Rochester welcomed back Finnish death metal band, Children Of Bodom on Sunday with their commemorative tour celebrating the release of their first album, Something Wild. The American leg of their 20 Years Down & Dirty Tour hit 24 for cities, Rochester being the last American stop before heading for Canada. Joining Children Of Bodom on tour were fellow Finnish Thrash Metal band, Lost Society and Carach Angren, a Black Metal band from the Netherlands along with Uncured, a Death Metal band from New York City.
This tour wasn’t one to miss, reaching both new and old Children Of Bodom fans, playing songs from their first three albums. The crowd showed diversity in sporting a variety of shirts, patches and attire, drawing in metalheads from as far as Albany and Syracuse to Anthology, a restored multi-level auto warehouse on East Avenue. While the crowd initially looked sparse and scattered before the show began as the evening progressed more people began filtering in, filling up the venue.
NYC’s own Progressive Death Metal four piece, Uncured kicked the night off. The band released it’s first full length album Medusa in March 2017.Uncured features brothers Zak and Rex Cox on guitars and vocals, Liam Manley on drums, and Jon Kita on bass.
Following Uncured were fellow Finns, Lost Society who unleashed their energy, keeping the crowd wanting. Hailing from Jyväskylä, Finland, the band consists of guitarist and lead vocalist Samy Elbanna, guitarist and backing vocalist Arttu Lesonen, bassist and backing vocalist Mirko Lehtinen, and drummer Ossi Paananen.
The third band, Carach Angren added an interesting and darker change in atmosphere and was met with an enthusiastic crowd. The band sported corpse paint, an interesting mic stand which included a spinal chord and hip bones, which the vocalist temporarily sporting a skull mask and crown for their set. Carach Angren is Dennis “Seregor” Droomers on vocals, Clemens “Ardek” Wijers on keyboard and Ivo “Namtar” Wijers on drums.
By the time the final and headlinging band, Children of Bodom, took the stage, the crowd was riled, ready and waiting. Frontman Alexi Laiho wasted no time adding a special touch in the getting CoB fans pumped up and wanting more, eagerly met with the crowd throwing up their “horns.” The band’s return to Rochester was well received after the long wait with their prior show with Black Label Society and Clutch at the Main Street Armory on January 30, 2012. Children of Bodom is Alexi Laiho on vocals/lead guitar, keyboardist Janne Wirman, bassist Henkka Seppälä, drummer Jaska Raatikainen and Daniel Freyberg on rhythm guitar.
Setlist: Deadnight Warrior, In the Shadows, Needled 24/7, Hatebreeder, Lake Bodom, Warheart, Hate Me!, Red Light In My Eyes Part 2, Downfall, Everytime I Die, Hate Crew Deathroll, Kissing The Shadows, Children of Bodom
Mastering the headlining slot across the country, invading the studios at Paste Magazine and announcing a fresh run of gigs for Winter tour with a pass through Rochester’s Anthology, Greg Ormont, Jeremy Schon, Ben Carrey and Alex Petropulos have channeled their full potential into their latest studio effort.
With their ‘Pizazz’ tour in full swing hitting every square inch of North America, Pigeons Playing Ping Pong have perfected their explosive live energy and demanding presence with each passing show. Never slowing momentum and bringing the “better than the last” mentality to every gig, they stormed the freshly introduced Brooklyn Steel on Nov. 24, just before P4 brings their “Fun in Funk” to Saratoga Springs’ newly renovated Putnam Den just over one year from their Dopapod opening set.
NYS Music got to chat with Ormont, the wide-eyed front man on a rare day off, ahead of Pigeons Playing Ping Pong‘s Putnam Den resurgence. Here’s what he had to say about song-writing evolution, evanescent free time and the group’s steadfast efforts, all with interjections from wrestling foster cats.
Alyssa Ladzinski: Hey Greg! Thanks so much for taking the time to chat with me tonight. You’re in between gigs, where am I catching ya today?
Greg Ormont: I’m in Baltimore where we live when we’re not touring all the time so I’m at home which is always appreciated! Ready to get this interview rollin’.
AL: Let’s do it. Well as far as NY state shows go, you hit Brooklyn Steel a few days ago and being from Port Washington, LI yourself, how can you describe the atmosphere of that NY show and playing in a freshly opened and energized venue?
