To make it 20 years in any industry is quite a feat, especially when there were absolutely no expectations at the beginning. And the members of Dark Star Orchestra will tell you that making it that far as a cover band is even more satisfying and special.
On Saturday night at the Palace Theater in Albany, Dark Star brought a raucous show to a sold out and chock full of energy crowd on the 20th anniversary of their first show, which was performed at a bar called Martyrs’ in Chicago. There were people outside who were unable to get in the door due to the sell out. One concert goer, on his way through security, looked over and yelled, “This is reminiscent of when the Dead used to play the Knick!” He was referring to the Knickerbocker Arena, now called the Times Union Center.
From the get go, Dark Star displayed the type of energy that an eager new band 20 years younger might. Guitarist Rob Eaton stepped to his microphone for “The Music Never Stopped,” clearly a nod to their longevity. The Grateful Dead’s most commercially successful song, “Tough of Grey,” came next. When the band members, in unison with the crowd, sang the last lines of “We will get by / We will survive,” the balcony in the theater was visibly swaying. It was as thrilling a start to any Dark Star show in memory.
“Box of Rain,” one of Phil Lesh’s compositions, wound down before the Jerry Garcia ballad “So Many Roads,” sung by guitarist Jeff Mattson, brought a bit of poignancy to the evening. “Cassidy” was played perfectly and featured some very spirited body language from Eaton, who was moving around his area of the stage more than usual.
The highlight of the set was, easily, “Terrapin Station,” a song typically reserved by both Dark Star and the Dead for the second set. Keyboardist Rob Barraco and drummers Rob Koritz and Dino English seemed to have a more powerful presence during this song as Dark Star executed the composition flawlessly.
The set could have ended there and the crowd would have been happy, and that’s when the first notes to “Weather Report Suite” hit. The song fizzled into “Let it Grow,” and during the pair of songs, Eaton switched from electric to acoustic and back to electric without missing a beat. To close out a lengthy set, Dark Star Orchestra played the classic sequence of “China Cat Sunflower“->”I Know You Rider.” The bridge between the two songs took the form of pure celebration and the band showed it with gigantic smiles on their faces.
The second stanza wasted not even a second picking up, with a fast and raging “Scarlet Begonias” jamming its way into “Ruben and Cherise” in a pretty stunning twist of events. When the crowd realized that Dark Star had thrown a curve ball, it responded with a roar and a total dance party ensued. Mattson, like he would do the rest of the set, dazzled with his vocals and ripping runs up and down the fret board. “Fire on the Mountain” closed out the segment with a singalong amidst a trio of jams.
“Eyes of the World” morphed into the “Drums/Space” portion of the evening before Mattson returned to the mic for a soaring and emotional “Morning Dew.” Without taking a breath, the band started into the fan favorite “St. Stephen,” but what came next was the best part of the show, as “Stephen” gave way to the familiar riff of “The Eleven.” That seemed to take the crowd by surprise again, and the band responded by putting extra ‘umph’ into the psychedelic journey about William Tell. “Turn on Your Love Light” closed out one of the most well received Dark Star shows in memory.
Koritz then took center stage and thanked a list of people who have helped Dark Star Orchestra on their way to this night, and then toasted with the crowd, before getting the band together with their backs to the crowd and inviting everyone to take a selfie with them to celebrate 20 special years. Approaching the midnight curfew, the band then launched into “One More Saturday Night” to give the frenzied crowd one last breakdown for which to dance.
Set 1: The Music Never Stopped, Touch of Grey, Box of Rain, So Many Roads, Cassidy, Terrapin Station, Weather Report Suite>Let it Grow, China Cat Sunflower->I Know You Rider
Set 2: Scarlet Begonias->Ruben and Cherise>Fire on the Mountain, Eyes of the World, Drums/Space, Morning Dew, St. Stephen->The Eleven, Turn on Your Love Light
Encore: Band addresses crowd and takes a celebratory selfie, One More Saturday Night
It was a chilly night at Martyr’s in Chicago on November 11, 1997, when a group of like-minded musicians got together to spin their takes on a band beloved by an intrinsic fan base — one that is both fun loving and importunate at the same time.
No one involved that night could have predicted what was blooming, as the original members of The Grateful Dead tribute group Dark Star Orchestra got together to have some fun and jam out.
