Tag: Parcel 5

  • Saturday at Rochester Fringe Festival: Rocking with The Demos and Penthouse Views

    Excitement abounded downtown on Saturday September 16, the third day of the KeyBank Rochester Fringe Festival. With hundreds of shows on dozens of stages over a span of ten days, there’s a lot to see and do. I made my way down East Main Street of my native town, heading towards Parcel 5 to catch a set by power pop band The Demos and the second and final night of Plasticiens Volants. A sign on the corner of East Avenue invited festival-goers up to the building’s penthouse terrace. I kept that in mind for later, and continued on to the stage.

    The Demos were scheduled to play at Fringe Festival last year, but the show was called off due to rain. This time, the weather couldn’t have been better – a warm and sunny end-of-summer day. Native Rochesterians and visitors filled the square, milling about or relaxing on blankets and lawn chairs. Tonight, the stage was decked out in strands of fairy lights, with lawn flamingos perched about – the same flamingos from the videos The Demos used to promote their show.

    The band wasted little time on sound check, diving right into a cover of Velvet Underground’s “What Goes On.” While The Demos rocked out, the stage was flanked by a pair of girls with light-up hula hoops, who spun the circles with acrobatic skill to the rhythm and tempo of the music. Bubbles floated around the stage, carried by the wind from the street performer on the corner. The atmosphere was buzzing with a sense of fun and excitement, and people were drawn towards the sights and sounds of the stage.

    Members of the band were having fun, too, exchanging smiles and glances as they played “I Don’t Mind” and “Clearly” from their last release, Paramount Clouds. The synthesizer plays a particularly prominent role on these numbers, with Caela Moore grooving out at the helm of a double deck of keyboards. Frontman Jay Milton was on top of his game tonight, putting everything he had into the performance, from rich vocals to on pointe guitarwork.

    A rousing rendition of “Veronica” got the audience clapping along. They added some twists to the song, a few call-and-response-style lines sung by bassist Cal Saunders that aren’t on the version they recorded for their full-length album Lovely. Drummer RJ Papaleo may be the newest member of the band, but he didn’t miss a beat as they dug into the catalog of songs from the band’s archives. Jeremiah O’Reilley is also relatively new to the band, but has been a fan since the early days, and slipped seamlessly into the role of guitarist.

    The crowd continued to swell as the sun started to set. Jay asked the amassing audience who among us has seen the band before. A sea of hands flew into the air, with cheers. He asked who had been coming to see them since he and Cal started 15 years ago. There were still some hands in the air. “This one’s for you,” Jay said as they started playing a song called “Don’t Give Up On Me.”

    The tempo slowed a bit as they did a couple more stripped-back songs, starting with “Shooters and Fixers.” Then they played a new song, “All I Need,” a bittersweet ballad featuring Caela on ukulele, Jay on the keyboard, and Cal singing harmony. Jeremiah, his services not needed on the stage, took the opportunity to come down from the stage and dance with his wife. He hopped back on stage for a couple more new songs.

    The sea of people were nodding and moving along to the new tunes, but when the band followed them with their hit “Hardly Done,” people started singing along. Another new one, “Risin’ Up,” represents a departure from their typical lyrical themes. This anthemic song has more of a political bent. “People rising up, they’ve all had enough,” Jay sings. “Where do we go from here?”

    The pinnacle of the set was “Better.” The groovy pop song with a sweet hook peaked with a solo in which the instrumental sounds came crashing together in a frenzy of noise, amassing in a sheer wall of acoustic energy. The 75-minute long set concluded with an ode to Rochester called “My City.” They took a quick moment to thank their manager, friends and families before being whisked off the stage. Around me, a group was chanting for an encore, but Plasticiens Volants‘ “Big Bang” show was about to begin.

