NYS Music 20​17

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  • The Bad Plus Deliver the Goods at the Egg

    The Swyer Theater at The Egg Center for the Performing Arts is a quaint and ideal setting for laid back musical performances. When The Bad Plus, a three-piece jazz band originally from Minneapolis but now out of New York City, visited the Swyer on Sunday, it was apparent from the start that the band really enjoys playing the room.

    It was a show of minimalism, as the only lights on in the theater were three dimly lit bulbs that focused on the band. The seating area was dark, and nary a sound was made from the crowd except gentle applause at the conclusion of each number. The Bad Plus are billed as an avant-garde jazz trio, but what they delivered on Sunday was far from the righteous, self-centered nature the genre often produces.

    Ethan Iverson handles piano duties, Reid Anderson plays the stand-up bass and Dave King provides the backbeat. Out of the gate King stepped forward and led the band on a funky acoustic exploration that saw a good deal of improvisation, especially from Iverson, who displayed a master ability to use a mix of space and fills to create a very unique mix.

    Throughout the night, Anderson would address the audience and give little anecdotes about what they’re playing. He spoke about how the group got their start by taking popular music, such as Nirvana’s “Smells Like Teen Spirit.” and tearing the songs down and arranging them in their jazzy style. I didn’t notice any such songs on Sunday, which added another layer of special to the very unique show. The Bad Plus have released 14 albums, almost entirely consisting of original compositions.

    Just before the encore, Iverson and Anderson linked up for a sort of rockabilly-swing groove that caught me off guard. If the audience hadn’t set the tone early on of high focus and quiet, I would have stood up and danced a little bit. The crowd showed its appreciation by giving a standing ovation that spanned the length between set close and encore start.

    I entered the show without any expectations for the band, but I walked out a new fan of The Bad Plus.

    Setlist: Hear You (Anderson), Self Serve (Iverson), Time After Time (Lauper), Thrift Store Jewelry (King), Inevitable Western (Iverson), Gold Prisms Inc. (King), Law Years (Coleman), The Robots (Kraftwerk), County Seat (Iverson), Seven Minute Mind (Anderson)
    Encore: I Walk the Line – (Cash)

  • Scott Hannay Joins Gubbulidis to Energize Crowd in Cohoes

    It had been quite a weekend for music in Albany thanks to the work of beloved promoter Greg Bell. Jamtronica founders, Particle, brought the heat to The Hollow Bar and Kitchen Friday, February 17 , followed there by Reed Mathis and Electric Beethoven Saturday, February 18. By Sunday evening, the fatigue of the long weekend had set in. But as committed fans, we got up, got dressed and headed up 787 to The Cohoes Music Hall to see Gubbilidis.

    Gubbulidis cohoesThe Twiddle side project, consisting of Mihali Savoulidis and Zdenek Gubb, was both upbeat and positive – the cup of Joe needed to energize this Sunday evening crowd. The added espresso shot was the venue itself. Having only recently come under management by The Palace Theater in Albany, many in attendance were visiting The Cohoes Music Hall for the first time. Built in 1874, the historical theater is the perfect size venue for shows too big for venues like The Hollow, but ones that would be dwarfed by the The Palace Theater. It boasts decorative details and grandeur but the wooden benches, floors and walls give the feeling of an old-timey, western saloon. The environment is thoroughly refreshing for Capital Region music fans growing bored of the same venues night after night.

    Using a loop pedal to layer the elements, Gubbilidis created the sound of a full band. Kicking off the evening with “Apples,” a Twiddle mainstay, Mihali beat boxed to create the percussion while Zdenek played his bass in such a way you’d think it was a lead guitar. “Every Soul” allowed the duo to get serious for a few minutes before letting the silly return with a funky “Brown Chicken Brown Cow.”

    Mihali and Zdenek welcomed Scott Hannay of Mister F to the stage. The 8-bit keys and synthesizer were loud and high pitched but added a fun, video game vibe to Blues Traveler’s “Run Around.” Hannay continued his sit-in for “Mamunes the Faun” before the trio paused for a set break.

