Tag: moon hooch

  • NYS Music’s Guide to 2017 New Years Eve shows around New York State

    NYS Music combed the state, across I-90 and I-87, up into the North Country and down into the Southern Tier, and has compiled a comprehensive list of all events coming up this New Year’s Eve. Make your plans for New Years Eve 2017 and say hello to a brighter 2018! (If we missed a show, email details to editors@nysmusic.com)

    Buffalo and WNY

    Join Intrepid Travelers and Folkfaces in their Buffalo hometown at Nietzsche’s. Event Link

    2017 new years eveRing in the New Year at Buffalo Iron Works with Moon Hooch, Gnomedad & Honeycomb. Get your tickets in advance – this show is sure to sell out! Event Link

    Aqueous has a Gorillaz-themed set planned for their bash at Town Ballroom. Event Link 

    Renown Pink Floyd Tribute band The Machine will be performing at Rapids Theatre in Niagara Falls. Event Link 

    North Tonawanda’s Strand Theatre has Miller & The Other Sinners with special guest Cinnamon Jones. Event Link

    Celebrate The New Year in Jamestown at Jamestown Eagles Club with the Kates Brothers Band. Event Link

    Ithaca

    Big Mean Sound Machine’s Big Mean New Year’s Eve will mean of night of getting down at Lot 10. Event Link

    Get a double dose of folk rock at The Haunt with Driftwood. Event Link

    Rochester and Finger Lakes

    Rochester’s hottest new venue, Radio Social, has a hot show planned featuring harp-playing singer/songwriter Mikaela Davis. Event Link 

    Mosh your way into 2018. Floated Magazine is hosting a hardcore show a show at Bug Jar with REPS, The Weight We Carry, Kodivk, and Bone Mask. Event Link

    Funk n Waffles Rochester: Dirty Blanket & Root Shock. Event Link 

    Anthology has two nights of fun planned. Giant Panda Guerilla Dub Squad plays both nights. On December 30 they’re joined by John Brown’s Body and Thunder Body. And on New Year’s Eve, they share the stage with Easy Star All-Stars (performing Dub Side of the Moon) Event Link

    Syracuse and CNY

    In Syracuse, Sophistafunk and Skunk City will rock out at Funk N Waffles Downtown. Event Link

    Or catch The Ripcords at the Fireside Inn in Baldwinsville.

    Verona – Mick Adams and The Stones at Turning Stone Casino. Event Link

    Capital District

    Throughout Albany, Schenectady and Troy this New Year’s Eve, celebrate responsibly. Call for a free cab in the Capital Region during New Year’s Eve, courtesy of Martin, Harding, & Mazzotti LLP.

    Twiddle will ring in the New Year, with a second performance at the Palace Theatre in Albany with special guest Giant Country Horns. Event Link.

    Join in on the mystique of Albany, at the Hollow Bar + Kitchens NYE Masquerade party with live music by The Late Shift, and Mirk. Event Link

    The Albany Hilton will host a NYE ’80s theme party, with music by The Refrigerators. Event Link

    A Pirate, and mermaid themed Shipwrecked party will take over The Desmond Hotel in Albany, with live music by The Audiostars, Skeeter Creek, and DeeJay Element. Event Link

    Playing With Fire Band, along with many others, will perform at Bethlehem’s First Night, in Delmar. Event Link

    Ring in the New Year at the annual First Night, in downtown Saratoga, where there will be a wide range of activities and live music. Event Link

    Vapor Nightclub at the Saratoga Casino and Hotel, with feature the biggest balloon drop in the Capital Region along with music by The New York Players. Event Link

    Motown will take over the Rivers Casino & Resort in Schenectady, as R&B and Funk legends, The Commodores, are set to ring in the New Year in the Electric City. Event Link

    Proctors Theater in Schenectady will hold their own Motown NYE bash with music by The Chronicles. Event Link

    Soul Provider will rock in the New Year at the Rustic Barn Pub in Troy. Event Link

    The Shop in Troy, along with other neighboring spaces, will host a Masquerade party with Burlesque performers and live jazz bands. Event Link

