Tag: space bacon

  • Round 2 of NYS Music’s March Madness 2017

    It’s time for Round 2 of the 2017 NYS Music March Madness! We’ve brought together 64 of New York’s up and coming bands for a friendly tournament style competition for readers to discover new artists who call New York home.

    The original field of 64 bands are those you might not know about, but should. Recommended for inclusion in our field of 64 by NYS Music staff, contributors and readers, we hit every corner of New York State, from Long Island to Buffalo, The Catskills to the North Country and all points in between. NYS Music March Madness is a great way to discover a new and upcoming band in your area and show your support and love for bands you see often. We focus once again this year on the bands who are on the cusp of greatness. There was only room for 64 but we made some great choices and picked a wide array of genres to bring to you this year.

    We’d like to thank our regional sponsors The Hollow Bar and Kitchen, Nietzsche’s Buffalo, The Downtown Barn and Castle Studio. These small businesses represent the best of what New York State has to offer and celebrate music while inviting local and touring bands to perform for growing local scenes across the state.

    Second round matchups in Nietzsche’s Buffalo region and Castle Studio region include these 8 matchups:

    Mister F (jam/prog) vs Funktional Flow (funk n jam)
    Folkfaces (bluegrass) vs Sly Fox & the Hustlers (rock)
    The Other Brothers (jam) vs The New Daze (psychedelic jam rock)
    Raibred (Progadelic) vs Lord Electro (jamtronica)
    Teddy Midnight (electro jam) vs Intrepid Travelers (improv/jam)
    Space Carnival (psych groove rock) vs Let’s Be Leonard (jazz/jam fusion)
    Talking Underwater (indie rock) vs Annie in the Water (acoustic rock)
    Candy Ambulance (grunge rock) vs Ampevene (prog rock)

    The Hollow Bar and Kitchen region and The Downtown Barn region feature these 8 matchups:

    The Medicinals (reggae) vs Root Shock (reggae)
    North and South Dakotas (y’allternative) vs Last Daze (black country rock)
    Unknown Woodsmen (funklove) vs Barroom Philosophers (reggae rock)
    Chris James and Mama G (Ameribeat) vs Ocular Panther (prog/electro)
    Boogie Low (acid rock) vs Cousin Earth (folk rock fusion)
    Dead Superstars (metal) vs Kimono Dragons (surf rock)
    LoveDeep (jam/blues/rock) vs Big Mean Sound Machine (funk)
    Space Bacon (jamtronica) vs Formula 5 (jam rock)

    Second Round voting begins at 10AM EST on Thursday, March 16, and closes at midnight on Saturday, March 18. Sweet Sixteen voting begins at 10AM EST on Monday, March 20. Vote now for your favorites and discover some of the great up and coming music that New York State has to offer!

  • Round 1 of NYS Music 2017 March Madness

    It’s March and it’s time for the 2017 NYS Music March Madness, Round 1! We bring together 64 up and coming bands from across New York State for a friendly tournament style competition throughout the month of March for readers to discover new artists who call New York home.

    These are 64 bands you might not know about, but should. Recommended for inclusion in our field of 64 by NYS Music staff, contributors and readers, we hit every corner of New York State, from Long Island to Buffalo, The Catskills to the North Country and all points in between. NYS Music March Madness is a great way to discover a new and upcoming band in your area and show your support and love for bands you see often. We focus once again this year on the bands who are on the cusp of greatness. There was only room for 64 but we made some great choices and picked a wide array of genres to bring to you this year.

    We’d like to thank our regional sponsors The Hollow Bar and Kitchen, Nietzsche’s Buffalo, The Downtown Barn and Castle Studio. These small businesses represent the best of what New York State has to offer and celebrate music while inviting local and touring bands to perform for growing local scenes across the state.

