NYS Music 20​17

Tag: Bob Weir

  • Dark Star Orchestra’s 20th Anniversary at the Palace Packs in the Classics

    To make it 20 years in any industry is quite a feat, especially when there were absolutely no expectations at the beginning. And the members of Dark Star Orchestra will tell you that making it that far as a cover band is even more satisfying and special.

    On Saturday night at the Palace Theater in Albany, Dark Star brought a raucous show to a sold out and chock full of energy crowd on the 20th anniversary of their first show, which was performed at a bar called Martyrs’ in Chicago. There were people outside who were unable to get in the door due to the sell out. One concert goer, on his way through security, looked over and yelled, “This is reminiscent of when the Dead used to play the Knick!” He was referring to the Knickerbocker Arena, now called the Times Union Center.

    From the get go, Dark Star displayed the type of energy that an eager new band 20 years younger might. Guitarist Rob Eaton stepped to his microphone for “The Music Never Stopped,” clearly a nod to their longevity. The Grateful Dead’s most commercially successful song, “Tough of Grey,” came next. When the band members, in unison with the crowd, sang the last lines of “We will get by / We will survive,” the balcony in the theater was visibly swaying. It was as thrilling a start to any Dark Star show in memory.

    “Box of Rain,” one of Phil Lesh’s compositions, wound down before the Jerry Garcia ballad “So Many Roads,” sung by guitarist Jeff Mattson, brought a bit of poignancy to the evening. “Cassidy” was played perfectly and featured some very spirited body language from Eaton, who was moving around his area of the stage more than usual.

    The highlight of the set was, easily, “Terrapin Station,” a song typically reserved by both Dark Star and the Dead for the second set. Keyboardist Rob Barraco and drummers Rob Koritz and Dino English seemed to have a more powerful presence during this song as Dark Star executed the composition flawlessly.

    The set could have ended there and the crowd would have been happy, and that’s when the first notes to “Weather Report Suite” hit. The song fizzled into “Let it Grow,” and during the pair of songs, Eaton switched from electric to acoustic and back to electric without missing a beat. To close out a lengthy set, Dark Star Orchestra played the classic sequence of “China Cat Sunflower“->”I Know You Rider.” The bridge between the two songs took the form of pure celebration and the band showed it with gigantic smiles on their faces.

    The second stanza wasted not even a second picking up, with a fast and raging “Scarlet Begonias” jamming its way into “Ruben and Cherise” in a pretty stunning twist of events. When the crowd realized that Dark Star had thrown a curve ball, it responded with a roar and a total dance party ensued. Mattson, like he would do the rest of the set, dazzled with his vocals and ripping runs up and down the fret board. “Fire on the Mountain” closed out the segment with a singalong amidst a trio of jams.

    “Eyes of the World” morphed into the “Drums/Space” portion of the evening before Mattson returned to the mic for a soaring and emotional “Morning Dew.” Without taking a breath, the band started into the fan favorite “St. Stephen,” but what came next was the best part of the show, as “Stephen” gave way to the familiar riff of “The Eleven.” That seemed to take the crowd by surprise again, and the band responded by putting extra ‘umph’ into the psychedelic journey about William Tell. “Turn on Your Love Light” closed out one of the most well received Dark Star shows in memory.

    Koritz then took center stage and thanked a list of people who have helped Dark Star Orchestra on their way to this night, and then toasted with the crowd, before getting the band together with their backs to the crowd and inviting everyone to take a selfie with them to celebrate 20 special years. Approaching the midnight curfew, the band then launched into “One More Saturday Night” to give the frenzied crowd one last breakdown for which to dance.