    Hudson Valley

    Kingston’s BSP Lounge will host Rubblebucket and local organist Marco Benevento. Event Link 

    Bearsville Theater will welcome Gratefully Yours on New Year’s Eve for a night of Grateful Dead music. Event Link

    In Woodstock, check out The Big Takeover at Colony Cafe. Event Link 

    North Country

    In Plattsburgh, The Monopole will host Groovestick for all night party with some Grateful Dead added in! Music starts at 10pm and goes until 6am. Event Link

    Saranac Lake at The Waterhole will feature Annie in the Water and Nina’s Brew. Event Link

    Westchester

    Portchester’s Capitol Theatre brings in Colorado’s String Cheese Incident for 3 sets! Event Link

    New York City

    Brooklyn

    They Might Be Giants at Music Hall of Williamsburg. Event Link


    Brooklyn Bowl will host the legendary funk troupe Lettuce along with rising dance artists Jaw Gems. Event Link 

    Rich Medina presents HOME at C’mon Everybody  in Brooklyn, performing house, rare groove and garage classics. Event Link

    Soul Clap will keep the Crew Love real this New Year’s Eve with special live performances from rhythmic house duo No Regular Play and Afro-Futuristic pilots The Illustrious Blacks. Event Link

    Budos Band will hit The Knitting Factory with Evolfo and Electric Citizen. Event Link

    Bell House hosts The Rub NYE featuring DJ Ayres, DJ Eleven, Makossa Brooklyn Cookout and Prince Klassen. Event Link

    Manhattan

    Holly Bowling will perform her annual pre-show at The Cutting Room at 4pm on NYE. Event Link

    Electric Love Machine hosts a FREE pre-party at American Beauty before Phish. Event Link

    Gov’t Mule will host ‘The Rockin Mule Revue’ at The Beacon Theater, with special guests including Jackie Greene, Shawn Pelton, The Chronic Horns and The Better Half Singers. Event Link

    Gramatik throws a dance party like no other at Terminal 5 on NYE. Event Link

    Prefer Jazz to kick 2018 off? Try The Birdland Big Band at Birdland. Event Link


    Three sets of Disco Biscuits await their loyal fans at The Playstation Theater in Times Square. Event Link


    Macy Gray’s soulful voice will be singing the crowd into 2018 at Iridium Jazz Club. Event Link


    John Digweed and Tara Brooks headline a bevy of DJs at Output. Event Link

    and of course, Phish at Madison Square Garden. Event Link

    Followed by and one final Phish After-party, this one with Kung Fu, Wyllys, Jerry Lounge Experience and more at American Beauty. Event Link

  • Mountain Jam Lineup Finalized, SCI Joins Petty, Miller as Headliner

    The field for the 13th edition of Mountain Jam is set. The annual Catskills festival, held at Hunter Mountain, announced its lineup and headliners, Tom Petty and the Heartbreakers and the Steve Miller Band back in November. Friday, the full line up was announced, including additional headliner String Cheese Incident.

    Also added to the June 16-18 bill are indie folk artists the Head and the Heart, reggae rapper Matisyahu, Brooklyn-based sax buskers Moon Hooch, Sudanese pop, krautrock, free jazz artist Sinkane, country legend Marty Stuart and his Fabulous Superlatives and “hometown” girl Amy Helm and the Handsome Strangers.

    Helm is the daughter of the late Band drummer Levon Helm, whose studio, affectionately known as “the Barn,” is located in nearby Woodstock.

    Matisyahu, Moon Hooch and Sinkane will participate in the Late Night Jam. The full lineup is available here.

    Noticeably absent from this year’s bill are festival hosts Govt Mule and Mountain Jam regular Grace Potter. However, festival mainstays Michael Franti and Spearhead and Gary Clark, Jr. will appear. Also appearing is Peter Frampton, St. Paul and the Broken Bones, Holly Bowling, TAUK, White Denim and the Big Takeover.