    Still buzzing with adrenaline and not ready to call it a night, I retraced my steps to The Penthouse at One East Avenue to scope out the scene. The 11th story penthouse is now a hip, upscale event venue which offers a unique perspective. The sleek interior does not detract from the view through floor-to-ceiling windows, and glass doors give way to a wraparound outdoor terrace. In the center of it all is a small bar which offers a selection of beer, wine, and spirits. In addition to private events such as weddings and corporate meetings, they’ve also held a series of musical performances and silent disco. Coming up on September 21 is a Bacon and Bourbon tasting, and on October 28 they’ve planned an interactive mystery night. Tonight, they’re open for viewing the events at Parcel 5, including the second and final Rochester performance by French street theater troupe Plasticiens Volants.

    Walking the length of the balcony, I witnessed the city alive with lights across the skyline glowing and traffic bustling down the main arteries. A crowd was already jockeying for position along the railing for a look at the multi-media show by Plasticiens Volants, featuring balloons the proportions of Macy’s Day Parade handled by puppeteers who walk through the crowd, a mix of narration and world beat music, pyrotechnics, lights and mirrors. For a more in-depth description, read the review from Friday night’s performance.

    The Demos’ next show is the Floated Halloween Bash at the Bug Jar on October 21. Find their music online at Bandcamp, iTunes, and Spotify. Read more about the band in their interview with NYS Music.

    The Demos’ Setlist: What Goes On (Velvet Underground), Regal Dimensions, I Don’t Mind, Clearly, Bobby Pins, Veronica, Impossible, Another Day, Only Want The World, Nervous, Truth & Lies, She Lives in Pictures, All I Need, We Could Do Anything, Elegant Ties, Not Coming Down, Hardly Done, Risin’ Up, Life’s A Gas (T. Rex), Better, My City

    Rochester Fringe Festival runs through September 24, with a wide variety of music, theatre, comedy, and other entertainment. Advance ticket purchases are recommended, as shows do sell out. For more information, visit RochesterFringe.com.

  • Rochester Fringe Festival Starts Off with a Bang

    The city was alive with the sound of music Friday, September 15. Dozens of venues throughout the downtown Rochester area are participating in the fifth annual KeyBank Rochester Fringe Festival, featuring more than 500 music, art, and theatrical performances over a 10-day timeframe. I spent the evening at Parcel 5, the site on Main Street on which Midtown Plaza once stood. The plan for tonight was to catch a theatrical performance by French troupe Plasticiens Volants and a set of music by local legends Teagan and The Tweeds.

    Teagan and The Tweeds

    Upon approach to Parcel 5, I heard strains of syncopated reggae rhythms filling the air. Festival goers lingered around the lot, some heading closer to the stage, and others staring in fascination at props for the Plasticiens Volants show, and others joining the lines of food trucks parked along the street. Reggae music, courtesy of Rochester’s Noble Vibes, gave way to the sound of bagpipes from Rochester Scottish Pipes and Drums, as people continued to pour into the square.

    The sun went down, and the lights came up on the far end of the lot. Plasticiens Volants began to perform a show they call “Big Bang.” Although the French street performance troupe was founded in 1976, this is their first time on tour in the US.

    Curiosity abounded as people young and old were drawn to viewing a video projected onto an inflatable globe. Narration spoke about the origin of life. A film began, which showed the evolution of civilization. The significance of the experience was not lost on those who grew up in Rochester, the birthplace of modern photography and film.

    Shadow puppets were incorporated into the visuals, and speakers pumped world music with a heavy techno beat. Suddenly, large inflatable balloons came to life, lifted by puppeteers who carried them through the crowd. Seashells and fantastical beasts and planets soared above the crowd, dipping and swaying to the music.

    Children on tiptoe stretched their arms to the star-studded sky to brush the balloons with their fingertips. The music and narration told the story of The Big Bang as a sci-fi fantasy. The magnificently choreographed spectacle ended in a light display, with mirrors like facets of diamonds catching spotlights and splaying beams of light across the city skyline.

    Teagan Ward of Teagan and The Tweeds posted a video of Platiciens Volants on social media as they prepped for their set, the final event of the night at this location. People gravitated towards the stage as the band cranked out boot-stomping tunes.

