NYS Music 20​17

Tag: Nick Piccininni

  • Floodwood Celebrates Release of Third Album With Two Shows at Kirkland Art Center

    Progressive string band, Floodwood, will celebrate the release of its third album at Central New York’s Kirkland Art Center with a pair of shows. The two day celebration, to be held Friday and Saturday Dec. 8 and 9 will feature four sets from the headliners along with guest appearances from Nigel Felony on Friday and the Old Main on Saturday. Tickets are $25 each night or $40 for both nights. Members of the Kirkland Art Center can purchase tickets for $23 each night or $36 for both nights. Tickets are available through Eventbrite.

    floodwood showsFloodwood is Jason Barady and Nick Piccininni of Woodenspoon, Vinnie Amico of moe., Tony Markellis of the Trey Anastasio Band and Chris Eves of Chris Eves and the New Normal, Castle Creek and Skunk City. Combined, they bring a menagerie of influences to their unique brand of bluegrass.

    The band’s third album (second studio album),‘Til I Die was released on Dec. 1. It was recorded over the past year at RDRAUDIO Studios in Amsterdam and was produced and mixed by the band’s engineer Mark Cochi with additional recording by Casey Latter. The new album is available digitally on Amazon, CD Baby, iTunes and Bandcamp and physical copies will be available at all shows.

    floodwood showsFloodwood’s lineage reads like a history of Upstate New York music. From their bio:

    Vinnie Amico has been playing drums professionally for nearly 30 years, 20 with jamband mainstays moe. Vinnie has been with Floodwood since it’s inception 5 years ago. Vinnie is influenced by many musical styles including rock, jazz, bluegrass, reggae, country, and world music. Those influences shine bright in Floodwood…

    Tony Markellis is a bassist and record producer from Helena, Montana, now residing in Saratoga Springs, NY. His career spans over forty years, playing blues, folk, jazz, rock and country music with musicians such as Trey Anastasio, Paul Butterfield, The Mamas & the Papas, Johnny Shines, David Bromberg and many, many more. Markellis was a founding member of the groundbreaking Vermont-based jazz fusion group Kilimanjaro, as well as the Unknown Blues Band featuring Big Joe Burrell.

    Jason Barady spent over 10 years recording & touring with the Bluegrass group Wooden Spoon from Taos, until returning to his hometown in central, NY. An influential part of his local music scene, Jason plays with an unyielding energy and creativity on both local and national stages. Fans have been known to refer to him as “the Hendrix of Mandolin”. 

    Nick Piccininni is a self taught banjoist/fiddler who learned his bluegrass chops the old fashioned way – in picking circles at his favorite bluegrass festivals. He has been involved in many projects including touring for two years with CMA recording artists, The Abrams Brothers. Nick arguably smiles the most of anyone in the band.

    Chris Eves, from the band Castle Creek, is an accomplished guitarist and multi-instrumentalist. He has shared the stage with The Zac Brown Band, Jon Fishman of Phish, Johnny Lang, John Popper and many others. He also played guitar for American Idol and is featured in the film Star Trek Nemesis.

    The Kirkland Art Center is a regional multi-arts center located in an old church in the heart of historic Clinton, New York facing the Village Green. The center has been integral in maintaining cultural endeavors in Central New York for over 50 years.

    Floodwood always puts on an engaging show, filled with humor and brotherly competition. Check out some fan shot video of Floodwood’s newest member, Eves, kickin’ it at Funk ‘n Waffles in Syracuse last year below.

  • moe. Packs the F Shed for Another Hometown Throe.down

    moe. closed out its Syracuse residency Saturday, March 4, with a scorching show at the F Shed. A show that featured a hot first set, a second set “Kids” sandwich and three-song encore.

    The above referenced residency had moe. spending a few days in town being feted by the Syracuse Area Music Awards as inductees into that organization’s Hall of Fame, along with a three song performance at Friday’s award ceremony.  Saturday was the culmination of a great weekend of music in the Salt City.