GO: Oh, Brooklyn Steel is fantastic. It’s very “Brooklyn” in the sense that you’re walking outside of it and it kinda looks like a warehouse, you really wouldn’t expect it to be this awesome venue from the outside but once you’re inside, its expansive, everyone can see the stage, the sound is great and on our end, the crew was awesome and super helpful. We had a smooth time at a new venue in Brooklyn. The energy in the room was off the charts. I had a few friends from LI in the crowd but it was hard to see them because fortunately a lot of people came out, so it was a blast. We even debuted a new Stevie Wonder cover that seemed to go over well.
AL: The last time you played Putnam Den in Saratoga Springs you opened for Dopapod. This time around, you’re headlining. Are you approaching this show any differently than you did nearly one year ago?
GO: Well we approach all our shows more or less the same with the full amount of energy that we can muster. With a headlining show, we have more time to jam and extend songs. I think the only difference will be that we’re able to dig into our catalogue more and extend jams for however long we want. When you’re opening, you’re always looking at the clock trying to wrap up with enough time for the next band to go on. We have a lot more freedom headlining and hopefully it’ll reflect in the music.
GO: *Hold on, time out. I have to break up a cat fight. Come on! Enough! Sorry, you can include this in all the quotes. Or don’t.*
AL: You bet I will. It’s all gold. I feared my cats would do the same.
GO: Go upstairs! My fiance fosters a lot of animals so I have an old geriatric dog barking at random cats. OK they’ve been separated. We should have a smooth interview from here. We have a bunch of cats walking around. This dog will bark at its reflection for a while. Animals have been separated, adrenaline is pumping, let’s keep movin’!
AL: Colorful is one word that comes to mind when thinking of Pigeons Playing Ping Pong. Let’s say you, Jeremy, Ben and Alex are each your own crayons. What color would each of you be and why?
GO: Holy moly I really didn’t see this question coming. Well Jeremy would be green and we’re gonna go with snake green. That’s because our guitarist has always been into snakes, lizards and frogs and stuff. He’s the kinda guy that will pick up a frog if its hopping around and I believe his first screen name was greensnakeman, maybe greensnakeman88. For some reason I’m thinking Alex would be red. I haven’t played with crayons in a while. He’d be a ragin’ red. And then I really wanna be blue but I’d have to pick a better adjective.
AL: I’m channeling a Blazin’ Blue.
GO:Blazin’ blue, that’s not bad! I’ll take help from NYS Music. Boy, and Ben would be the only one that changes color. He’d be the chameleon crayon. Everyday is different, every song is different and he changes outfits right in front of your eyes on stage. He’s a chameleon crayon straight-up and I’m blazin’ blue courtesy of NYS music.
AL: That’s what we’re here for! You announced even more winter tour dates on this ‘Pizazz’ run- how do you take time to rejuvenate with every show during this expansive and rigorous touring schedule?
GO: Well we just appreciate the times that we’re home and try to pour as much energy into our home life as we do on stage and on tour. We keep pretty busy off the road between working on new material, upcoming shows and we’ll be announcing a theme for our New Year’s show very soon. Jeremy and I throw Domefest, so you know I would like to rejuvenate more but I definitely don’t have any complaints. Now is the time for us. I know that and I love hustlin’, it’s good to stay busy. Even on tour we have some sweet off days. We went out in New Orleans this past tour and blew off some steam day drinking and wandering around the city. We recently went jet skiing in San Diego with our original drummer which is a great way to rejuvenate and keep the spirits exploding. It’s also another way to stay completely exhausted on tour on your one day off but it’s a sacrifice we’re willing to make.
AL: A lot of these tracks have been performed over the course of the years with your extreme live presence and are already fan-favorites. Which track are you happiest made the cut onto Pizazz?
GO: I’m definitely proud of “Ocean Flows.” That’s a song that I wrote the basic ideas for a while ago and it took us a while as a band to agree that it’s one we should play live. It’s one of the band’s more favorable songs to play to keep the energy flowing all the way to the end. It’s always cool listening to the finished products and remembering how they were written. Some being in spur of the moment goofy situations and it’s amazing people are listening and playing it on the radio when it was just a fun little diddy that developed into a song. A lot of times it boils down to if you picked up the guitar that day. One day I pick up the guitar and stumble across a fun new song that we love playing live, then it’s onto the album and radio station. You can always bring it back to “what if I never picked up the guitar that day.” Reminds me to take chances and strike now but at the same time keep it loose and not worry about where the song is going. If it ends up on an album that’s great, but if not, that’s also fine because fortunately the jam community allows us to play a lot of different kinds of music.
