Tag: Rochester Fringe Festival

  • Best of NYS Music 2017: Festivals of the Year

    The beat goes on as NYS Music continues to count down the best, the brightest and the most impactful events surrounding music in the year 2017.  If you’ve missed any of our previous entries, check out the Staff and Reader Picks for Best Venue and Best Album compiled earlier this week.  Today, we tackle Best Music Festival in New York State as well as the country.  And, somewhat unsurprisingly, there’s a striking simoe.larity between the Staff and Reader Picks for both.

    STAFF PICKS – NY FESTIVALS

    A sizzling Saurday night set from the Brooklyn rock/funk outfit known as Turkuaz was just one of the highlights of this year.  This came after the highly anticipated and well received set from up and comers TAUK.  Holly Bowling displayed her prowess on the piano all weekend with both an intimate late night set on Friday and by serving as the “Artist-at-large” all weekend, seemingly sitting in with everyone and everywhere.  Saturday late night sets from Break Science Live Band and Consider the Source served as more than ample entertainment before Pink Talking Fish closed out the festival on Sunday night.  NYS Music was on the scene, naturally. Check out our review here which features this awesome highlight video to give you a taste of 2017 and whet your appetite for next year.

    Rochester Fringe

    In somewhat of a sleeper pick, our staff was also really high on this fairly new and quite atypical music festival.  In fact, this festival is self-billed as a “multi-disciplinary visual and performing arts festival” with all of its events/performers spread out across the entire scenic city of Rochester.

    Fringe organizers have boasted that the event brought in over 78,000 attendees this year, which is a 15% rise from 2016 and can only pay dividends for the local economy.  And while most “traditional” music festivals take place over a long weekend or two with several stages in a fixed location, The Fringe couldn’t be more opposite as it spreads the fun out over 10 days and dozens of stages, with hundreds of shows from which to pick.  In addition to spotlighting local talent such as Rochester’s own The Demos or Ithaca’s Big Mean Sound Machine, this year’s Rochester Fringe also featured the American debut of the renowned French street theater company Plasticiens Volants and comedy courtesy of headliner John Mulaney.  With a truly diverse schedule in all aspects and rising attendance, it’s clear this festival is doing something right with next year’s rendition already scheduled for Sept 13-22, 2018.

    For a more in depth look at this up and coming fest, check out our own Paula Cummings’ reviews of Day 2, Day 3, Day 4 and Day 8 of the festival with some accompanying photos courtesy of Staff Photographer Brian Ferguson.

    Adirondack Independence Music Festival

    This Lake George-based festival also has somewhat of a unique set up and ranked highly among our staff.  Promising music from 2 pm to 3 am, ADK Music Fest delivers this by showcasing bands on two stages right in Charles R Wood Park by the southern tip of the lake during the day and then late night sets at nearby King Neptune’s Pub. With a very reasonably priced ticket (there were a limited amount of $60 weekend tickets available) and a slew of hotels nearby, this is one of the more accessible festivals in the state as well as one of the more scenic ones thanks to views Lake George has to offer.

    ADK Music Fest offered some of the more nationally known acts during the daytime sessions with bands like Twiddle, Ryan Montbleau, Kung Fu and Twiddle gracing the stage while the late night sets were dominated by favorite “local” acts like Mister F and Formula 5.  This was the third year of the festival, so it’s still in the nascent stages of development.  But with a strong attendance this year, and the continued rise of some NY State bands, there’s no reason to think planning insn’t already underway for year four.

    For a deeper dive on this festival, check out NYS Music’s review of the weekend. Here’s a clip from Twiddle’s set which closed things out on the main stage Sunday night and featured a special sit in from Lucid’s Lowell Wurster on washbord.

    And the last of our Staff Picks just so happened to be the same as the definitive winner as chosen by our loyal readers…..