    The second set featured an exciting mashup of “No Woman, No Cry,” “Glycerine,” “Farmhouse,” “Wagon Wheel” and “One Day.” Hannay returned to the stage for a cover of ALO’s “Barbeque” and Twiddle’s iconic “Jamflowman.” Zdenek nailed the bass solo and Mihali cranked out the guitar riffs, making this the highlight song of the evening.  The second set wrapped up with “Hattibagen McRat,” a touching tribute to Mihali’s late friend.

    All three men returned to the stage to encore with The Beatles’ “Rocky Raccoon,” which featured a thrilling solo by Hannay and intricate and powerful guitar riffs from Mihali.

    Set 1: Apples, White Light, Every Soul, Brown Chicken, Brown Cow, Run Around*, Mamunes the Faun*

    Set 2: Rivers Drift, No Woman No Cry/Glycerine/Farmhouse/Wagon Wheel/One Day, Zazu’s Flight, Barbeque*, Jamflowman*, Hattibagen McRat*

    Encore: Rocky Raccoon

    * w/ Scott Hannay

  • ‘David Bowie: The Last Five Years’ Documentary Coming to America via HBO

    HBO has acquired the television rights to air the BBC documentary David Bowie: The Last Five Years. The 90-minute landmark film is a snapshot of the grand finale of the iconic artist’s life.

    David Bowie: The Last Five Years is a follow-up to 2013’s David Bowie: Five Years. Documentarian Francis Whately returned to the subject after Bowie succumbed to a battle with cancer last year. Whately expertly weaves together  interviews and prime footage to present an in-depth look at the artist’s creative resurgence, including the making of Bowie’s last albums, The Next Day and Blackstar, and his play Lazarus.

    BBC aired David Bowie: The Last Five Years in January. HBO has yet to announce when the documentary will be aired.

    https://youtu.be/C2bL6ARhkUw

  • Geoff Tate Says Money Would Be Only Reason for a Queensryche Reunion

    In a recent Blabbermouth report, former Queensryche frontman, Geoff Tate, discussed with the “Noize In The Attic” radio show, whether he thinks a reconciliation could happen in the future, and reunite with original Queensryche lineup someday down the road.

    Tate’s response when asked if a possible Queensryche reunion possibly happening:

    I suppose so. I suppose that if everybody got in a room…The only reason to get together is for the money. That’s the only reason. So, if everybody really needed money and wanted to get together and bury the hatchet, so to speak, and sit in one room and say [mocking tears] ‘Gosh, I’m really sorry I treated you that way.’ You know, maybe then we could work toward some sort of resolution, but I haven’t seen any attempt by anybody to do that. So I’m holding out…holding my breath. [But] I’d never say never. I might get to a point where I really need the money. It’s nice to have that little back-up plan.

    In a past interview with The Metal Gods Meltdown, Tate described his time with the band as a business more than a brother hood. He stated:

    We weren’t really friends, you know – we were business associates. We had a wonderful entity that we shared called Queensryche, but it wasn’t an equal sort of partnership as far as involvement goes. You know, so there wasn’t a real camaraderie amongst everybody in the band… From my perspective and my involvement, it wasn’t an emotional sort of brotherhood kind of thing that some people might think existed. That wasn’t my reality with them.

    Tate tried suing the band over the rights to the Queensryche name in 2012. A settlement was reached between both parties in 2014, giving original band members Michael Wilton (guitar), Scott Rockenfield (drums), and Eddie Jackson (bass), the rights to the Queensryche name, while giving Tate the rights to perform live, the albums, “Operation Mindcrime,” and Operation Mindcrime II.”

  • Roger Waters Bringing US + THEM Tour to Times Union Center

    Roger Waters will bring Pink Floyd’s historic album The Wall to Albany’s Times Union Center on September 23, 2017, part of the US + THEM tour.

    Waters has toured on Pink Floyd’s The Wall in recent years, and will be performing songs from Dark Side of the Moon, The Wall, Animals, Wish You Were Here and more. The Wall tour came through Upstate in June of 2012, and has even been suggested to be performed on the U.S/Mexico border.

    Tickets for the show go on sale on Monday, February 27 at 10 am through Ticketmaster.

