NYS Music 20​17

Tag: EP

  • Hearing Aide: Jon Lewis Band’s ‘Baby Brother’

    One of the best parts of reviewing albums is being exposed to music that you most likely would have never discovered on your own. At first, I listened to the Rochester-based Jon Lewis Band’s recently-released EP Baby Brother solely for the sake of writing this review. And then, one morning, I woke up with the melodies lodged into my psyche and I listened because I wanted to.

    Don’t let the term local singer/songwriter fool you. Don’t let the genre label “indie rock” push this album out of the grasp of your musical appreciation.  Baby Brother resonates with a driving sense of urgency, possibly a reflection of the head space Lewis was in when he wrote and recorded it earlier this year.

    “After a freak car accident at the end of March, I found myself inspired to write and create music with more of an edgier attitude,” said Lewis. “We were also just returning from a short tour and I was eager to collaborate more on music that would feature the group and the intensity of those live performances. The process was so quick and often had a sense of profound urgency, energy and cohesiveness.”

    From the first track “Let Me Go,” the EP quickly seizes your attention with smokey, sultry verses, gradually leading to a bridge that builds into a chorus filled with shredding crescendos of hard-hitting rock. The third track on Baby Brother will keep you “Hanging On” with its yearning, soul-calling melodies, precise guitar harmonies and memorable lyrics.

    “What should you say, when my light is fading

    And all my bad decisions come collected

    To keep me hanging on

    Would you keep me hanging on”

    Baby Brother travels into familiar territory with hints of grunge and indie rock, yet with enough rock n’ roll and pop to set the Jon Lewis Band apart from today’s age of dime-a-dozen artists.

    A full-time musician, Jon Lewis bleeds, breaths and sleeps music. Since hitting the road as an acoustic singer-songwriter playing in coffeehouses and bars in Upstate New York in 2013, he’s released four EPs and two full-length albums –  some on his own, others in collaboration with some of Rochester’s well-known and up-and-coming artists, building a solid band of talented musicians along the way. Self-taught and determined to grow as a musician, he’s dedicated himself to producing music at a pace that matches his ambition.

    Partnering up with Producer/Engineer/friend Dave Drago of 1809 Studios, Lewis released two EPs in 2014:  Trail of Dreams and In Disguise. In 2015, he released his first full-length album Panic Rock on which he collaborated with Jacob Walsh on drums and Shawn Brogan on lead guitar, both of whom are now fundamental players in the Jon Lewis Band.  

    Soon after, Lewis began production on Out To Lunch which was released in 2016, this time joined by Alex Northrup on keys, completing the five-piece Jon Lewis Band. Wasting no time, the group released their second full length album Exquisite Corpse on May 15, 2017 and immediately followed it up with Baby Brother which was released in September, 2017.

    When he’s not on stage with the Jon Lewis Band, you can find him playing fun, educational music to kids at Park’s Departments, birthday parties and other events in Rochester with his wife as “Mr. and Mrs. Loops.” 

    “It is incredibly rewarding and fun, and an amazing way to instill the silliness that is so easily forgotten in our lives,” he said.  

    Nominated two years in a row in the City Newspaper’s Best of Rochester Contest, Lewis said the five-piece Jon Lewis Band is focused and hellbent on producing more music and you can expect to see them playing in and around the Rochester area. Be sure to keep your ears peeled. Based on their latest offering, it’s bound to be good.

    Key Tracks: Let Me Go; Hanging On

    https://www.facebook.com/JonLewisBand/videos/1922496671345016/

  • Hearing Aide: After The Storm ‘Into A New Era’

    With metal reigning from all across New York, our humble home has some great names under the NY banner when it comes to the death metal genre. From NYC and Yonkers, we have Immolation, Mortician, and Suffocation. In the bustling and rampaging gore infested Buffalo area the legendary Cannibal Corpse started to take shape. Yes, these bands are the best of the best when it comes to pure disemboweling  death metal in our own backyard!  With the torch still burning bright, another great band accepts the challenge to keep the nightmare alive. The band is known as After The Storm and they just released their latest EP, Into A New Era, and it’s time to once again show our local bands the support they need in this album review!

    after the stormAfter The Storm is a studio project shaped by the hands of Matt Swistak and Pat McFeely. Both are very talented guitar players in their own right. Seeing how two great minds can create such a monstrous beast of a sonic attack, you will get lost in the music as much as I did! The album has such powerful influences drawn from many melodic death metal acts like Soilwork and Solution .45, to name a few inspiring groups. The track “The Awakening” goes for the kill right out of the gate. The finger work of both guitar players are displayed with such beauty and malice. It has the right amount of melody and sheer relentlessness power. For me it is hard to get into modern melodic death metal bands because they focus mostly on either more of the harmony driven riffs and forget about the more destructive fueled constructs. The boys although, have done a wonderful job balancing the two sides that make melodic death metal amazing. You see this in other tracks on the EP like “Rise as They Fall” and “Stand Unified.” These guys really know how to produce a great sound with perfect form!