    Dark Star Orchestra, Palace Theater, Albany, NY, 11/11/2017

    Set 1: The Music Never Stopped, Touch of Grey, Box of Rain, So Many Roads, Cassidy, Terrapin Station, Weather Report Suite>Let it Grow, China Cat Sunflower->I Know You Rider

    Set 2: Scarlet Begonias->Ruben and Cherise>Fire on the Mountain, Eyes of the World, Drums/Space, Morning Dew, St. Stephen->The Eleven, Turn on Your Love Light

    Encore: Band addresses crowd and takes a celebratory selfie, One More Saturday Night

  • Photo Gallery: Lockn’ 2017

    LOCKN‘ 2017, held annually at Infinity Downs Farm in Arrington, Virginia, draws lovers of funky jams, old school blues, and gritty hard rock from all corners of the country. This year, residents from every single state migrated to the mountainous landscape on a late summer weekend, August 24-27. Beautiful sunny weather with a scattering of clouds provided much welcome shade as festival goers danced and mingled, sampling a variety of local brews and food. All-star jams and vibrant performances by local artists studded the four-day event with excitement and musical release.photo gallery lockn 2017

  • Kings and Queens of Rock Reign at Lockn’ 2017 on Day 2

    As the Friday morning migration of early risers dispersed to acquire their first fix of caffeine at Lockn’ 2017, the fairly priced $3 cups were a welcome relief from the $9 beers that drained wallets the night before. Local rock group Sun-Dried Opossum, aided by the climbing heat of the mid-morning sun, beckoned attendees out of their tents and campers toward the Relix stage.

    Marcus King Band followed, upping the rock and roll intensity even more, to a noticeably larger crowd. The Relix field’s undulating topography provides varying levels that aid people further back in viewing the stage, but also offers some rather slanted footing that can make it trickier to find a comfortable place to stand. But patrons weren’t letting that stop them from gathering to soak in the sultry southern rock led by Marcus King. His rough around the edges vocals accompanied by trumpet, sax and organ blended to form a rich and mature sound. The heavy rock made a fitting soundtrack for the crowds dragging footsteps, weighed down with the increasing heat.

    New York band TAUK brought a level of sophistication with their polished sound, releasing beautifully executed instrumentation with a slightly spacey, ethereal tone. Accompanied by some much appreciated cloud cover, they provided the perfect soundtrack for the web of frisbee throwers flinging their tiny UFO’s through the air on the main stage field.

    The tribal soul vibes of Sinkane mellowed out the atmosphere with a lighthearted sound as people mingled, sprawled out in hammocks between whatever trees they could claim, and made the whole show field feel like one giant living room shared by all.

    The main stage welcomed Blackberry Smoke as it’s first performer of the day. They put out a satisfying performance of savory southern rock before Jim James completely switched up the energy with a solo acoustic performance. Despite his softer sound, he had a way of focusing the crowd’s attention with thought-provoking sentiments.

    He opened his set with an acoustic rendition of “Young at Heart” before paraphrasing the Nelson Mandela quote: “No one is born hating another person because of the color of his skin, or his background or his religion. People learn to hate, and if they can learn to hate, they can be taught to love, for love comes more naturally to the human heart than its opposite.” He explained it’s a quote he’d been thinking about a lot recently. He poignantly followed it with a tune about people making the same mistakes over and over again.

    Brandi Carlile took to the stage next and exploded through the speakers with a full band and really tight, controlled sound that laid a strong foundation for her unbelievable vocal ability. There was a lot of love for Carlile at the start of her set, but as she bounced around on stage, exuding positivity and grace, she quickly won over a lot more hearts too. The crowd was in awe to the point that she took notice and expressed to the crowd, “This is some of the best energy I’ve felt on stage.” The mutual love and respect between Carlile and the adoring crowd continued to grow throughout her set.

    After each song she wistfully tossed her guitar pick into the crowd, to the cheers and delight of many. One of her set highlights was an acoustic rendition of “The Eye.” She sung in a three-part harmony with two of her bandmates whom she has been performing with for fifteen years. They happen to be twin brothers, and she humbly introduced the tune exclaiming, “They are amazing singers and they could be standing at this center mic any day of the week and we’re about to show you why.”

