Relinquishing their debut full-length album to the world, Sun Parade successfully tugs at familiar emotions to send listeners on a 12-track sensory highway. Shuggy Mtn Breakdown boasts airy pop-rock blended with vibrant psychedelia that comes crashing down in waves. The 5-piece Northampton, MA outfit take you on a journey through self discovery with thematic commonalities all humans endure–love, life, questioning happiness and how to pursue it.
With infectious melodies and light-hearted vocals, Chris Marlon Jennings (vocals, guitar), Jeff Lewis (vocals, guitar), Max Wareham (bass, vocals), Karl Helander (drums, vocals), and Eli Salus-Kleiner (keyboard) are able to instantly grab a listening ear through their radio-ready sound while remaining comfortably candid. Reminiscent of elements of the White Stripes’ prominent and punchy vocals, Tame Impala’s airy singing and the Black Keys‘ american rock tone, the indie, power-pop album was recorded in a one-room studio on the 4th floor of an old industrial Brooklyn building. It’s no surprise that Rubblebucket’s own Ian Hersey sat in the producer’s chair to extend a helping hand and trained ear.
The whimsical opening track of “Sleep Alone” warmly welcomes listeners into a dream-pop state of mind before launching into the cheeky “Cheer Up,” which does just as its title implies with both tempo and mood simultaneously picking up. Distorted noise and spoken word vocals shine on “Steal My Thunder” while “Game Boy” brings forth an extremely relatable message, embracing hooks and easy-to follow lyrics.
A relaxed and slowed down “Braindrain” flips a genre switch as it walks away from the bubblegum sound and introduces a more delicate, soul-leaning attitude, complete with mesmerizing synth sounds and whistle-along tangents. The hard hitting and emotional rock track “Psycho” follows with wailing vocals and gritty grunge guitar breakdowns you didn’t see coming but can’t imagine the album without. “Shuggy Mtn” holds its own as the album’s party anthem. The namesake song dives into sonic exploration and punk tendencies by blending psychedelic rock elements with wailing vocals and hard hitting on the drum kit.
The second to last track on the album, “Echoes of My Heart,” softens the tone and slows the release’s pulse with a quick, dreamy interlude before “Tear (Can’t Stop Believing),” wraps Sun Parade‘s initial release and circles back to the album’s blunt storytelling and hopeful tone.
Through airy vocals and melodic exploration, the quintet proved they aren’t afraid to have fun and dip their toes in a pool of myriad genres while getting emotionally raw with their audience. Shuggy Mtn Breakdown aims to be timeless, allowing their hopeful and tender lyrics to appropriately contrast and offset its darker rock and roll musical elements.
Touring in support of their release, Sun Parade will storm through Rochester’s Bug Jar on Dec. 10 just ahead of Swordpaw on Dec. 15. Listen to Shuggy Mtn Breakdown in it’s entirety below:
Key Tracks: “Steal My Thunder,” “Braindrain,” “Psycho”
Mastering the headlining slot across the country, invading the studios at Paste Magazine and announcing a fresh run of gigs for Winter tour with a pass through Rochester’s Anthology, Greg Ormont, Jeremy Schon, Ben Carrey and Alex Petropulos have channeled their full potential into their latest studio effort.
With their ‘Pizazz’ tour in full swing hitting every square inch of North America, Pigeons Playing Ping Pong have perfected their explosive live energy and demanding presence with each passing show. Never slowing momentum and bringing the “better than the last” mentality to every gig, they stormed the freshly introduced Brooklyn Steel on Nov. 24, just before P4 brings their “Fun in Funk” to Saratoga Springs’ newly renovated Putnam Den just over one year from their Dopapod opening set.
NYS Music got to chat with Ormont, the wide-eyed front man on a rare day off, ahead of Pigeons Playing Ping Pong‘s Putnam Den resurgence. Here’s what he had to say about song-writing evolution, evanescent free time and the group’s steadfast efforts, all with interjections from wrestling foster cats.
Alyssa Ladzinski: Hey Greg! Thanks so much for taking the time to chat with me tonight. You’re in between gigs, where am I catching ya today?
Greg Ormont: I’m in Baltimore where we live when we’re not touring all the time so I’m at home which is always appreciated! Ready to get this interview rollin’.
AL: Let’s do it. Well as far as NY state shows go, you hit Brooklyn Steel a few days ago and being from Port Washington, LI yourself, how can you describe the atmosphere of that NY show and playing in a freshly opened and energized venue?
GO: Oh, Brooklyn Steel is fantastic. It’s very “Brooklyn” in the sense that you’re walking outside of it and it kinda looks like a warehouse, you really wouldn’t expect it to be this awesome venue from the outside but once you’re inside, its expansive, everyone can see the stage, the sound is great and on our end, the crew was awesome and super helpful. We had a smooth time at a new venue in Brooklyn. The energy in the room was off the charts. I had a few friends from LI in the crowd but it was hard to see them because fortunately a lot of people came out, so it was a blast. We even debuted a new Stevie Wonder cover that seemed to go over well.
AL: The last time you played Putnam Den in Saratoga Springs you opened for Dopapod. This time around, you’re headlining. Are you approaching this show any differently than you did nearly one year ago?
GO: Well we approach all our shows more or less the same with the full amount of energy that we can muster. With a headlining show, we have more time to jam and extend songs. I think the only difference will be that we’re able to dig into our catalogue more and extend jams for however long we want. When you’re opening, you’re always looking at the clock trying to wrap up with enough time for the next band to go on. We have a lot more freedom headlining and hopefully it’ll reflect in the music.
GO: *Hold on, time out. I have to break up a cat fight. Come on! Enough! Sorry, you can include this in all the quotes. Or don’t.*
AL: You bet I will. It’s all gold. I feared my cats would do the same.
GO: Go upstairs! My fiance fosters a lot of animals so I have an old geriatric dog barking at random cats. OK they’ve been separated. We should have a smooth interview from here. We have a bunch of cats walking around. This dog will bark at its reflection for a while. Animals have been separated, adrenaline is pumping, let’s keep movin’!
AL: Colorful is one word that comes to mind when thinking of Pigeons Playing Ping Pong. Let’s say you, Jeremy, Ben and Alex are each your own crayons. What color would each of you be and why?
GO: Holy moly I really didn’t see this question coming. Well Jeremy would be green and we’re gonna go with snake green. That’s because our guitarist has always been into snakes, lizards and frogs and stuff. He’s the kinda guy that will pick up a frog if its hopping around and I believe his first screen name was greensnakeman, maybe greensnakeman88. For some reason I’m thinking Alex would be red. I haven’t played with crayons in a while. He’d be a ragin’ red. And then I really wanna be blue but I’d have to pick a better adjective.
AL: I’m channeling a Blazin’ Blue.
GO:Blazin’ blue, that’s not bad! I’ll take help from NYS Music. Boy, and Ben would be the only one that changes color. He’d be the chameleon crayon. Everyday is different, every song is different and he changes outfits right in front of your eyes on stage. He’s a chameleon crayon straight-up and I’m blazin’ blue courtesy of NYS music.
AL: That’s what we’re here for! You announced even more winter tour dates on this ‘Pizazz’ run- how do you take time to rejuvenate with every show during this expansive and rigorous touring schedule?
GO: Well we just appreciate the times that we’re home and try to pour as much energy into our home life as we do on stage and on tour. We keep pretty busy off the road between working on new material, upcoming shows and we’ll be announcing a theme for our New Year’s show very soon. Jeremy and I throw Domefest, so you know I would like to rejuvenate more but I definitely don’t have any complaints. Now is the time for us. I know that and I love hustlin’, it’s good to stay busy. Even on tour we have some sweet off days. We went out in New Orleans this past tour and blew off some steam day drinking and wandering around the city. We recently went jet skiing in San Diego with our original drummer which is a great way to rejuvenate and keep the spirits exploding. It’s also another way to stay completely exhausted on tour on your one day off but it’s a sacrifice we’re willing to make.
AL: A lot of these tracks have been performed over the course of the years with your extreme live presence and are already fan-favorites. Which track are you happiest made the cut onto Pizazz?
GO: I’m definitely proud of “Ocean Flows.” That’s a song that I wrote the basic ideas for a while ago and it took us a while as a band to agree that it’s one we should play live. It’s one of the band’s more favorable songs to play to keep the energy flowing all the way to the end. It’s always cool listening to the finished products and remembering how they were written. Some being in spur of the moment goofy situations and it’s amazing people are listening and playing it on the radio when it was just a fun little diddy that developed into a song. A lot of times it boils down to if you picked up the guitar that day. One day I pick up the guitar and stumble across a fun new song that we love playing live, then it’s onto the album and radio station. You can always bring it back to “what if I never picked up the guitar that day.” Reminds me to take chances and strike now but at the same time keep it loose and not worry about where the song is going. If it ends up on an album that’s great, but if not, that’s also fine because fortunately the jam community allows us to play a lot of different kinds of music.
AL: Let’s talk the Flock and the Coop, your Facebook fan page and marketplace. Your fan base exponentially grows as does the sale of your pins. Are you surprised to see how much money people are willing to drop on them? I’ve even seen a few go for around 300 bucks.
GO: It’s pretty wild people are collecting our pins so feverishly. I kinda shut that type of stuff out. I stopped looking at the Flock as much as well its better I just focus on writing music and making plans for upcoming shows and not getting bogged out whats going on with the outside of things. I’m very appreciative people are psyched about our artwork and the band and we hope that whoever is flipping these pins are doing something good with the money. We prefer that go to charity or something but nonetheless, we’re excited that people are stoked on it and we love working with local artists and people from all over the country to make new artwork and keep pushing the envelope with how wacky we can get with a band named Pigeons Playing Ping Pong.
AL: What advice do you have for first time flockers catching the Putnam Den show?
GO: Oh man, well just relax and if you feel like dancing like a monkey go for it, no one’s gonna judge you if you dance like a monkey. We’ve had a few monkeys at our shows that have impressed us and inspired us to play more jungle style music. Just let it flow and don’t forget to smile.
AL: What actor would play you in a movie based on your life?
GO: Oh I hope me, that would be so cool! Do people do that? Maybe John C. Reilly but we’d have to act quickly. Wouldn’t want to do that in 20 years, that would be older Dewey right before he has a heart attack on stage. I think he could pull it off. Maybe Idris Elba. A strong combo of Idris Elba, John C. Reilly and a dash of Jack Black.
AL: Spitfire round! Choose the first answer that comes to mind.
AL: Kiwi or mango?
GO: Kiwi!
AL: Lemon or lime?
GO: Lemon
AL: New York or California?
GO: Ah. I know it’s supposed to be quick but I’m from New York and I really like California and I WANT to say California but my heart says New York.
AL: Sweet or savory?
GO: Sweet
AL: White or dark chocolate?
GO: White, and you know, I really would choose milk chocolate and in retrospect, I’d probably go lime but I said lemon. But that’s what it’s all about! It reveals things to me that I didn’t know about myself. In most interviews I don’t learn a lot about myself so thank you for this introspective line of questioning. I’ll be up all night thinking about the crayons and who would play me in a movie. I’ll text you later if i think of a better answer. Also feel free to take a poll! If any of our readers know who would play me in a movie, let’s hear it!
AL: We’ll put a call out! Thanks so much for entertaining these questions with some fun answers and anecdotes. Really looking forward to catching you at the Den.
GO: That was fun! You really threw me off. I normally get more standard questions. If I seriously think of anything else I’ll text you a follow up and you can say ”Greg texted later that it’s really “Sahara orange.”
Catch Pigeons Playing Ping Pong at Putnam Den on Saturday, December 2nd with the help of Flamingosis in the opening slot. Doors open at 8:30pm with the show to rage shortly after at 9:30pm.