    READERS’ PICK – NY FESTIVAL

    moe.down

    Not even the heavy rains and infinite mud that were both prominently featured at this year’s moe.down could keep our staff and readers from agreeing that this is truly one of the best festivals the state has to offer. Perhaps there was a sentimental vibe to this joint pick as well as moe.down returned after an excruciatingly long, near three year absence. Returned to its roots at Snow Ridge Ski Resort in Turin, this festival always does a tremendous job of creating an artist lineup that mixes both local “up and coming” acts with nationally known bands that may or may not be regularly associated with the jam scene. And seven sets of moe.in the span of three days doesn’t hurt either.

    While, traditionally, moe.down has been a Labor Day Weekend festival, in 2017, it was moved up to the weekend preceding the 4th of July. This made for some warmer temperatures but, unfortunately, the rain that can be often found at this fest was plentiful.  However, that didn’t deter campers from going out and enjoying acts like The Hip Abduction or Fishbone.  New York was well represented with other sets from Mister D and Wild Adriatic that had to navigate some questionable weather at parts throughout the weekend.  And in traditional moe.down style, the hosts were more than generous with the main stage.  Ryan Montbleau and Haley Jane (sans Primates) came out for a rousing rendition of Fleetwod Mac’s “The Chain” on Friday night.  That night also saw Kung Fu join moe. on stage for the second set for some powerhouse collaboration.

    Saturday was no different with both Fishbone and guitarist Charlie Star of Blackberry Smoke both sitting in at points. And Sunday, percussionist Mike Dillon was the guest du jour with appearances on the moe. staples of “McBain” and “Okayalright.”  Weather aside, the whole weekend was ‘alright’ enough for NYS Music readers to declare this the best festival in New York State.  Let’s see if it gets a chance to defend its crown again next year.

    Check out our team review here that goes a little more in depth about this memorable weekend.  It also includes links to retrospectives on moe.downs of years’ past for those interested in seeing how this festival has blossomed from a relatively low key annual gathering of moe.rons to one of the “cant miss” festivals of the summer.

    STAFF PICKS – NATIONAL FESTIVALS

    Peach Festival

    Of all the contemporary music festivals the Northeast has to offer, The Peach Music Festival seems to be gaining the most traction towards becoming a widespread or nationally known “must hit” event on the summer festival circuit. Throw an emotional 2017 with the deaths of founding Allman Brothers Band members Butch Trucks and Gregg Allman on top of that and it’s no wonder why The Peach ranked high on our national festival survey.  Similar to moe.down, but on a slightly larger scale, this festival offers camping on a giant hillside that’s used for skiing as well. But it also doubles as a water park in the summer months, replete with water slides and a lazy river.  This is all in addition to three different stages offering music for seemingly all tastes.

    One of the best parts of any festival, or music in general for that matter, is the ability to use it to heal and bring people together.  With ugly events transpiring in Charlottesville, VA that weekend, the 2017 Peach Fest served as testament to the good side of humanity and showed just how powerful it can be when large groups of people assemble for the right reasons. Sadly, those reasons this year were linked to the aforementioned deaths and an opportunity to really say good bye this time to one of the most influential American bands of all time in The Allman Brothers. Fittingly, the Peach pulled out all the stops this year with a tremendous tribute set spearheaded by keyboardist Chuck Leavell. When all was sang and done, he was joined on stage at various times by the likes of Warren Haynes, Scott Sharrard, Dave Schools, Oteil Burbridge and Jimmy Herring as well as other members of rock royalty.

    Peach Fest also proved that while one chapter of music may have closed, the ones to come are very promising.  Newcomers Spafford played to a packed house on The Grove stage, the smaller of the three. Hayley Jane and The Primates also played a set there while Rich Robinson took his new Black Crowes-esque offshoot The Magpie Salute out for a spin on the main stage. And in perhaps the clearest sign yet that there’s great promise for tomorrow in terms of musicianship, 14-year old guitarist Brandon “Taz” Niederauer  left jaws agape after his sit in with Widespread Panic on Saturday night.  For a more detailed look at what went down at this year’s Peach, check out Eli Stein’s review here with photos courtesy of Alex Buschiazzo of 215Music.net

    And while some of the inspiration behind this festival may no longer be with us, the show will go on in 2018 and the festival has announced the new dates this year of July 19-22. Rumor has it that the festival’s typical mid-August weekend may be compromised by a certain other major festival thrown by a fairly famous foursome from Vermont.  You heard it here first.