    First round matchups in Nietzsche’s Buffalo region include:

    Mister F (jam/prog) vs Subsoil (hip-hop)
    Funktional Flow (funk n jam) vs Gowanus (jamtronica)
    Folkfaces (bluegrass) vs Phineas and the Lonely Leaves (indie rock)
    Sly Fox & the Hustlers (rock) vs King Buffalo (blues/stoner rock)
    Lucky Jukebox Brigade (indie/pop/punk) vs The Other Brothers (jam)
    The New Daze (psychedelic jam rock) vs Druse (post hardcore)
    Ire Clad (metal) vs Raibred (Progadelic)
    Tart Vandalay (indie) vs Lord Electro (jamtronica)

    In the Castle Studio region we have these 8 matchups:

    Teddy Midnight (electro jam) vs Vaporeyes (jam)
    Super Killer Robots (stoner rock/metal) vs Intrepid Travelers (improv/jam)
    Space Carnival (psych groove rock) vs Murder in Rue Morgue (Metalcore/groove metal)
    Mike Powell (folk) vs Let’s Be Leonard (jazz/jam fusion)
    Talking Underwater (indie rock) vs Let Go Daylight (hard rock)
    Annie in the Water (acoustic rock) vs Hot Mayonnaise (rock n roll)
    Candy Ambulance (grunge rock) vs Jeremiah’s Razor (heavy rock)
    Red Shift (rock) vs Ampevene (prog rock)

    The Hollow Bar and Kitchen region features:

    St. Philip’s Escalator (rock) vs The Medicinals (reggae)
    Root Shock (reggae) vs Schmave (indie)
    Breakfast for the Boys (rock) vs North and South Dakotas (y’allternative)
    Last Daze (black country rock) vs Oogie Wawa (alternative/reggae)
    Castle Creek (blues rock) vs Unknown Woodsmen (funklove)
    Humble Braggers (indie ambient) vs Barroom Philosophers (reggae rock)
    Wavy Cunningham (soul) vs Chris James and Mama G (Ameribeat)
    Ocular Panther (prog/electro) vs SchwizZ (prog funk rock)

    The final 8 matchups are in The Downtown Barn region:

    Frank Palangi (solo rock) vs Boogie Low (acid rock)
    Skeptic (death metal) vs Cousin Earth (folk rock fusion)
    Fall of Humanity (metal) vs Dead Superstars (metal)
    Kimono Dragons (surf rock) vs Further Unsound (psych rock)
    Love Deep (jam/blues/rock) vs The Demos (indie pop)
    Big Mean Sound Machine (funk) vs Danielle Ponder & Tomorrow People (soul)
    EVHO (rock) vs Space Bacon (jamtronica)
    Stellar Young (indie punk rock) vs Formula 5 (jam rock)

    First Round voting begins at 10AM EST on Monday, March 11, and closes at midnight on Wednesday, March 13. Second Round begins at 10AM EST on Thursday, March 14 with the remaining 32 teams. Vote now for your favorites and discover some of the great up and coming music that New York State has to offer!

  • Disco Biscuits Drop Mid-Run Heater at the Fillmore

    All Disco Biscuits shows are not created equal.  Throughout their career, the band has gone through periods of inconsistency that can last for years at a time.  In fact, the only guarantee involved in attending a Biscuits run are the differing opinions that the massively diverse fan-base somehow accumulates over the course of the weekend.  The Disco Biscuits homecoming at the Fillmore Philadelphia last weekend drove this point home yet again, with nearly everyone’s preference all over the musical map.  Thursday, February 2 kicked the weekend off with a rarely played tune, “Biscuits Are Coming Home” which has only been performed 3 times previous, the last of which was in 2010.

    From the information gathered, it seems as though there was a 33/34/33 split as to who championed February 2, 3, and 4 as the best shows, respectively.  Friday happened to be my 50th Disco Biscuits show, so let’s hope there isn’t a slight bias in my agreeing with the slight majority.  Thursday’s setlist selections didn’t seem to stream, while Saturday was nearly completely frequent repeats (with several of the evening’s tracks having been performed multiple times during the last 3 runs)  from last year’s rotation.  Anyway, let’s put on our red shoes and dance.