    H/T Q103 Albany

  • Hearing Aide: SCHMAVE ‘Painted Post’

    There’s always that one, odd, sunny day at the tail end of winter that breaks away from the routine gloom and darkness characteristic of the past few months. The sun is shining and there isn’t a soul that’s not outside enjoying the weather. SCHMAVE, an indie rock band out of New Paltz, New York, embodies that spirit in their debut album, Painted Post.

    Each track on this seven-song project has a story and is told through seeable lyrics and tangible melodies. While songs like “Drunk” and “Hand Washed Clothing” are reminiscent of Local Natives style rhythm section and melodic structure, songs like “Fruitless” provide a jumpy alternative, creating a refreshing change of pace from the rest of the album.

    Recently, the indie rock music scene has definitely emitted great projects, although most of them visibly try to create for themselves a unique sound that has never been heard before. After a while, the definition of “unique” gets lost among the saturation of bands trying to set themselves apart from the rest. Painted Post proves that a band doesn’t need a completely original sound to get recognition. In effect, SCHMAVE makes a name for itself by simply making good, relatable, honest music.

    As the opening track, “Alfred” symbolizes the rising of the sun with an open chord structure and uplifting melody, the final song, the albums title track, symbolizes the setting of it. This irregular sunny day is now over and tomorrow the weather returns to the dreary winter cold, as spring tries to officially push through to the surface. Yes, tomorrow will not be the same, although those fleeting hours were the perfect remedy to getting through the rest of the season.

    Key Tracks: Drunk, Hand Washed Clothing, Painted Post

  • Albert Cummings Brings Best the of the Blues to Stage One

    The best performances of the blues will always be in an intimate venue. Singing the blues, contrary to it’s name, is about having fun and make the best of sticky situations. Lyrically, artists talk about woes, troubles and sorrows, but the instrumentals are mostly uplifting and emotional.  And when musicians can belt out these feelings to a smaller audience, it feels like a conversation with good friends. Granted, seeing B.B. King play a 10,000 person venue would be a once in a lifetime experience, but it doesn’t compare to paying 20 bucks to sit 20 feet away from a few talented musicians playing some of the most important and influential musical styles ever created. Stage One at the Fairfield Theater Company in Connecticut is just the place to hold concerts like this and fit the bill perfectly for the Albert Cummings band.

    The best way to describe Cummings is a mix between Vaughan and Hendrix. They had the power and modern blues sound of Stevie but with the musical and visual flair of Hendrix. Their recordings are immaculate and unique but seeing them perform live gave their music a bit more magic. They were well rehearsed, energetic, relentless and without these characteristics the show would not have been the same. Causal listeners of the blues may have a notion that blues music is slow or depressing, but it’s not all like that. The patterns were the same, they mostly stuck with a 12 bar blues sound, but managed to make each one interesting and unpredictable.

    There weren’t too many theatrics to the show, but just enough to keep things visually interesting. Stage One just isn’t that type of venue. The light work was mild, no spotlights or grand entrances. Most of the pizzazz came from a very animated drummer and from Cummings himself, who did everything Jimi would have done on stage just short of playing the guitar with his teeth. He would dance around the stage during his solos, swing his arms around and even bowed the neck of his guitar against his mic stand.

    They warmed up with a few of their own compositions like “The Blues Makes Me Feel So Good” which all had a very aggressive attitude and high energy. Drummer Warren Grant gave the performance the energy it needed to keep people energized and interested. Without Grant, the show would have had a completely different attitude. He was a fun character to watch when he got his turn to flaunt during drum fills and the crowd loved it. His aggression is what gave the Stevie Ray vibe to it with his brash but precise style. Bassist Scott Spray gave the low end of the sound a great character as well. He was able to hold the beat and groove effortlessly while still having his own fun.

    The crowd of 60-70 people immediately felt a connection with the band and began shouting out requests and telling Cummings where they came from and how much they love him. The worked their way through the set to a classic B.B. King tune “Three o’clock Blues” to which the crowd reacted very positively too. One woman almost stopped the performance as she screamed out, “getting wetter over here!” The look on Cummings’ face was absolutely priceless.