Looking ahead just a few months from now, the year 2018 will be Dopapod-less, which means fans have flocked from inner cities, out of town and hours away just to catch what will be their remaining shows ahead of hiatus. Bringing the heat during each gig on fall tour so far, word traveled fast that their Halloween bash at Saratoga Springs’ newly renovated Putnam Den wasn’t one to be missed, a Grateful Sabbath if you will.
Adorned in an astronaut suit, Eli Winderman and company would eventually sit behind the keys and prepare to launch the outrageously dressed and over-excited crowd into outer space for the remaining hours of All Hallow’s Eve.
Kicking off the night for the quartet was rising Burlington outfit, Swimmer, who previously took the reigns of opening for Dopapod in the past. Walking on stage in an assortment of costumes from a bassist puppy dog (Jack Vignone), a guitar wielding, “all you can eat Jimmy Buffet” pun (Paul Klein), a keys/sax playing Santa Clause (Matt Dolliver) and Alladin’s Abu on drums and vocals (Cotter Ellis) the prog rock 5-piece swiftly grabbed attention of Den dwellers as the room began to fill over the course of their set. The crowd quickly realized why these guys have been able to snag opening gigs and musical praises from Dopapod–their sound can be sentient and groovy and in seconds build to heavier territories, never executing boring composition.
The “No Shape” musicians warmed up the crowd with “Turko,” “Murphy’s” Song,” “J.I.G.” and an enchanting, jammed out “Sea Cerebral” as well as an appropriately placed HalloWeen cover of “Put The Coke on my Dick” with Ellis nailing the familiar vocal outcries. Taking full command of the exponentially growing audience, a masked and shirtless Joe Agnello (guitar/vocals) corralled the colorful crowd and had them dancin’ into set break with Prince’s party anthem “1999.”
Trick of the night: Ellis cracked his snare mid jam in true rock and roll fashion, although his relentless and professional playing fully disguised it. Both relying on lip reading and hand gestures, Dopapod’s Neal “Fro” Evans saved the day by hand-delivering his own snare to a fellow drummer in need.
Astronaut Winderman, a monkey headed Chuck Jones, a low key Rob Compa and Evans were greeted on stage with a “This Is Halloween” introduction before a stacked set one of continuous, hard-hitting originals came into orbit–exactly what fans needed to submerge themselves in during the concluding gigs of 2017. Offering up fired-up favorites with an opener of “Black and White” paired with color coordinated lighting, each studio album was given a taste with as Never Odd or Even’s “Present Ghosts” trailed right behind. Serving up “Sonic,” “Bubblebrain” and a fix of the latest efforts on Megagem, a fun delivery of “Mucho” found extensive live twists creatively altered from the studio version, giving those already familiar with the tune a fresh way to remember its live adaptation. Somehow managing to find time to squeeze in a sit in with Moe’s Vinnie Amico on drums for a gratifying and turbulent “8 Year’s Ended,” Redivder’s funky “Blast” closed out the powerhouse set which was ultimately a lengthy, indulgent Saratoga Springs get down.
Hopping back on the tightly packed stage to settle down a wondering crowd, all eventually found themselves puzzled yet enlivened to be singing along to the words of the Dead’s “Eyes Of the World,” as Dopapod’s imaginative flair inventively took on the American rock classic. Hinting at a full cover set, a fierce and expressive Black Sabbath cover of “War Pigs” came next as it completely paralleled the carefree feel of it’s predecessor. The third song took some time to gain recognition as eventually the lyricism from Scarlet Begonias and intense anatomy of Sabbath songs magically fused together to create the ultimate Halloween treat.
Looking back at the group’s latest moves on social media, they teased the second set themeby uploading two photos of frontmen Ozzy Osbourne and the late Jerry Garcia with the caption “milk,” to their Instagram feed. Each song execution conjured stupefied giggles and pure astonishment as Dopapod managed to fully rework well-known songs into interchanged genres, pulling off Sabbath’s “N.I.B.” with a laid-back Californian twist.
Inspiration behind the set came to fruition years ago when Fro realized that Black Sabbath is “just the Grateful Dead playing minor instead of major,” as divulged on a recent Facebook post. So for those who never thought they’d get to see “Friend of the Devil” and “Sweet Leaf” performed in the same set, anything can transpire during a Dopapod Halloween gig. Adopting the Drums>Space routine of the Grateful Dead, Fro as well as wildly talented light/sound engineer and friend Luke Stratton were given time to shine as eye-catching shapes and colors rapidly twisted and whirled across the blank canvas of the Den walls.
Adding to the themed mash-up, Sabbath lyrics were placed mainly to the tune of “Terrapin Station” and introduced a long-haired “Jerry Osborne,” aka Stratton, to the stage for electrifying assistance on guitar and costume hilarity. A rebellious “Fire on the Mountain” making nods to the tunes of “Paranoid” and “Iron Man” closed out the eclectic bust out set with vigor. Quickly returning for encore, the four approvingly spliced together a tight delivery of 2009’s “Indian Grits” with the Dead’s groovy “Shakedown Street.”
Everyone already had the seed planted in their minds to scurry to the remaining Dopapod gigs of the year but when you’re told not to miss a show, there’s probably good reasoning. In a matter of hours fans were scavenging on the Internet for Grateful Sabbath sound boards and video clips, surely face-palming envy deep into their hands. With just 28 gigs standing between the Boston-born band and a touring recess, catch the duo of Swimmer and Dopapod again at Providence’s Fete Music Hall for a Dec. 30th gig in Rhode Island with Hayley Jane and the Primates.
Putnam Den 10/31/17 Setlists:
Swimmer: Turko, Murphy’s Law, Put the Coke on my Dick* > J.I.G > Sea Cerebral, 1999^
*Ween ^Prince
Dopapod: This Is Halloween* (Walk out music), Black and White^, Ghosts ->, Sonic ->, Braindead, Mucho, 8 Years+, Blast
Set II: Eyes Of The World$ >, War Pigs& ->, Sabbath Begonias@, N.I.B.**, Friend of the Devil^^, Sweet Leaf++ >, Drums >, Space >, SweetLeaf++, Black Sabbath$$, Fire on the Mountain&&
Encore: Grits@@, *From Nightmare Before Christmas, walk-out music
^This Is Halloween tease +with Vinnie Amico of moe. sit-in on drums $Grateful Dead cover &Black Sabbath cover @Scarlet Begonias (Grateful Dead) lyrics in a Black Sabbath style **N.I.B. (Black Sabbath) in a Grateful Dead style ^^Friend of the Devil (Grateful Dead) lyrics in a Sabbath style ++Sweet Leaf (Sabbath) lyrics in a Grateful Dead style $$Black Sabbath (Black Sabbath) lyrics in a Grateful Dead style (mainly Terrapin Station), Jerry Osbourne (Luke Stratton) sit-in &&Fire on the Mountain (Grateful Dead) lyrics in a Black Sabbath style (mainly Paranoid and Iron Man), Scarlet Begonias tease @@Elements of Shakedown Street (Grateful Dead), Trapper Keeper teases
What’s in a name? Well, in terms of the latest Dopapod album, everything. We know the phrase “never use a word in its own definition” but for right now, we’re scrapping that. Dopapod’s Megagem is just that–an 8-track album, its title and definition all in one.
While fans were relishing in the excitement of fresh material and the show planning that comes along with it, all came to a halt when a Facebook post from Rob Compa, Eli Winderman, Chuck Jones and Neal “Fro” Evans, stated that the ever-growing powerhouse would take a break from the road for the entirety of 2018. Megagem, while acting as the band’s mic drop before a sabbatical, can teach us all a lesson while exploring its larger thematics: cater to your needs as they need to be met–time doesn’t stop for anyone.
Kicking things off in typical fashion with wailing guitars, stellar harmonies and entrancing tempo changes, the album launches into a powerful opener of “Plaese Haalp.” While many have already heard the tune live over the course of the last few months, this time, listeners are introduced to triumphant strings, violins and cellos, helping to create a larger than life sound. Lyricism plays a key role, detailing inner emotions and exploring parallels between time, creating music and giving attention to other avenues in life. Eventually tempo slows down as Winderman’s roaring and impressive vocals take the reigns of explaining their reasoning behind the 2018 hiatus.
Fro leads us into “Piazole” for a few bars on the drum kit, before the rest of the band jumps in to create an eccentric tune, capturing the essence of what could double as a soundtrack from our favorite N64 video games. Coming as the first instrumental track on the album, “Piazole” tells a story all its own through incredible song structure and varying instrumental spotlight. This track feels like home as its zippiness, appropriately placed guitar solos and eerie bass line are representative of everything Dopapod does so well. “Zonk” comes next as a zany, momentary interlude, stringing together “Piazole” with the other known Megagem track, “Mucho.” As a fun addition on the release, it leaves tons of room for interpretation and live jamming, should it be played before the 2017 gigs are up. Pro tip: be extra cautious while listening for the first time in any vehicle. Abrupt horns sound off twice and can cause immediate confusion.
“Mucho” brings a diverse flavor to Megagem with airy vocals, a light-hearted message and a chorus sung entirely in Spanish. The album’s themes of fulfilling different facets of life and prioritizing fleeting time are stitched throughout the track and in the chorus that immediately follows three prominent, crowd engaging claps. For those who were wondering, the chorus translates:
“The purpose of life is simple. Have a good time until the day you die. Live life in the present moment. Just go out and have a good time, silly.”
“Confabuation” comes next with Compa and Winderman pleasantly and traditionally harmonizing vocals. As the song progresses with contextual lyrics to their current situation, inventive guitar licks slide into the spotlight before Fro masters odd time signatures and high cymbal taps to abruptly close out the track. A mysterious intro leads us into “Turn by Turn” and based on the title alone, let’s hope to see a Turn by Turn > Turning Knobs before the guys wrap up the year for good. This song instantly places you in a convertible driving along the coastline with your hair blowing in the breeze as Dopapod offers jazzy drum fills and lyrics based on colors and “stretching your minds eye,” alluding to the cerebral album art. “Turn by Turn” has fun exploring various arrangements all within one song, with creative drums that your ear just can’t stray from. The song’s lyrics end, but the tune carries on as a crescendo of sound builds stronger alongside ambient effects before a blunt ending.
Holding down the blues on Megagem, “Buster Brown” acts as the final instrumental track. Slowed down, filled with soul and heavy on guitar, Dopapod lets the instruments smoothly speak for themselves. Compa and his guitar unmistakably shine over the course of the song but its Jones’ intricate bass-work that lays down the foundation for the jam. “Starfish” comes as the final piece to the Megagem puzzle- a spacey, intuitive ending track ready to sing you to sleep for a 365-day lullaby. It’s dreamy tone guides listeners into a utopic, upside-down world were Dopapod never goes on hiatus–a prelude to a dream acting as a perfect ending to reflect on the album as a whole. Winderman is given another opportunity for an ending psychedelic, soliloquy. Strings come into play once again to wrap “Starfish” at high volume as we come full circle to where the album’s journey all begin.
With their most themed release to date, its apparent the quartet knew exactly where they wanted to go, as they take their listeners on a dream pop journey to the center of self fulfillment. The 5th studio album comes a a bittersweet symphony, the last creative piece relinquished by the jam rockers before the looming hiatus. While its bittersweet to know you wont witness the live, raw talent of a band so deserving of its praises for an entire year, at the very least, we’re left to see how the entire album translates on stage and if any of those strings just so happen to surface during fall tour.
The next NY show dates take place on October 27 at Irving Plaza with The Motet and Halloween trickery at Putnam Den with Burlington VT’s Swimmer. Catch ya in 2019, Dopapod! We’ll be waiting.
After a September residency at local Buffalo dwelling, Nietzches, Intrepid Travelers packed up their sets chock-full of themes and set their sights on new residencies. Week one offered tunes from the British Invasion, spanning from the expected efforts of the Rolling Stones, Beatles, The Who, Cream, and Jimi Hendrix while week two introduced a set list that spelled out”Witty Tarbox.”
