Capital Records Live, to be held on March 23 at the GE Theatre at Proctors, is a new model for local music entertainment. Presented in association with WAIX, “Albany’s Independent Experience,” the series’ debut performance will feature six of the region’s most popular bands playing classic songs of The Beatles.
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The first act in the inaugural show will find the Bryan Brundige Collective, Clear Mind, Eastbound Jesus, Girl Blue, Let’s Be Leonard and Wild Adriatic offering self-chosen selections from 1968’s The Beatles, better known as The White Album.
The second act will challenge the same groups, with Proctors and WAIX 106.1 determining which songs the band will perform, all from 1967’s groundbreaking, multiple Grammy Award-winning album Sgt. Pepper’s Lonely Hearts Club Band.
Whether you’re a fan of local artists, wanting to support local music or a Beatles buff who can’t miss these iconic albums performed in a whole new way, Capital Records Live will be the place to be.
Capital Records Live is a planned annual concert featuring a variety of local and regional artists performing a classic album live in concert. Its mission is to promote the local music scene by introducing artists to new audiences, fostering new musical relationships and offering a performance opportunity in a world class environment. Audiences, in turn, are treated to a local “All Star” night of music featuring timeless favorites.
Tickets for Capital Records Live, $25, are available at the Box Office at Proctors, 432 State Street, Schenectady; by phone at (518) 346-6204; and online at proctors.org.
This article, originally published by The Spot 518, is property of Spotlight Newspapers in Albany, N.Y, and appears as a special to NYS Music. TheSpot518 and NYS Music work in partnership to provide readers with in-depth coverage of the local music scene in the Capital District and New York State, respectively. For more, visit TheSpot518.com.
The second annual Eastbound Throwdown returns to Irwin Farm in Salem, NY on September 8 and 9, with a number of New York acts, primarily based around Americana styles of music, including Driftwood and Upchuck Ramblers.
The schedule for this year’s Eastbound Throwdown has been released. The two-day event will have acts on two stages, featuring a main stage set each night from host band, Eastbound Jesus.
Acoustic Stage:
Friday
4:00-4:30 – Big Stone Gap
5:30-6:00 – One For the Road
7:00-7:30 and 8:45-9:15 – Ian Fitzgerald
Saturday
11:30-12:00 and 1:00-1:30 – Dan Johnson
2:30-3:00 and 4:00-4:30 – J. Schnitt
5:30-6:00 – Upchuck Ramblers
7:00-7:30 and 8:30-9:00 – The Saratoga Strings Band
10:15-10:45 – Turf n’ Turf
Main Stage:
Friday
3:00-4:00 – Cobblestone
4:30-5:30 – Under the Blacktop
6:00-7:00 – Formula 5
7:30-8:45 – The Mallet Brothers Band
9:15-10:45 – Eastbound Jesus
11:15-1:00 – Green
Saturday
12:00-1:00 – Graveyard Poets
1:30-2:30 – Wreckloose
3:00-4:00 – The Old Main
4:30-5:30 – Swampcandy
6:00-7:00 – Black Mountain Symphony
7:30-8:30 – Cousin Earth
9:00-10:15 – Drifwood
10:45-1:00 – Eastbound Jesus
Pre-sale tickets are still available for $60. The price rises to $70 at the gate. Saturday only passes are available for $40. Camping is available on site with the purchase of a weekend pass. Those wishing to bring an RV or camper must purchase a separate RV pass for $25. All tickets can be purchased through Eventbrite.
Festival organizers Eastbound Jesus headline the event with two sets. Eastbound Throwdown also features Driftwood, the Mallett Brothers Band, Black Mountain Symphony, Wreckloose, Swamp Candy, Green, The Old Main and Cobblestone.
Tickets for the Eastbound Throwdown are on sale now for $60. Tickets include two days of music and camping.
Mihali Savoulidis of Twiddle rocked a capacity crowd at The Hollow Bar and Kitchen in Albany, NY on May 17.
This was his 2nd stop from the recent six-show solo tour where he shared some Twiddle classics, material off the new album Plump: Chapter 2, and some crowd pleasing covers that had everyone singing along. Adam Brockway of Eastbound Jesus started the night off, and set the tone for an epic night full of positive vibes. Check out the photos below!