AL: Let’s talk the Flock and the Coop, your Facebook fan page and marketplace. Your fan base exponentially grows as does the sale of your pins. Are you surprised to see how much money people are willing to drop on them? I’ve even seen a few go for around 300 bucks.
GO: It’s pretty wild people are collecting our pins so feverishly. I kinda shut that type of stuff out. I stopped looking at the Flock as much as well its better I just focus on writing music and making plans for upcoming shows and not getting bogged out whats going on with the outside of things. I’m very appreciative people are psyched about our artwork and the band and we hope that whoever is flipping these pins are doing something good with the money. We prefer that go to charity or something but nonetheless, we’re excited that people are stoked on it and we love working with local artists and people from all over the country to make new artwork and keep pushing the envelope with how wacky we can get with a band named Pigeons Playing Ping Pong.
AL: What advice do you have for first time flockers catching the Putnam Den show?
GO: Oh man, well just relax and if you feel like dancing like a monkey go for it, no one’s gonna judge you if you dance like a monkey. We’ve had a few monkeys at our shows that have impressed us and inspired us to play more jungle style music. Just let it flow and don’t forget to smile.
AL: What actor would play you in a movie based on your life?
GO: Oh I hope me, that would be so cool! Do people do that? Maybe John C. Reilly but we’d have to act quickly. Wouldn’t want to do that in 20 years, that would be older Dewey right before he has a heart attack on stage. I think he could pull it off. Maybe Idris Elba. A strong combo of Idris Elba, John C. Reilly and a dash of Jack Black.
AL: Spitfire round! Choose the first answer that comes to mind.
AL: Kiwi or mango?
GO: Kiwi!
AL: Lemon or lime?
GO: Lemon
AL: New York or California?
GO: Ah. I know it’s supposed to be quick but I’m from New York and I really like California and I WANT to say California but my heart says New York.
AL: Sweet or savory?
GO: Sweet
AL: White or dark chocolate?
GO: White, and you know, I really would choose milk chocolate and in retrospect, I’d probably go lime but I said lemon. But that’s what it’s all about! It reveals things to me that I didn’t know about myself. In most interviews I don’t learn a lot about myself so thank you for this introspective line of questioning. I’ll be up all night thinking about the crayons and who would play me in a movie. I’ll text you later if i think of a better answer. Also feel free to take a poll! If any of our readers know who would play me in a movie, let’s hear it!
AL: We’ll put a call out! Thanks so much for entertaining these questions with some fun answers and anecdotes. Really looking forward to catching you at the Den.
GO: That was fun! You really threw me off. I normally get more standard questions. If I seriously think of anything else I’ll text you a follow up and you can say ”Greg texted later that it’s really “Sahara orange.”
Catch Pigeons Playing Ping Pong at Putnam Den on Saturday, December 2nd with the help of Flamingosis in the opening slot. Doors open at 8:30pm with the show to rage shortly after at 9:30pm.
Don’t underestimate Moriah Formica. Yes, she’s only 17. Yes, she’s small in stature. And yes, she can rock and roll just like Joan Jett.
Formica’s concerts at Jupiter Hall on November 24 and 26th followed her successful time on The Voice and she was clearly welcomed home by local fans. Hailing from Latham, NY, Formica became nationally known for her powerhouse performances on the reality television show earlier this fall. She returned to a sold out show Friday, November 24, and played to a well attended, eclectic audience on the 26th with her old band.
Formica’s microphone wasn’t on during the first part of her initial song, leaving her characteristically clear and strong voice out of the music for a few minutes. When the technology was fixed, though, her vocals grounded the group as they pushed through covers and even some original music, including “Save Me” and “Lovestruck”. It looked like all hard work and no play until the artist began chatting with the audience, sharing perspectives on love and her desire to not always be perceived as aggressive.