    My personal favorite track on this piece would be “A Great Sacrifice.” The overall tone of the track carries the overall vibe and atmosphere the album generates. Deep down I think the reason this track is my personal favorite is because of the call to arms and giving it up to achieve the goals in life we want to grasp in our hands. Such powerful lyricism and eagle-like soaring riffs, this cocktail of pure ingenious creativity cannot be denied by anyone who listens to this EP!

    After The Storm has done us New Yorkers and metalheads proud with this amazing and perfectly executed piece of music that is Into A New Era. It gets a solid 5 out of 5 pentagrams from this metalhead! Go check the band’s Facebook now to follow their journey.

    Key Tracks: A Great Sacrifice, The Awakening, Rise As They Fall

  • Hearing Aide: Poison Blood ‘Poison Blood’


    I love it when two super giants in the metal underground come together to create something new and refreshing. Especially if is something sludge, blacken, and even synth driven! Who would have thought Jenks Miller of Horseback and Neil Jameson from Kreig would give birth to something that touches new boundaries when it comes to the creative process. The two titans created an amazing group and EP known by the same name of     Poison Blood (released via Relapse Records) Ah, yes this review needs to happen as I have been up all night enjoying this material. Hope you are ready for this mystic kind of journey with this review! 

    Of course the influences on the band’s bandcamp does state they have an appreciation for Beherit’s  Drawning Down the Moon LP. The many influences they bring from good old dirty sludge riffs melded with black metal tremolo picking, and sludge hammer like drumming just make this EP stand out among the other contenders in 2017. With Neil Jameson on vocals and the main lyrical writer and Jenks Miller on basically everything else (guitar, bass, drums, keys, synth), this duo has found a great way to come together on this piece of material. The opening  song, “The Scourge And The Gestalt,”  is rich in that crusty yet groovy type of guitar playing and  you will find yourself lost in its splendor. The lo-fi quality of the track and album brings back the raw power of distortion, which  I feel is where metal still dominates  being the best genre for this type of approach when it comes to production style.

    If you want more of a mellow based tune, try out the track “Circles of Salt.” The haunting synths and high pitch guitars will set the scene of a very rockabilly type of mixture. Let me tell you, when I first heard this track, I was stunned. Kinda felt as if Fields of Nephilm combined with some great heavy riffage.  With the harpy like vocals throughout this song, you can imagine your soul is being ripped apart in a dark void. Overwhelming sensation from the ambiance alone will make this song a great fix when you need some time alone to unwind from the workday. Goes well with a dark brew if you ask me!
    This EP is indeed short, not so sweet, and gets in the spirit of both creators behind its dark magic. If you are a big fan of black metal, groove, and sludge well, look no further! This album was made this year especially for you guys! I will give Poison Blood 4.5 out of 5 pentagrams! Go check out the band’s bandcamp to get yourself a copy of the album!
    Key Track: The Scourge And The Gestalt, Circles Of Salt, Myths From The Desert

  • Hearing Aide: Your Name Here ‘5 Weeks’

    This album by Your Name Here 5 Weeks is a true inspiration to aspiring artists and those currently running through the trials and tribulations of beginning adulthood. It’s a complicated time to be alive but it’s comforting to know that there’s a number of people in the same place in life. is a true inspiration to aspiring artists and those currently running through the trials and tribulations of beginning adulthood. It’s a complicated time to be alive but it’s comforting to know that there’s a number of people in the same place in life.

    This is a thoroughly impressive album from an orchestral and emotional stand point. It’s always moving forward, it’s unpredictable and it’s the result of years of blood, sweat and tears. Simply put, it’s like Ben Folds 5 in space. But that’s almost insulting to summarize it as such because of its complexity and deeper meaning that lies within the recordings.

    Before the analysis, listners need a bit of a history lesson about Garrett Eckl and the creation of his first album.

    Eckl, 21, is a student from Rochester NY  who studied computer science at Drexel University while juggling a job in NASA’s Goddard Flight Center. Eckl has always been a music lover and recently began to dabble in the art of music production. He began writing and recording a concept album out of his small, Washington D.C. apartment but his progress was limited by time and space (no pun intended).

    Some time passed and Eckl decided that his passion no longer lain in computer science and that completing this first EP was what he wanted most. He dropped out of Drexel, left NASA, moved back to Rochester and in one year’s time, finished the album. His seemingly rash decision yielded heckling from his friends but was countered by support from his family. His decision to move away is what helped inspire that album’s theme – appreciate what you have and don’t look back. From drum tracks to album art, Eckl did it all. He says it’s a concept album about a man who has five weeks left to live. Eckl asks people to give it a try and think to yourself, “think about what you would do if you only had five weeks to live. Would you be the same person or would you make drastic changes in your life?