Greg Bell has been promoting and putting on shows in the Capital Region now for 25 years. All month long in April, he will be celebrating that milestone with shows each weekend at the Hollow Bar and Kitchen in Albany.
In late march 1992, Bell formed a partnership with his friend Dale Metzger called Two Fools Present. They proceeded to put on what turned out to be the first of many shows promoted by Greg. It was held on April Fools Day at the Masonic Hall on lower Madison Avenue. The bands who played were the Sharks, Hard Times, Motherjudge and Brian Kenny and Friends. Two Fools worked together for an outdoor festival and two or three more club shows and parted ways. In 1993 Bell teamed up with Jeff Guthrie to form Guthrie/Bell Productions. Jeff left the business a few years later but Bell continues to work under that name today.
NYSMusic caught up with Bell to talk about his career and how he’s made it this far while staying so successful.
Neil Benjamin: You’ve been putting on shows locally for a while, and now you’re celebrating a big anniversary. What’s it been like to be such a huge part of the Albany music scene?
Greg Bell: I had always been a part of the local music scene .I had many friends in local bands and I probably went to at least one show per week from my college days until I started promoting on my own. One of the reasons that I started putting on shows was to give local musicians and the audience a situation to be in that treated them with respect instead of being treated as a product. I was always involved with the local music scene . One night , out drinking with a friend , we decided to throw a party with some friends’ bands just for fun . It was sort of like Mickey Rooney and Judy Garland saying “lets put on a show” in an Andy Hardy movie. The first show went well , so we did another . then another and it just sort of snowballed
NB:Do you know how many shows you’re promoted?
GB: Probably around 2,000.
NB:What was your favorite show to put on? Can you share a memory or two?
GB:Probably a tie between the first time that i had moe. play the Palace and the Phil and Friends show at the Glens Falls Civic Center when Trey Anastasio showed up and sat in for the entire show. the moe. show was exciting for me as they were the first band that I had taken from a small club situation to a big theater show . The Phil show is a given. I first saw the Dead in 1970 and here I was promoting a show with a member of the Dead and a member of Phish on stage. It was an amazing feeling.
NB: How long do you plan to do this?
GB: According to my wife, until I die.
NB: What’s the most difficult aspect of promoting shows around here?
GB:The hardest thing for me is putting on an amazing band to a small crowd. I try to promote bands that I think people should see and I feel like I let some bands down when the turnout sucks. Only do this if you love music. If you do it for money, find something else.
NB: How many concerts do you think you’ve attended and who is your favorite band?
GB:My favorite band has been the Grateful Dead for 47 years . I couldn’t even guess how many shows that I have attended, but it’s a lot.
NB:You attend most of the shows you put on. Is your family supportive of what you do and why?
GB:My family is very supportive . My wife designs all of my flyers and posters as well as Bellstock tee shirts and loves coming to shows . My kids have been attending my shows since they were born and are proud of what I accomplished. They also like the fact that I can get them into concerts that they want to see.. One thing that I made sure of is that putting on shows was secondary to my family . I never missed a school concert or function . I never missed their soccer games or track meets .I was a teacher , so I was able to spend all summer with my kids.
NB:How has your approached changed over time as society and technology change? Is it easier or harder to promote in the social media age?
GB:My approach hasn’t changed. Word of mouth is the way to go. Technology has made things easier, but handing out a flier is the best way to get people in the door. The danger with technology is that it makes promoters lazy. It is so easy to just to think that you just need to send out a Facebook post or a text to get the word out. I truly believe that the personal touch of talking to people at shows and handing out flyers to people while explaining why they should come to a show is the best way to promote. I am at almost every show that I put on and I am constantly in contact with the people who attend my shows. They know that I only put on shows that I want to see and I think that gives my shows some credibility.