    Mountain Jam prides itself on its family inclusive environment and the kids can expect to see sets from the Paul Green Rock Academy and Ratboy Jr. along with kid friendly activities in the Kozy Kids area.

    Three-day general admission tickets, camping and parking passes as well as several VIP packages are available at the festival’s website.

  • Celebrate the 2017 Saranac Lake Winter Carnival at the Waterhole

    The 120th annual Saranac Lake Winter Carnival will take place this year on Feb. 3-12. NYS Music is proud to present the 10 day line-up for The Waterhole Upstairs Music Lounge, which will feature 16 acts of both local artists and national touring acts.

    The Saranac Lake Winter Carnival is the longest-running event of its kind in the eastern U.S. Originally established in 1897, the event has since grown into the 10-day celebration that it is today.

    February 3Primate Fiasco & Annie in the Water

    The Primate Fiasco uses instruments that are loud without electricity, giving them the opportunity to attack at any moment, in any location, with or without permission. No one is safe, not even an elevator or city bus. If the Primate Fiasco sees a dull moment somewhere, they will pop out of the nearest sewer drain or trash can to lead an irresistible dance party.

    On stage, the sound is different. This band has pioneered what is possible with mind-bending accordion, funky pockets of a hyperactive Sousaphone player, and banjo that thinks it’s a Fender Strat. Add lyrics that grab hold of even the most inattentive audience and beats that channel surf like a remote that’s been sat upon. The music is always high energy and extremely imaginative. Most importantly, this is fun. People smile from the first beat to the last smoldering ash of what was previously a dance floor.

    Annie in the Water’s music is a groovy combination of reggae, funk, rock, blues and jam, written with a conscious dose of positive vibes, unique melodies and intelligent lyrics.  With the ability to fill an entire night with original music and also render well-known covers into a signature style, fans share extraordinary experiences that can’t be seen anywhere else.

    After nine years performing more than 600 shows in over 13 states, the original duo of founding members Brad Hester and Michael Lashomb also lead a full band that will shock your soul into euphoria. The full band line-up includes featured members Joshua West (formerly of Lucid) on drums/percussion, Dillon Goodfriend (Fox Richardson) on keys/backing and Anthony Leombruno (Capital Zen) on Bass.  Occasionally the lineup may feature percussionist Bill Bentz (Exit 30) and various woodwind or brass members.

    February 4Lucid & Eastbound Jesus

    Lucid decided to take a hiatus from touring in early 2016, after 13 years on the road. The band’s culminating performance in April captivated a sold out crowd at the newly renovated Strand Theater, in their hometown of Plattsburgh NY. Lucid’s only other appearance last year was at their home festival Backwoods Pondfest in Peru, NY.  One of the reasons the band wanted to take a break from touring was so they could slow down and be more deliberate in their choice of venues and events. When asked about playing Winter Carnival in Saranac Lake, Lowell Wurster said “All the guys were really excited at the idea. We have been playing the Waterhole for many years, and we love Saranac Lake and the people who live there. We always have a blast up in the mountains; it truly is our second home.”  In addition to a genuine love for the Adirondacks, the Waterhole has special meaning to Lucid because of its proprietors, Eric & Kiki. “They have done a stellar job keeping the music alive up there. The bands they are bringing in have raised the bar in the North Country music scene, and we are so excited to be a part of what they are creating. We want to help them keep the momentum building, ”

    Eastbound Jesus draws on a mix of diverse influences from the worlds of bluegrass, country and rock and roll to develop their own sound that is at the same time distinctly familiar and completely original, one that they have dubbed “Northern Rock,” These six friends from the rural upstate New York town of Greenwich have released four studio albums and a live album over the past five years, all while packing venues across the northeast with an infectious energy that gets people smiling, dancing, and hollerin’!

    February 7 – Joe Driscoll

    Joe Driscoll is a musician/rapper/beatboxer from Syracuse who uses different styles and instruments while performing.