On Saturday night, at the Palace Theater in Albany, a band that has seen 24 different members come through its turnstiles will ring in a very special 20th anniversary of playing Grateful Dead music. Whether they’re recreating a setlist from 1973, or piecing together their own show, Dark Star Orchestra has displayed some very impressive staying power. They are a touring force, filling theaters across the country and headlining festivals during the summer while performing more than 2,700 shows in their history.
But the piece that holds it all together is what built the Grateful Dead community in the first place: the fans. For a group that had almost no expectations, Dark Star has exceeded in keeping together something that took 30 years to build.
“We had no idea this band would take over our life,” said Rob Koritz, who fills the role of Mickey Hart in Dark Star. “It’s so fantastic. Anyone who plays music for a living, they want some sort of security and longevity. I think we are doing the music justice.”
None of the members from that Chicago night remain in the band, but the ethos plays on. The Grateful Dead had to simply endure many times of their existence, whether is was a death in the band, or a health scare, or anything in between. In 1966, they were playing the Acid Tests, and in 1995 they were selling out massive football stadiums. Dark Star Orchestra has trucked on in a way that preserves what Jerry Garcia and company made into a lifestyle.
But make no mistake, Dark Star isn’t a knock off in any way. To embody the spirit of a group the way that Dark Star has is an impressive feat.
“We are Deadheads too,” Koritz said. “We recognize that. Our hope is that we do the music justice. We are going to do what we have been doing for all these years this weekend. We work hard for this music and all we hope is that the fans receive it the same way.”
In an era where there is no shortage of Grateful Dead tribute music, Dark Star Orchestra has persevered. They stick to a simple script, one that brings a simple and pure form to those who weren’t around when the Grateful Dead were alive and well.
Koritz, though, doesn’t view what Dark Star is doing as starting a trend in the scene. It doesn’t take much to go out and see a Grateful Dead band, he says, and he understands that any competition is natural, if not warranted.
“We weren’t pioneers,” Koritz said. “Every town has a Grateful Dead cover band. You can see it any night of the week. In reality, we did it on a national level where there’s no dearth of Dead bands. Greensky Bluegrass does Dead stuff, and that’s incredible. It’s a testament to the music. Every band has its twists. It’s kind of like comparing this to the originals. No one is better than another, and everyone adds a unique take.”
Albany, and more specifically the Palace Theater, is a special venue for the band which has been making their November show an annual tradition, sometimes happening on Thanksgiving weekend. Koritz said the band adores the theater and the magic that it brings, especially because of the crowd it draws.
“We love the Palace,” he said. “The fans in Albany are just so great and honestly, it’s why we keep choosing to come back. The energy. It’s one of the bigger rooms we fill up. When the Palace gets rocking, you can see the balcony swaying and it gives the band an extra boost.”
Show is scheduled to begin at 8 p.m., and while Koritz didn’t divulge too much, he did lead on that this special show isn’t lost on the band.
“We have a few special things in store, for sure,” he added. “We’re going to stand out a bit.”
The curtain is rising on exciting changes for the Palace Theatre, but its top executive is exiting stage left at the end of the month. In a prepared statement released Thursday, Oct. 19, Holly Brown stated she will move on from her position after five years at the helm of the Palace Performing Arts Center. Susan Rosko Fogarty will step in as executive director.
“It has been my privilege and my pleasure to run this beautiful and beloved theatre,” stated Brown, adding praise to the Palace staff. “There is a saying in this industry that you are only as good as ‘what walks on the stage.’ My goal has been to not only increase the number of event nights at the theatre, but to bring in some of the biggest names in the business.”
The Palace has more than doubled its featured events, from 77 in 2009-10 to 170 in 2015-16, during Brown’s five years as executive director. The move comes just months following the PPAC’s acquisition of the 86-year old theatre from the City of Albany, which paved the way for a $65 million expansion and renovation project for the Capital City venue.
PPAC Chairman Alan Goldberg credited Brown for the Palace’s reputation for its “diverse, outstanding and high-caliber programming.”
“Under Holly’s direction, the [PPAC] is known for its diverse, outstanding and high-caliber programming which has translated into financial success.”
Fogarty has already been named as Brown’s replacement. Goldberg cited Fogarty’s 25-plus years of arts and business experience within the same statement. Fogarty previously served in various sales and marketing roles for V2 Records and Sony/BMG. She has also worked as a leader in the financial district, and most recently as senior vice president of the Capital District YMCA.
This article was originally published by The Spot 518 and is the property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYS Music. TheSpot518 and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.