    One 12 bar blues song after another can get a little monotonous so they were sure to throw in some good old American rock. A steady drum chop from Grant gave the songs a powerful feel, Spray laid low and let Cummings have his fun with his wide array of floor pedal that gave his guitar a nice variety of voices to choose from. He stuck to a few covers including “Hoochie Coochie Man” among others which got a rise out of the crowd. Unfortunately, it was hard to differentiate what was a cover and what was an original recording because there was no set list. When asked what Cummings played that night, he replied, “I have no idea what I played. I don’t use a set list.” That’s not what’s important, though. The groups  attitude and good spirits made for a fantastic show that left the crowd on their feet cheering for an encore.

    Sadly, Cummings won’t spend anymore time in New England and is headed south to finish his tour, but he has a plethora of music to enjoy on multiple platforms including iTunes, Spotify, Soundcloud and physical CD’s available for purchase on his website.

  • Clyde Stubblefield, ‘Funky Drummer,’ Dead at 73

    Clyde Stubblefield, the drummer who provided the backbeat for a generation, died Saturday at the age of 73. As the drummer for James Brown’s band, Stubblefield laid the groundwork for funk and inadvertently created the most sampled track of all time. The drummer’s wife, Jody Hannon, confirmed his death from kidney failure.

    Clyde StubblefieldStubblefield’s resume as Brown’s drummer includes classic tracks such as “Cold Sweat,” “Say it Loud – I’m Black and I’m Proud,” “I Got the Feeling,” “Sex Machine” and the track that gave him his notoriety, “Funky Drummer.”

    He was a funky drummer. The brief interlude in “Funky Drummer” provided the beat that launched a thousand hip-hop acts. The track was sampled by the Beastie Boys, Public Enemy, Run DMC, N.W.A., LL Cool J and even George Michael. Unfortunately, Stubblefield never saw any royalties from any of these uses of his most famous piece as he was not listed as a songwriter on the track.

    Roots drummer Questlove proclaimed Stubblefield, “The Funky Funkiest Drummer of All Time” in a tribute on Instagram Saturday

    Stubblefield was born in Chattanooga, TN on April 18, 1943, influenced by the factory sounds and the rhythm of the trains near his home. He went on to briefly perform with Otis Redding before being introduced to Brown, joining his band in 1965.

    Following his career with Brown’s band, Stubblefield relocated to Madison, WI, performing weekly Monday night gigs with his Clyde Stubblefield Band, a band that included long-time friend Steve “Doc” Skaggs on keyboards and vocalists Charlie Brooks and Karri Daley. He maintained this schedule until health problems sidelined him in 2011.

    Over the years, Stubblefield performed with Rock and Roll Hall of Famers the JBs and frequently collaborated with fellow Brown band drummer John “Jabo” Starks as the Funkmasters.

    Stubblefield battled kidney problems and bladder cancer since 2000. Due to his lack of health insurance, paying for the procedures proved difficult. Following Prince’s death last year, Stubblefield revealed that Prince had secretly paid his nearly $90,000 in medical bills in full. Prince and Stubblefield had never met but Prince considered the funky drummer one of his idols.

    Check out the 1999 video below, where Stubblefield discusses his style and jams with John Medeski on keys, Fred Thomas on bass, Fred Wesley on trombone and John Scofield on guitar:

  • Brantley Gilbert Travels Upstate

    Brantley Gilbert, in support of his fourth studio album, The Devil Don’t Sleep rolled into a sold out Glens Falls Civic Center on Thursday, February 17. The tour, which also featured Brian Davis, Luke Combs and Tucker Beathard featured a massive stage and pyrotechnics from Gilbert’s 18-song set. Glens Falls, also referred to as “Hometown USA,” doesn’t typically showcase many country acts so the arrival of Brantley resulted in a plethora of  camouflage, trucker hat and cowboy boot wearing North Country fans. Brantley lead off the set with “It’s About To Get Dirty” the first release off the fore mentioned Devil which was primarily written by Gilbert and Brian Davis, the opening act. It’s no secret that the title of the album best reflects his daily struggles with temptation, mostly in regards to alcohol. The singer-songwriter has been sober for over five years now and frequently addresses his issues as an addict which positively fuels his fire as an artist.