    Rock on the Range

    In perhaps our other sleeper pick this year, Rock on the Range, a hard rock festival in Columbus, OH, was another popular staff selection.  Held at Mapfre Stadium, home to the Columbus Crew of Major League Soccer, this festival compiles some of the biggest and mainstream hard rock.  This year’s event saw revered bands like Metallica, Primus, Korn and The Offspring all grace the main stage with their presence and successfully turn a soccer stadium into a giant rock show.

    Sadly, Rock on the Range was not immune to tragedy this year either.  The untimely passing of Soundgarden front man Chris Cornell immediately preceded the festival and forced the Grunge era legends out of their headlining spot.  Much like Peach Fest, this community seemed to dust itself off and use the three day festival to pay tribute to both Cornell and his band with various covers and tributes.

    Even though NYS Music couldn’t be there to review the festival this year, here’s a clip of Metallica performing one of their classic hits to give you a taste of the harder energy that’s associated with this increasingly successful early summer tradition in the heartland of America.

    This year marked the 11th consecutive year of Rock on the Range with attendance increasing each year.  It’s gone from a relatively small one-day festival with an attendance of 35,000 to a gigantic three-day outing with total attendance this year nearing 135,000 people so it must be doing something right.  2018 shows no signs of slowing down as headliners Tool, Avenged Sevenfold and  Alice In Chains have already been announced for this year’s rendition taking place May 18-20.  For those looking to sprinkle in a little hard rock in their summer musical outings, this appears to be a necessary stop.

    Once again, our final pick from the NYS Music staff is perfectly in tune with our readers…..

    READERS’ PICK – NATIONAL FESTIVALS

    Summer Camp

    In a shocking development, moe. once again  serves as the common thread between Staff and Readers as the Upstate NY rockers have co-hosted this annual rite of passage into summer with their Midwestern brethren Umphrey’s McGee since 2003.  Summer Camp is held at Three Sisters Park in Chillicothe, IL every Memorial Day Weekend and is another true festival success story, growing from 1,000 attendees in its first year to more than 20,000 in recent years. It’s evolved from a regional music fest to near essential travel destination for fans throughout the country.  Umphrey’s McGee and moe. have built a strong friendship over the years and this carries over into the relaxed, family reunion vibe this festival has developed over the years, allowing it to truly live up to its name which conjures up memories of adolescent summers and the annual get togethers with friends .

    Unfortunately, in another common bond among early summer festivals, the rain made its presence early and often this year at Summer Camp, creating muddy terrain and slippery conditions everywhere. But it would take a whole lot more than rain to keep campers from seeing other performing acts like Trey Anastasio Band, Gov’t Mule, Pretty Lights Live and The Disco Biscuits throughout the weekend.  Side projects were prominent at Summer Camp this year as well as Les Claypool not only played with Primus , but also with his Claypool Lennon Delirium project as well.  Phish’s Mike Gordon took his band out here as well, joining bandmate Trey Anastatio and making for some popular sit-in rumors that never came to fruition. Aqueous, a clear band on the rise out of Buffalo, was also prominently involved this weekend with multiple sets.

    The videos above and below give a fantastic sampling of everything this year’s Summer Camp offered festival goers, including the copious amounts of mud.  For a photo retrospective and some additional video, check out our review of the proceedings.  This festival shows no signs of slowing down anytime soon and while it may not be exactly local to New York, with moe. serving as co-host and a top notch artist lineup that seems to get better every year, this is one that’s clearly worth the travel.

    That’s a wrap on Best Festivals of 2017 as voted by NYS Music and its readers.  Stay tuned tomorrow and the rest of the week as we continue with our look back on 2017 and the best music it had to offer.