Dark Star Orchestra rolled out more 2017 tour dates. The newly added East Coast performances include a handful of shows in New York, including DSO’s 20th anniversary celebration on November 11 at the Palace Theatre in Albany. The fall dates lead up to a Cosmic New Year’s Run which includes three nights at Philly’s Electric Factory from December 29 through New Year’s Eve. Details and tickets are available at DSO’s website.
Dark Star Orchestra Remaining 2017 Dates:
Sept.21 – San Antonio, TX – The Aztec Theatre
Sept. 22 – Austin, TX – Stubb’s Austin
Sept. 23 – Dallas, TX – House of Blues Dallas
Sept. 26 – Salina, KS – Stiefel Theatre for the Performing Arts
Sept. 28 – Boulder, CO – Boulder Theater
Sept. 29 – Boulder, CO – Boulder Theater
Sept. 30 – Boulder, CO – Boulder Theater
Oct. 2 – Omaha, NE – Slowdown
Oct. 5 – Cleveland, OH – House of Blues Cleveland
Oct. 6 – Cincinnati, OH – Taft Theatre
Oct. 7 – Columbus, OH – Express LIVE
Oct. 10 – Grand Rapids, MI – The Intersection
Oct. 12 – Detroit, MI – The Majestic
Oct. 13 – Chicago, IL – The Vic Theatre
Oct. 14 – Milwaukee, WI – Riverside Theater
Dark Star Orchestra Fall Tour – Part 2 (Newly Announced Dates):
Nov. 10 – Montclair, NJ – Wellmont Theater Nov. 11 – Albany, NY – Palace Theater Nov. 12 – Peekskill, NY – Paramount Hudson Valley
Nov. 14 – Northampton, MA – Calvin Theatre
Nov. 16 – Portland, ME – State Theatre, Portland, Maine
Nov. 17 – New Haven, CT – College Street Music Hall
Nov. 18 – Worcester, MA – Worcester Palladium Nov. 19 – Ithaca, NY – State Theatre of Ithaca
Nov. 21 – Concord, NH – Capitol Center for the Arts
Nov. 22 – Jim Thorpe, PA – Penn’s Peak Nov. 24 – Huntington, NY – The Paramount Nov. 25 – Huntington, NY – The Paramount
Nov. 29 – Richmond, VA – The National
Nov. 30 – Richmond, VA – The National
Dec. 1 – Norfolk, VA – The NorVA
Dec. 2 – Washington D.C. – The Anthem ( ** Recreating Grateful Dead’s 6/14/91 R.F.K. show **)
Dec. 28 – Montclair, NJ – Wellmont Theater
Dec. 29 – Philadelphia, PA – Electric Factory – with Dirty Dozen Brass Band
Dec. 30 – Philadelphia, PA – Electric Factory – with Keller Williams solo
Dec. 31 – Philadelphia, PA – Electric Factory – 3 sets of DSO
Less than a week after the opening of the Albany Capital Center, ownership of the city’s most storied stage changed hands — the first big step required for the upgrades it needs to expand.
The Albany Common Council approved the sale of the Palace Theatre to the Palace Performing Arts Center, Inc., the not-for-profit organization which operates it on Monday, March 6. The transition, from a municipally owned venue to privately owned, will secure additional funds for a $65 million expansion and renovation project.
The Palace’s expansion project is billed as a means of revitalizing its surrounding neighborhood. Once completed, its proposed to enhance traffic to area restaurants and provide a bridge to downtown’s entertainment district from the city’s burgeoning Warehouse District. PPAC estimates there will be an “on-going indirect” annual impact of $10 million on local businesses.
“The Palace Performing Arts Center is clearly an important driver of the local economy as proven through the theatre’s exceptional growth under the leadership of Holly Brown and her partners at Park Playhouse and Albany Symphony,” Albany Mayor Kathy Sheehan said in January, when PPAC announced it had secured a labor agreement for the expansion project. “The exciting project will certainly spur additional downtown development, and create an even more dynamic venue for arts and entertainment in the heart of downtown Albany.”
According to PPAC, the Palace has doubled the number of featured events at the 86-year old theatre in the past five years, from 77 events in 2009-10 to 170 in 2015-16. The Palace is also home of the Park Playhouse, which uses the building space for offices and classes for the community.