    February 8Donna the Buffalo & Bess Greenberg

    Donna the Buffalo just celebrated their 25th year as a band and have proven to be a consistent purveyor of American music. What’s the recipe? To be sure, it’s infused with more spices than you’ll find at a Cajun cookout by way of a southern-fried, rockin’ country old-time jamboree. “For the dizzying array of styles and genres with which they work, Donna The Buffalo maintain a surprising level of consistency. The New York-based band has played around with folk, zydeco, and many other musical ideas over the course of their 25-year career, but they retain a sharp focus that has helped them create some truly lasting music,” writes Elmore Magazine.

    Bess Greenberg is a singer-songwriter & visual artist from Binghamton, NY.

    February 9Moon Hooch & Honeycomb + Jiggawaltz


    If any band is a poster child for turning the power of positive thoughts and intention into reality, it’s the explosive horn-and-percussion trio Moon Hooch. In just a few short years, the group—Wilbur, fellow horn player Wenzl McGowen, and drummer James Muschler—has gone from playing on New York City subway platforms to touring with the likes of Beats Antique, They Might Be Giants, and Lotus, as well as selling out their own headline shows in major venues around the country. On Red Sky, their third and most adventurous album to date, the band uses everything they’ve learned from their whirlwind journey to push their sound to new heights, bringing together the raw, transcendent energy of their live performances and the sleek sophistication of their studio work into a singular, intoxicating brew that blends elements of virtuoso jazz, groovy funk, and pulse-pounding electronic dance music.

    Currently based out of Massachusetts, the vocal cord conductor known as Honeycomb has quickly risen to the top of the food chain of northeast beatboxers, placing 13th in the 2015 American Beatbox Championships. With a unique approach as an equally versed music producer, and a frequent collaborator in both the live and studio settings, Honeycomb has built a sound fan base for himself through original productions and ear popping performances.

    Jiggawaltz is a six piece band hailing from Burlington, VT and Upstate NY focused on performance, engaging their audience with tightly woven compositions and elegant sections of improvisation. Fusing together many influences including classic rock, funk, electronic dance music, Latin jazz, soul, disco, and metal to create a unique pallet of sounds sure to entertain audiences from all walks of life. With original songs that uniquely decorate time with melody and harmony and a large repertoire of covers, Jiggawaltz often blends songs together to create a rich collage of sound.

    February 10Spirit Family Reunion & Folkfaces + Swampcandy

    Spirit Family Reunion is a touring band based out of New York that aims to deliver raw, high-energy honest music. They have self-produced and self-released two full-length albums (No Separation in 2012 and Hands Together in 2015) as well as multiple songbooks and other collections of recordings.

    Folkfaces is a group out of Buffalo, NY that plays a rowdy blend of rootsy folk, jazz, and blues, fusing classic forms with contemporary feelings and irresistibly danceable energy. Their inspiration comes from the mountains of Appalachia to the deltas of Mississippi, the swamps of Louisiana to the concrete jungle of the Rustbelt. Specializing in merriment and sticking it to the system, Folkfaces make the crowd dance and the hierarchy shatter.

    Swampcandy is an internationally touring, primitive blues influenced Americana duo. Ruben Dobbs’ aggressive finger-picking and rhythmic style (which often adds up to sounding like more than one guitar) combined with Joey Mitchell’s bass playing, pounding kick drum and percussive bass throttling (representing the presence of a full drum kit) easily fill up the sonic space normally created by a trio or even a four-piece. Dobbs’ soulful, passionate vocals are the glue that holds it all together and makes the band tick.

     February 11West End Blend and Bella’s Bartok

    Since their conception, ten piece funk/soul band West End Blend has been playing their version of funk and soul in venues all over the Northeast. Fronted by vocalist Erica Bryan, the band pays homage to classic throwback sounds while adding their own distinct vibe and flair. Behind her, the Blend packs a four-piece horn section, two guitars, bass, keyboards and drums onto stages every night. From humble beginnings in an epic sweaty funky basement dance party, the Blend’s goal has always been to bring that same atmosphere to every show.