Carefully crafted to spell its theme out with the first letter in each track, week two ripped through an eclectic combination of tunes by pairing Pink Floyd, Rush, Talking Heads and Lotus covers in the company of Diana Ross and Dr. Dre. Sam Pavlovich was introduced as the new bassist in Intrepid Travelers and sat in on “Take Me to the River,” “YYZ,” “Xxplosive,” and “Funky Duck.”
The third week of the IT residency treated fans to an intersteller set appropriately in place with Space Junk acting as supporting act. The night unveiled “Space Odyssey,” “Satellite of Love,” “Rocket Man,” “Great Gig in the Sky,” “Standing on the Moon,” and other intergalactic classic rock favorites. The fourth and final week closed out a wildly executed residency with a final theme as a play on “dirt,” with musical support from Dirty Blanket. Also acting as David Neimanis’ last as a member of Intrepid Travelers, the group welcomed covers of musical giants Steely Dan, Frank Zappa, Phish, Primus, Lettuce and more, with the help of Ellen Pieroni on saxophone.
There’s only one way to cool yourself down on these thermal, mid-summer nights and that’s to let loose and do some swimmin’. Vermont outfit, Swimmer, resides just a stone’s throw away from New York in the jam-centered, musical hub that is Burlington, VT. As a well-known Burlington band having held an impressive residency slot at Nectar’s and previously opening up for the likes of Dopapod, the quintet made it a point to splash into unexplored territories, cities and states in order to further their rising presence in the jam community.
Welcoming the conception of their first-ever U.S. tour, the guys already completed stint one with stops across the Northeast. They hit NY specifically, with a July 2 show at Silvana in Harlem and a July 7 gig at Arlene’s Grocery in NYC before they dipped their toes into WV, NC, VA and DC. Their second voyage will see more NY dates, beginning with back-to-back stops at Plattsburgh’s Retro Live on Aug. 3 and Buffalo’s Neitzsche’s on Aug. 4 while gearing up to make their first appearance out West in Muncie, IN, Boulder and Denver, CO. They’ll return to MA and ultimately their Burlington swim hole for an appropriate tour closer at Nectar’s and a festival stop at Beaver Fest from Aug. 25-26.
Heavily influenced by artists such as Phish, Frank Zappa and The Disco Biscuits, Joe Agnello (guitar/vocals), Matt Dolliver (keys/saxophone), Cotter Ellis (drums/vocals), Paul Klein (guitar) and Jack Vignone (bass), encompass an encyclopedia of jam, progressive and experimental rock styles, blending them together to create a waterfall of elements all their own. Troy Rosenberg was recently introduced to the Swim team to manage stellar light shows to supplement Swimmer’s engaging and improvisational live performances.
Summer tour has given Swimmer the platform to promote their latest album, No Shape. The release compiles tunes they’ve been delighting fans with for quite some time, such as “Undercover Junkie,” while introducing fresh tunes for fans to float in, like fan-favorite “Godmeat” and “Schwack,” featuring Nate Reit on trumpet. No Shape gives any new swim-fan an in-depth look as to what the group is all about. As any jam band fan would explain, the full experience resides within the magical atmosphere of their live shows. The band’s ability to roll out extensive jams within any given song makes for a unique gig each night, always keeping the crowd fully engaged with a toss up of treats. For more of Swimmer’s live shows and to listen to their studio work, be sure to visit their Bandcamp.
If you don’t know these guys, catch them on the second leg of their summer tour. Get acquainted, get aquatic and check out their tour dates below!
The popular trend of outdoor concert series for the summer has taken off and Clifton Park Commons decided to join in on the fun. With a free-to-the-public, package deal of 2017 Performing Arts at the Common Series, the initiative will bring family fun to Clifton Park on both Wednesday and Sunday nights.
With the exception of multi-day shows, Wednesday nights will cater to fun for the entire family, including the kids. Bring your little ones to the Clifton Common Stage for the Performing Arts Family Series where featured musicians, magicians, puppeteers and performers appeal to children of all ages for a night of free fun and entertainment.
A mix of children’s theatre, artists new to the area as well as well-loved local and cover bands made it onto the summer lineup, including “Alladin Jr.” Theatre Camp, The Accents, Fiddler on the Roof, Sirsy, Moriah Formica and Yellow Brick Road- A Tribute to Elton John. Closing out Performing Arts at the Common Series, energetic Celtic favorites Hair of the Dog have made their rounds playing their 70’s classic rock inspired music for widespread audiences and Albany natives for quite some time.
Sunday evenings will boast adult fun and entertainment in the form of an array of talented musicians and live performers ready to take the stage for your enjoyment. All Clifton Common performances will take place on Vischer Ferry Road, next to the basketball courts in Clifton Park, ready to kick off at 7:00 p.m., rain or shine, unless stated otherwise.
Check out the full line-up below:
July 2 – The Accents
July 9 – Sirsy
July 21-22 – “Alladin Jr.” Theatre Camp 5pm start.
July 14-16 & 20-23 – “Fiddler on the Roof” presented by Not So Common Players
July 30 – Moriah Formica
Aug. 6 – Yellow Brick Road, A Tribute to Elton John
Aug. 13 – Hair of the Dog
Summertime fills the air with one-of-a-kind, free music–chirping birds, bikes whizzing by and children laughing as they play in the neighborhood. That’s not all the free music left to explore–all around the Capital Region, summer concert series have been crafted to offer a blend of different genres to the city’s inhabitants week after week. Rockin’ on the River in Troy has been a well-loved staple to its surrounding community, offering a free, 10-week concert series every Wednesday between June 7 and August 9.
Wednesdays just got better, as “hump days” can now be marked on the calendar with *outdoor music at Riverfront Park* in downtown Troy. Attracting between 5,000 to 8,000 guests per night, the series already boasted four mid-week performances from Almost Queen, Deerhoof, Skeeter Creek and Alex Torres y su Orquesta.