April 1 Wreckloose w/ School Bus Yellow and Hartley’s Encore April 15 Eastbound Jesus w/ Elrod & Motherjudge and the Grassroots Rebels [featuring members of Jerkwater Ruckus ] April 28 Dr. Jah and the Love Prophets w/ Lynch [featuring members of Conehead Buddha and Schleigho] and the Eastern Highs [featuring members of Free Beer & Chicken]
All shows are 18+, tickets $12 in advance, $15 day of show. Doors at 7:30, show at 8pm
The 120th annual Saranac Lake Winter Carnival will take place this year on Feb. 3-12. NYS Music is proud to present the 10 day line-up for The Waterhole Upstairs Music Lounge, which will feature 16 acts of both local artists and national touring acts.
The Saranac Lake Winter Carnival is the longest-running event of its kind in the eastern U.S. Originally established in 1897, the event has since grown into the 10-day celebration that it is today.
The Primate Fiasco uses instruments that are loud without electricity, giving them the opportunity to attack at any moment, in any location, with or without permission. No one is safe, not even an elevator or city bus. If the Primate Fiasco sees a dull moment somewhere, they will pop out of the nearest sewer drain or trash can to lead an irresistible dance party.
On stage, the sound is different. This band has pioneered what is possible with mind-bending accordion, funky pockets of a hyperactive Sousaphone player, and banjo that thinks it’s a Fender Strat. Add lyrics that grab hold of even the most inattentive audience and beats that channel surf like a remote that’s been sat upon. The music is always high energy and extremely imaginative. Most importantly, this is fun. People smile from the first beat to the last smoldering ash of what was previously a dance floor.
Annie in the Water’s music is a groovy combination of reggae, funk, rock, blues and jam, written with a conscious dose of positive vibes, unique melodies and intelligent lyrics. With the ability to fill an entire night with original music and also render well-known covers into a signature style, fans share extraordinary experiences that can’t be seen anywhere else.
After nine years performing more than 600 shows in over 13 states, the original duo of founding members Brad Hester and Michael Lashomb also lead a full band that will shock your soul into euphoria. The full band line-up includes featured members Joshua West (formerly of Lucid) on drums/percussion, Dillon Goodfriend (Fox Richardson) on keys/backing and Anthony Leombruno (Capital Zen) on Bass. Occasionally the lineup may feature percussionist Bill Bentz (Exit 30) and various woodwind or brass members.
Lucid decided to take a hiatus from touring in early 2016, after 13 years on the road. The band’s culminating performance in April captivated a sold out crowd at the newly renovated Strand Theater, in their hometown of Plattsburgh NY. Lucid’s only other appearance last year was at their home festival Backwoods Pondfest in Peru, NY. One of the reasons the band wanted to take a break from touring was so they could slow down and be more deliberate in their choice of venues and events. When asked about playing Winter Carnival in Saranac Lake, Lowell Wurster said “All the guys were really excited at the idea. We have been playing the Waterhole for many years, and we love Saranac Lake and the people who live there. We always have a blast up in the mountains; it truly is our second home.” In addition to a genuine love for the Adirondacks, the Waterhole has special meaning to Lucid because of its proprietors, Eric & Kiki. “They have done a stellar job keeping the music alive up there. The bands they are bringing in have raised the bar in the North Country music scene, and we are so excited to be a part of what they are creating. We want to help them keep the momentum building, ”
Eastbound Jesus draws on a mix of diverse influences from the worlds of bluegrass, country and rock and roll to develop their own sound that is at the same time distinctly familiar and completely original, one that they have dubbed “Northern Rock,” These six friends from the rural upstate New York town of Greenwich have released four studio albums and a live album over the past five years, all while packing venues across the northeast with an infectious energy that gets people smiling, dancing, and hollerin’!
Donna the Buffalo just celebrated their 25th year as a band and have proven to be a consistent purveyor of American music. What’s the recipe? To be sure, it’s infused with more spices than you’ll find at a Cajun cookout by way of a southern-fried, rockin’ country old-time jamboree. “For the dizzying array of styles and genres with which they work, Donna The Buffalo maintain a surprising level of consistency. The New York-based band has played around with folk, zydeco, and many other musical ideas over the course of their 25-year career, but they retain a sharp focus that has helped them create some truly lasting music,” writes Elmore Magazine.
