Tag: honest folk

  • “Playing Songs for Strangers in Towns That Aren’t Ours”: Anna Tivel & Jeffrey Martin at Good Luck

    On a Monday night, nestled in Rochester’s Neighborhood of the Arts, art was being created live within the walls of the restaurant Good Luck. For their last show in 2017, Honest Folk brought an artist back for the first time in it’s two year history. Portlanders Anna Tivel and Jeffrey Martin had performed in the same space earlier this year, and it was so well-received they invited them again. Or as Martin supposed, they screwed up so badly they were given another shot. The couple, who are not normally a duo, both returned with brand new albums, and new songs, to play.

    They opened with “Saturday Night” off of Tivel’s new release Small Believer. They drew a Saturday crowd out on a Monday, the Monday after Daylight Saving no less, so it was an appropriate song to start the show. To call what they played ‘songs,’ however, wouldn’t be doing them full justice. They were stories and revelations told in poetic verse, that just so happened to be sung in beautiful voices and accompanied by sparse but rhythmic guitars. The audience hung on every word, absorbing the insights, receiving the sparks of inspiration.

    The pair found their stories through people. All sorts of people; some who they were close to, some they randomly crossed paths with, some they’d only read about, and some who were famous. Gillian Welch once said, folk music is music made for folks to listen to. Martin and Tivel might add, folk music is music made about folks.

    Anna Tivel They sang about the man who sat on a bench in Portland, rain or shine, to watch as a Marriot was built on the riverside. There was a song inspired by the soul of her just passed 99 year old grandmother. Another about young people finding true love, or maybe not, in small town America. The hard-working border agent she heard about on the news, the drunk woman who told her her life story from a bar stool and the stories she read on the Occupy website. There were songs about fathers, sons, uncles, mothers and daughters, and one about womanhood which included a shoutout to local and national hero Susan B. Anthony. There was the one about William S. Burroughs, how he stupidly and accidentally shot his wife dead. “Just Like You” included verses about Hitler and Jesus and includes what may be the most hilarious opening line of any folk song: “Joseph Stalin came from someone’s vagina.” Most songs were deep and dark, but Tivel answered later in the show with her own humorous tune, about a smattering of whacky characters she met while dating on Craigslist, in which the conclusion was, “We’re all crazy all the time.”

    As Tivel sang, her eyes closed and her shoeless feet twitched and flexed. Martin also sang eyes shut, his accentuated facial contortions partially hidden beneath his burly beard. They were completely absorbed in the words they sang, giving each character the attention they deserved.

    In two hour-long sets, the couple shared each other’s songs and also took the stage solo off and on. They did manage to squeeze in a pair of other people’s songs, covering Bob Dylan’s “Buckets of Rain” which Martin called the greatest love song ever written, and John Prine’s “In Spite of Ourselves.” Some folk royalty there. Though the highlights were easily their own, like Martin’s “Coal Fire” with Tivel’s haunting fiddle accompaniment, and Tivel’s “Dark Chandelier” which was a bit of a heart stopper.

    Some of the best stories were told in between the songs, and one of the best lines was too. Putting a positive spin on the tough times the world is living through now, Martin remarked, “When times are good, bands like Nickelback pop up.”

    Honest Folk is taking a break until after the new year, but keep your eyes peeled for their next show announcement soon after. Doubtful it will be Nickelback.

  • Leif Vollebekk Honestly Good at German House

    Honest Folk, a little over a year in existence, promotes occasional pop-up folksy shows in the Rochester area. For their latest booking, they brought Montreal’s Leif Vollebekk to the Historic German House. Rather than plop Vollebekk and band, drummer Evan Tighe and bassist Michael Felder, up on the venue’s tall stage, they set up on a short riser in front for a more appropriately intimate appearance. ‘Honest’ wasn’t just in the name, it was the driving force behind the evening. Honest to the earth: it was announced it was a zero waste event, with everything either being recycled or composted. Honest to the community: proceeds from the event would be donated to the Center for Youth, a local non-profit working with homeless children.

    And honest to the ears and soul: Vollebekk’s music, both reflective and relatable, was conceived, delivered and received without any air of contrivance. Opening with a short meditation mixing some ethereal Moog swirls with Wurlitzer grooving, he eased into “Into the Ether,” off his 2017 release Twin Solitude, which he played heavily from throughout the two-set show.

    Vollebekk played like a man possessed, it seemed it was two people playing the part. The singer delivered every lyric like he was just realizing the weight of the words for the first time right then and there. His face stretched, contorted and squeezed into inhuman shapes as he sang, whether words or just utterances. His hands worked almost independently, banging out complementary sounds on the electric pianos or picking along on one of his three guitars. At times the playing and the singing happened in succession, as though one was answering the other.

    Vollebekk was more emotive seated at the keys, but his guitar work was equally impressive. Both sets closed with him strapping on the electric, in the first on “Telluride” and the second with “East of Eden.” Both songs slowly built to a relatively energetic finish, with a fantastic flurry of finger-picking elegance.

    The two sets were a rarity for this band. As Vollebekk explained it, LP’s have two sides, but he was from the CD generation. It felt like the audience got two separate show closers out of the deal. So it was only appropriate that we would get two encores. Vollebekk said they couldn’t decide between two covers, so they would play both. The evening would end with their takes from two folk legends. A full band reading of Bob Dylan’s “Jokerman” followed by a solo guitar interpretation of Joni Mitchell’s “A Case of You.” Honest through and through.

    Setlist:
    Into the Ether, Vancouver Time, ?, Michigan, Elegy > Off the Main Drag, Photographer Friend, Telluride

    From the Forth, Cairo Blues, ?, All Night Sedans, ? > Elegy, East of Eden

    E: Jokerman, A Case of You

  • Leif Vollebekk Playing Rochester’s German House

    Montreal multi-instrumentalist and singer-songwriter Leif Vollebekk is bringing his deep and moving lyricism to Rochester for what will be a special show at the Historic German House. He is touring behind his critically-acclaimed third album, Twin Solitude, released earlier this year. The three years between records saw him in a creative rut, brought on by extended periods on the road. But he was able to find inspiration in everyday beauty, the seemingly mundane. It has garnered plenty of praise, from NPR Music admiring it as “devastatingly beautiful,” Brooklyn Vegan calling it “lovely, soulful and spare,” while The Fader praised Vollebekk’s “passionate Broken Social Scene-adjacent melodies wrapped in a casual, jammy atmosphere.”

    Local pop-up show promoter Honest Folk, a year into their enterprise, are bringing Vollebekk for their first show at the German House in Rochester’s South Wedge this Thursday, May 18. The show will begin around 7pm. Tickets are $30 and are available at their website. A portion of the proceeds from the show will benefit the Center for Youth, a local organization that provides comprehensive programs and services—from prevention education and counseling to emergency shelter and youth development opportunities.

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