Rain or shine from 5:00PM to 8:30PM, the Downtown Troy Business Improvement District brings the summer concert series to residents free of charge and in turn, draws in crowds to Troy’s local shops and businesses, keeping the town thriving!
Check out the full Rockin’ on the River schedule below:
July 5 – The British Invasion Experience
July 12 – Saintseneca with The Sea The Sea
July 19 – Who’s Bad – The Ultimate Michael Jackson Experience with Kristen Capolino
July 26 – Taina Asili y La Banda Rebelde with Girl Blue
Aug. 2 – SIRSY with Sly Fox and The Hustlers
Aug. 9 – Rumours – Fleetwood Mac Tribute Band
Still a bit damp from the sweat and morning dew of Spring Tour, Space Carnival is back at it again this summer with a number of Northeast show dates. Trailing their debut album, Drawn In By The Sun, the wild quartet has put all their time and effort into the touring circuit, hitting up cities throughout both the North East and Midwest. Ready to debut new music this summer, the Ithaca outfit has been focusing on dialing back their tone and working on a slew of new material to bring to fans.
Woodhenge Music, Art and Sustainability Festival kicked off their string of summer dates on Sunday, June 25 in Adams, NY. New York State up-and-coming artists rolled deep to the solar and wind powered fest, including Formula 5, Lord Electro, Intrepid Travelers, Annie in the Water and Jiggawaltz. After a handful of NY shows, Space Carnival will make a performance debut at American Beauty in NYC for a Phish pre-show on July 29 as part of a Phanart event, showcasing the works of Phish inspired artists and vendors. The free event will go from 3pm-7pm and feature two powerful sets from Space Carnival.
Space Carnival recently joined NYSmusic’s 87/90, which is a collaborative group of New York bands on the rise with an initiative to grow in the scene among one another. The current roster includes Formula 5, Folkfaces, Cousin Earth, Let’s Be Leonard, Boogie Low, Gowanus, and Intrepid Travelers. NYSmusic’s 87/90 is an Artist Publicity and Media Group, bringing you a united front of up-and-coming bands across New York State!
View all of Space Carnival’s summer tour dates below:
June 25 – Adams, NY – Woodhenge Festival
July 14 – Sterling, NY – Ameribeat Festival of the Arts
With well loved music festivals being forced to fold their cards and encountering unfortunate mishaps in an ever-growing and highly competitive field, it’s both refreshing and reassuring that Stephentown, NY’s Disc Jam 7 can boast a laid back atmosphere and tightly-woven, yet growing community and still come out on top. A jam-packed, 4-day musical jaunt with a star-studded lineup attracted herds of fans from all over the Northeast and then some. Nearly 4,000 flocked to the cozy farm for a potpourri of funky jam headliners, late night producer and DJ sets, skilled vendors, a hula hooping and fire spinning flow tribe, on site artists and food trucks to keep festival dwellers happy, well-fed and entertained.
Thursday set the tone for the sunny weekend ahead, as Albany’s Lord Electro warmed things up on the CEG stage, before Strange Machines welcomed the booming voice and bubbly personality that is Hayley Jane, for the first of her many sit-ins as artist at large. Just after their set, they hopped on Teddy Midnight’s RV, also accompanied by a hot tub, for a quick interview on Teddy TV, which we later found out doubled as a surprise, late night party bus.
NYC trio Lespecial jumped up on the main stage to deliver some night-time grit and grime as Thursday night headliners. Their odd time signatures, heavy tunes and musical fortitude brought fitting teases of Tool, Rage Against the Machine and Primus’ own “Cannibal Holocaust.” After the help of Dopapod drummer Neal “Fro” Evans on the genre bending “Enter Sandman” into “Sandstorm,” the trio closed out their headlining performance on the main stage, riding the wave of symbiotic high energy between fans and artist.
Friday found a string of New York state bands representing their native stomping grounds into the early evening, including an all-star lineup of Aqueous, Giant Panda Guerilla Dub Squad, Wild Adriatic, Chromatropic, Leila, Litz, The Motet and jamtronica four piece Teddy Midnight, who rolled out phish teases and a number of stellar covers of The New Deal, STS9 and a pair of hard-hitting Disco Biscuits tunes, “Rock Candy” and “Tricycle,” proving Wiley Griffin can absolutely man handle a guitar. Over on the tent stage, Litz worked their magic to hype up the crowd while the saxophonist alone had enough personality on hand for the whole group. A sound malfunction forced immediate improv with bongo and guitar solos. Doing so seamlessly, the group dove right back into the jams once all issues were resolved and held down their set like true musicians and professionals.
The excitement for Friday night’s headlining Dopapod set loomed in the air as other festival favorites, Kung Fu, took the stage. Beau Sasser and company brought an arsenal of just that to the stage at Disc Jam this year for their one of a kind “Sunset-Set.” With Disc Jam 7 being their 6th time playing the festival, Kung Fu has been a fan favorite of the fest since 2012. That being said, the Fu you now groove to in 2017 may not have been the same back in 2012. With fresh tunes and a familiar sound, the group proved why they get invited back every year to the ever-growing festival. Kung Fu welcomed Hayley Jane during their set to perform Joan Jett’s “Reputation,” or for Freaks and Geeks fans, it’s notable theme song while their full set jammed through a slew of songs such as “Chop Suey,” “Joyride,” and a set closer of Steely Dan’s “Charlemagne.”
In past years, Dopapod have been known to deliver two sets to the festival they’ve been with since its culmination seven years ago. Unfortunately a gig in Colorado called for the festival veterans to head out early but not before offering up an eye-opening set that had all on feet and moving to the zips Eli’s keys and defined head bobs. Adorned in a blue Dopapod hoodie, Rob Compa took to the front row of the crowd to incite fan engagement, asking what songs they’d like to hear. After a “Trapper Keeper” suggestion and “Nerds” being loudly projected to the forefront of the stage, they launched into none of the above as they continued with songs of their choice. While the hour and a half set didn’t boast a laundry list of material, each delivery had a flair of its own and incorporated lengthy jams throughout, leaving fans both thankful and energized. Fans were treated to an opener of “8 years,” new track “Mucho, classic Dopapod hits and two-bit favorites “Priorities,” “Trickery” and “Cloud.”