  • Rochester Fringe Festival Starts Off with a Bang

    The city was alive with the sound of music Friday, September 15. Dozens of venues throughout the downtown Rochester area are participating in the fifth annual KeyBank Rochester Fringe Festival, featuring more than 500 music, art, and theatrical performances over a 10-day timeframe. I spent the evening at Parcel 5, the site on Main Street on which Midtown Plaza once stood. The plan for tonight was to catch a theatrical performance by French troupe Plasticiens Volants and a set of music by local legends Teagan and The Tweeds.

    Teagan and The Tweeds

    Upon approach to Parcel 5, I heard strains of syncopated reggae rhythms filling the air. Festival goers lingered around the lot, some heading closer to the stage, and others staring in fascination at props for the Plasticiens Volants show, and others joining the lines of food trucks parked along the street. Reggae music, courtesy of Rochester’s Noble Vibes, gave way to the sound of bagpipes from Rochester Scottish Pipes and Drums, as people continued to pour into the square.

    The sun went down, and the lights came up on the far end of the lot. Plasticiens Volants began to perform a show they call “Big Bang.” Although the French street performance troupe was founded in 1976, this is their first time on tour in the US.

    Curiosity abounded as people young and old were drawn to viewing a video projected onto an inflatable globe. Narration spoke about the origin of life. A film began, which showed the evolution of civilization. The significance of the experience was not lost on those who grew up in Rochester, the birthplace of modern photography and film.

    Shadow puppets were incorporated into the visuals, and speakers pumped world music with a heavy techno beat. Suddenly, large inflatable balloons came to life, lifted by puppeteers who carried them through the crowd. Seashells and fantastical beasts and planets soared above the crowd, dipping and swaying to the music.

    Children on tiptoe stretched their arms to the star-studded sky to brush the balloons with their fingertips. The music and narration told the story of The Big Bang as a sci-fi fantasy. The magnificently choreographed spectacle ended in a light display, with mirrors like facets of diamonds catching spotlights and splaying beams of light across the city skyline.

    Teagan Ward of Teagan and The Tweeds posted a video of Platiciens Volants on social media as they prepped for their set, the final event of the night at this location. People gravitated towards the stage as the band cranked out boot-stomping tunes.

    This was my first time seeing the band, and I was completely enraptured. My jaw dropped as I watched Teagan, a barefoot blonde bombshell, belt out whiskey bar blues.

    Once the mesmerized gathering got over their initial shock, an impromptu dance floor opened up in front of the stage. Drummer Alfredo Encina provided a strong backbone and bassist Jeremy Stoner laid down grooves as deep as the day is long. They provided a foundation for Katy Wright’s stellar performance on the keys and Lou Giglio’s fancy fretwork. Tommy Formicola took it on home with his pedal-steel guitar.

    The people behind me must have been fans, because they knew all the words to “Morning Glory” and “Give It Up or Let Me Go.” They even played a new song, “Route 100.”

    Elsewhere, the city-wide party was still going strong. A silent disco was about to rage around the corner at the Speigeltent. Attendees donned headphones, through which they could switch between channels as three DJ’s in the tent dueled for the crowd’s favor. The dance wound down at 2am. (If you missed it, don’t worry, they’ll do it again on Saturday September 16, Friday September 22, and Saturday September 23.)

    Plasticiens Volants will reprise their performance on Saturday, September 16 at 8pm. Arrive by 6:30 to catch local pop band The Demos, and plan to stay late for Ithaca’s Big Mean Sound Machine.

    Rochester Fringe Festival runs through Sunday, September 24. For a complete listing of events, go to the website. Advance ticket purchases are recommended, as several shows have already sold out.

  • Tart Vandelay on The Art of Creating Transcendence Through Music

    Tart Vandelay is as fun and feisty as their name. With bopping beats and catchy choruses, they’ve been winning the hearts of music lovers in Western NY and beyond with their live shows over the past year. Next month, they’ll be playing two sets during Rochester Fringe Festival.

