{"id":852,"date":"2017-12-23T00:00:00","date_gmt":"2017-12-23T00:00:00","guid":{"rendered":"https:\/\/dev.nysmusic.com\/2017\/2017\/12\/23\/trypnotyx-an-interview-with-victor-wooten\/"},"modified":"2017-12-23T00:00:00","modified_gmt":"2017-12-23T00:00:00","slug":"trypnotyx-an-interview-with-victor-wooten","status":"publish","type":"post","link":"https:\/\/dev.nysmusic.com\/2017\/2017\/12\/23\/trypnotyx-an-interview-with-victor-wooten\/","title":{"rendered":"Trypnotyx: An Interview with Victor Wooten"},"content":{"rendered":"<p>As I sat in <a href=\"https:\/\/nysmusic.com\/site\/tag\/anthology\">Anthology<\/a> in Rochester, NY waiting for Victor Wooten to speak with me I had no idea what to expect. The crew setup the stage across the room to get everything ready for the upcoming soundcheck, but there was no sign of Victor. I sat and pondered how different the room would be in a few hours once it was filled up with enthused fans, and enjoyed the calm before the storm on the large, open dance floor. Victor walked in the front doors the same way I did, with a cup of coffee in his hand and a sigh of relief escaping the cold. Without hesitation he walked over to me, asked if I was conducting the interview, smiled and shook my hand as he introduced himself (as if I didn\u2019t know who he was).<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-271971\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2018\/01\/IMG_0802.jpg\" alt=\"victor wooten\" width=\"1152\" height=\"768\" data-wp-pid=\"271971\" data-pin-nopin=\"nopin\" \/>Interviewing Victor was less an \u201cinterview\u201d and more a conversation. When he spoke, his big brown eyes locked in with mine, and it truly felt like we were the only two in the room. He is a genuinely caring individual who\u2019s love for his craft and dedication to art was evident with every word he spoke. To him, music is about openness, letting go of your ego, and creating magic. He was ecstatic to speak about each project he was working on, and his passion for life and music is something he carries openly with him. I feel very fortunate to have had the opportunity to spend a half hour sitting down one on one with a music legend of his stature. Below is our full conversation:<\/p>\n<p><strong>Ryan Randazzo:<\/strong> You recently released a new album, <a href=\"https:\/\/www.victorwooten.com\/trypnotyx\/\">Trypnotyx<\/a>, what inspired you to assemble this particular group of musicians to record this album?<\/p>\n<p><strong><a class=\"zem_slink\" title=\"Victor Wooten\" href=\"http:\/\/www.victorwooten.com\/\" target=\"_blank\" rel=\"homepage noopener noreferrer\">Victor Wooten<\/a>:<\/strong> I played with these two guys, together, with a jazz guitarist named Mike Stern. Immediately I knew I\u2019d love to do some of my own music with them, so the germ of the idea started years ago. With everyone\u2019s schedules, the time was now right to do it.<\/p>\n<p><strong>RR:<\/strong> When you recorded this album what was the process like? Was it different from other projects you\u2019ve worked on or recording with the Flecktones?<\/p>\n<p><strong>VW:<\/strong> A little bit different from the Flecktones, but very similar to recording my own records. A lot of it is me in the studio by myself working on ideas, then sending them to the other guys to add things to or see what they think. Bob Franceschini, the saxophone player, was doing the same thing; he was coming up with ideas as well. With the Flecktones, we do a lot in the studio together, but because of Bob and Dennis Chamber\u2019s schedules, a lot of it was separately done. Mostly the writing, then we would get together and get parts recorded.<\/p>\n<p><strong>RR:<\/strong> It sounds like technology has made it a lot easier to get things done.<\/p>\n<p><strong>VW:<\/strong> Absolutely. Technology is amazing these days. I would say even more than not, records are done separately. At least for me, it\u2019s rare that I\u2019m in the studio with the whole band.<\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-271974\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2018\/01\/Wooten-Brothers-The-Tralf-Buffalo-NY-12-16-13-22.jpg\" alt=\"victor wooten\" width=\"800\" height=\"533\" data-wp-pid=\"271974\" data-pin-nopin=\"nopin\" \/>RR:<\/strong> Do you prefer recording separately?<\/p>\n<p><strong>VW:<\/strong> In many cases yes because then I can record on my own terms in my own studio. I can go up and have dinner with my kids then go back down to the studio. Also, I can take my time getting my parts together rather than having to work on someone else\u2019s stuff, but I like both. There\u2019s nothing like having other people in the studio to collaborate with.