    To understand Bella’s Bartok, imagine what you would get if Salvador Dali and Toulouse Lautrec were fronting the Moulin Rouge’s house band, and you have the exuberant spectacle that is Bella’s Bartok. Described as “about as much fun as you can have with your pants on” (Dan Wolovick, Two Way Monologues), this six-piece powerhouse melds Bohemian Klezmer punk with pop sensibilities into an eminently danceable party. The diversity of musicians that make up Bella’s Bartok, combined with their boundless energy on stage, has been known to break a dance floor, or two (or three, but who’s counting?). Their sound moves way beyond labels, pushing the envelope towards the darker side of Eastern European music, referencing Vaudeville and 20th century eclecticism.

    February 12– Folkfaces

    Folkfaces is a group out of Buffalo, NY that plays a rowdy blend of rootsy Folk, Jazz, and Blues – fusing classic forms with contemporary feelings and irresistibly danceable energy. Their inspiration comes from the mountains of Appalachia to the deltas of Mississippi, the swamps of Louisiana to the Concrete Jungle of the Rustbelt. Specializing in merriment and sticking it to the system, Folkfaces make the crowd dance and the hierarchy shatter.

    For more information and tickets, please visit the Waterhole’s website.

  • Moon Hooch, Karma Darwin, and Honeycomb Get Geared Up For New Year’s At Daryl’s House

    Just before the New Year’s weekend began, Daryl’s House Club welcomed three local/regional acts on December 29 for a uniquely fun night of music to help get warmed up for the weekend. The night started with a set of homegrown Hudson Valley rock from just down the road in Brewster courtesy of  Karma Darwin. After hearing their live set it was fairly obvious why they make frequent appearances at Daryl’s House. Their sound was solid, built off a nice blend of rock, jam, and rhythm.

    Stepping over the Massachusetts border we arrived at a unique five-song set from freestyle beatboxer Honeycomb. His set was composed entirely from his beatboxing, each tune and freestyle consisting of percussion, melody and even some apparent harmony all at once. The beats were seamless and clean to the point where he would be a direct competitor side-by-side against any drum-and-bass DJ. As a common collaborator with the night’s headliner, Honeycomb was joined by members of Moon Hooch on his final song.

    Hailing from Brooklyn with a NYC subway busking origin, Moon Hooch’s Wenzl McGowen (sax/contrabass clarinet/EWI) , Mike Wilbur (sax), and James Muschler (drums) quickly turned Daryl’s House into a Union Square station dance session with “Something Else” from their recent 2016 album Red Sky. Through the set they touched upon their other two albums as well, This Is Cave Music (2014) and Moon Hooch (2013) and brought Honeycomb back out for some help during their encore.

    Using only tenor and bari saxes, a contrabass clarinet, drums and some electronic effects/processing, Moon Hooch approaches the conventional sounds somewhat unconventionally and turns them into rhythmic hooks and lures – the embodiment of exploring sound and its interaction with other sounds and the ears absorbing it. That was the driving force behind a sustained level of energy that gripped their set from start to finish, from the hyped-up “Number 8” through the entrancing arpeggios of “St. Louis” and extended sustained notes that require a level of mastery to achieve on the sax.

    Moon Hooch’s sound on their four albums, including their latest free EP release Joshua Tree (check out NYS Music’s review of that album here) is incredibly fun to listen to, but remarkably infectious in their live performance. While most of their live show is composed, there is plenty of improv and room for surprises different from the CD version of their songs that make it a must-see performance for fans who have only heard their CDs, vinyl, or videos.

    Aside from the arrangement and composition of the songs in the live setting, Moon Hooch has a tight-knit energy driven stage presence that the audience thrived from, and even vice-versa. The cozy setting of Daryl’s House lets the audience get right up close with the band, which got everyone in the room (Moon Hooch included) chewing into the experience of the show.

    Moon Hooch is back in New York at Buffalo Iron Works on Feb. 8, Waterhole in Saranac Lake on Feb. 9, and Brooklyn Bowl on Feb. 18 as well as several other shows around the Northeast in the next month.