Palace Executive Director Holly Brown and PPAC Chairman Alan Goldberg said they anticipate the proposed expansion to occur in different phases. The first of which will include restoration and expansion of the theatre’s stage and backstage areas, and creation of classroom and rehearsal space. Additional elements of the project includes a new 600-seat theatre, expanded lobby and box offices, a video post-production studio, the addition of a loading dock and rehearsal space.
In preparation for the expansion, the Palace has spent more than $750,000 to purchase properties along North Pearl Street, and to fund appraisals and various studies to investigate further steps.
The renovation plans rival those implemented by Schenectady’s Proctors Theatre over the years. Proctors Theatre has about 2600 seats to the Palace’s approximate 2800. The city sold the theatre for $750,000, the aggregate value to be paid over the next 30 years. The city first purchased the property for $90,000 shortly after its doors closed in September 1969. Over the theatre’s eight decades of operations, it has features iconic figures of both the arts and pop culture. Bob Hope, The Who, Bruce Springsteen, The Rolling Stones and Jerry Seinfeld have all taken to the Palace’s stage. The Palace is also the home of the Grammy Award winning Albany Symphony Orchestra.
The sale of the theatre did receive some opposition from members of the Albany Common Council, who expressed concern the city was not receiving a fair price. Though the PPAC reportedly presented its purchase proposal based on two, separate assessments, Councilmember Frank Commisso, Jr. took to social media hours before the 12-3 vote last Monday.
“As Mayor Sheehan and her allies on the Albany Common Council are preparing to give away the Palace Theater [sic.], an inconvenient data point is presented,” stated Commisso, attaching an Albany Business Review article reporting the sale of $497,000 sale of the 13,500-square foot eba Dance Theatre on Albany’s Lark Street and Hudson Avenue. Late last week, Commisso announced he will run for Albany Mayor.
This article was originally published by The Spot 518.
Austin City Limits began its run on PBS in 1976 as a way to showcase Texas artists. Its pilot episode featured Willie Nelson performing. Forty one years later, the show has become a television institution and the inspiration for the music festival by the same name. It is a destination gig for performers of any genre.
In order to promote Central New York artists on a more wide-ranging scale, Syracuse area promoters Liz Nowak and Jordan Davies created Salt City Limits in the same vein as its Austin namesake to be initiated at the venerable Palace Theater on James Street. The series will be ongoing the last Thursday of every month at Funk ‘n Waffles Downtown. Each will be recorded and filmed by SubCat Studios and will be available on YouTube and the Salt City Limitswebsite.
The inaugural show takes place this Friday, March 24 at the Palace Theater in Syracuse and features eight local artists from various genres. Tickets are $20 and may be purchased in advance at the Sound Garden in Armory Square or online through the Palace Theater’s website.
According to Syracuse.com, Nowak, who is also the executive director of the recently concluded SAMMY Awards, noticed many artists mingling and exchanging contact information throughout the event. The creation of Salt City Limits became an extension of that camaraderie. The SAMMYS celebrates the variety of music and talent available at the local level and Salt City Limits will allow this on a year-long basis.
The showcase continues downtown at Funk ‘n Waffles April 27 when Mike Powell, Just Joe and Castle Creek take the stage. Tickets for each successive show in the series will be $10.
The Syracuse Area Music Awards, affectionately known as the SAMMYS, wrapped up its 25th edition Friday, March 3, 2017 at the Palace Theater in Syracuse with a brief performance from freshly inducted Hall of Famers moe.
Ahead of Saturday night’s show at the F Shed, moe. closed out the two-night affair with a three song set of “Tailspin,” “Spine of a Dog” and “Buster.” Friday night’s awards ceremony, hosted by veteran Syracuse DJ and staunch supporter of the local scene, Dave Frisina, featured awards in 18 categories, including three People’s Choice categories, and performances by four Syracuse area bands, reflecting the broad range of styles and talent found in and around the Salt City.
The SAMMYS is the brainchild of Frank Malfitano and now under the care of Liz Nowak. In 1993 Malfitano created the celebration of area music for an event at the Landmark Theatre. The event changed venues several times over the years before finally settling on the grand old Palace Theater on James Street in the Eastwood district.
The festivities began with the Hall of Fame dinner Thursday night, upstairs at the Dinosaur Bar-B-Que. The Dinosaur has been one of Syracuse’s premier music venues since opening on Willow Street in 1990 and was a fitting venue for the honors and stories that filled the room.