<\/p>\n<p><strong>RR:<\/strong> Playing with the trio requires you to fill a lot more space. Do you prefer playing with the trio or a bigger band, and what are some of the differences you\u2019ve noticed as a bass player?<\/p>\n<p><strong>VW:<\/strong> I\u2019m lucky to play in many different situations. I like them all. When the band is bigger I have to do less, which is nice. With a trio like this, and there\u2019s no chordal instrument, I have to do more like playing chords and melodies, but the challenge here is to not feel like I have to fill up all the space. Space is beautiful and it\u2019s easy to go \u201coh it\u2019s a trio, I better play more.\u201d Sometimes it\u2019s playing less that allows the trio to sound its best, so it\u2019s a challenge.<\/p>\n<p><iframe loading=\"lazy\" title=\"Trypnotyx\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/DZFOc9zVonU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><strong>RR:<\/strong> What do you typically prefer?<\/p>\n<p><strong>VW:<\/strong> I just like choices. If I did one thing all the time I would long for the other. The fact that I get to do a lot of different things keeps me musically happy.<\/p>\n<p><strong>RR:<\/strong> As a well-respected musician, who do you look up to at this point in your life?<\/p>\n<p><strong>VW:<\/strong> I have lots of heroes. There are lots of guys I learned things from growing up. I could name the normal names like Stanley Clarke, Jaco Pastorius, before that even James Jamerson, Bootsy Collins, Larry Graham, Paul McCartney; I could just go on. Also, people that I grew up with, and they\u2019re names you\u2019ll never know, that taught me just as much because they helped me grow as a youngster.<\/p>\n<p>The biggest influences were my four older brothers. That\u2019s the whole reason that I played. I was born into a band, literally. They all played different instruments. Regi plays guitar. Roy aka \u201cFuture Man\u201d from <a class=\"zem_slink\" title=\"B\u00e9la Fleck and The Flecktones\" href=\"http:\/\/www.flecktones.com\/\" target=\"_blank\" rel=\"homepage noopener noreferrer\">Bela Fleck and the Flecktones<\/a> is a drummer. Rudy, the lesser known of the brothers, passed away a few years ago and was our saxophone player, and Joseph is the keyboard player. Joseph has been touring with the Steve Miller Band since 1993. We played as a band the first half of my life.<\/p>\n<p><strong>RR:<\/strong> Do you have any particular mentor or a go-to person you like to bounce ideas off of?<\/p>\n<p><strong>VW:<\/strong> My brothers are still those mentors. I also have a few other friends. One guy names Steve Bailey. Steve is now the chair of the bass department at the Berkeley College of Music. Another close friend who lives in upstate New York, Dave Welsch, he\u2019s another bassist and teacher. Anthony Wellington is another great bassist and teacher. Steve, Anthony, Dave and I have been teaching together at my own music camp since the year 2000. We always keep in touch with each other to bounce ideas and teach together. Then I\u2019ve got my brothers, and it\u2019s always good to have people like that close.<\/p>\n<p><strong>RR:<\/strong> What is the biggest challenge you faced as a growing musician, and is it something you still encounter today?<\/p>\n<p><strong>VW:<\/strong> Today, my biggest challenge is finding time at home with my kids and my wife. Because I\u2019m successful at what I\u2019m doing, it keeps me on the road a lot of the time. I miss my kids and my family, and they miss me. That\u2019s really the biggest one.<\/p>\n<p>Another one is to try and sell a record. We\u2019re in the record making business, but people don\u2019t buy many records these days. The younger generation expects the music to be free, and that doesn\u2019t make it easy for us. People aren\u2019t buying as much music and they\u2019re not going out to see as much music, but they still want music. As a music maker we face that challenge. For a lot people, if you come to town they have a choice to watch a video on YouTube or go see a show. They can say \u201cI\u2019ll watch it tomorrow\u201d knowing that someone is going to record it. Back in our day, we didn\u2019t have that choice. If someone was coming to town we were there. We didn\u2019t know when or if we would see that person again, so it was a special event when someone came to town. It\u2019s not as special for the young audience anymore.<\/p>\n<p>At the same time, I\u2019ll add this: our generation was different from our parents. Every generation changes. I don\u2019t want to be the old guy complaining about how good it used to be. I want to learn the new way and figure out how I fit into it rather than complain, but at the same time make changes and fix things where we can.