Tag: Trombone Shorty

  • Trombone Shorty brings N’Awlins to The Egg

    Trombone Shorty and Orleans Avenue brought the N’awlins flavor to The Egg in Albany on Wednesday, June 14 to the delight of a sold out audience. Troy Andrews AKA Trombone Shorty and friends made jaws drop by their range in abilities and genres in which they proved to be fluent.

    The once brass prodigy now household name, arrived on stage to a surprisingly hard rock sound with blinding lights and funky riffs from band mate Pete Murano. It was certainly not the typical “N’Awlins” intro one might expect, but added a certain level of intrigue that would continue throughout the nearly 90-minute set.

    From funk to blues to R&B and soul, each song brought a new variation but with the consistent Louisiana street party the crowd came to see. Andrew’s ability to seamlessly move between trumpet, tambourine, vocals, drums and of course, trombone, highlighted the musical Renaissance Man’s many talents.

    The largely middle-aged crowd was shy at first, sitting politely while bopping along to the rhythm, but it took almost no time to move them to their feet. Andrews engaged the fans with call and response vocals, and naturally handed out beads to the excited ladies in the front row.

    Each of the six members of the band had many opportunities to showcase their talents. BK Jackson on tenor sax along with his brass partner Dan Oestreicher on baritone sax worked their magic as both musicians and dancers, gliding across the stage with ease while muscling through some impressive solos. Michael Baily practically did an army crawl across the stage while thudding the bass, his CamelBack strapped on only adding to his masculine charisma.

    Song selections sprawled across the board including old favorites like “Where Y’At” and new songs like “Where it At” from their latest album “Parking Lot Symphony.”  Andrews “took it to the bridge” with James Brown samples as he moonwalked across the stage, sending the crowd into a loud roar.

    Their rainbow lights that splashed across the interior walls of The Egg served as street lamps as they paraded into the crowd to Louis Armstrong’s “When the Saints go Marching In,” a true staple of The Big Easy.

    “We’re going to have to come back to Albany more often,” said Andrews to end the incredible evening.

  • This Week in Protest Music – Audioslave Reunites, new tracks by Arcade Fire and Dumpstaphunk

    A vast history of protest music has been written in response to events in our American history. Songs well known (“This Land is Your Land,” “Masters of War,” “Fortunate Son”) and lesser known (“Waist Deep in the Big Muddy,” “Ashes of War,” “Hardsome Johnny“) have been written and popularized thanks to the American right to peacefully assemble and speak freely, without fear of persecution. Artists of all genres and popularity take part in this American tradition, one that we at NYS Music hold dear. We begin this week with our new series, This Week in Protest Music. This is not a time for silence by the media, nor is it a time to ignore the voices of the people whose voices strive to be heard, in particular those who are amplified by musicians. Dissent is patriotic.

    We will share the most current and relevant protest music that is written in light of the events surrounding the new administration’s ascent to power. Neil Young took four weeks to write “Ohio” in the wake of the Kent State shooting in 1970. Thanks to technology and the immediacy of news, songs in response to unpopular actions will be more frequent and plentiful in number.

    Music is universal. Music speaks for us all. Music takes a stand.

    We share that music with you.

    This week in protest music:

    Audioslave reunited at a Prophets of Rage show at Teragram Ballroom in Los Angeles. The event also featured Vic Mensa, Jackson Browne, Jack Black and the Los Angeles Freedom Choir. 

    Arcade Fire were joined by Mavis Staples for “I Give You Power.”

    Dumpstaphunk debuted the video for “Justice,” featuring Trombone Shorty. Regarding the song’s message, Ivan Neville told Relix, “The human part is that major common thread that some other humans have the ability to ignore.” He added, “This song is to remind people that we are all in this together no matter what your beliefs, race, or any other perceived differences. When you look at how far we’ve come and think about all the progress we’ve made and then think about how far we still have to go. That’s when you need justice in all its form.”

    https://www.youtube.com/watch?v=lp_tdt61EVA

    The National headlined a Planned Parenthood benefit and debuted “Turtleneck.”

    In honor of the Women’s March this weekend, Fiona Apple debuted “Tiny Hands.”

    https://www.youtube.com/watch?v=geQPkEYJtf4

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