    The frigid night began with guitarist Chuck Garvey’s monotone greeting, “Welcome to the hockey rink. Are you ready to rock? I said, ‘Are you ready to rock?’ I can’t hear you. Are you ready to rock?” As he fiddled with the tuning knobs of his Fender Stratocaster, he proclaimed, “I’m not quite ready to rock.” The lackluster delivery of a standard arena rock tone gave an ironic insight to the night’s proceedings. moe. – and Garvey – were, in fact, ready to rock.

    The F Shed is one of the more unique venues on the live music circuit, as it is literally a shed. Located in the Regional Market on Syracuse’s north side, the market provides not only a venue for live music, but a year-round location for farmer’s markets and flea markets. Garvey’s hockey rink reference isn’t a far stretch. One could easily see a set of dasher boards and red and blue lines being a part of this facility. With outside temperatures hovering in the zero range, the indoor temps seemed just slightly warmer upon entry. Thoughts of an impending hockey game weren’t a far stretch.

    The show opened with a boom, boom, boom, as the band busted into “Crab Eyes” from Wormwood. The song had a heavy Garvey/Jim Loughlin presence, which set the tone for the remainder of the night. The band dipped into its early 2000s catalog of songs featuring Garvey’s vocals and Loughlin’s percussion often.

    The first set was segue after segue as the band whirled through “Threw It All Away” and a rare moe., version 1.0 run-through of “Funky Reuben” before seamlessly moving back into “Crab Eyes.” The nearly all-segued first set continued with Garvey leading the way out of a spacey “Silver Sun.” “Akimbo” closed the solid first set, finally allowing the near capacity crowd to catch its breath.

    Following an extended setbreak, the band kicked into a low-key “Moth” to usher in the second set. moe. kept it mellow as Rob Derhak’s familiar bass intro to “Kyle’s Song” segued out of “Moth.” Garvey’s mid-song solo kicked up the pace with the crowd following suit.

    Throughout the night, the lights incorporated the industrial sized ceiling fans into the scenery, creating a scene reminiscent of Willy Wonka’s ‘Fizzy Lifting Drink.’

    The opening notes of “Kids” ripped open a box of crazy that resulted in a “Kids” sandwich to wrap up the second set. “Down Boy” set a funky tone into “Hector’s Pillow” and “Bring You Down” before settling back into “Kids.”

    After a quick break, Al Schnier returned with his usual slate of al.nouncements. Offering a cheers to the crowd with a can of Utica Club, Schnier ran through engagement announcements and show numbers from various fans as well as a tease of moe.down’s return to Snow Ridge Ski Area this summer.

    An energetic encore began with the slow swirling build up of “Wind It Up,” with Loughlin’s mallets working overtime. The closing chorus turned into a sing-along as lights lit up the inside of the shed. The crowd-pleasing “Nebraska” followed with nearly all in attendance joining in.

    moe. has often used classic rock staples as show closers. Tonight was one of those times. The Who’s “Baba O’Riley” has been tackled by many but moe. seemed particularly equipped to replicate the synthesizer opening using Loughlin’s malletkat and guest violinist Nick Picciccini from Floodwood tackling the signature solo with ease.

    “Baba O’Riley” ended the night on a high note. The entire night capped off a three-day celebration of moe. as hometown heroes following the band’s induction into the Syracuse Area Music Awards (SAMMYS) Hall of Fame on Thursday and a performance at the awards ceremony on Friday.

    Seeing moe. perform in their home area creates a great homey vibe that reveals a fondness of their roots as a blue collar jamband from Central New York. At this point in their storied career, moe. is playing with  an energy that is still infectious to the long-timers yet finds them gaining new fans along the way. The return of moe.down to its original location in the Tug Hill can only add to what could end up being the peak year in the band’s career.

    Setlist:

    Set I: Crab Eyes > Threw It All Away > Funky Reuben > Crab Eyes, Captain America > Rise > Silver Sun > Akimbo

    Set II: Moth > Kyle’s Song > Kids > Down Boy > Hector’s Pillow > Bring You Down > Kids

    Encore: Wind It Up, Nebraska, Baba O’Riley*

    * with Nick Piccininni (Floodwood) on violin

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