This year’s inductees were Mohawk Valley via Buffalo jamband moe., pioneering new wave singer/guitarist Meegan Voss, 70s blues rock artists Jukin’ Bone and singer-songwriter Paul Case. Also being honored were Anthony and Patricia DeAngelis for Music Educators of the Year and Lifetime Achievement Award recipient Vincent Falcone. It was a night that had the feel of a class reunion. Hugs and excited shouts from people who haven’t seen each other in years mingled with stories of years’ past in venues no longer around.
The inductions and awards ceremonies were hosted by Dave Frisina, a 1994 SAMMYS Hall of Fame inductee, long-time Syracuse radio personality, champion of local music and self-professed band dad. His son, Mike is a member of Syracuse-based band Simplelife. Most, if not all, of those in the room have dealt with him in some way throughout their career. A man like Frisina is what every music town needs. He is local music’s strongest advocate and has the platform for it at his current station 105.9 The Rebel.
Induction and acceptance speeches were filled with anecdotes and inside jokes. Though, most in attendance, were on the inside of those jokes. Memories of broken down vans, vanished venues and bad decisions peppered the speeches. It was the talk of well-worn musicians who have dedicated their craft not to become famous, but simply to play. To the outsider, it was a look at a scarcely seen side of the working musician.
The first honor of the night was for Educators of the Year. Husband and wife, Anthony and Patricia DeAngelis, two area music teachers were honored for their decades of influence on local musicians at Syracuse University, Colgate University, LeMoyne College, the Lyncourt School and Onondaga Community College. They were inducted by their well-spoken and surprisingly laid-back granddaughter Olivia.
Voss was inducted by her husband and band-mate in the Verbs, drummer Steve Jordan. In her acceptance speech, she pleaded to “Save the clubs.” Case, visibly touched at the recognition for his long career avoided revealing too much of past days on the road, “My kids are in the room.” He lavished praise on fellow musicians in the room, including Jukin’ Bone member Joe Whiting as well as the master of ceremonies.
Case, sporting a black tux and pronounced the Best Dressed in the Room by Frisina, closed his acceptance speech saying, “You get up. You drive to the gig. You set up. You play your ass off. You tear down. You drive a million miles home, week after week, month after month, decade after decade. You do it for the music.” He then dedicated his award to the late Bob Fleming of the Mossback Mule Band, who passed away in September.
Accepting for Jukin’ Bone was Whiting, Mark Doyle and John DeMaso. Discussing the problems of being a young band, Whiting offered a piece of advice, “I would recommend not signing contracts under the influence of anything distilled or brewed, made in a laboratory or passed around and smoked,” eliciting loud laughter from the audience.
The final inductee of the night was moe. Al Schnier spoke first in accepting the honor, speaking of all the Syracuse area venues spent taking in shows as a fledgling musician. Schnier lauded promoters such as Chuck Chao of Creative Concerts, who inducted the band, thanking them for shaping who they became as musicians:
We came here as kids to see concerts Chuck (Chao) was promoting. They made us fans. Whether it was Driving Sideways or the Todd Hobin Band or the New York Flyers or 805; these were the bands we looked up to as kids. They could have been the Allman Brothers or the Grateful Dead; they were the same to us. You guys were rock stars.
Drummer Vinnie Amico attributed the band’s style to its Upstate New York roots, “We all wear our hearts on our sleeves. We all kind of have this style, this thing we do, because of where we’re from. We’re blue collar, baby. We work hard, we play our music that way. There’s an edge to our music and that’s a testament to Upstate New York.”
“The Oddities of the World” – the SAMMYS Hall of Fame Class of 2017
On Friday, 54 artists were nominated among 13 Syracuse Area Music Awards categories. Sprinkled in among the awards were performances by several of the Syracuse area’s finest musicians, representing genres ranging from blues rock to country, rap, alt-rock and jam. There is definitely a varied and vibrant scene in Central New York.
Emcee Dave Frisina kept the event lively and loose, often interacting with presenters and winners as they approached the microphone. Best Jam Band winner, Joe Driscoll, affectionately referred to the host as a jedi to laughter from the crowd.
The performances throughout the night revealed the depth of talent in the area. The Ripcords opened the night accompanied by the Boneyard Horns. They ripped through three bluesy/tex-mex style songs, kicking off the night in a celebratory fashion. Unfortunately, just as they seemed to be letting loose, their set was over. You can get a taste of what the Ripcords have to offer at their ReverbNation page here.