    Brian Davis played a short, solo and energetic set followed by Luke Combs of “Hurricane” fame which peaked at number 36 on the Billboard’s Country Album chart. Combs, is instantly likable in a high school buddy sort of way and was recently quoted in Rolling Stone saying, “I’ve always been a super regular guy”. “I think there’s kind of a comfortability with me onstage and I think my cool factor is not having one”. It’s a refreshing outlook and reflection for an artist who seems to be on the verge of super stardom.

    It’s certainly worth mentioning that Nashville born artist, Tucker Beathard nearly stole the show from Gilbert. Beathard pushes the boundary between pure country and mainstream rock. His set was entertaining, straight forward and honest which easily won over the capacity crowd. Beathard himself joked about hearing  how he needs to knock the rock down just a bit on this tour but obviously ignores that advice, as he should. With musical inspirations ranging from Blink 182 to Bob Seger, it effortlessly results in something completely pure and original. Beathard finished off his set by handing a fan his guitar and guiding her into playing the last note of the night, truly a class act who should be on the scene for years to come.

    Brantley Gilbert Setlist: It’s About To Get Dirty, My Kinda Party, Country Must Be Country Wide, Rockin’ Chairs, Dirt Road Anthem, My Baby’s Guns N Roses, You Don’t Know Her Like I Do, Small Town Throwdown, Tried To Tell Ya, Once Hell Of An Amen, Outlaw In Me, The Weekend, Take It Outside, Rock Jam, Kick It In The Sticks, Bottoms Up, Carry On My Wayward Son (Intro), Read Me My Rights.

  • Disc Jam 2017 Initial Lineup Announced

    Disc Jam Music Festival 2017 announced the initial lineup for its 7th edition.  The June 8-11 festival returns for the third year to Gardner’s Farm in Stephentown, NY, a Berkshire Mountain town near the Massachusetts border.

    The weekend of music, art and disc golf features more than 60 acts on its twin main stages and two side stages and features headliners The Motet, Break Science Live Band, Dopapod, Turkuaz, Manic Focus, TAUK, Kung Fu, Pink Talking Fish, Giant Panda Guerilla Dub Squad, Aqueous, Gubbulidis (Twiddle side project), Ghost-Note (Snarky Puppy side project), Electric Beethoven, Consider the Source and Honeycomb.

    The festival’s grounds are home to a 27-hole disc golf course that will play host to a number of tournaments throughout the weekend appealing to the enthusiasts as well as casual players.

    Other announced artists reads like a list of the Northeast’s best talent, including: Yheti, lespecial, Esseks, Brightside, Of the Trees, Spiritual Rez, Roots of Creation, Holly Bowling, Hayley Jane, Agent Lockhart, the Mallett Brothers Band, Strange Machines, Congo Sanchez, Sophistafunk, Wild Adriatic, After Funk, Funky Dawgz, Funk You, Swift Technique, Litz, Calliope Musicals, Earphorik, West End Blend, Teddy Midnight, Mister F, Formula 5, Chromatropic, Annie in the Water, Goose, the Mushroom Cloud, Eggy, Lord Electro, William Thompson Funk Experiment, Ben Silver (Orchard Lounge), Toadface, Saltus, Uncle Bob, DELTAnine, Klassik, Leila, Detox, Tsimba, Zerogravity, Zoologic, Bunk Buddha, Bells & Robes, Icculus, Echo Mecca, Kroma Kode, In Flux, Stephen Lewis, Mether, Qwill, Oogee Wawa, the Other Brothers, Humble Digs, Monotronic, Resin Heads, Big Jon Short, Zack Slik, Political Animals, Schooley Mountain Band and Cal Kehoe.

    Promoter Tony Scavone said of the talent:

    We’ve put together a Who’s Who of Northeast musical talent without straying from our funk/jam roots, while keeping with the times to include the electro-fusion craze that has taken hold of new music being created by today’s fastest rising acts

    In addition to the breadth of music and disc golf, there will also be flow arts workshops, interactive art throughout the grounds and daily yoga sessions. Craft and art vending will be sponsored by PhanArt.

    Early bird tickets are available now at the Disc Jam website for $125. This includes camping and early entry to the grounds. Special VIP packages include a stay at nearby Jiminy Peak.

    Check out Dopapod’s performance with the West End Blend horns from last year’s festival below: