Tag: brooklyn

  • Iraqi Metalists Acrassicauda Host Immigrant Resettlement Benefit in Brooklyn

    Brooklyn-based Acrassicauda, a metal band originally formed in Iraq and featured in the 2007 documentary Heavy Metal in Baghdad, is hosting a benefit at the Knitting Factory Sunday to support immigrant resettlement programs in Brooklyn. The 6:00 p.m. all-ages show is free to attend, donations are encouraged.

    AcrassicaudaSpeaking with Billboard about the decision to conduct the benefit, the typically apolitical band says it was sparked by President Trump’s executive order calling for a travel ban from seven majority Muslim countries. Drummer Marwan M tells the magazine:

    We dodged that conversation because of everything we went through growing up in Iraq. But what’s going on here is idiotic and making us sick to our stomachs. We decided that we can’t pretend nothing is happening. This country is built on immigration and the idea of diverse cultures united. So many Americans are people who have fled their countries for one reason or another and built a home here. And this country has benefited from them.

    The Sunday show features special guests Alex Skolnick of Testament – who produced Acrassicauda’s debut EP, Only the Dead See the End of the War –  and Jay Weinberg of Slipknot, along with the bands I Killya, Sun & Flesh, Robots and Monsters and Signals of Bedlam.

    Original Acrassicauda members, drummer Marwan and guitarist/vocalist Faisal Talal, with assistance from members of Staten Island band Sicada, will headline the affair. All proceeds from the event, including from all Acrassicauda merchandise sold, will go towards immigrant resettlement causes. The band hasn’t designated one specific organization, but did say a portion will go to the International Rescue Committee, an organization instrumental in helping the band members when seeking asylum in 2009.

    Weinberg was enlisted to help via text message from Marwan after witnessing the recent airport protests. He was on board right away.

    If you’ve seen the documentary, then you know what those guys went through just to be a band; just to practice. They are trying to live, quote unquote, the American dream, but it seems more difficult to attain these days.  So, they are standing up and speaking out for what’s right. They walk the walk, and if I can contribute to a cause that they’re behind, I’m honored to be a part of it.

    Acrassicauda released its first full length album Gilgamesh in February 2016. Watch the powerful video for the single “Rise” below.  The Vice documentary Heavy Metal in Baghdad can be viewed in its entirety on the band’s website here.

  • White Denim Hits Brooklyn Bowl for 2 Night Blast

    Austin indie rock band White Denim swung through NYC for a quick two night stop at the beloved Brooklyn Bowl on Thursday and Friday, February 9 and 10. The band of James Petralli on vocals and guitar, Jordan Richardson on drums, Steven Terebecki on vocals and bass, and Mike St. Clair on trumpet and synthesizer performed a variety of their studio albums, but leaned heavily towards their most recent release Stiff, the 7th in their catalog.

    white denim brooklyn bowlThe band only has a handful of tour dates posted for the rest of 2017 at them moment, with their next return to New York this summer at Mountain Jam. Be sure to catch them if you can.

  • Queen and Adam Lambert Announce North American Summer Tour

    Queen has announced that they will once again team up with former American Idol rocker, Adam Lambert, for a 25-city tour across North America this summer. May, Taylor, and Lambert, will not only perform all the Queen hits, they have specially designed and created a new show for this outing, after a wide range of very successful sold out tours throughout North America, Europe, Australia, Asia and Latin America.

    queen adam lambertThe arena tour will start to rock you on June 23, at the Gila River Arena in Phoenix, Arizona, and will play it’s last “Bohemiam Rhapsody” on Aug. 5 at the Toyota Center in Houston, Texas.

    New Yorkers can catch the tour when it comes through the state on July 28, at the Barclay’s Center in Brooklyn. Depending on your location, New York fans can also see shows within driving distance on July 17, at the Bell Centre in Montreal, QC,  July 18, at the Air Canada Centre in Toronto, ON, July 23, at the Mohegan Sun Arena in Uncasville, CT, July 26, at the Prudential Center in Newark, NJ, and July 30 at the Wells Fargo Center in Philadelphia, PA.

    The trio first teamed up when Lambert was part of the singing competition show American Idol in 2009 when they performed “We Are The Champions.” They once again shard the stage in 2011 at the MTV European Music Awards in Ireland. They played an eight minute medley of “The Show Must Go On,” “We Will Rock You,” and “We Are The Champions” to close out the show. The three first hit the road together in 2012, when Lambert joined Queen for several shows across Europe, including at several festivals.