Best R&B recipient Alani Skye had several family members in attendance and received perhaps the most vocal and joyous reception to a win. Her win for Don’t Forget About Mewas never in question for the vocalist as she accepted the award.
A performance by rap artist Curtis “Tall Bucks” McDowell and the Brownskin Band followed. The rhythm section of the Brownskin band mixed equal parts jazz and funk behind McDowell’s rhymes. A guest appearance by Syracuse rapper Real Tall for the song “Solar Radiation” had elements of early ’90s era Leaders of the New School collective.
The reality of life as a working musician came to light when Lauren Mettler was awarded the SAMMY for Best Folk. After an awkward pause waiting for the recipient to make her way to the stage, her brother made his way up to accept. In his speech, he stated how he had just texted her and she was still on her way to the theater. So, as any good brother would do, he stalled for time as she made her way down the aisle, peeling her coat off as she ran towards the stage.
Mettler mentioned how she had just gotten out of work and was trying to get to the theater as quickly as possible, even though she never thought she’d win. Such is life for those looking to make a go of it in the music industry. Everyday jobs sometimes throw hurdles at you along the way. Mettler was genuinely surprised and pleased with her award.
One of the night’s cutest moments came when the award for Best Hip Hop/Rap was awarded to World Be Free for the album Nigg@$ to Gods. He was on the West Coast touring and couldn’t attend the ceremony. As his family accepted the award on his behalf, his young son took a turn on the microphone as his dad’s public relations manager, exclaiming, “My dad has CDs for ten dollars!”
Country artists Chris Taylor of the Custom Taylor Band plead with the audience to get up and dance along to their performance. A funky “Keep Me in Mind” slowly drew the audience to its feet and a rousing rendition of the Charlie Daniels Band’s “The Devil Went Down to Georgia” easily won over the crowd.
The Brian Bourke Award for Best New Artist was awarded to Funk ‘n Waffles regulars, reggae-soul band Root Shock. This presentation seemed to be the biggest crowd pleaser of the night as fellow musicians and fans alike rose to cheer their win.
Previous Bourke Award winner, the Spring Street Family Band took over the Palace with their high energy alt-rock performance that even had a band member’s dad jumping up on stage to take video with his phone. Their performance brought the audience to the stage, turning what was a somber awards ceremony into a full-fledged rawk show with a funk-metal-alt sound reminiscent of Rage Against the Machine or Faith No More.
The ceremonies concluded with the awarding of the People’s Choice SAMMYS. Over 110,000 online votes were tallied in categories of Best Band, Best Live Venue and Best Festival or Music Series. The New York State Fair wrapped up the venue and festival categories with their representative thanking all of the venues in the area for supporting the live music that becomes a part of the fair each year.
The award for Best Band went to Cortland-area country band, Small Town Shade, who also won the SAMMY for Best Country Performance for the EP Ring it Up.
moe. wrapped the SAMMYS with a lively three-song set that included “Tailspin,” “Spine of a Dog” > “Buster.” Schnier commented about the lack of curfew at the venue and suggested they keep playing until they are thrown off the stage. To the disappointment of many, Schnier apparently as well, the lights came on at the end of “Buster,” bringing a close to the two-day celebration of Syracuse area music for another year.
Best Jazz: Second Line Syracuse, Second Line Syracuse Best Other Category: Syracuse Society for New Music, Music Here & Now Best Folk: Lauren Mettler, Patchwork Best Jam Band: Joe Driscoll & Sekou Kouyate, Monistic Theory Best R & B: Alani Skye, Don’t Forget About Me Best Pop: The Jess Novak Band, Inches From The Sun Best Americana: Driftwood, City Lights Best Blues: Tas Cru, Simmered and Stewed Best Hard Rock: Breaking Solace – Shatter the Silence Best Alternative: Bell & Sgroi, Bell & Sgroi Best Rock: King Chro and the Talismen, King Chro and the Talismen Best Hip-Hop/Rap: World Be Free, Nigg@$ To Gods Best Singer/Songwriter: Alanna Boudreau, Champion Best Country: Small Town Shade, Ring It Up EP
Brian Bourke Award for Best New Artist: Root Shock
People’s Choice Awards were conducted in an online poll for three categories. Over 110,000 votes were tallied. The winners were:
Favorite Band: Small Town Shade Favorite venue to see live music: Chevy Court at the New York State Fair Favorite festival or music series: The Great New York State Fair
Dark Star Orchestra Remaining 2017 Dates:
