Tag: boston

  • Pigeons Playing Ping Pong Play Packed Paradise

    Friday, December 1st, the Paradise Rock Club in Boston, MA hosted a sold out Pigeons Playing Ping Pong show. “One of the fastest sellouts we’ve ever had,” exclaimed Greg Ormont, rhythm guitarist and front man of Pigeons Playing Ping Pong. The crowd was surging for both sets in the packed club, the band feeding off their energy. You could see it in their eyes as they belted out heavy jams.

    pigeons playing paradiseTheir cover of Stevie Wonder’s “Signed, Sealed, Delivered, I’m Yours” was met with a very positive scream from funk-hungry fans. Their set list was a “flocker’s” wet dream, keeping them in motion for the whole night. Even during the set break, it seemed like the dance floor was still in rhythm. After two incredible sets, the quartet ended with a long, dark and heavy “Live It Up” encore.

    Pigeons is closing their “Pizazz” tour this weekend in Philly at the TLA and Pittsburgh at Mr. Smalls Theater on December 8 and 9. They close the year on a high note with two shows in Cleveland at Beachland Ballroom December 29 and 30, and end with a bang at Madison Theater in Covington, Kentucky on New Year’s Eve.

  • Hearing Aide: Yoko Miwa newest album ‘Pathways’

    Without a word, after reviewing jazz pianist Yoko Miwa and her longstanding trio’s newest album Pathways waltz you from the dance floor to the back alley with hints of everything from standards to show tunes and a few surprising renditions in between.

    Released by Ocean Blue Tear Music on May 12, the album features pianist Yoko Miwa, Bassist Will Slater (with Brad Barrett stepping in for one track), and drummer Scott Goulding (Miwa’s husband). A highly affable experience featuring three seasoned and spectacularly attuned musicians, Pathways is a timeless album that goes down smooth from start to finish.

    Things get rolling with a rare reprisal of Bill Evans Trio Bassist Marc Johnson’s “Log O’Rythm” which is also joined by another one of Johnson’s songs, “After You” on Pathways. Miwa also borrows from a page of Joni Mitchell’s songbook with a rendition of “Court and Spark.”

    Lickety Split” takes listeners on a spin across the dance floor with fast-paced crescendos, spiraling into spontaneous jazz riffs. Like a rollercoaster ride, the song has peaks and valleys, with appropriately placed drum and bass solos building anticipation which Miwa rises to meet.

    Pathways’ finale, a heartfelt rendition of the Beatle’s “Dear Prudence” could not be a more appropriate ending to a gorgeous piece of musicianship. A perfect blend of simplicity and beauty, the eight-plus minute track unfolds gradually and deliberately, with some sections of improvisation dispersed among this familiar classic.

    Yahama Pianos Artist, JVC Victor Entertainment recording artist, and an assistant professor at the Berklee College of Music, Miwa came from Japan to Boston to attend Berklee in the late-1990s on a full scholarship and never left. With more than a decade and a half together, the jazz threesome holds down weekly residencies at several renowned Boston venues. This is Miwa’s sixth album. Give it a listen and let Pathways bring pure beauty into your world.

    Key tracks: Lickety Split, Dear Prudence

  • Photo Gallery: Sunsquabi Rolls Through Boston

    Late Night Radio and Maddy O’Neal opened a long night of music at Wonder Bar in Allston, MA on Sunday, April 30 for Sunsquabi. Saxophone extraordinaire, Tommy Weeks (Sophistafunk, Funky Dawgs) came up and belted out a few rounds during Maddy O’Neal, and even impressed Sunsquabi enough that he was asked to come back up for a tasty jam with them towards the end of the night. The Squab-Train drove straight through til the wee hours of the morning, delivering that funky Colorado sound we’ve been waiting so long for.

  • The Radio Dept. Performs at Brighton Music Hall

    The Radio Dept. kicked things off in Boston on Tuesday, March 7, playing to a packed crowd at Brighton Music Hall. The indie dream-pop group from Sweden consists of Johan Duncanson who started making music with Martin Larsson in the late 90s and scored some impressive reviews from NME upon their first album release, Lesser Matters in 2003. For this tour they were backing their newest 2016 album, Running Out of Love, which is their fourth studio album and is a great representation of how The Radio Dept. is able to consistently bust out music within the realms of their niche style they began to perfect back in the early 2000s.

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    Swedish Guns” is a clear favorite off their newest record and in the live format the group was able to put on a show with the song in a manner complete with necessary energy yet with the laid back, shoe-gaze nature of The Radio Dept. Actually what makes The Radio Dept. so enticing as a live band and a band on record is their ability to incorporate from so many genres. This is where the keyboards shine as an entirely vital aspect of their somewhat playful sound. Another favorite off their new album has to be “Committed To The Cause,” which has a groove similar to something Thievery Corporation might come out with, matched with a 90s style bass line along the likes of “Cannonball,” by The Breeders. What really makes the song come together is the synth line halfway through – a definite crowd favorite of the night. The chemistry between Duncanson and Larsson is clear on stage as two friends who have been playing together for quite some time are consistently feeding off each other to push and maintain their musical bounds. Sometimes reeling in comparisons to the likes of Pet Shop Boys, The Radio Dept. is a perfect modern, indie, more down tempo version of the 80s legends.

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    With a duo opener straight from Brooklyn, GERMANS eased the early birds into the night with vocals and bass performing on top of song samples. Their hit song “Cruel” has everything a modern Brooklyn indie band reminiscent of the 80s could ask for.

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  • Sinkane Brings A Well-Traveled Musical Experience to Great Scott

    This past Thursday night, February 16, Great Scott welcomed the hip shaking, heart grooving, culturally wide-brimmed (wider than the brim of frontman Ahmed Gallab’s awesome cowboy cap) group known as Sinkane to an excited crowd.

    The Brooklyn based band was only on their second stop in their Life & Livin’ It tour. And after spending the past month in a rehearsal space in New York City, it was clear Sinkane was eager to show exactly what they had spent their time honing in on, which was nothing short of a very tight, impactful and all around free flowing and positive performance, often extending their songs into engaging jams.

    Sinkane1

    Immediately of interest was the shear size of the crowd. Last time Sinkane trekked their way up to the Bean Town (without the accompaniment of keyboardist and co-singer) they played to a mere ten people, one of which Ahmed Gallab impressively remembered and called out to from the stage in thanks of the support. This time however, the audience packed the venue and it’s a clear case in point of Sinkane’s success with the time acquired in-between. The band has really honed in on their sound, and with Life and Livin’ It, Sinkane is able to exhibit where they truly glow. It isn’t in one particular style in fact. Reggae, psychedelic, jam, funk, world—all of these peak their way into the uniqueness of what is Sinkane. Take their tracks “U’Huh” and “Favorite Song” for example, both off Life and Livin’ It. These take on so much influence from great songs and genres that the outcome is more along the lines of highly cultivated originality.

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    With the help of one of the opener bands, No BS! Brass Band, for horns, Sinkane even furthered the immensity of their sound. The two groups had actually never performed together, as Gallab was excited to admit, and yet the result was an even fuller and more dynamic, refined sound. This might be something Sinkane wants to consider adapting to their live set next time around on tour, which if history repeats itself will likely be performed to an even bigger crowd.

    Sinkane closed with the audience favorite “How We Be,” and afterwards came back on stage for an encore that jammed into the wee early hours of 1:30am. This is a band that simply loves to play. And only the most respect goes to this group who’s shining attributes are giving every musical bone a rattle and shake and spreading some obvious cheer and positivity while doing it.

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