  • Hearing Aide: Moon Hooch ‘Joshua Tree’

    Joshua Tree will be the fourth album from Moon Hooch, the jazz-fusion-dance group born out of the subway systems of New York City. Their sound is unique but it’s been heard before, especially to anyone that has lived in or spent time in a city.

    Unfortunately, their newest album won’t be something listeners will be fighting to get their hands on. On their website, Moon Hooch  themselves admitted that they could not think of what they wanted the album to sound like, so they just improvised and “somehow the process created 8 songs.” Their original intent was to seclude themselves for a few days in the Mojave Desert, just outside of the Joshua Tree National Park. They rented a house and turned it into a studio but no inspiration came to them, so they played whatever came to their minds. The idea sounds like a lot of fun for any musician and his or her friends, but as a third party it’s a bit hard to find enjoyment in it.

    Although it is good to see such talented street musicians make their way to the studio, their voice isn’t necessarily studio appropriate and sounds better in the echoing subway system of the big apple. They sound much more epic in a vast open area while in the studio, their sound is too empty and spacious. There is the opportunity to fill in those gaps, though. Granted, the three of them are astounding musicians that have a near mastery of their instruments, but there just isn’t enough of them to make a big enough sound. The drummer can be heard trying to compensate for that lack of power which can be overbearing in itself, never mind the fairly frequent squeals coming from the saxophones as well as other sounds that no one ever expected to come out of a reed instrument.

    Hearing this collection is shocking considering their prior studio works are pretty well done and  well known, such as “Number Nine,” a track off the Billboard Jazz Album Chart that allegedly peaked at the number nine spot, according to Wikipedia. The musicians are highly trained but they’re starting to get a little avant-garde and highly improvised. But when a group is limited to only three instruments, players will tend to stretch that voice out as much as possible, and the voices of the baritone, alto sax and drums have been maxed out and it’s time to move onto bigger things.

    The attractive part of a street band was that literally almost anyone could enjoy it. New York City, obviously, has one of the most diverse populations in the world and that means street performers need to appeal to a larger, more general crowd. Right now they’re only appealing to a small majority of the entire U.S. population. But bands need to experiment before they become widely recognized and this album will undoubtedly yield some interesting results, both positive and negative.

    Now, most people can enjoy a decent amount of wild improvisation, even though it gets a little unintelligible, but this is a new level. The track titled “Improv” really opens a door into what was on their mind when creating this. Before the song starts, there is an intro with one of the members describing how he wanted the rest of the band to go about creating the song “Improv.” He says, “Hit it as hard as possible…everything we do is intentional…literally no mistakes…mean every f*****g thing we do… zero hesitation.”

    It seems this technique is applied to almost every song and can be a little overbearing at times. It’s usually evened out by melodic tones and organized songwriting, but all of that can be very easily overpowered by improvisation and a very odd sounding baritone sax.

    If listeners can look past the odd parts of the album they will find some enjoyment in it. “Sandstorm” comes first and it starts out on a promising tone, but is quickly overshadowed by the baritone sax. “Jiggle” is pretty refreshing- still a little out there, but it’s comparably more upbeat and tight. It’s definitely a fun a get-up-and-go groove with loads of technical percussion and catchy sax licks. It’s one of the less complex tracks but definitely one of the most fun, which is the goal of street music.

    But just as quickly as it came, it’s gone when “Criminals” comes on and one begins to wonder if they’re just screwing around behind those microphones. They’re trying to accomplish this incredibly heavy tone that just doesn’t work. “Mountain Lion” is a more successful attempt at creating a heavy sound. It’s more organized but still has a sense of improvisation.

    It would be great to see these guys expand into a group with more people. They have the confidence and talent to be great band leaders and create something spectacular, they need to move past what they were raised to do but keep some of the attributes that make street bands so great. They’ve reached the limits of what they can do with the three of them and it most likely explains why they drew a blank out in the desert. The have put out an album almost every year so hopefully next year will bring something truly amazing from these very talented New York natives.

    The album is up for free download on their website.

    Key Tracks: Sandstorm, Jiggle, Mountain Lion, Outer Urge