Feeling wired post-Dopapod, a two hour “after party” ensued at the tent stage with the Motet’s uplifting and encapsulating music. Their kinetic energy and signature style made it impossible to stand still, as everyone underneath the tent found a dance partner in the strangers to their left and right. Paired with groovy visuals on the back wall of the tented stage, the Motet provided time travel through the decades with their genre-spanning music. Just in case anyone let out a yawn or felt their bodies slowly yearning for sleep, singer Lyle Divinsky doubled as hype man for the group, spewing catch phrases into the mic and pumping up the crowd as he stalked back and forth across the front of the stage.
With late night sets and DJs playing through the early stages of the morning, many found their way back under the tent to witness the magic that poured out of the tips of Holly Bowling’s fingers. While first depicting psychedelic visuals to pair with her compositions of well-loved jam tunes, Bowling offered the audience a “behind the scenes” look at her performance with a special camera placed in front of her hands. Viewers were able to watch her fingers tickle the instrument as she raced her hands back and forth while banging on the black and white keys, all while sporting a quirky smile on her face. It’s evident that Bowling is not only great at what she does but that it embodies the happiness she feels inside. Her takes on Grateful Dead, Phish and The Disco Biscuits found sweet symphonic sounds mimicking “Franklin’s Tower,” “It’s Ice,” and “Magellan” among others. Thankfully, this wasn’t the last we saw of the all-star pianist.
With at least one expected day of rain, the only dampening of the weekend came from the early morning dew and spilled beer across widely spread campsites. If you even attempted to get some sleep between the late woods parties and the beat boxers dressed in all black outfits adorned in glow sticks, the sun was enough to jolt you up out of your increasingly heated tent making you feel just Bearly Dead, or at least awake enough to go catch their early morning Grateful Dead tribute set–a slot they held at the tent stage all weekend. As Saturday progressed, Consider the Source took on their late afternoon set on the main stage, gathering a large crowd regardless of the fact they had a highly anticipated late night set scheduled for 2am. Ripping through well-known source tracks like “This Dubious Honor,” “Many Words of Disapproval” and “Closer to Home” paired with the wailing of instruments and heavy emotion written across their faces, the trio proved and surpassed reasons why they deserved two slots at disc jam. Never missing a note and playing the most difficult instruments and arrangements, consider the source managed to put a spin on their already involved tunes, oozing mastery musicianship.
Wild Adriatic brought their Saratoga Springs flair to the Disc Jam stage as declarations of “getting my hair like that guy’s” were made in the crowd, referencing to the stellar afro rocked by bassist Rich Derbyshire. Keeping it in the Capital region, Formula 5 boasted an unforgettable set, complete with a sit in by Holly Bowling and an emotional Allman Brother’s Band tribute cover. Drawing a solid, dance-ready crowd, Formula 5 brought the jams to those swaying back and forth on feet as well as those sitting and relishing in the moment. Bowling sat in for “Floating” as the group made what was the only Gregg Allman tribute of the weekend at the time, with an impassioned selection of “No One to Run With.” Mister F kept the upstate grooves going directly after, despite their recent misfortune of being down a tour van and itching to get new music out to fans, Scott Hannay showed his chops and delivered hard on keys before treating fans to a late night surprise.
Anticipation struck Gardner’s Farm for the party that Turkuaz was about to unleash on its weekend inhabitants. Making their rounds on the festival circuit, the 9-piece power funk ensemble offered harmonica stylings and powerful vocals with a groovy dance party to match. Shira Elias and Sammi Garrett have been getting more and more attention and for good reason. Their dialed up vocal chops, coordinated dance moves and soulful sound give enough reason as to why–plus, a cover of The Band’s “Don’t Do It” didn’t hurt.
Saying the tent stage was filled to capacity for Break Science Live would be an understatement. When they took the stage on Saturday night, the original duo of Adam Deitch and Borahm Lee reeled in a humongous crowd as well as support on stage when they were accompanied by a handful of Lettuce members– Erick Coomes on Bass, Eric Bloom on Trumpet, Adam Smirnoff on Guitar and Ryan Zoidis on Tenor Sax. The super group, paired with an intense light show captivated the audience with a combination of trip-hop, dub and jazz which found the tent jumping as a unit. During their set, Manic Focus joined Lee on the table to help with DJing, which brought a unique sound to an already extraordinary group of musicians.
A 2am set drew in a rather large and sleepy crowd underneath the tent stage. Known for their magical history with performing late night festy sets, most of the audience knew to place their blankets and tired bodies on the floor to witness an amplified, yet scaled back Consider the Source set in a more intimate setting with calming visuals to match. Two girls, however, missed the memo and kept prompting everyone to “stand up and enjoy the music” while others retaliated with, “but it’s a seated performance!” Nonetheless, all in attendance found themselves in awe at the mastery level in which the trio plays. Having checked off deliveries of stirring tracks, including one they learned during their trip to India and haven’t played since, Jeff Mann, John Ferrara and Gabriel Marin know how to nail a performance through tempo, chord progressions, arrangement and elements of surprise.
At the same time Consider the Source was delivering their intimate set to a lulled crowd, Teddy Midnight’s surprise RV party bus was at full force. Disc Jam artists swapped on and off the luxury bus, playing tunes from the backside of the opened vehicle and slithering guitar necks in between its doorways. Joe Davis and Matt Richards of Formula 5, Scott Hannay of Mister F, Adrian Tramontano of Kung Fu, Wiley Griffin of Teddy Midnight all took a musical ride on the bus.
As silent discos were offered into the premature minutes of the early mornings, Saturday night/Sunday morning offered listeners a stroll through the Techni-colored woods to “No Diggity” as one looked around and noticed life in the woods is a bit different than out on the wide open spaces of the farm. After placing a pair of silver headphones over your head, you were welcomed into a wooded world of festival dogs, multiple pin boards circulating and growing raves.
