Tag: country

  • Aaron Lewis Says Staind May Never Tour Again

    Blabbermouth reports on a recent Aaron Lewis  interview by Chris Mathews from the South Carolina classic rock radio station 104.9 The Surf. In the interview, Lewis was asked if he’s ready to return to the road with his old band Staind, which last toured together in 2011, but seems content on where he is  in his solo country music career for the time being.

    Lewis was asked about the “touring machine” that is Staind: He replied:

    The touring machine, as you call it, of Staind will never be again. Not like that, no. Never. Never. I could never go back to playing six shows [a week] eight weeks in a row. I can’t do that. I have grown in my age and become very accustomed to playing Thursday, Friday and Saturday and being able to go home for a few days and unwind and try to kind of have a life aside from doing this. I worked really, really, really hard to get to this point where I can play three days a week and still do just fine.

    In another recent interview conducted by Planet Weekly, Lewis once again talked about the future of Staind. He stated:

    I definitely see it staying on hold for a while. I’ve got to stay focused on this [country career]. I’ve got to take this to where it needs to get to before I can start risking things with the good ole boy network reception and throwing in a handful of Staind shows in the summertime along with all of my country shows. But that’s down the road. I can’t even think about that right now.

    Without reading too much into this, Lewis recently reunited with his old bandmates at his Aaron Lewis and Friends charity benefit concert on Aug. 4, at the Pines Theater in Northhampton, MA. The band played an encore, three-song acoustic set, that included the songs “Outside,” “Something To Remind You,” and “It’s been A While.”

    Lewis released seven studio albums with Staind, and two solo efforts, The Road (2012), and Sinner (2016).

  • Brad Paisely Opens Saratoga Performing Art Center’s Summer Concert Series

    Brad Paisely kicked off Saratoga Performing Art Center’s (SPAC) summer concert series with a bang, bringing an all-star line up of guests. Paisley played his array of songs to a crowd of over 10,000. He brought his incredible guitar capabilities that left the crowd on their toes.

    brad paisley SPACCountry stars such as Dustin Lynch, Chase Bryant and Lindsay Ell supported Paisely on the tour giving the fans a bang for their buck. After Lindsay Ell ended her set, a huge storm made its way to the venue  which then forced them to shut down all equipment and bring everyone on the lawn inside for shelter. After an hour delay, Chase Bryant quickly came on to get the crowd back on their feet.

    brad paisley SPACBrad Paisely came on at SPAC shortly after 10 pm, playing his hit songs such as “Crushin’ It” and “Old Alabama.” Paisely then welcomed Dustin Lynch on stage to sing a duet for the song “I’m Still A Guy.” During that song, a fan was brought on stage to propose to his girlfriend and she said yes. Paisely was very happy with the first show of the tour telling the crowd, “I can’t tell you how much it means to be playing in a place where my favorite jam bands played for a bunch of stoners.”

    brad paisley SPACbrad paisley SPAC

  • Hearing Aide: Creamery Station ‘Creamery Station EP’

    Connecticut isn’t known to pump out world renowned musicians like New York, Seattle and California do, so it’s refreshing to see a group of guys emerge from the backwoods of the state with some true talent and passion for the art. Over the past three years, Creamery Station has been cooking up a collection that’s surprisingly good.

    Creamery says they’re a combination of the Grateful Dead, Allman Brothers, The Band, Little Feat, Railroad Earth, David Grisman, Doc Watson, Jimi Hendrix, Stevie Ray Vaughan and their first album is a fantastic representation of all these legendary groups. They manage to sound unique while giving glimpses of the defining characteristics of their inspiration rather than a copy of them. Some songs sound more familiar than others, but this is their  first compilation and it’s thoroughly impressive.

    They started from humble beginnings as a small band playing for a few house parties and slowly grew to a full seven-man group that brings a classic and a universally enjoyable country/ jam sound to the stage. They are based in CT but are making their way to New York City for the very first time and are definitely worth checking out.

    A lot of the inspiration came from the adventures some members endured, as well as a love for playing and performing music. All of the tracks were written and contributed to by every member of the band, which makes the connection between the musicians something truly exceptional, says singer and mandolin player Dylan Kader. “The energy between us when we play is something special and the crowd can feel that and they respond to it,” said Kader.

    This album is a bit all over the place, and that’s meant in the best way possible. Every song has a tie to country music with most of the tracks being based in that genre. But then some can, arguably, even have a reggae feel to it which is a combination that works surprisingly well.

    Things start off with “Ramblers Delight” and it’s about as country as it gets. It has a pretty straightforward chord progression with spices of mandolin a violin/ fiddle and relatable lyrical content. The feel of the song changes a bit when a very bluesy and fairly distorted guitar solo rings over the group that reminds listeners that a lot more is in store for the rest of the album. Country sounds are the basis of their musical content but that’s just the ground floor, and it’s a sturdy and simple one to build upon, giving Creamery free range to experiment with all sorts of genres.

    “Kansas City Blues” is appropriately named and placed at a  slower pace and even more like the typical melancholy country song. It’s the same sound as “Ramblers Delight” in terms of country sounding instruments, but the pace and chord progressions and lyrics make it a little more somber with just a few hints of uplifting major chords.

    “Walking for miles just to get a drink, then resting when we could find the shade, it’s hard to find the time for this poor boy to think, when he only eats if he sings and plays.” It’s still a well done song but this isn’t something that changes the minds of people who don’t like country.

    “Railroad Blues” is another very well-performed and professional sounding track. It’s comparably more upbeat and will definitely hit home with anyone willing to give Creamery Station a shot. There are light hints of country style instruments and it is based on a 12 bar blues chord progression which makes this one feel more rock and roll than anything else.

    Now “Sam the Clam” is where things get interesting. Harmonica player Don DeStefano dreamt up this song years ago in a separate band of his own while rehearsing backstage of a blues club called “Sam the Clam’s.” John Coltrane and Miles Davis were a big part of the inspiration behind this track as well as renowned harmonica virtuosos like Toots Thielmans and Little Walter. The combination makes for a jazzy, bluesy and damned smooth recording. It’s all instrumental to give keyboardist Jon Truelson, guitarist Jim Kader and DeStefano a chance to strut their stuff. The guitar is set to a perfectly smooth and warm tone, Truelson nails his time in the limelight and DeStefano absolutely kills his solo. It’s definitely the most fascinating song on the album and should be the go-to for first time listeners and those not soon keen on getting into the country scene.

    And just like that, “You Did Me Wrong” jumps on and the listener is thrown back into the world of country. Unfortunately, like the first three songs, it blends into the rest of the old-school country scene, but they still absolutely nail the style.

    “Out of Reach” is one of the most interesting songs on the album being that a country group created a pretty in-depth reggae sounding song. Everything about it is quintessentially reggae; a down beat, loads of percussion and funky guitar but a little hint of blues with a flavor of harmonica that sets this track apart from other songs of the same style. The best part of this song has to be the guitar solo. It’s a little dissonant and very similar to the styling of Carlos Santana. It’s a phenomenal track considering the roots of the band

    The album ends on a bit of a bittersweet note with “Sleep Late,” a very lazy country sound that leaves a little bit of an odd taste in the mouth of the listener, but again, as far as EP’s go, this one was really, really well done.

    Again, Creamery Station is coming to New York for the very first time and is going to blow the socks off of anyone that attends. This is a band that will be appreciated most in a live  setting, so see them on Friday, January 20th at American Beauty in Manhattan, find their free first album online, and keep an eye out for their soon to be released full length album, Pastures of Plenty.

    Key Tracks: Sam the Clam, Out of My Reach, Railroad Blues, Rambler’s Delight