Tag: Fleet Foxes

  • Phish Puts the Power in Powder

    On Wednesday July 26 at Madison Square Garden, Phish devised a plan to make hump day a great day.  Keeping in form with the powdered donut theme, the foursome launched into an acappella version of Fleet Foxes’ “White Winter Hymnal” to get the party started.  The “white snow red as strawberries” lyric reprised the Saturday night donut theme to the delight of MSG regulars and set the tone for a cover-filled evening on Night 6 of their Baker’s Dozen.

    Fans entering the Garden after work could relate to the traffic -jammed “Cars Trucks Buses” that took the second spot in the rotation and saw Page McConnell work his magic on the boards.  The always welcomed “My Soul” kept the energy building before a “Roses Are Free” completed the back-to-back cover annihilation.  The Chilling Thrilling Sounds “Very Long Fuse” received some extended love as the powder keg audience realized they wouldn’t be getting another five song first set.

    Rarities like “Pebbles and Marbles” have been filling the donut holes in a magical way throughout this run and it has become so common to hear bust-outs that the audience didn’t even detect how special it was. While speaking about special moments, the almost 15-minute “Tube” was explored by the band as if it was in a 1990’s Discovery Zone.  The bouncy punch initiated by Mike Gordon was only outshined by Page’s dirty synth orgy. Trey found his groove and dissected the jam into what will be known as the “Baker’s Tube” for years to come.

    phish powder

    When second sets begin with hard-rocking machines like “Carini,” Phish followers know they are in for a sweet treat.  The 16-minute lumpiness dug its feet into the ground and setup another rarity in “Mr. Completely.”  The TAB classic has only been played a handful of times by the quartet, yet it made its second appearance this tour to the delight of die-hards.  Trey’s ditty may or may not become a staple in the band’s repertoire, but for now there is still much work to be done with the jam.

    “The World’s Most Famous Arena” experienced a flashback to 1998 as the Vermonters destroyed Price’s “1999.” The second set was familiarly baked with incredible choices but the highlight may have been the jam that ensued.  “Steam” rose out of the stage as a seamless and perfectly placed transition before Led Zepplin’s “No Quarter” shocked and awed an already speechless crowd.  Page’s well-executed vocal takedown mixed with the ferocious Jimmy Page-like guitar antics by Big Red solidified this version as possibly the best one ever played.  An overly ambitious “Character Zero” closed the set and proved that surprises come in all forms during this epic 13-show run.

    Where is the powder?  There’s the powder.  Phish never lets us down in terms of donut symbolism.  The encore debut of Neil Young’s “Powderfinger” closed the night and permanently gave us a new motto to live by: “Never miss a Wednesday show.”

    Setlist via Phish.net

    Set 1: White Winter Hymnal[1], Cars Trucks Buses, My Soul, Roses Are Free > The Very Long Fuse, Gumbo, Yarmouth Road, Pebbles and Marbles, Farmhouse, Tube
    Set 2: Carini -> Mr. Completely > 1999 > Steam > No Quarter, Character Zero
    Encore: Powderfinger[2]

    [1] Phish debut; a cappella
    [2] Phish debut

  • Newport Folk and Jazz Festivals to Host Non-Profits

    The legendary Newport Folk and Jazz Festivals will host a formal non-profits village for the first time since their foundings in the 1950s. Non-profit organizations from Rhode Island and the surrounding states will be part of the “Participation Row” social action village at both festivals.

    The Newport Folk Festival and the Newport Jazz Festival will make it easier for attendees to make a positive impact on the community through Participation Row. Organized by Headcount, Participation Row will feature several non-profit organizations focused on environmental protection, health and civic participation. Each organization will feature a specific action attendees can take to better the world around them and help the festivals make a positive impact on the community. Headcount is currently accepting applications for Participation Row.

    In addition to Participation Row, Headcount, who has had a presence at Newport Folk Festival for nearly a decade, will host a silent auction to benefit the participating organizations.

    The Newport Folk Festival takes place July 28 to 30 at Fort Adams State Park in Newport, Rhode Island. Performers include the Fleet Foxes, Wilco, John Prine, Regina Spektor, American Acoustic (Punch Brothers, I’m With Her and Julian Lage), the Drive-By Truckers and Alone & Together (Kevin Morby, Sam Cohen, Eric D. Johnson of the Fruit Bats, Joe Russo and Josh Kaufman). Tickets for the festival are sold out, but the organizers setup an official fan ticket exchange.

    The Newport Jazz Festival takes place Aug. 4 to 6 also at Fort Adams State Park in Newport, Rhode Island. The festival features headliners Béla Fleck and the Flecktones, Snarky Puppy and The Roots. Other performers include Maceo Parker, the Branford Marsalis Quartet, Rhiannon Giddens, Hudson (Jack DeJohnette, Larry Grenadier, John Medeski and John Scofield), Philadelphia Experiment (Questlove, Christian McBride and Uri Caine), John Medeski on solo piano and D.J. Logic’s Project Logic. Tickets are available now for $170 for a three-day pass or $145 for a two-day Saturday and Sunday pass. Single-day tickets are also available for $65 for Friday and $79 for Saturday or Sunday. The Newport Jazz Festival offers a special student ticket for $20 each day for students ages 16 and older with a valid student ID.

    Headcount is currently accepting applications for Participation Row for both festivals.