    This was my first time seeing the band, and I was completely enraptured. My jaw dropped as I watched Teagan, a barefoot blonde bombshell, belt out whiskey bar blues.

    Once the mesmerized gathering got over their initial shock, an impromptu dance floor opened up in front of the stage. Drummer Alfredo Encina provided a strong backbone and bassist Jeremy Stoner laid down grooves as deep as the day is long. They provided a foundation for Katy Wright’s stellar performance on the keys and Lou Giglio’s fancy fretwork. Tommy Formicola took it on home with his pedal-steel guitar.

    The people behind me must have been fans, because they knew all the words to “Morning Glory” and “Give It Up or Let Me Go.” They even played a new song, “Route 100.”

    Elsewhere, the city-wide party was still going strong. A silent disco was about to rage around the corner at the Speigeltent. Attendees donned headphones, through which they could switch between channels as three DJ’s in the tent dueled for the crowd’s favor. The dance wound down at 2am. (If you missed it, don’t worry, they’ll do it again on Saturday September 16, Friday September 22, and Saturday September 23.)

    Plasticiens Volants will reprise their performance on Saturday, September 16 at 8pm. Arrive by 6:30 to catch local pop band The Demos, and plan to stay late for Ithaca’s Big Mean Sound Machine.

    Rochester Fringe Festival runs through Sunday, September 24. For a complete listing of events, go to the website. Advance ticket purchases are recommended, as several shows have already sold out.

  • Interview: The Demos Prepare to Take The Parcel 5 Stage at Rochester Fringe Festival

    The Demos, a mainstay of the Rochester music community, are prepping for their set at KeyBank Rochester Fringe Festival. They play on Saturday, September 16 at 6:30pm at Parcel 5 on Main Street. The 75-minute long set will span the power pop band’s fifteen-year career, which they’ve spent continually writing, recording and gigging. With a couple EPs and a full-length album already under their belt, they’re in the studio again working on a new project.

    Over the years, The Demos have been through a few lineup changes. Singer/guitarist Jay Milton and bass guitarist Cal Saunders have remained the core of the group, with the addition of Caela Moore on keys, Jeremiah O’Reilly on guitar and the newest addition, RJ Papaleo on drums. They took time away from rehearsing for the big show to talk with NYS Music about Rochester Fringe, The Demos’ body of work, and identifying their spirit animals.

    Paula Cummings: I’ve seen the promos you’ve been posting to promote your set at Fringe Festival. How excited are you for this year’s event?

    Jay Milton: It’s really exciting to play in such a huge space in the heart of the city that most of us grew up in.

    CS: And that we call home.

    JM: This is our home and it’s awesome. A very unique venue, and a free show. I always feel it’s great to play a free show. I love doing free stuff.

    Jeremiah O’Reilly: I think what appeals to me most is that I think sometimes when you play at specific venues around town, you run into the situation where you’re often playing for the same people. Playing at an outdoor free concert during a festival allows you to play to a different variety of people in the community. It’s nice to be able to share and express ourselves to those people as well as the ones who come to our Bug Jar shows.

    JM: And it can be a family show. We’re PG.

    https://soundcloud.com/younglionofthewestrec/sets/the-demos-lovely

    PC: You’re recording songs for the next album. Will some of those songs be on the set list?

    CS: For sure.

    JM: It’s going to be a very eclectic set from us. It’s a lot longer than we usually play. Most of our sets are 45 minutes or so. So this is a double set almost. So we’re digging deep into our catalog. Me and Cal have been together in this band for 15 years. So we’re going back and playing songs from every era of our time as a band, from our first EP’s in the mid-2000’s. We’ll be playing songs off Lovely which is our full length from 2012.

    CS: The notes on that are that it was the one that went #1 on FMQB.

    PC: That was the one that was big in Japan, right?

    CS: We’re very proud of that.

    JM: It was big in Japan. That was the one that got us the Tokyo billboard. And obviously, we’ll play songs from our latest EP, Paramount Clouds, which came out last year. And then a whole bunch of new songs, and a few covers for good measure. Obscure though. We can’t be playing songs that everyone knows. Because then they’ll know how bad we play them.