<\/p>\n<p><strong>RR:<\/strong> Do you have any daily or pre-show rituals that you do?<\/p>\n<p><strong>VW:<\/strong> Nope, none at all, except to try to be open, calm, and in a good mindset. I have to not be worried or frustrated, and just be calm so the music can flow. I don\u2019t have anything I normally do every time, because if for some reason one day I can\u2019t do it I might get upset or worried. The way I look at it, I\u2019ve been playing bass for about 51 years. I should be ready and warmed up by now.<\/p>\n<p><strong>RR:<\/strong> You\u2019re currently playing with your trio and you\u2019ll be going on tour with Bela Fleck and the Flecktones over the summer, what\u2019s the biggest difference you\u2019ve noticed playing with the two bands?<\/p>\n<p><strong>VW:<\/strong> The biggest difference doesn\u2019t have a lot to do with playing. This band has my name on it, so I have way more responsibilities. With the Flecktones, even though Bela treats all the members equally, I\u2019m still just the bass player. There is a lot less responsibility. That\u2019s nice after coming off many months of being in charge, for lack of a better word. It goes back to me having choices. I like doing my own thing, and I like not having to do my own thing. That\u2019s the biggest difference. The music is different, of course, but it\u2019s fun. Each project is very fun musically, and I really enjoy both of them.<\/p>\n<p><strong>RR:<\/strong> You\u2019ve been really big on music education over the years. What inspired you get into that?<\/p>\n<p><strong>VW:<\/strong> It kind of found me in the late 80\u2019s and early 90\u2019s when Bela Fleck and the Flecktones started becoming more popular. I started becoming more and more popular, and was featured in Bass Player magazine a lot. I found out that if you\u2019re in there enough times people think you must be good, so I started getting asked to do workshops. I had to figure out how to teach what I did. I just learned to play organically, the same way you learn to speak. When you learned to speak you didn\u2019t practice, and no one told you what words to learn first, you just jammed with people all the time. You jammed with people who were better at it then you, and it was the same way I grew up playing the bass with people who were better than me. That\u2019s the fastest, most natural way to learn.<\/p>\n<p>When I started being asked to teach I had to learn how to do it. One of the things I did was start looking at other teachers, and what\/how they were teaching. I saw things I liked, but I decided to go a different route. I decided to teach the things that weren\u2019t being taught. Basically, it was anything other than the twelve notes that we use. Most people were teaching twelve notes, and we call that music theory. Music theory, for the most part, only deals with twelve notes and focuses on scales, chords, key signatures, harmony, ear training, and what not, but no one dances to notes. No one jumps up just because a song is in E flat. So what else is there besides notes? That\u2019s what intrigued me, so I started focusing on mostly that. It resonated with a lot of people, and they were asking for more. That\u2019s what resulted in my book called \u201cThe Music Lesson.\u201d Many of the lessons I came up with were put into stories.<\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-271972\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2018\/01\/wooten14.jpg\" alt=\"victor wooten\" width=\"1200\" height=\"800\" data-wp-pid=\"271972\" data-pin-nopin=\"nopin\" \/>RR:<\/strong> You\u2019ve played with many people over the years, but is there any particular jam or event that stands out in your mind?<\/p>\n<p><strong>VW:<\/strong> There are a bunch, yeah. Last December, almost a year ago from now, getting to play with Chick Corea for a couple of weeks in a couple of different bands to celebrate his 75<sup>th<\/sup> birthday. I got to play in two of those bands, and it was amazing. In one of them I was playing the upright bass, which is not something I do much, but he called me in to do it, so I said okay.<\/p>\n<p>Opening for the Grateful Dead was amazing. I\u2019m not the biggest fan of their music, but I am the biggest fan of them. To open for such a legendary show like that on New Year\u2019s Eve was great. From that spawned me playing with bands like Dave Matthews Band, Phish, and getting to play with all of those kinds of bands. One of my favorites was getting to play with two of my bass heroes Stanley Clarke and Marcus Miller. We made an album together titled \u2018SMV.