and beyond. The band features Ben Proctor (banjo, dobro, vocals), Jon Itkin (guitar, vocals), Rita Proctor (vocals, rhythm mandolin), and Jordan Kleiman (bass). Tahlia Cott plays fiddle for the band.
After a successful inaugural event last year, Relix will host a two-day music conference May 8 and 9. Held at Brooklyn Bowl, the 2018 Relix Live Music Conference will feature panels, discussions, and presentations by industry professionals, with the goal of informing and educating musicians and music fans and is designed to shed light on the fast-paced and ever-changing live music business. The event only has a handful of tickets left, so check out the details and pick up your pass today!
This year’s panels include Building Businesses in theMusic Space (moderated by Dean Budnick of Relix Media Group), Management (moderated by Dan Berkowitz of CID Entertainment), Agenting (moderated by Jason Miller of Live Nation), Livestreaming (moderated by Jonathan Healey of Dayglo Ventures), TalentBuying (moderated by Lucas Sacks of Brooklyn Bowl), Activism (moderated by Jay Curley), Sponsorship, Festivals, Touring & Album Cycle, Restoring a Rock Palace, and much more.
There will also be daily presentations by Brendan Sheehan (Mr. B’s), Cameron Smith (HUB Entertainment Insurance), Amy Striem (The Rock and Roll Playhouse), Jon Bahr (CD Baby), Allen Cook and Jeremy Rollinson (TourTech), and Scott Owens (DoStuff Media)
Follow Relix for updates on this year’s events and ticket availability and watch last year’s conference highlight was a keynote discussion between Ron Delsener, Peter Shapiro and David Fricke:
