{"id":616,"date":"2017-08-30T00:00:00","date_gmt":"2017-08-30T00:00:00","guid":{"rendered":"https:\/\/dev.nysmusic.com\/2017\/2017\/08\/30\/in-their-own-words-freekbass\/"},"modified":"2017-08-30T00:00:00","modified_gmt":"2017-08-30T00:00:00","slug":"in-their-own-words-freekbass","status":"publish","type":"post","link":"https:\/\/dev.nysmusic.com\/2017\/2017\/08\/30\/in-their-own-words-freekbass\/","title":{"rendered":"In Their Own Words: Freekbass"},"content":{"rendered":"

On a sunny Friday evening on August 18, funk icon\u2019s Freekbass and The Bump Assembly<\/a>\u00a0rocked the main stage at Nights Of Fire Music Festival<\/a> in Franklinville, NY. Before the big performance, NYS Music was honored to sit down with Chris \u201cFreekbass\u201d Sherman in Freekbass<\/a> and The Bump Assembly\u2019s tour van. As we began, \u00a0Freekbass wittily commented, \u201cIt\u2019s appropriate that we\u2019re doing this in the van, because this is where we live.\u201d<\/p>\n

Born, raised, and currently based out of Cincinnati, OH, Freekbass has released six full length albums and has collaborated with modern legends including Bootsy Collins, DJ Spooky, Mike Gordon, Buckethead, Bernie Worrell, and many others. His touring band, Freekbass & The Bump Assembly\u00a0includes Razor Sharp Johnson (Bootsy\u2019s Rubberband\/P-Funk<\/i>) on keys and synths and Rico Lewis (George Clinton & P-Funk<\/i>) on drums.<\/p>\n

Whether he\u2019s rocking the cover of Bass Guitar Magazine, playing upward of 150 shows each year, or working on his new album with Ropeadope records, Freekbass is one of the hardest working musicians in the funk business. NYS Music is humbled to present you this edition of \u201cIn Their Own Words.\u201d Here we have a collection of bite size nuggets of knowledge, quoted directly from Freekbass:<\/p>\n

On Life On The Road:<\/strong><\/p>\n

Living in the van, we play about 150 dates a year. I enjoy the road life. I always say you sorta have to have that trucker gene in you to really enjoy it. In James Brown’s autobiography, he explains how they started in a station wagon, then they moved to a van, then to a bus, then a plane, and then a private jet. It doesn\u2019t matter if you\u2019re in that private jet or that station wagon, the road is still the road. \u00a0You have to enjoy yourself.<\/p>\n

I like meeting new people all the time. It\u2019s always exciting because you gain energy from new people, and the energy is always different in different places. The audience becomes as much a part of the music and the band as we are. I used to thank the audience at the end of the show. I\u2019d say, \u201cthanks for letting us play for you,\u201d nowadays, i\u2019m always saying, \u201cthank you for letting us play with you.\u201d It feels like our audience has become as much a part of the music as we are. We can play a song for 20 minutes long or the same song for 5 minutes. It all has to do with what the vibe is that night. A lot of our performance has to do with what\u2019s happening with the audience.<\/p>\n

In the last few years, music streaming, illegal downloading, and torrenting has taken over the industry. Five to ten years ago, you recorded a record and then you played live to promote the record. Nowadays, it feels like it\u2019s almost the opposite. A band records a record to help bolster their live show. For instance, when they first began, Pretty Lights\u00a0gave all of their music away for free. Some people said, \u201coh wow this is a pretty odd business model,\u201d but, the idea was to get inside everyone’s ears. All of a sudden, they created this huge live buzz, it was all about going to see them live. We have\u00a0a brand new business model. I think it’s great. Nowadays, you have to be a really good live act. The one thing you can\u2019t replace is a good live show.<\/p>\n

On Cincinnati Ohio\u2019s Funk Music Scene:<\/strong><\/p>\n

The Cincinnati music family is pretty tight knit. In the music industry, there already is just six degrees of separation between everybody, but, the funk community is even smaller. That\u2019s one thing that\u2019s great about being in Cincinnati. The history goes back to the days of James Brown and King Records; that\u2019s how many great funk players such as Bootsy Collins got their start. There\u2019s always been a strong community of funk musicians in the midwest. When there is a plethora of musicians playing the same kind of music, it\u2019s easier to connect then it might be in other parts of the country.<\/p>\n

On Pre-Performance Rituals:<\/strong><\/p>\n

We always get together and meditate and pray before a show. It\u2019s something we do no matter what. This is nice because sometimes-at festivals especially-performing can be freaking chaotic due to changeovers and all sorts of things. I feel like prayer grounds us. Right before we go on, no matter how chaotic the day is, even if we have to run behind the back of the van and do it, we always pray.<\/span><\/p>\n

Fun Facts:<\/strong><\/p>\n

I\u2019m looking forward to the new Justice League<\/a> movie…I also listen to a lot of superhero podcasts. My favorite one is called Holy Batcast<\/a>. There is also Batmannews.com, Suicide Squadcast, Batman On Film, ect. I\u2019m a big podcast fan. I also listen to WTF with Marc Maron<\/a> quite a bit. I enjoy putting my headphones in and listening on long road trips.<\/span><\/p>\n

Listen To The Entire Freekbass Live at Nights Of Fire Performance:<\/p>\n