    (Laughter)

    CS: We kind of make them our own.

    PC: Although the Andy Kaufman cover was awesome. It might be the wrong crowd for that one.

    CS: But I think though at Fringe, it’s weird enough that if you did it people would laugh, which is the point.

    JM: Andy Kaufman is my hero in life.

    CS: He’s your spirit animal.

    JM: He’s definitely my spirit animal. I have been obsessed with him most of my adult life. And the thing I love about him is the more I learn about him the less I understand him. Which is what I love about it. Every time you think you’re getting deeper into what it was about, it seems you’re just opening millions of other things which go nowhere. Which to me is… Life as performance art, perhaps.

    CS: The whole world’s a stage.

    JM: I actually own Andy Kaufman’s childhood record player. And his smoking jacket as well.

    Jay with Andy Kaufman memorabilia, Photo: Jeremiah O’Reilly

    PC: So we’ve got your spirit animal. What would you say yours is, Cal?

    CS: Billy Martin, a friend of ours, once told me that he thinks Chris Robinson from the Black Crowes is my spirit animal.

    JM: I’d believe it.

    CS: But it’s not that easy. My struggle is endless. I seem to go around, which makes me think serpentine, like a snake. I’m year of the dragon, too.

    JO: I think I’m an earth dragon.

    JM: What’s the difference between a dragon and an earth dragon?

    JO: So there’s different parts, like your animal that’s part of the Chinese zodiac, and then an element that goes along with it.

    CS: Like earth, water, fire.

    JM: I thought maybe an earth dragon was one that couldn’t fly, or something.

    JO: I’m like the black sheep of dragons. I guess that’s my spirit animal.

    PC: Is it too soon to divulge any details about the next album?

    JM: We don’t know when it will be ready. I would say by this time next year, there will be something.

    PC: Jeremiah, this is your first time recording with these guys?

    JO: Yeah, I’ve known these guys for a while. I actually went to one of their shows back in 2005. When I was a wee little lad. One of my best friends Alex Northrup was one of the founding members of The Demos. And I’ve been playing music with him.

    CS: He’s the Syd Barrett of The Demos.

    JM: That’s actually very accurate.

    JO: I was 16 back in 2005, so I’ve known you guys for a while. But I’ve only been playing with them for 8 months. It’s been a blast.

    PC: And now you’re no longer the newest member of the band.

    JO: I am not the newest member.

    CS: We’re like a restaurant. We change staff as much as we change clientele sometimes.

    The Demos: Jeremiah O’Reilly, RJ Papaleo, Cal Saunders, Jay Milton, Caela Moore

    JM: Honestly, I think we’re just intense workers when it comes to music. We just pour everything into it.

    JO: It frightens some people.

    CS: Or people have lives.

    JO: Aren’t you glad you found me – I have no life!

    JM: That’s the worst thing about being a musician in a place that has such a great local scene is that it’s hard to work on music and do things. Tart Vandelay is playing tonight and I’d love to go do that, but we’re doing this and then we’re going into rehearsing right after. And if we’re not in the studio, then we’re rehearsing, or we’re writing. It’s hard to do cool things, like watching other people play music, when you’re so focused on doing it yourself. That’s my least favorite part. We’re very dedicated.

    CS: We’re dedicated, honest, and hard working.

    JM: Every moment that we’re not working on music, we wish that we were.

    JO: Me and Jay text each other at work saying, “I wish we were in the studio.”

    (RJ Papaleo arrives)

    PC: Hey, we’re just wrapping up. What is your spirit animal?

    RJP: I feel like it would be a bird of some kind.

    JM: Maybe like a pterodactyl.

    PC: And what is Caela’s spirit animal?

    JM: A fox.

    Catch the Demos live at what is sure to be a memorable performance Saturday, September 16 at 6:30 at Parcel 5 on at 285 East Main Street in Rochester. Get ready by listening to their catalog of music on Bandcamp. Follow on Facebook, Instagram, and Twitter for updates on this and other shows.

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