NYS Music 20​17

Tag: Trey Anastasio Band

  • Trey Anastasio Band Fall Tour with Halloween Show

    Trey Anastasio will bring his solo band on a six-night fall tour in Las Vegas and California in late October where the tour includes a Halloween show at the Wiltern in Los Angeles.

    Trey Anastasio continues to keep his solo band busy. With four shows already scheduled in mid-September in Northern New England and New Brunswick, he recently announced a string of shows out west in October and November. The tour kicks off with two nights at the Brooklyn Bowl Las Vegas on Oct. 27 and 28. It continues on Halloween at The Wiltern in Los Angeles, only the fourth time the Trey Anastasio Band has played the holiday, the last time being two years ago. He hits up the Observatory OC in Santa Ana, California the next night on Nov. 1. After a night off to travel north, he finishes up his tour with two nights at the Fox Theater in Oakland, California on Nov. 3 and 4.

    In addition to those dates, he also has a pair of orchestral dates in late September in Nashville and Atlanta.

    Tickets for the fall tour are currently available through a realtime pre-sale, which ends Wednesday, Aug. 23. They go on sale to the general public on Friday, Aug. 25.

    Trey Anastasio Band Tour Dates
    Sept. 15 – Harvest Jazz & Blues Festival, Fredericton, NB
    Sept. 16 – Thompson’s Point, Portland, ME
    Sept. 17 – Grand Point North Festival, Burlington, VT
    Oct. 27-28 – Brooklyn Bowl, Las Vegas, NV
    Oct. 31 – The Wiltern, Los Angeles, CA
    Nov. 1 – The Observatory OC, Santa Ana, CA
    Nov. 3-4 – Fox Theater, Oakland, CA

    Trey Anastasio Orchestral Dates
    Sept. 27 – Shermerhorn Symphony Center, Nashville, TN
    Sept. 29 – Atlanta Symphony Hall, Atlanta, GA

  • Photo Recap: Summer Camp Music Festival 2017

    Summer Camp 2017 was another fantastic year in the Midwest festival’s history. Amid powerhouse sets from hosts Umphrey’s McGee and moe., and alongside memorable performances from Trey Anastasio Band, Pretty Lights Live, Gov’t Mule, Turkuaz, TAUK, The Disco Biscuits and dozens more artists from across the country.

    Tributes to Gregg Allman, who passed away on the third day of the festival, poured out almost immediately, with Eric Krasno Band, Flaccid and Gov’t Mule all covering “Whipping Post” within hours of his death. Trey Anastasio Band followed suit the next day by covering “Midnight Rider,” just a small sampling of the immense influence and praise Greg Allman earned from nearly 50 years of performing. Watch Gov’t Mule’s star-studded tribute:

    https://www.youtube.com/watch?v=TVt8ni18N50

    Buffalo’s Aqueous played three sets over the weekend, each one drawing a larger crowd than the last as they finally moved from the Camping Stage to the Starshine Stage. The following Aqueous has developed over the past decade is a testament to the band’s work ethic and connection with fans as far back as performances at Nietzsche’s. They welcomed moe.’s Vinnie Amico and Joel Cummins of Umphrey’s McGee to the stage for a cover of Steely Dan’s “Kid Charlemagne,” putting an exclamation point on their breakout weekend.

    Lettuce alums Break Science and Eric Krasno Band stepped out on their own for well received performances, as did Brooklyn’s Turkuaz, who blew the crowd away at the Campfire Stage late Saturday night with a powerhouse set, putting them head and shoulders above others in the funk world. Wild Adriatic and Intrepid Travelers performed at the Camping Stage, a stepping stone for the many rising bands that Upstate New York produces. Both bands dropped spirited covers to the Camping audience, with Wild Adriatic covering Black Sabbath’s “War Pigs” and Intrepid Travelers paying homage to Prince with “Electric Avenue.”

    Of course moe. performed five sets throughout the weekend, with one set being rained out on Friday afternoon. Their late night performance in the Red Barn with Everyone Orchestra was full improv, and a treat for all ticket holders. moe. later brought up Turkuaz horns for “Ophelia” and “Happy Hour Hero” and bringing a jaw-dropping opener “Battle Without Honor Or Humanity” from Quentin Tarantino’s Kill Bill and was part of moe.’s Halloween performance last year. Turkuaz later came out in full for “Life During Wartime” in a show that featured a giant “Meat” sandwich of the entire second set on Saturday. Sunday’s performance closed out with pure moe. start to finish, including a “Chromatic Nightmare” sandwich of the second set and “Opium” featuring Allie Kral of Yonder Mountain String Band on fiddle.

  • Trey Anastasio Band Opens ‘Paper Wheels’ Tour At The Cap

    On Friday, April 14, the hallowed halls of The Capitol Theatre welcomed a sold-out crowd for the first of two nights there for the start of Trey Anastasio’s Paper Wheels tour. The magnificent sound and history of The Cap made it the perfect setting for a tour opener, not to mention a diverse setlist composed of Anastasio and Phish tunes along with a few debuts and covers.

    Set 1 opened with bassist Tony Markellis setting the pace on “Sand” and Anastasio quickly found his mark, clearly showing his excitement to be on the stage with his long-time solo act bandmates. With plenty of improv intertwined in the songs, the set carried on with TAB staples and closed with a funky version of “Gotta Jiboo.” The band made a few debuts and covers in the first set to the delight of the crowd. An original new tune written by Anastasio and Tom Marshall “This Crazy World I Know” made its debut as did a cover of Portugal. The Man’s brand new single “Feel It Still” off of that band’s yet-to-be-released album Woodstock, expected some time this year. Included in the Set 1 covers mix were TAB’s interpretation of George Harrison’s “What Is Life,” Bob Marley’s “Soul Rebel,” and by audience request, Toots and The Maytal’s “Sweet and Dandy.”

    The second set was much looser and groovier with a greater focus on opening the songs up to feature improvisation from everyone on stage, including an impromptu moment with Cyro Baptista getting goofy on percussion. It opened with the salsa-inspired “Curlews Call” and “Night Speaks To A Woman” before getting to the first of two songs in the set from Paper Wheels, “Liquid Time.” Ray Paczkowski’s keyboard introduced “Alaska,” a tune introduced by Anastasio in 2008 prior to Phish’s reunion and reminiscent in feel to a faster version of the Grateful Dead’s “Tennessee Jed.” Things got funkier as “Simple Twist Up Dave” came around with the slow groove of “Windora Bug” following, featuring Markellis on vocals. Speaking of vocals, Jennifer Hartswick had the theatre roaring after her performance on the band’s cover of Gorillaz’ “Clint Eastwood” and again on their take on Led Zeppelin’s “Dazed and Confused” to close the set.

    After closing the second set with a high-energy and powerful performance of “Dazed and Confused,” the band returned for an encore starting with another debut.  The traditional Irish tune with roots in 17th century Scotland, “The Parting Glass,” was a pleasant surprise to hear. The a cappella rendition was led by Anastasio on the first verse, complimented with beautiful harmonies from Casey, Hartswick, and Cressman. Anastasio and his band blazed the end of the show with “Push On Til The Day” with the horns bringing out their inner Tower of Power to add a punch to the song.

    Night One Setlist, 4/14/2017:

    Set 1: Sand, Mozambique, Cayman Review, What Is Life, This Crazy World I Know, Sweet And Dandy, Speak to Me, Pigtail, Feel It Still, Valentine, Soul Rebel, Gotta Jibboo

    Set 2: Curlews Call, Night Speaks To A Woman, Liquid Time, 49 Bye Byes, Alaska, Heavy Things, Simple Twist Up Dave, Windora Bug, Shine, Clint Eastwood, Dazed and Confused

    Encore: The Parting Glass, Push On Til The Day
    Night Two Setlist, 4/15/2017:

    Set One: Drifting, Magilla, Sometime After Sunset, Alive Again, O-o-h Child, 1977, It Makes No Difference, Small Axe, Last Tube, Lever Boy, Bounce

    Set Two: Money Love & Change, The Way I Feel, Tuesday, Ocelot, Goodbye Head, Architect, The Devil Went Down To Georgia, MacArthur Park, Ether Sunday, First Tube

    Encore: Black Dog