\u2019 A lot of times getting to play with my heroes is the biggest treat. But growing up playing with my brothers, and getting to play with Bela Fleck for almost 30 years now, those things are just as special.<\/p>\n<p>Honestly though, the most special gig is the one I\u2019m doing next. All the past ones are just warm ups, training ground, for the one I\u2019m about to do. I need to treat the one I\u2019m about to do as the most special gig ever, or else I feel I\u2019m not giving the audience the full experience they deserve. So really, the most important gig is the one I\u2019m doing or about to do.<\/p>\n<p><strong>RR:<\/strong> What advice do you have for young musicians?<\/p>\n<p><strong>VW:<\/strong> Listen. The same way we learn to speak is by listening. Play more than you practice, find people to jam with, go to hear music, and learn as much as you can, but don\u2019t let learning about music rob you of the enjoyment.<\/p>\n<p><strong>RR:<\/strong> It sounds like this trio is something you\u2019ve wanted to do for a while, are there any other projects you\u2019ve been thinking about that you really want to do?<\/p>\n<p><strong>VW:<\/strong> Oh yeah, lots. One is an acoustic album featuring different acoustic instruments and an acoustic bass. I still have a plan for that. I also want to do a tour with students from my camps, which would be a lot of fun. I usually stay in touch with many of my students, and they make sure of it. They show up at my gigs, and find me on Facebook. Many of them are out doing major gigs themselves.<\/p>\n<p>I have a lot of projects and records I want to do. I still want to do a record with my three remaining brothers, and we\u2019re actually recording something right now.<\/p>\n<p><strong>RR:<\/strong> Is there anything else you\u2019d like to say to our readers?<\/p>\n<p><strong>VW:<\/strong> Just to let people know they can go to my website and sign up for my camps. We\u2019re about to start our 19<sup>th<\/sup> year, and it\u2019s easy to register. Either go to <a href=\"https:\/\/www.victorwooten.com\/\">www.VictorWooten.com<\/a> or you can go straight to the camp website, <a href=\"http:\/\/vixcamps.com\/\">www.Vixcamps.com<\/a>. You can just go on and sign up, no audition is required or anything like that.<\/p>\n<p><strong>RR:<\/strong> You have a very large group of students with a very diverse span of knowledge, how do you handle that?<\/p>\n<p><strong>VW:<\/strong> The same way you learn to talk with other kids. You learn much quicker when you talk to people who are older. We apply the same idea to our camp. It benefits both the beginner and more advanced players. For the more advanced players, it allows the people who are stuck to see beginners learning their craft and it inspires them. The most difficult part about that, for me, is finding teachers who are comfortable teaching a group whose ranges of knowledge are so different, and fortunately I\u2019ve found those people.<\/p>\n<p>Our camps our different. I wouldn\u2019t say they\u2019re better, but they\u2019re different. It\u2019s located just outside of Nashville, TN and people can fly in and take a shuttle out there. It\u2019s all inclusive and there is a chef onsite. I\u2019m there 100% of the time, so the mystique of \u201coh there\u2019s Victor\u201d goes away after a couple of days, and we just become friends. We stay up late, jam by the fire, and get deep into music. It\u2019s a good dream come true for me.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As I sat in Anthology in Rochester, NY waiting for Victor Wooten to speak with me I had no idea what to expect. The crew setup the stage across the room to get everything ready for the upcoming soundcheck, but there was no sign of Victor. I sat and pondered how different the room would [&hellip;]<\/p>\n","protected":false},"author":81,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":"","footnotes":""},"categories":[45,15,18,2,109,20,175,1,27],"tags":[437,3314,174,1877,3315,3316,3317],"class_list":["post-852","post","type-post","status-publish","format-standard","hentry","category-blues-jazz","category-features","category-funk-soul-rb","category-genres","category-interviews","category-regions","category-rochester","category-uncategorized","category-western-ny","tag-anthology","tag-bass","tag-jazz","tag-rochester","tag-trio","tag-trypnotyx","tag-victor-wooten"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Trypnotyx: An Interview with Victor Wooten - NYS Music 20\u200b17<\/title>\n<meta name=\"description\" content=\"As I sat in Anthology waiting for Victor Wooten to speak with me, I had no idea what to expect. 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