The acoustic set in the middle of the concert revealed a more vulnerable side. She sang “No Regrets,” a song about losing love, and “The Voice,” and also shared life experiences about being in love in 10th grade with “Here’s My Heart.” Her breath control was solid as she held clear and pitch-perfect notes, continuing through “Stone Cold” with pianist Dustin Deluke.
After the acoustic set, the band rejoined her for some grittier and heavier rock songs. Ending with a cover of “Barracuda,” Formica had heads nodding and bodies jumping.
Formica performed for 65 minutes with very few breaks for conversation. Rapid fire, intense and demonstrating undeniable clarity and pitch, Formica’s performance was a wonderful reminder not to underestimate her. Yes, she’s a local kid. Yes, The Voice didn’t maintain her on the show. And yes, she’s got a lot further to go with her career as a female rocker who can powerfully move an audience with both vocals and guitar. But it’s unlikely she’ll stay home for long.
The Recording Academy has released its list of nominees for the 2018 GRAMMY Awards, taking place in Madison Square Garden in New York on Jan. 28. This year’s list of nominees will be the most diverse in the history of the Recording Academy. The academy has, for the first time, allowed online GRAMMY nominations from its 1,300 members which has helped increase participation in the voting process.
Album of the Year nods went to Awaken, My Love! by Childish Gambino, 4:44 by Jay-Z, DAMN. by Kendrick Lamar, Melodrama by Lorde and 24K Magic by Bruno Mars. This marks the most minority nominees in the Album of the Year category since 2005. Jay-Z is nominated for a total of eight Grammys. Lamar is next with seven, followed by Mars with six Grammy nods.
A noticeable snub in the album category this year is perennial nominee, Ed Sheeran. Sheeran was nominated in the categories of Best Pop Vocal Album and Best Pop Solo Performance.
Nominees in other categories include Gregg Allman’s posthumous release, Southern Blood, for Best Americana Album. Allman’s album is nominated alongside Jason Isbell & the 400 Unit’s The Nashville Sound, Iron & Wine’s Beast Epic, the Mavericks’ Brand New Day and Brent Cobb’s Shine on Rainy Day.
The Infamous Stringdusters received their second ever Grammy nomination, this time in the Best Bluegrass Album category for Laws of Gravity. Other nominees in that category are Noam Pikelny, Michael Cleveland, Bobby Osborne and Rhonda Vincent and the Rage.
The Best Contemporary Blues Category nominees include Robert Cray & Hi Rhythm, Taj Mahal & Keb’ Mo’ Tedeschi Trucks Band, Robert Randolph & the Family Band and Sonny Landreth.
Leonard Cohen, who died late last year, is nominated in two categories. Cohen’s nods include one for Best American Roots Performance and, curiously, for Best Rock Performance. Bob Dylan also garnered a nomination for Best Traditional Pop Vocal Album for his album Triplicate, his third consecutive album to mine the Great American Songbook. The Rolling Stones tribute to the blues, Blue and Lonesome is nominated in the Best Traditional Blues Album category.
The 60th Annual Grammy Awards, hosted by James Corden, will be broadcast on CBS Jan. 28. For the complete list of nominees, visit the Grammy Awards website here.
Dave DiPrimo Band has just released Reflections, their sophomore full-length album. NYS Music met up with members of the folk rock quartet at Java’s Cafe, where just two months ago they played to a packed house during the Rochester Fringe Festival. Their saxophonist was unable to attend, but Michael Slattery, the photographer who did the artwork for the album cover, was available for the interview.
Dave DiPrimo Band at Java’s Cafe during the 2017 Rochester Fringe Festival Photo: Joseph DiPrimo
Paula Cummings: Dave, you started as a singer/songwriter. What made you want to start a band?
Dave DiPrimo: Being a singer/songwriter, there’s only so much you can do. Your songs come to fruition, but they never turn out the way you expect them to. They’re kind of empty. It was also kinda lonely, always doing one thing, just you on stage. There’s no one to turn around and make faces at when you say stupid stuff. No drummer to make fun of you or tell you to stop blabbering when you’re talking too long. Playing with a full band makes the songs sound better and fuller – their musicianship and the instrumentation they provide. It’s more fun to play with people, especially good people. And these guys, you know, they’re okay. (Laughter)
PC: Who are the other members of the band, and what do you play?
Reid Hoffmeier: I’m Reid and I drum for the Dave DiPrimo Band.