    The 3rd began with familiar Philadelphia locals, Swift Technique.  Combining aspects of funk, rock and roll, and hip hop with a heavy rhythm section and the sparkling lead vocals of Chelsea ViaCava provided an excellent warm up to the ultimately horny theme of the evening.  A skintight rendition of Rage Against the Machine’s “Know Your Enemy” provided the horn section a platform on which to display their multifaceted choreography routine; playing while darting through the crowd to the delight of surprised early birds.

    The Biscuits hit the stage a few minutes before 10 PM, coming hot off the line with “Bernstein And Chasnoff.”  Guitarist Jon “Babs” Gutwillig took a few minutes to gain his sea legs, but by the time they rolled into “Voices Insane” his licks and hairstyle for the evening fulfilled the wacky technicality demanded by the composition.  The solo was noticeably brighter than the commonly minor and eerie jam that suits the song’s unsettling lyrical content. It appropriately continued the upbeat theme as bassist Marc “Brownie” Brownstein slapped it silly into the end of “Bernstein and Chasnoff,” bringing the first segment of the night to a promising end.

    Quite a tasty sandwich, and only the first course!  The opening bars of “The Very Moon” proved another slight challenge for the Barber, but he seemed to lock in and flash a smile at keyboardist Aron Magner just as the galloping acoustic piano lit up the whole room. With 2 crystal chandeliers flanking the stage on either side of the ceiling at the Fillmore, the light show was multiplied in a dazzling array of prisms.  Just as the tune was about to peak into its heavy riffing funk section, Swift Technique’s horn section rejoined the stage for a seamless transition into Rick James’ “Give it To Me Baby,” which the Disco Biscuits have played once before on Halloween of 2015, also accompanied by horns.  This version seemed more frequently rehearsed, having been at both performances.  The ST horns exited stage left as the funk cover transitioned into an ending of the old school “Morph Dusseldorf” to complete the final round of the first set.

    After a quick half hour plus set break, the boys from Philly came out swingin’ harder than Rocky with a pummeling “King of the World,” with the horns of Swift Technique once again in their corner.  Drummer Allen Aucoin kept pace as immaculately as usual, slowing things down for a debut cover of David Bowie’s 1983 smash hit “Let’s Dance.”  The white lasers playing off the disco ball like a crown brought the energy of the crowd straight back to the 80’s dance vibe that we all hate to love.  Disco Biscuit cover tunes are usually not, in any way, my bag; but something about Gutwillig’s low crooning register actually worked with the classic.  It was roughly 10 to 15 times more together than last year’s covers of “Touch Me” and some other unmemorable tripe at the February Fillmore run, which were also performed with Swift Technique horns. And the Doors are completely unbearable as it is.

    The resulting improvisation was quite danceable, flirting with a few familiar melodies before taking flight with an inverted “Humuhumunukunukuapua’a.”  “Astronaut” continued the segment with a surprising drop in and quite the dreamy bridge, conjuring an image and feeling of zero gravity.  There were many contradictory opinions as to where the next jam was leading, and the Biscuits turned up the heat big time with the lead in to the chorus of “Down to the Bottom,” playing a fully dyslexic version instead of their typical last-first inversion arrangement.  Combining that classic with the end of “Confrontation” to bring the evening to a close left many fans with their favorite high energy segment of the weekend.  For the encore the boys selected “On Time,” which was a bit strange considering they played it in the encore slot on the second night of last year’s Fillmore run as well.

    With two down and one to go, the internet was ablaze with vastly differing commentary.  We rushed to our Ubers and off to typical Philly after parties in cramped lofts to continue having our brains jangled by DJs, Space Bacon, and other sixth tier jam squads…and to continue the beautiful and elusive flight of the Flugel.

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  • Engaging in Wintercourse: Friday Night @ the Knitting Factory

    On Friday night in Brooklyn, the sixth annual “Wintercourse” took place at the Knitting Factory.  All four bands on the bill had shared practice space and admiration for one another over the years which created a love filled environment on the gloomy Inauguration Day.  Fans young and old packed the small venue before the first band entered the stage, proving that time placement had nothing to do with crowd preference or popularity.