    Charismatic couple Katie Halligan and Martin LoFaso started the project while studying at Berklee College of Music, and have since added band members Pete Zamniak on bass and Christopher Dubuc-Penne on drums. Last fall’s EP Frontier Pioneer is a zesty little delight. Blending art with inspiration, the collection of songs are the acoustic equivalent of a novella which celebrates the triumph of the human spirit over adversity.

    NYS Music met up with Halligan and LoFaso at Village Gate, an eclectic multi-use community in the heart of Rochester’s Neighborhood of the Arts. We talked about the joy of making music, and they created a playlist of some of their indie faves.

    tart vandelayPaula Cummings: The name Tart Vandelay, does everyone get that it’s a Seinfeld reference, or are there people who don’t?

    Martin LoFaso: They either do or they don’t. If people are too young or their parents didn’t watch Seinfeld, they don’t get it. But they still appreciate it, it’s still kinda goofy for them, so they still like it. But I was raised on Seinfeld, and I always loved the name Art Vandelay. George is my favorite character. He’s the despicable person who stands out in a group of despicable people. Even compared to other despicable people, he’s bad. It’s just funny to watch and I was always into that name. Luckily, Kate suggested Tart Vandelay.

    Katie Halligan: I thought that adding a letter in front of it, and changing it slightly would just make it a fun play on words.

    PC: What instruments do you play?

    KH:  I sing. I also have a looping station that I use, and I play ukulele and auxiliary percussion – different types of shakers.

    PC: When you use the word “sing” you also mean vocalizations, not just words.

    KH:  I loop vocal percussion, and then I add harmonies on top of myself to fill out the sound and make it sound like there’s a chorus.

    ML: You also play bass and keys and sax, but not for the band yet.

    KH:  I play a lot of other instruments. The next one I will be incorporating into the live performances is keys, the piano.

    ML: In the band, I just play guitar and do backing vocals. I can play other instruments – bass and keys and the drums. She likes being a multi-instrumentalist, and I really like guitars. Any of the writing I do is on guitar. It’s just the instrument that speaks to me the most.

    PC: I’ve seen you on stage, and it looks like you’re having so much fun.

    ML: I’m glad that comes across. What’s interesting about the live show is trying to communicate that feeling. That’s what bands are selling. The good ones are selling a specific feeling at a live show, and it changes based on the band. Have you seen our full band?

    PC: Not yet. That is one of my questions, the difference between playing as a duo and as a full band.

    ML: There’s a lot more energy as a full band, but we still try to retain the cheery disposition. Just having fun. But I think a lot of our songs, especially as a duo, become very meditative. I think we still try to retain that with the full band because that’s the feeling that we’re selling, this sort of transcendence. As opposed to if there was a band that was heavier and wanted to sell more of like an angsty feeling, an aggression feeling. There’s nothing wrong – there’s no wrong feeling to feel. It’s just different bands sell you different feelings. And maybe that’s the feeling that we’re trying to get across.

    KH:  Definitely transcendence, with all our music. Being honest about the human experience. We’re trying to translate that on stage. Hopefully people in the audience not only enjoy it, but explore a lot of different feelings.

    ML: I think making people cry is the best. Especially if you’re going out to a live show. A lot of people have built up defenses about being that vulnerable in public in front of people. I can totally understand that – a room full of strangers watching you bawl your eyes out. But really, we’ve been able to get through to people like that before just with a song, the message cuts so deep for them. That’s the thing, it’s just such a deep connection – it’s the deepest I think – to create that vulnerability, get people to feel the most raw that they can feel.

    KH:  But not always in a sad way.

    PC: You have a song “Alien” that speaks to a lot of people about feeling out of place in the world.

    KH:  You’re taught from when you’re young that the nail that sticks out gets hammered. But we really try to embrace that because what else do we have but our differences? It’s a beautiful thing. I definitely wrote that pretty autobiographical. I’m glad that it speaks to other people. How could somebody not feel the same way at some point in their life and somehow relate to it? And I like the groove, too. That was one of the songs that wrote itself.

    ML: It was the first one you finished.