    In a Blabbermouth report, quotes from Adam Lambert, guitarist Brian May and drummer Roger Taylor about working together were published.

    queen adam lambertMay on Lambert :Adam is the first person we’ve encountered who can do all the Queen catalog without blinking. He is a gift from God.”

    Taylor on Lambert: “Adam’s incredibly musical, and we certainly take anything he says quite seriously.”

    Lambert on replacing Freddy Mercury: “There’s never going to be another, and I’m not replacing him. That’s not what I’m doing. I’m trying to keep the memory alive, and remind people how amazing he was, without imitating him. I’m trying to share with the audience how much he inspired me.”

    Tickets go on sale to the general public on Feb. 3, at LiveNation.com.

    Queen Tour Dates:

    June 23 – Gila River Arena – Phoenix, AZ
    June 24 – T-Mobile Arena – Las Vegas, NV
    June 26 – Hollywood Bowl – Los Angeles, CA
    June 29 – SAP Center – San Jose, CA
    July 1 – Key Arena – Seattle, WA
    July 2 – Pepsi Live at Rogers Arena – Vancouver, BC
    July 4 – Rogers Place – Edmonton, AB
    July 6 – Pepsi Center Arena – Denver, CO
    July 8 – CenturyLink Center – Omaha, NE
    July 9 – Sprint Center – Kansas City, MO
    July 13 – United Center – Chicago, IL
    July 14 – Xcel Energy Center – St. Paul, MN
    July 17 – Bell Centre – Montreal, QC
    July 18 – Air Canada Centre – Toronto, ON
    July 20 – The Palace of Auburn Hills – Detroit, MI
    July 21 – Quicken Loans Arena – Cleveland, OH
    July 23 – Mohegan Sun Arena – Uncasville – CT
    July 25 – TD Garden – Boston, MA
    July 26 – Prudential Center – Newark, NJ
    July 28 – Barclay’s Center – Brooklyn, NY
    July 30 – Wells Fargo Center – Philadelphia, PA
    July 31 – Verizon Center – Washington, DC
    Aug. 2 – Bridgestone Arena – Nashville, TN
    Aug. 4 – Americans Airlines Center – Dallas, TX
    Aug. 5 – Toyota Center – Houston, TX

  • Engaging in Wintercourse: Friday Night @ the Knitting Factory

    On Friday night in Brooklyn, the sixth annual “Wintercourse” took place at the Knitting Factory.  All four bands on the bill had shared practice space and admiration for one another over the years which created a love filled environment on the gloomy Inauguration Day.  Fans young and old packed the small venue before the first band entered the stage, proving that time placement had nothing to do with crowd preference or popularity.

    Teddy Midnight performed first and instead of simply warming the crowd up, they hot boxed the room!  Glow sticks began lighting their way into the crowd during the first song of the evening, “Veni Veni Veni,” off their 2016 release, Velvet Blue.  In fact, the set list was heavily layered with songs off the same album, which happens to be their meatiest and most recent release.  The four members sonically tasered their fans during the nucleus of the set list when the “Primordial> Velvet Show Jam>Velvet Mist> Tree-O-Tree” combination was played for the first time.  Adam Magnan on drums teamed up with Sean McAuley on keys to recreate my childhood in what I can only describe as the theme music from Crusin’ USA for Nintendo 64.  Sean Silva added some fuzzy textures by means of the bass and synth throughout the notable jam that lasted for the better half of the set.   Guitarist Wiley Griffin announced their final song to the dismay of the audience as “Air BND” followed them off the stage.

    The “Ukulele progressive rock band,” Cousin Earth, was the group that I was most excited to see on the bill solely based on the genre description posted on the website.  The five-piece consists of Joey Calfa on ukulele, Nate Searing on drums, Corey J. Feldman on Ubass, Tara Lawton on melodica and keys and Terry Brennan on percussion.  All of the members handled vocals during the gender blending set that consisted of originals and well-known covers.  “Point of No Return” off the 2015 self-titled EP started the set and acted as the padding for the first cover of the night, “Yellow Submarine” by an English band called The Beatles.  The spacey “Alive” was up next followed by the reggae-influenced “Train Luck> Inspector Gadget Theme.”  Only a handful of songs had been executed and I could already tell that their eclectic sound mixed with the funny, yet thought-provoking lyrics had abducted the room for the duration of their time on stage.  My favorite part of the set was the appropriately placed “Another Brick In The Immigration Wall” which mashed up iconic Pink Floyd and Led Zeppelin songs into a sing-a-long for the entire venue.  Earlier in the day, an unmasked Darth Vader was sworn into the Oval Office, leaving me with a pit in my stomach that only comedy and good music could remedy. Thanks to Cousin Earth, I was able to leave our solar system for a while.  As a first time Earthling follower, the group reminded me of a new creation from Taco Bell… it may not have been what I was expecting, but I ate it up and would absolutely order it again.