    Next the band picked things up with “Hard Way Home,” followed by an energetic rendition of “Folsom Prison Blues,” which she sang in an effortless flutter between sweet and smooth to gruff and rusty vocals. Carlile remarked right after, “Momma’s getting’ to old for that shit,” and the crowd hollered in laughter at her sincerity, and ability to level with the crowd. Her conversational style between songs allowed her to genuinely connect with the audience. She played “The Mother,” a song off her new album about the impact of having a daughter. Jim James came back out to duet with her and their mutual respect for each other provided the glue for great stage chemistry. Next she dedicated “The Story” to Charlottesville before ending her set by covering “Going to California,” which she sang effortlessly because she is the queen of country rock.

    Phil Lesh and The Terrapin Family Band came out next to the utter joy of the very Grateful Dead-centric crowd. Their mellow rock sound was punctuated by a sea of cheers as fans recognized their favorite songs and proudly brandished their vibrant tye dyes. Gov’t Mule followed with more heavy rock, aided by the sharp vocals of Heart’s Ann Wilson during a one-two punch cover of “Immigrant Song” aptly followed by “Black Dog.”

    Wilson took a moment to express, “We judge each other by what we have or how successful we are, but that’s complete and utter bullshit. So let’s take it all back.” Wilson and Gov’t Mule then went into a deep bluesy, “I Don’t Care What You’re Wearing,” as a man donning a glitter-laden jellyfish hat paraded through the crowd at just the right moment.

  • Dead and Company Play Perfect Sets During Return to Citi Field in New York City

    Dead and Company’s third tour made its way to Citi Field on June 24 while the Mets were away in San Fransisco, defeating the Giants by a score of 5 – 2. The summer evening weather made for a spectacular night of music with a packed stadium.

    The long-standing game of guessing the show opener was on the tongues of many before the 7:30 downbeat and, regardless of incorrect guesses, “Dancing In The Streets” (which debuted earlier this tour) got the Queens crowd moving to the pace of the night. The relaxed but fun set continued on with the likes of “Jack Straw,” Tennesse Jed” and “Cold Rain and Snow” among others. Dead and Company jumped the gun by capping off the set with the party-rousing “One More Saturday Night,” more often seen in the second set of a Dead show.

    As the second set rolled onward from the beautiful “Scarlet Begonias” opener, they let Oteil sing, as some t-shirts have said. Burbridge has been making more of a vocal appearance on this tour and took the lead on singing “Comes a Time,” making for a spectacular performance of the song coupled with Mayer’s atmospheric noodling on Dead and Company’s debut of that song. Mickey Hart and Bill Kreutzman put on a unique rhythmic soundscape for the drums/space break which was integrative of acoustic and electronic sounds and instruments including Hart’s multi-string, one-note Beam.

    The encore was truly something special for the New York crowd. The familiar opening riff of “Touch of Grey” rang through the crowd noise as the projection faded to the b-roll live footage of the synchronized light show atop the Empire State Building across the East River in Manhattan. Without much of a skip the happy feels were capped off in a rock-and-roll fashion with “Johnny B. Goode.”

    Dead and Company’s two night run at Citi Field last June was a good showcase of the chops of a Grateful Dead family lineup who had only been on tour for about one and a half years at that point. In this year’s single show at Citi Field, Dead and Company showed an ever-flourishing presence of musicianship on stage miles ahead of the band’s debut shows in Albany and NYC in the fall of 2015, which even then were noteworthy.

    Setlist:

    Set 1: Dancing In The Streets > Jack Straw, Here Comes Sunshine, Tennessee Jed, Cold Rain and Snow, Bird Song > One More Saturday Night

    Set 2: Scarlet Begonias > Viola Lee Blues, Estimated Prophet > Comes A Time > Eyes Of The World > Drums/Space > The Other One > Morning Dew

    Encore: Touch Of Grey > Johnny B. Goode

  • A Rainbow Shines over Dead and Company Performance at SPAC

    Dead and Company roared into Saratoga Springs on a rainbow for a show at SPAC on Tuesday, June 20 after a hot weekend of shows at Fenway Park. The national tour has Deadheads and Mayerheads alike buzzing about the continued pairing of the Grateful Dead’s Bob Weir, Bill Kreutzmann and Mickey Hart with John Mayer, Oteil Burbridge and Jeff Chimenti. Few tours of this nature attract an audience where grandparents bring grandkids to the show, tying music across generations and inviting fans of all ages to enjoy the music of the Grateful Dead with an infusion of new blood.

    dead and company SPAC rainbow

    Out of the gate, Weir led the troupe through “Hell in a Bucket,” and let Oteil take over on “Next Time You See Me,” laying down the deepest of bluesy grooves that Pigpen would nod at approvingly. “Loose Lucy” and “Mississippi Half Step” had the audience singing along with Bob and John, but “Looks Like Rain” was where the music connected with Mother Nature. Just as Weir returned to the chorus, the skies opened up and a soft sunshower began with a subsequent rainbow appearing over the gleeful crowd moments later. The refreshing rain led to a “Dire Wolf” sing along followed by “Lost Sailor > “Saint of Circumstance” that wrapped up a tight first set.

    The second set started with “Chinacat Sunflower” and instead of expected “I Know You Rider,” Mayer shifted gears into “Deal” where he let off steam, jumping up and down as he led through a rip roaring version of “Deal,” easily the highlight of the night. “China Doll” with Oteil’s heavenly vocals and “Terrapin Station” were the centerpiece of the second set feast. Bass ripples from “Drums>Space” rolled into mellow noodling that soon became “All Along the Watchtower” with Bob charging full ahead before pulling up the reigns for “Black Peter.” To sandwich the set, a patient segue into “Rider” tied the night together with tantric energy built up throughout. For an encore, “Goin Down the Road Feelin Bad” capped the night with a delighted crowd singing loudly and gleefully.

    Set 1: Hell in a Bucket, Next Time You See Me, Loose Lucy, Mississippi Half-Step, Looks Like Rain, Dire Wolf, Lost Sailor>Saint of Circumstance

    Set 2: China Cat Sunflower>Deal>China Doll>Terrapin Station>Drums>Space>All Along the Watchtower>Black Peter>I Know You Rider

    Encore: Goin Down the Road Feeling Bad

  • Lockn’ Announces Special Guests and New Layout

    Lockn’ Festival recently announced several special guests making appearances and collaborations, including Bob Weir joining the Avett Brothers and Ann Wilson of Heart joining Gov’t Mule. The 2017 festival will also feature an improved layout, allowing for better sight lines and easier access to food and other amenities from the campsites.

    Attendees at this year’s Lockn’ Festival, now in its fifth year, will notice a change to the layout. The central venue now encompasses both the main stage and the Blue Ridge Bowl, allowing for improved sight lines and easier access to non-stop music throughout the weekend. The new layout allows for easier access to the food, drink, and merchandise vendors, as well as more efficient entrance and exit from the campgrounds.

    In addition to the layout changes, this year’s Lockn’ features an expanded Garcia’s Forest, which will include a full size replica of Terrapin Station. The iconic porch will feature nightly musical performances from the Dirty Dozen Brass Band, Midnight North and the Nicole Atkins Band. There will be additional morning performances, dubbed “Piano on the Porch,” by Melvin Seals, Holly Bowling, Danny Louis and others.

    The festival lineup includes several high profile collaborations and special guests. The headlining set is a performance by Phil Lesh and Bob Weir with the Terrapin Family Band joined by Nicki Bluhm. They will play the 1977 Grateful Dead album Terrapin Station in its entirety. Weir also joins the Avett Brothers, who make their Lockn’ debut this year. Ann Wilson of Heart teams up with Gov’t Mule. Moonalice will feature special guest Jorma Kaukonen.

    Lockn’ takes place Aug. 24 to 27 in Arrington, Virginia. Tickets for the festival are on sale now.

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