Ian Benz: My name is Ian and I play bass. Me and Dave went to Boy Scouts 6 years ago. That’s where we met. Six months later, I started playing in Ivy’s Panic Room. He knew that I’ve been playing bass for a while. He contacted me. And this has been working out pretty well.
DD: Karis Gregory plays saxophone and lead guitar on some songs. I go to Nazareth College with him. In previous iterations of this band, he filled in for certain shows. When the band was changing, I brought him on full time.
PC: That leads to my next question. You’re all in college. How do you balance the demands of being students and musicians?
DD: Very carefully! We try to practice as much as we’re available. This has been a busy time of year. We haven’t been playing too many shows, as we’ve been finishing the album. It can be a lot to try to organize practice and shows with school, but we’ve been doing okay so far. We haven’t had any VH1 Behind The Music meltdown moments.
RH: This is one of the few things I do for fun outside of college and work, so whenever we have something that pops up, I just cut everything else and make this a priority. It’s hard juggling three jobs essentially, but having a job you care about and is entertaining to do, with a bunch of friends, you make it number one.
IB: It’s not that bad. Weekends usually work out, and there’s only a couple weekends left in the semester. I’m cramming it in, but it’s totally worth it.
PC: You were featured on the Rochester Indie Musician Spotlight, where you had the distinction of being the youngest artist on the series. What was that like?
DD: It was pretty cool. It was an interesting experience to have the cameras there. Dan Gross, the host, is A) a talented professional and B) just a really great guy, so we were happy to be on the show with him. That was before we had Ian with us. We got Ian two months after that. It was a cool jumping point to have our first show together as a taped session. We also did a little recording at WITR, too. We did a live EP with them. Those kinds of sessions, where it’s not just a show but there’s something permanent left over, that’s cool. We signed the (WITR) wall near Joywave and a lot of bands who have done stuff there. We took up an obnoxious amount of space.
RH: Dead center above the door, so walking in and out you always see it.
WITR Studio Photo: Bailey Gribben
PC: Tell me about the album. What is the overall theme?
DD: I feel like every time I write an album, it starts as a story with a start and finish. And I feel like by the time it’s done and in the right order, it’s not anymore. It’s kind of little vignettes. It’s called Reflections. Everything I wrote is not about things currently going on in my life, for the most part. They’re all sort of nostalgia and looking back. For example, on the last track on the album, “Glory Days,” there’s a line referencing this past New Year’s Eve when we had a fun time at one of our live shows. There’s a joke that’s made about that evening.
PC: You guys are young, but have this old soul vibe going on.
RH: We’re just more mature than everyone else!
DD: We’re old and cool and wise… Our music has so many influences. As a songwriter, I’m inspired by soul, alternative, punk and rock, and some emo stuff. All these different genres look back and reflect on the past. I feel like there are not too many folk songs looking towards a bright future. It’s all dwelling on stuff.
PC: When and where was it recorded?
RH: I don’t remember the date. It was over the summer, but we did it in one day. It was exhausting. I didn’t get home until midnight.
DD: It was at The Green Room in Ontario. Matt Ramerman, our engineer, is the owner of The Green Room. We did the session there. A month or two later, I went back. He had moved his studio from Ontario to Rochester. I went back and added some keys and worked on mixing some more.
PC: How did this recording experience differ from the first album?
DD: Even as we were listening to the rough mix in the studio for Reflections, it just felt like it was going to be a more satisfying product.
RH: We put a lot of effort and hours into it. Not just in the studio, in the weeks leading up to the recording: the practice, the ideas back and forth. We had already played these songs a number of times, but we just kept nitpicking – “I want to change this, let’s run it through.” We listened to it for the first time a couple weeks ago. It was a lot of fun.
DD: Ian, Reid and Karis put so much effort into the album, and into practice – making sure they were on and ready. I think at most we only needed three or four takes.
PC: I like the album artwork.
Michael Slattery: One day, I got out of work and I saw these clouds from a distance. I went home and got my camera; I went chasing the clouds. I took a nice picture and that’s the picture that’s on the back of the CD. And as I was driving home, I looked into my side mirror. I saw the cloud again and I thought it would be cool to take a picture of the cloud back through the mirror.
DD: I love Mike’s photos. I think it fits the mood really well. And I really like my brother Joe’s photo on the inside of the four silhouettes.