Sunday morning’s sunrise guided everyone to their tents for a quick nap ahead of the final day of Disc Jam 7. Upon awakening and being lazy around camp, the opening notes of Dopapod’s “Bubblebrain” trailed widely across the farm, conjuring many to the stage. Quickly, it had to be discovered who was playing such a top-notch delivery of the unique track. To the surprise of many, it was a group of kids from the ages 11-18 in Zachademy of Music All Stars, including a young boy with luscious blond locks, reminiscent to that of Formula 5 bassist James Woods. A mind blown audience watched as kids half the age of the festival goers shredded through a difficult catalogue including covers of Vulfpeck, Consider the Source and Kung Fu. Dopapod’s Compa went forth to share the “Bubblebrain” video to Facebook, announcing that even he messes up his guitar solo at times and further affirming the true talent boasted by the all stars.
Around noon, a very talented group new to the scene took the tent stage and made it their own. New Paltz’ The Other Brothers brought a unique sound to the festival, drawing a nice crowd to their set that blended a variety of genres. As always, Chris Owen was able to captivate the crowd with his larger than life vocals and impressive dance moves while Bera, Marquez, Morrison, Nelson and Mendelson kept every groove as tight as possible. Where one song took on the structure of a love ballad, the others were sure to get toes tapping and hips swiveling, gaining a new circle of Disc Jam fans. Be sure to check out this humble group on the rise, you won’t want to miss these brothers in a city near you before they ultimately break through. They’re currently out in L.A. recording their spirited music at the famous Sound City Studios.
Comparable to the tunes of Twiddle and their upbeat feel, Annie in the Water proved to be the fun 5-piece they are with a super involved set– a smorgasbord of sit ins by Holly Bowling on ‘Carry the Burden,” “Girl Let’s Dance,” with Twiddle’s Dempsey and Hannay of Mister F as well as Hayley Jane and Meadow Eliz offering assistance on “Crispy.” Keeping the theme going, a bulk of talent joined the Twiddle side project known as Gubbulidis. The group’s name derives from the combination the two members; Zdenek Gubb on bass Mahali Savoulidis on acoustic guitar and vocals. Usually all the two need are some loop pedals to make their sound one that very few could duplicate but to add depth to their one-off set, the power duo was joined by a plethora of talented artists such as the other components of Twiddle, Holly Bowling, Honeycomb, Billy Comstock of Annie in the Water, Wiley Griffin of Teddy Midnight and two members of Mister F; Colin Shore and Scott Hannay, making their Disc Jam set one of a kind. The full performance, which pieces together “Juggernaut,” “Rocky Raccoon,” “Mad World,” and more, can be found on Archive.org.
Later on in the day, a tent stage party was hosted by none other than G-Nome Project. The Israeli-based Livetronica Electro-Funk band rocked the tent and everyone inside with their synth-heavy instrumental tunes. Resembling jams taken on by trans-fusion/jam bands such as The Disco Biscuits, Lotus and Phish, G-Nome Project appealed to the masses, zeroing in on a unique blend of genres and inverted jams with covers of tunes from Game of Thrones, Lotus’ “Livingston Storm,” the Biscuits’ “Abraxas,” and Phish’s “Frankie Sez.”
Pink Talking Fish helped round out the festival with a Sunday evening performance, rotating their famous Pink Floyd, Talking Heads and Phish covers to an appreciative crowd. Mixing up the music of three undeniable bands in the scene, treats came in all sizes with covers of “One in a Lifetime,” “Run Like Hell,” “Mother,” “Rift” and “Harry Hood.” To close out their set, guitarist Eric Gould and artist manager brought out his latest guided talent, Hayley Jane to end with the second and final tribute to Gregg Allman with a moving version of “Soulshine.”
Neal “Fro” Evans, Holly Bowling and Hayley Jane certainly made their rounds throughout their four days on the farm, collectively marking an impressive number of sit ins. Evans brought his skill on the kit to help Lespecial and Giant Panda Guerilla Dub Squad on stage. Bowling spent time jamming with Electric Beethoven, Formula 5 and Annie in the Water while Hayley Jane notched an impressive sit in count of nine, with a TLC “Don’t Go Chasing Waterfalls” cover alongside Roots of Creation and appearances with Strange Machines, Bearly Dead, Aqueous, Congo Sanchez, Kung Fu, After Funk, Pink Talking Fish and, Annie in the Water. Her final performance with Ryan Montbleau tucked Disc Jam 7 into bed and put the weekend to sleep with one last performance as Yes Darling, as they ripped through a set of original material.
An intimate experience and independent effort, Disc Jam 7 sure packed a punch of a weekend before coming to a close. Every year, Disc Jam sees exponential growth and although it’s tucked away in the cozy knolls of Stephentown, NY, it’s small town aesthetic and low maintenance atmosphere is exactly what keeps fans coming back for more. When you step onto the farm, you step into the Disc Jam Fam–a world in which you meet and click with those you cross paths with if only for the weekend, a world in which you most likely already know an abundance of people there. After a widely successful seventh year in operation, those who self-identify as Disc Jam Fam left Gardner’s farm already mapping out next year’s detailed blueprints for Disc Jam 8.
What’s in a name? Well, in terms of the latest Dopapod album, everything. We know the phrase “never use a word in its own definition” but for right now, we’re scrapping that. Dopapod’s Megagem is just that–an 8-track album, its title and definition all in one.
While fans were relishing in the excitement of fresh material and the show planning that comes along with it, all came to a halt when a Facebook post from Rob Compa, Eli Winderman, Chuck Jones and Neal “Fro” Evans, stated that the ever-growing powerhouse would take a break from the road for the entirety of 2018. 
free music left to explore–all around the Capital Region, summer concert series have been crafted to offer a blend of different genres to the city’s inhabitants week after week. Rockin’ on the River in Troy has been a well-loved staple to its surrounding community, offering a free, 10-week concert series every Wednesday between June 7 and August 9.