    KH: Yeah, that was the first. The first Tart Vandelay song.

    PC: So were you in the dorm room at Berklee when you wrote that?

    ML: We had an apartment along the subway line. Yeah, I wrote the guitar part.

    KH:  It started as a project he was doing.

    ML: That’s usually our writing process – I’ll get the skeleton as far as the guitar line and bass of the song. Then it goes to her to write lyrics and rearrange.

    KH:  If I feel it needs a bridge or something, I send it back to him.

    ML: Like Katie said, that one was autobiographical. I think they all are in a way. I think we’ve made a concerted effort as far as the writing itself. If we’re really after something that’s universal to the human condition and at the root of something that everyone is able to go through, then it should resonate even if it comes from an individual standpoint. The universal timeless things we all go through, existential questions and stuff like that. We don’t have to write for other people. We write for other people by writing for ourselves. It’s just a matter of getting people to surrender, to go to the feelings that deep.

    PC: You have some creative pursuits outside of music as well?

    KH:  Right now, I’m a professional henna artist. Also, in my spare time I enjoy drawing and painting.

    tart vandelayPC: What do you like to listen to?

    ML: This year in September will be the 20th anniversary of my favorite album. It’s called Dots and Loops by the band Stereolab. I can appreciate their music, but I really only listen to that album. Some of our other favorite bands are Wilco…

    KH:  My Morning Jacket-

    ML: Grizzly Bear, St. Vincent-

    KH:  White Denim, Dirty Projectors. We’ve been compared to Dirty Projectors.

    ML: Tune-Yards.

    PC: How do you like to listen to music?

    KH:  Usually in the car, because we’re always on our way to someplace else.

    ML: I’ve been using Spotify. I have mixed emotions about Spotify. As a consumer, it’s just so easy.

    PC: And easy to curate playlists.

    ML: Which is mostly what I do, make a bunch of playlists.

    KH:  It’s mostly through Spotify that we listen to stuff. Sometimes we still use CD’s and mix tapes that we’ve made.

    ML: Sometimes radio. Rochester has amazing radio stations. Both WRUR and WITR are great. 95.1 WAYO is great. WBER is an institution. Both of our jazz stations. We listen to local radio in Rochester, but if there’s nothing on at the moment that I like, I’ll go back to Spotify.

    PC: If you made a playlist right now, which songs would you include?

    ML: I would grab maybe the song “Diagonals” from Stereolab.

    KH:  I would grab “Touch Me I’m Going to Scream, Part 2” by My Morning Jacket.

    ML: That one’s great. I’ve been really digging Wilco’s album they put out last year. It’s called Schmilco. It’s pretty low key and acoustic. I would probably put “If I Ever Was a Child” on that.

    KH:  My next song would be “Huey Newton” by St. Vincent.

    ML: “Unto Ceasar” by Dirty Projectors.

    KH: I just thought of one. We didn’t mention the band earlier, but the song, I love it so much. “Great Curve” by Talking Heads. I love Talking Heads.

    PC: What would you name this playlist?

    ML: We might call it something like “Summer Slummer.” We usually aim for cheesy puns when naming things. More fun that way.

    PC: Let’s talk about Fringe Fest. You will be playing at Java’s. Have you played there before?

    KH:  No, this will be our first time playing there. We love going there, so it will be nice to play there. I think our music always translates well in a coffee shop setting. Especially because Java’s is artsy and perfect for Fringe Fest.

    You can Tart Vandelay on the “Summer Slummer ’17” playlist on Spotify, and the EP Frontier Pioneer on Bandcamp.

    Tart Vandelay will perform as a duo at Java’s Cafe in Rochester on Sunday, September 17 at 5 pm and Thursday, September 21 at 9 pm as part of Rochester Fringe Festival. Both shows are free and open to the public. Attendees are encouraged to arrive early for seating/standing room.

    They also have upcoming shows at Butapub in Rochester on August 5 and The Daily Planet in Buffalo on August 11. Follow Tart Vandelay on Facebook for updates.

Built in Breakdance