Reflections was released on November 25. It’s available to stream on their website and Spotify, and purchase on CD Baby, iTunes and Google Play. Follow Dave DiPrimo Band on Facebook and Twitter for upcoming performances and news.
Rangers, the lineup is here. The 12th annual Rock on the Range has announced all of the artist that will appear at the three day festival starting May 18-20, 2018 in Columbus, OH, at MAPFRE Stadium.
Nearly 60 bands will perform over three days headled by Tool, Avenged Sevenfold, and Alice In Chains. Tool frontman, Maynard James Keenen will not only appear with Tool, his other band, A Perfect Circle, will also appear sometime during the festival.
Daily lineups are yet to be announced but other artists scheduled to appear among the three stages the include Godsmack, Stone Sour, Breaking Benjamin,Three Days Grace, Stone Temple Pilots, Bullet For My Valentine, Black Veil Brides, Asking Alexandria, I Prevail, Greta Van Fleet, Trivium, 10 Years, From Ashes To New, Like A Storm, Shaman’s Harvest, and Stitched Up Heart to name a few.
In a recent Blabbermouth article, Avenged Sevenfold frontman, M. Shadows, commented on headlining ROTR. He stated:
Rock On The Range is the undisputed champion of American rock festivals. The team over there has done an incredible job of curating a potent mix of all the types of rock ‘n roll that any fan could ask for. It’s an honor to play at the top of the bill, and we cannot wait to see everyone in May.
Several ticket packages have already sold out, with several options to choose from still available, but they won’t last for long as ROTR seems to sell out quicker each year. Weekend passes include Field VIP – $349 plus fees, Field General Admission – $299.50 plus fees, and Stadium General Admission – $149.50.
Uber Ranger camping packages are available while supplies last along with bronze, silver, gold, and diamond hotel packages. For more information, visit the festival website here.
The Monopole in Plattsburgh will celebrate a milestone 120 year birthday, and to get the party going, West End Blend. Last week, NYS Music spoke to Corey Rosoff, owner of the Monopole, about the legacy of the bar’s live music and history in the North Country. Sam Horan, drummer for West End Blend, spoke to NYS Music about Thursday’s show, gave a musician’s view of the venue, and talked about their latest video for “Attitude.”
Pete Mason: Bands seem to pass through The Monopole as a rite of passage. How have your experiences playing The Monopole changed over the years?
Sam Horan: Our first show at Monopole was back in September and from the moment we stepped into the club it was clear that this place had some serious history behind it. So many great bands have come through their doors and it was great to have the opportunity to do the same. That show was a really great first welcome to Plattsburgh. This will be our second time playing Monopole and we couldn’t be more excited to celebrate their 120th anniversary with them!
PM: What makes The Monopole such a great music venue?
SH: I think what really makes Monople such a great venue is it’s people. Everyone from the staff to the clientele. The people of Plattsburgh that go out and support shows there. That’s what sold it for us.
PM: With the release of “Attitude” this past October, what makes this studio release the best representation of West End Blend?
SH: Every time we make a new record we strive to create something that best represents the band and where we are at in terms of song-writing, line-up and direction. With Attitude, I think we really found a way to capture the band in a way that is very accurate to what you would see live at a current West End Blend show. In comparison to our previous albums, Attitude really shows an edgier and more raw side of the band that you might find with us live. The song writing process has been very natural and shows how we have evolved from our first album. We are very excited about this one and we can’t wait to share it at Monopole!
PM: Your current tour is one of your most extensive yet. What spots have you hit on the East coast that stand out, and what is coming up the rest of the year for you guys?
SH: This tour is definitely our most aggressive tour to date and it really marks itself as a big step in this bands touring career. We’re all super excited to be out on the road right now and we look forward to even bigger tours in the very near future. In terms of East Coast stand outs, I think my favorite show so far was our hometown CD release show at Arch Street Tavern in Hartford CT. We are in the middle of a south-eastern tour taking us through Virginia, North Carolina and South Carolina right now so its hard to choose favorites until we’ve hit all of these spots! I have a good feeling this 120th anniversary show will be a band favorite…
PM: Tell us about the experience shooting your video for “Attitude” at ‘Funkhaus’ and how the video captures West End Blend’s energetic live performances.