    It’s obvious that Eckl is fiddling with a variety of styles here (that’s to be expected with an EP) but the album still holds a powerful story. “Fall Apart (Start Again)” and “Out Of Time”  are definitely his most impressive pieces of work. The lyrical content is a little somber, and that’s true throughout the album, but the first two songs counter those thought provoking lyrics with a a complex and upbeat tone. As said before, the sound is very reminiscent of Ben Folds in terms of his voice and some prominent piano sections. NYS Music brought this to Eckl’s attention and he said that although he is familiar with Folds, he was not an influence within Eckl’s music. Rather, the stylings of Breaking Benjamin, Green Day and Three Days Grace were the basis of his musical approach.

    Working down the track list, listeners will come to “Life on an Island” and will notice that Ben Folds style predominately on this  track. One of the most intriguing parts of the track is the beat, specifically as it starts off. It’s polyrhythmic, complex and immediately gets you moving. The song builds very well and is highlighted by one of the most moving guitar solos on the album.

    “Fade” pops up next and it’s where the album takes a sharp turn in terms of genre – It’s obvious there is much more of an electronic influence here. As mentioned before, Eckl recorded and produced the entire album so NYS Music asked him if there were any compositional influences he had. Eckl said that although it’s not something he follows closely, he believes subconsciously the score from the Netflix original series Stranger Things played a part in the composition of some of his songs – this is very apparent in this track. The song is docile most of the way through, but builds up to a drop that one may not expect to be followed by the previous tracks. Regardless, it’s very well made and it makes for a nice change of pace when listening to the album all the way through, which is how it should be enjoyed.

    Finally, the most melancholy recording plays through, “The Last Week.” It exclusively consists of a piano, strings/ violins and Eckl’s voice. It’s not a particularly thrilling song but is very  fitting considering the overall theme and the name of the track. It’s does have a build up which ends a little abruptly, but again, is fitting for the theme of  the album.

    All in all, this album may not tickle everyone’s fancy. This is undeniably a somber album, but it should be appreciated for it’s theme and production value. Listeners should be inspired by this album and spurred on to do the things they love. And although it may be crazy to drop a great education and job, pursuing your dreams and passions can result in creating something epic, just as Eckl has. The album is available on Spotify and Youtube, and you can follow Eckl and You’re Name Here on Facebook and Twitter.

    Key Tracks: Fall Apart ( Start Again), Out of Time, Life on an Island

    https://youtu.be/OGuDlHxaOZ8

  • Hearing Aide: Haakon’s Fault ‘Waning Gibbous’

    New York City based progressive rock band, Haakon’s Fault, has recently released their brand-new EP, Waning Gibbous. Despite the four-track project’s shortness, the band’s style and skill level is well showcased, combining elements of both wailing and grunge guitar offset by the entrance of a clean vocal by lead vocalist, Harry McNamara.

    The EP’s opening self-titled track, “Waning Gibbous,” acts as an inviting introduction to the project. The song’s lead guitar riff captures and heats up the track to soon be cooled down by calming vocals. Despite the hot and cold nature of the track, it catches on fire with a piercing guitar solo that secures focus and desire to listen to the next three songs.

    Waning Gibbous continues with a variety of sounds, followed by the second track, “Wicked World.” The track’s opening riff tells listeners to fasten their seatbelts. They’re on for the ride. With tints of hard-country, “Wicked World” symbolizes the versatile nature Haakon’s Fault has with their music.

    Moving onto “Save Us” and then “Higher” Waning Gibbous provides an easy listening atmosphere for all listeners of music. It is very rare that a project is able to appeal to audiences of different genres while still remaining true to their sound. Haakon’s Fault is an example of a band that makes prog rock listenable to everyone. Their new EP stabilizes the thought that everyone, no matter the age or music sensibility, is able to rock.

    Key Tracks: Waning Gibbous, Save Us, Higher

  • Hearing Aide: Diluted ‘Never Fit In’

    We all know there are bands that ladies just dig, and groups with  lyrics that can get the booty shaking while keeping it gritty enough for the guys to be able to pump their fists to as well are even better. You know there is a band that many of us can enjoy when we want a party type of sound. There is one band from Rochester, NY who can supply such great tunage. Who is this group that promises nothing but good grooves and chaos? Diluted of course my dear friends! With their EP, Never Fit In, you will find yourself dancing and shaking more than the time you tried to reenact the bar dancing scene from Coyote Ugly! Let us get this album review in full swing boys and girls!

    dilutedThe first track off this album “Better Living Through Hennessy” goes from 0-60 in less than 2 seconds into the album. The guitar styles of Helmer and Coffey will take you by storm. Their funky yet hardcore approach for this track is nothing but full of life! You will have yourself singing along with the lyrics while moving those two left feet of yours. Let me tell ya, nothing beats a good old fashioned song you can find yourself singing to in the car.  This song is one of those jams I can see the whole venue singing along to with a couple drinks in hand!