If any band is a poster child for turning the power of positive thoughts and intention into reality, it’s the explosive horn-and-percussion trio Moon Hooch. In just a few short years, the group—Wilbur, fellow horn player Wenzl McGowen, and drummer James Muschler—has gone from playing on New York City subway platforms to touring with the likes of Beats Antique, They Might Be Giants, and Lotus, as well as selling out their own headline shows in major venues around the country. On Red Sky, their third and most adventurous album to date, the band uses everything they’ve learned from their whirlwind journey to push their sound to new heights, bringing together the raw, transcendent energy of their live performances and the sleek sophistication of their studio work into a singular, intoxicating brew that blends elements of virtuoso jazz, groovy funk, and pulse-pounding electronic dance music.
Currently based out of Massachusetts, the vocal cord conductor known as Honeycomb has quickly risen to the top of the food chain of northeast beatboxers, placing 13th in the 2015 American Beatbox Championships. With a unique approach as an equally versed music producer, and a frequent collaborator in both the live and studio settings, Honeycomb has built a sound fan base for himself through original productions and ear popping performances.
Jiggawaltz is a six piece band hailing from Burlington, VT and Upstate NY focused on performance, engaging their audience with tightly woven compositions and elegant sections of improvisation. Fusing together many influences including classic rock, funk, electronic dance music, Latin jazz, soul, disco, and metal to create a unique pallet of sounds sure to entertain audiences from all walks of life. With original songs that uniquely decorate time with melody and harmony and a large repertoire of covers, Jiggawaltz often blends songs together to create a rich collage of sound.
Spirit Family Reunion is a touring band based out of New York that aims to deliver raw, high-energy honest music. They have self-produced and self-released two full-length albums (No Separation in 2012 and Hands Together in 2015) as well as multiple songbooks and other collections of recordings.
Folkfaces is a group out of Buffalo, NY that plays a rowdy blend of rootsy folk, jazz, and blues, fusing classic forms with contemporary feelings and irresistibly danceable energy. Their inspiration comes from the mountains of Appalachia to the deltas of Mississippi, the swamps of Louisiana to the concrete jungle of the Rustbelt. Specializing in merriment and sticking it to the system, Folkfaces make the crowd dance and the hierarchy shatter.
Swampcandy is an internationally touring, primitive blues influenced Americana duo. Ruben Dobbs’ aggressive finger-picking and rhythmic style (which often adds up to sounding like more than one guitar) combined with Joey Mitchell’s bass playing, pounding kick drum and percussive bass throttling (representing the presence of a full drum kit) easily fill up the sonic space normally created by a trio or even a four-piece. Dobbs’ soulful, passionate vocals are the glue that holds it all together and makes the band tick.
Since their conception, ten piece funk/soul band West End Blend has been playing their version of funk and soul in venues all over the Northeast. Fronted by vocalist Erica Bryan, the band pays homage to classic throwback sounds while adding their own distinct vibe and flair. Behind her, the Blend packs a four-piece horn section, two guitars, bass, keyboards and drums onto stages every night. From humble beginnings in an epic sweaty funky basement dance party, the Blend’s goal has always been to bring that same atmosphere to every show.
To understand Bella’s Bartok, imagine what you would get if Salvador Dali and Toulouse Lautrec were fronting the Moulin Rouge’s house band, and you have the exuberant spectacle that is Bella’s Bartok. Described as “about as much fun as you can have with your pants on” (Dan Wolovick, Two Way Monologues), this six-piece powerhouse melds Bohemian Klezmer punk with pop sensibilities into an eminently danceable party. The diversity of musicians that make up Bella’s Bartok, combined with their boundless energy on stage, has been known to break a dance floor, or two (or three, but who’s counting?). Their sound moves way beyond labels, pushing the envelope towards the darker side of Eastern European music, referencing Vaudeville and 20th century eclecticism.
February 12– Folkfaces
Folkfaces is a group out of Buffalo, NY that plays a rowdy blend of rootsy Folk, Jazz, and Blues – fusing classic forms with contemporary feelings and irresistibly danceable energy. Their inspiration comes from the mountains of Appalachia to the deltas of Mississippi, the swamps of Louisiana to the Concrete Jungle of the Rustbelt. Specializing in merriment and sticking it to the system, Folkfaces make the crowd dance and the hierarchy shatter.