    Teddy Midnight performed first and instead of simply warming the crowd up, they hot boxed the room!  Glow sticks began lighting their way into the crowd during the first song of the evening, “Veni Veni Veni,” off their 2016 release, Velvet Blue.  In fact, the set list was heavily layered with songs off the same album, which happens to be their meatiest and most recent release.  The four members sonically tasered their fans during the nucleus of the set list when the “Primordial> Velvet Show Jam>Velvet Mist> Tree-O-Tree” combination was played for the first time.  Adam Magnan on drums teamed up with Sean McAuley on keys to recreate my childhood in what I can only describe as the theme music from Crusin’ USA for Nintendo 64.  Sean Silva added some fuzzy textures by means of the bass and synth throughout the notable jam that lasted for the better half of the set.   Guitarist Wiley Griffin announced their final song to the dismay of the audience as “Air BND” followed them off the stage.

    The “Ukulele progressive rock band,” Cousin Earth, was the group that I was most excited to see on the bill solely based on the genre description posted on the website.  The five-piece consists of Joey Calfa on ukulele, Nate Searing on drums, Corey J. Feldman on Ubass, Tara Lawton on melodica and keys and Terry Brennan on percussion.  All of the members handled vocals during the gender blending set that consisted of originals and well-known covers.  “Point of No Return” off the 2015 self-titled EP started the set and acted as the padding for the first cover of the night, “Yellow Submarine” by an English band called The Beatles.  The spacey “Alive” was up next followed by the reggae-influenced “Train Luck> Inspector Gadget Theme.”  Only a handful of songs had been executed and I could already tell that their eclectic sound mixed with the funny, yet thought-provoking lyrics had abducted the room for the duration of their time on stage.  My favorite part of the set was the appropriately placed “Another Brick In The Immigration Wall” which mashed up iconic Pink Floyd and Led Zeppelin songs into a sing-a-long for the entire venue.  Earlier in the day, an unmasked Darth Vader was sworn into the Oval Office, leaving me with a pit in my stomach that only comedy and good music could remedy. Thanks to Cousin Earth, I was able to leave our solar system for a while.  As a first time Earthling follower, the group reminded me of a new creation from Taco Bell… it may not have been what I was expecting, but I ate it up and would absolutely order it again.

    Voted the “Top 10 Best” AND “Top 10 Worst Names for a Band” in 2016 by CMJ, the jamtronica quartet, Space Bacon, hit the ground running with an almost 20-minute “Wolves” and even with minor technical difficulties, I was shocked to learn that this was their first time performing this beast live.  In fact, three of the four songs in their Wintercourse performance were Space Bacon virgins, which made the performance an instant classic set for the up-and-coming funky-electronica group.  They transitioned into the commonly played “Jupiter” as Sam Crespo on drums sped up the tempo and created a rave inside the tiny Factory.   “Ice Planet” contained elements of trance and hard rock as the band seamlessly segued from one genre to the other. Kevin LeGall’s bass joined paths with Chris Gironda’s keys to knit together a labyrinth of danceable delight.  Guitarist Jack Willard asked, “Do you guys want to hear new shit or old shit?”  The crowd began calling out for different fan favorites before Willard pronounced, “F*ck you guys, we are doing new shit,”  as they launched into “Prologue.” By far the wordiest tune they played on Friday, this new track was welcomed by the cult-like Baconators and at times had a complex Phishy vibe to it.  Don’t let the short and sweet set list fool you on paper; this thing had fangs, horns and some kick-ass moves.