    Voted the “Top 10 Best” AND “Top 10 Worst Names for a Band” in 2016 by CMJ, the jamtronica quartet, Space Bacon, hit the ground running with an almost 20-minute “Wolves” and even with minor technical difficulties, I was shocked to learn that this was their first time performing this beast live.  In fact, three of the four songs in their Wintercourse performance were Space Bacon virgins, which made the performance an instant classic set for the up-and-coming funky-electronica group.  They transitioned into the commonly played “Jupiter” as Sam Crespo on drums sped up the tempo and created a rave inside the tiny Factory.   “Ice Planet” contained elements of trance and hard rock as the band seamlessly segued from one genre to the other. Kevin LeGall’s bass joined paths with Chris Gironda’s keys to knit together a labyrinth of danceable delight.  Guitarist Jack Willard asked, “Do you guys want to hear new shit or old shit?”  The crowd began calling out for different fan favorites before Willard pronounced, “F*ck you guys, we are doing new shit,”  as they launched into “Prologue.” By far the wordiest tune they played on Friday, this new track was welcomed by the cult-like Baconators and at times had a complex Phishy vibe to it.  Don’t let the short and sweet set list fool you on paper; this thing had fangs, horns and some kick-ass moves.

    Chromatropic finished off the festivities with a unique jazz-fusion jam session spanning their career and highlighting their newest release, Abundance.  The frequently played “Bloom” was tackled early on after transitioning out of a crowd-pleasing intro jam.  One day when they release a Greatest Hits album, this track will make the cut due to its smooth sailing peaks and valleys.  “Habanero” was the first song from the new album and one of my favorites considering I’m all about that bass that Moses Margel is slapping.  Each member gets his time to shine during this spicy instrumental capped off by a Danny Caridi keyboard solo that will leave you in search of water.  Just as it seemed the band couldn’t get any hotter, they segued into the second half of “The Abundance of Elements” where Andrew Carton showed off his impressive and intricate guitar skills.  Mark Potter on midi and drums peppered in samples during the third one off Abundance entitled “Glove.”  The soulful and funky jazz piece is part-Vulpeck, part-Thievery Corporation and part The Chainsmokers?  You read that correctly.  While a high school cheerleader may call “Closer” by The Chainsmokers, “so 2016,” Chromatropic was able to incorporate the cover right into their music and it fit like a glove.

    The Brooklyn jam band scene is currently growing at an alarmingly satisfying rate and Friday night in the funkiest of boroughs, I was reminded that America continues to get greater every day.  While these four bands may be fighting for the same cause, to make people dance, they are in no way clones of each other.  Through their diversity and gender bending identities, they were able to come together and turn a surreal day into a sublime night.

    Teddy Midnight Setlist: Veni Veni Veni, Turkish Silva, Trap Haus, Primordial > Velvet Slow Jam > Velvet Mist > Tree-O-Tree*, Air DNB

    *Primordial through Tree-0-Tree first time played segue

    Cousin Earth Setlist: Point of No Return>Yellow Submarine@>Point of No Return, Alive, Train Luck>Inspector Gadget, When the Dinosaurs Come Back from Outer-space!, Super Fun Laser Beams, I Got This, Another Brick in the Immigrant Wall$, Capricorn on the Cob

    @ Beatles cover, ! BELT original, $ Led Zeppelin & Pink Floyd mash-up

    Space Bacon Setlist: Wolves*^> Jupiter (end), Ice Planet*, Prologue*

    *First time played, ^ bass malfunction, audible’d trio jam

    Chromatropic Setlist: Intro> Bloom, Habanero > The Abundance of Elements@>Gaia, Glove> Closer*> Glove

    @ Second half only, * The Chainsmokers cover

  • The Benevento / Russo Duo Reunite in Brooklyn

    The Benevento/Russo Duo played their first show together as a duo in 6 years on December 27 in Brooklyn. The last minute show was announced on Marco’s Benevento’s Instagram about four hours before the 8 o’clock start.

    They rewarded those who attended with an intimate show at Three’s Brewing in Brooklyn, with a capacity of around 100. The set was a nice mix of their catalog, with tracks that spanned the course of their career. The band sounded great, like they hadn’t lost a step, despite playing in side projects here and there that have obviously helped them keep their chemistry alive.

    The show was both a return to their roots, playing in a small club in New York City where they got their start, and also a warm-up for their only other scheduled date on Jam Cruise in January. But you can be sure this isn’t the last we’ll see from The Duo in 2017.