SH: That video was a lot of fun to shoot! We basically decided to renovated an old garage next to the Funkhaus and turn it into a large recording space for the shoot. For those who don’t know, the Funkhaus is the house that acts as WEB headquarters. It’s where we record, rehearse and write. This was an ambitious project and we were on a very tight time schedule to finish renovations. I remember at one point, everyone in the band came over the Funkhaus with hammers, screwguns, hack saws and paintbrushes in-hand, and just scrambled to get the space finished before the shoot. It was a crazy amount of work getting the space ready, but when it was finally finished, all of that work was worth it. The space (dubbed Funkhaus Jr.) looks great and we have since used it to recorded some brand new WEB material.
Brooklyn-based alternative hip hop artist Vendetta has released his debut album Press Play [and Live]. After cutting his teeth in the music industry as the front man for Hollywood Drive-By, Vendetta is striking out on his own with this solo project.
Armed with a microphone, a laptop, and a deep-seated love for rhythm, Vendetta (aka Vijay Ramcharitar) weaves together stylistically divergent influences. Funky rhythms and rocking riffs pave a foundation for his raps. As the moniker Vendetta implies, his lyrical themes are rife with conflict. Urban survival vs. escapism. Violence vs. humanitarianism. Dive bars vs. block parties.
Lead track “The Getaway (Vendetta Day)” is a groovy number about getting away from the stress of city life for a cruise along the East Coast. The song melds together an array of influences, from old-school hip hop artists like Tupac to alternative rock in the vein of Red Hot Chili Peppers. “Two Things” further explores the impact that music has to uplift spirits in the face of adversity. The chorus goes “Two things I remembered: the CD that I picked / And the feeling I got when I pressed play and lived.” The feel-good summer jam “BBQ Sauce” features the vocal styling of friend and fellow musician Rocksteady (Jason Hernandez).
Press Play [and Live] was recorded at Westfall Recording Company, Farmingdale NY, with production and engineering by Nick “Karate” Gallick.
Key Tracks: The Getaway (Vendetta Day), Two Things, BBQ Sauce.
Rochester indie pop group Tart Vandelay has released the first single, “Cloudy Doubts,” off their upcoming EP Flow, which is due out on Friday, December 1. Like others on the EP, “Cloudy Doubts” uses nature as a metaphor for personal trials and tribulations, overcoming challenges and adversity. The idea is to see how nature flows and functions and use that as a guide to narrate one’s own life. The EP was recorded at Wicked Squid studios and was produced by Josh Pettinger.
Yes, that band name is inspired by a classic Seinfeld, but this group is a sonic importer/exporters that began as a duo featuring musical couple Marty LoFaso and Katie Halligan. The two began dating in 2011 while studying music in their hometown of Rochester, NY. After moving to Boston, MA, the couple officially formed Tart Vandelay in the summer of 2014. The duo added a rhythm section recently, adding Stephen Petoniak on bass and Christopher Dubuc-Penney on drums in spring of 2016, and in 2017 Pete Zamniak replaced original bassist Stephen Petoniak. Stay up to date with Tart Vandelay and listen to “Cloudy Doubts” below.
New York-based Provocado – the duo of Derek Chilvers and Eric Essebag (owner and curator of Caché Life) melding eclectic backgrounds with R&B compositions, pop, rock and more, debut with their single “Only You.”
https://www.youtube.com/watch?v=sOhN63GHCgg
“Only You” features Chilvers’ soothing baritone vocals over meticulous keyboard patterns and Essebag’s unique guitar riffs soar over subdued production. The black and white video portrays a day-in-the-life of a metropolitan woman walking the streets of Manhattan. The viewer observes her as she appears seemingly reluctant to find satisfaction and inner peace from the everyday lifestyles of New York City, but captures the subtleties and nuances of city life in a truly mesmerizing way. Listen to “Only You” on Spotify.
This tour wasn’t one to miss, reaching both new and old Children Of Bodom fans, playing songs from their first three albums. The crowd showed diversity in sporting a variety of shirts, patches and attire, drawing in metalheads from as far as Albany and Syracuse to Anthology, a restored multi-level auto warehouse on East Avenue. While the crowd initially looked sparse and scattered before the show began as the evening progressed more people began filtering in, filling up the venue.