    Chromatropic finished off the festivities with a unique jazz-fusion jam session spanning their career and highlighting their newest release, Abundance.  The frequently played “Bloom” was tackled early on after transitioning out of a crowd-pleasing intro jam.  One day when they release a Greatest Hits album, this track will make the cut due to its smooth sailing peaks and valleys.  “Habanero” was the first song from the new album and one of my favorites considering I’m all about that bass that Moses Margel is slapping.  Each member gets his time to shine during this spicy instrumental capped off by a Danny Caridi keyboard solo that will leave you in search of water.  Just as it seemed the band couldn’t get any hotter, they segued into the second half of “The Abundance of Elements” where Andrew Carton showed off his impressive and intricate guitar skills.  Mark Potter on midi and drums peppered in samples during the third one off Abundance entitled “Glove.”  The soulful and funky jazz piece is part-Vulpeck, part-Thievery Corporation and part The Chainsmokers?  You read that correctly.  While a high school cheerleader may call “Closer” by The Chainsmokers, “so 2016,” Chromatropic was able to incorporate the cover right into their music and it fit like a glove.

    The Brooklyn jam band scene is currently growing at an alarmingly satisfying rate and Friday night in the funkiest of boroughs, I was reminded that America continues to get greater every day.  While these four bands may be fighting for the same cause, to make people dance, they are in no way clones of each other.  Through their diversity and gender bending identities, they were able to come together and turn a surreal day into a sublime night.

    Teddy Midnight Setlist: Veni Veni Veni, Turkish Silva, Trap Haus, Primordial > Velvet Slow Jam > Velvet Mist > Tree-O-Tree*, Air DNB

    *Primordial through Tree-0-Tree first time played segue

    Cousin Earth Setlist: Point of No Return>Yellow Submarine@>Point of No Return, Alive, Train Luck>Inspector Gadget, When the Dinosaurs Come Back from Outer-space!, Super Fun Laser Beams, I Got This, Another Brick in the Immigrant Wall$, Capricorn on the Cob

    @ Beatles cover, ! BELT original, $ Led Zeppelin & Pink Floyd mash-up

    Space Bacon Setlist: Wolves*^> Jupiter (end), Ice Planet*, Prologue*

    *First time played, ^ bass malfunction, audible’d trio jam

    Chromatropic Setlist: Intro> Bloom, Habanero > The Abundance of Elements@>Gaia, Glove> Closer*> Glove

    @ Second half only, * The Chainsmokers cover

  • 6th Annual Wintercourse at the Knitting Factory in Brooklyn

    On Friday, Jan. 20, the 6th Annual Wintercourse will be held at the Knitting Factory in Brooklyn for an evening with some of the area’s top acts, known as The Brooklyn Jam Syndicate: Teddy Midnight, Cousin Earth, Space Bacon and Chromatropic.

    wintercourseThe evening will kick off with Teddy Midnight taking the stage at 8:30 p.m. Teddy Midnight delivers a mix of progressive rock, drum and bass, jazz and downtempo at their shows; a self-titled genre they term as “Electro-Dance-Funk.” They’ve played sold out shows at other prominent NYC establishments like Irving Plaza, Brooklyn Bowl, Gramercy Theater and Bowery Ballroom. They’ve shared the stage with Dopapod, Consider the Source, The Werks, Twiddle and other successful touring acts.

    Cousin Earth will take the stage at 9:45 p.m. Cousin Earth is a progressive ukulele rock band, and you can expect anything from bluegrass to electronica from this Brooklyn act with a wide repertoire of both original and cover songs. They have played over 170 shows throughout the Northeast United States, from Maine to Pennsylvania, and have shared the stage with other acts like Melvin Seals and the Jerry Garcia Band, Sister Sparrow and the Dirty Birds, Future Folk, Andy Frasco, Rustic Overtones, and many more. Their full-length album is set to be released sometime this year.

    Space Bacon will take over at 11 p.m. to keep the evening going. This local four-piece act will bring their own version of progressive electronica & funk rock. The name “Space Bacon” emerged from the love of Kevin Bacon and Kevin Spacey. At the end of 2016, the group released a “Best of 2016” digital album of their best performances of the year.

    Rounding off the evening, Chromatropic will be the last act at 12:15 a.m. Their sound is described as “live organic neo-psychedelia,” and they deliver a truly original show that you don’t want to miss.

    Tickets are $12 and available through Ticketweb.

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