    If you like groups like Faith No More, who has a nice little mix of rap flow blended with some great punk related attitude, the track “Hipster Helmets & Harpsichords” will make those feet of yours go manic! I really enjoy this track from the get go!  Like seriously digging it with my whiskey right now! The vocal approach by Mulligan and Coffey reminds me of the glory days of my youth with such bands like Neurosonic and Skindred. Excellent destructive vocal execution  fused with modern hip-hop type of lyrical construction made this song stand  out the most to me personally.  The most fascinating part of this track is the communication between West (drums) and Kimak (bass), which really lays down the foundation for the energy of this sweet tune!  The beat is never lost and you can really swing your body to it all the way through! This will be the jam the ladies will be losing their minds to. Look out fellas, we have some bonafide lady killers on our hands!

    Now this album has some great party songs on it, but it also contains great heavy tunes like “Sledge Hovercraft.” Much like the other tracks on the EP, it has a great flow with both the lyrics and musicianship. You can tell the boy’s formula is spot on with this gem! The screeching sound of the vocals on the track will make you bang your head! If you want some Red Hot Chili Peppers type funky style with your hardcore music, but want to be mad as hell at the same time, well this track is for you. This song is made for the guys hands down. If you get drunk enough and want to start a bar brawl, this will be your theme song for the ring.

    Over all there are so many other great tracks on this album from Diluted. I wouldn’t think I would find myself enjoying a band like this, but I am hooked and I cannot stop blasting this. My fingers are starting to bleed from pressing the repeat button so many times! Go out and buy this sick product of jams! 4 stars out of 5 for sure! Go check out their page. You will not regret it, I promise you!

    Key Tracks: Better living Through Hennessy, Sledge Hovercraft, Hipster Helmets & Harpsichords

    https://www.youtube.com/watch?v=m7EeFtvvxkU

  • Hearing Aide: The Mountain Carol EP

    There’s not much information to be found about The Mountain Carol aside from their origin and what their intentions are. They’re from Saranac, NY and make “infinite music for infinite people.” They say their creations are the result of “countless musical and non-musical influences [formed] into a sound described by some spiritually-minded fans as ‘too powerful.’” It’s an ambiguous statement but the mysteriousness of the group does make the tracks more intriguing.   

    the mountain carol

    This EP has just three recordings but sheds enough light on the band to give everyone an idea of what they’re after. Their tracks can be a tad repetitive due to the drum track, but a relentless, chopping beat gives the laid back melody some direction and energy. The guitar gives every track a hopeful and pleasant drifting-through-space experience as well as a subtle synth that contributes to the same feeling. The percussion is distant, lacking of bass tone and the vocals are a little unintelligible as a result of loads of echo, but it creates the open and spacey effect they’re going for.

    “Mountain Carol” is up first and has a synthesized, persistent drum beat that contrasts with a clean and reverb-filled guitar. Under the breathy vocals is drone tone from a synth that helps fill out the song and gives it more life. It would have been nice to see a change of scenery in the percussion section because the track does clock in at 6:11 and the same beat over and over again does get a little monotonous. At the very least, a break in the drum track would be extremely impactful. Although the song does blend very well from  section to section, it can be easy to get distracted, making it hard to appreciate each part.

    “All Is Lost” has a less organic feel to it, containing a funkier guitar and a very 80’s drum fill that jumps out from time to time. This song does take a rest from the relentless drum beat which makes more of an effect than the group might think. The point of the song style is to put listeners in a trance, which it does well, but a quick pause from the perpetual drums is a quick and simple way to draw the listener’s ears back in. One would hope they would continue to do this trick in future tracks because the ears tend to wander as they delve into a song that’s over six minutes long.

    “Adventure Safari” is a change of pace, moving back to more natural sounds with the most prominent tone coming from an acoustic piano which sounds a bit dated but holds a beautiful character. The track would not have sounded the same with an electric piano and it was an excellent choice to use an acoustic one. The transition from bridge to what could be defined as a chorus is a little rocky, but the track is still unique and true to their ideologies. Listeners get the sense that they’re being carried along through a variety of environments, all of which are pleasant places to be with bright lights awaiting them at the end of their trips. This track is the most captivating of the the three because there’s less obvious instrumentation and more alluring sounds, like that off wisps of wind and drops of rain, all of which are synthetically created.

    It’s a special collection and a valiant effort from the group. A bigger sound would be a good step forward – maybe more instruments and less obvious ones that could definitely make this sound more immersive than it already is. The EP is available on BandCamp.com with an option to purchase all the tracks.

    Key Tracks: Adventure Safari, Mountain Carol, All Is Lost

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