The Werks kicked off the first night of Bakers Dozen after parties at American Beauty on Friday July 21. The band teased “In the End” by Linkin Park as a tribute to the late Chester Bennington.
From Beethoven to the Beatles, Haydn to Harry Potter, the Rochester Philharmonic Orchestra’s coming season will delight classical and contemporary music lovers alike. The Rochester Philharmonic Orchestra’s 95th season starts with a special performance by violin virtuoso Itzhak Perlman in September and ends in June with The Classical Mystery Tour (tribute to The Beatles) and a performance of Schumann’s Fourth.
We have an incredible season planned, with drama, romance, passion, and power as central themes, presented in many different forms throughout the year,” says RPO Music Director Ward Stare. “As always, audiences will experience music they know and love while hearing many new sounds along the way. There truly is something for everyone in our dynamic season ahead.”
Highlights of the season include breathtaking feats by PUSH Physical Theatre and illusionist Michael Grandinetti. Magic fans will also enjoy hearing the scores of Harry Potter and the Sorcerer’s Stone and E.T. The Extraterrestrial played live while watching the movies. The Planets: An HD Oddysey will pair space-themed music with NASA footage. The tunes of video games will come to life at RePlay: Symphony of Heroes – with arrangements from Halo, Kingdom Harts, BioShock, Final Fantasy, and more.
Michael Christie
This season also includes tributes to some of the greatest musicians of the past century. A cELLAbration: The Music of Ella & More showcases the powerful vocals of Carmen Bradford. Homage will be paid to the Beatles in celebration of the anniversary of Sgt. Pepper’s Lonely Hearts Club Band and The White Album at the two nights of The Classical Mystery Tour. The Night of Symphonic Rockwill feature classic rock favorites including songs by Foreigner, Aerosmith, Queen, and Led Zepplin.
World-renown vocalists will accompany the orchestra. Award-winning superstar Audra McDonald will return for one night only to sing hits from Broadway, as well as some of her personal favorites. Ashley Brown makes her RPO debut with a selection of show tunes and Disney classics. Irish American folk singer Cathie Ryan is engaged for a celebration of St. Patrick’s Day. In a celebration of Spanish music, Ravel’s Bolero will be sung by Isabel Leonard and folk songs will be sung by Enrique Granados and Manuel de Falla.
Classical music abounds with several nights dedicated to the music of composers such as Beethoven, Mozart, Mendelssohn, Haydn, Vivaldi, Mahler, Brahms, Tchaikovsky and Schumann. An annual tradition, The Nutcracker ballet returns to Rochester on Thanksgiving weekend. The RPO partners with the Rochester City Ballet again on February 8 and 10, performing Slavonic Dances by Dvorak. OrKIDstra returns, introducing children to the joy of classical music. The series includes Peter and the Wolf and Beethoven Lives Upstairs.
Tickets for individual shows are on sale Friday, July 28. Tickets for series have been on sale since February. The Itzhak Perlman performance on September 12 is nearly sold out. Through August 2, a “Buy One, Get One at 50% Off” special is being offered for Grieg’s Piano Concerto & Cinderella and A cELLAbration: The music of Ella and more. The offer is good on seats in zones 1 and 2 with promo code “RPOBOGO50.”
RPO 2017-2018 Season:
Sept. 12 – Itzhak Perlman – Kodak Hall at Eastman Theatre – Ward Stare, conductor; Itzhak Perlman, violin.
Sept. 15 & 16 – A cELLAbration: The Music of Ella & More – Kodak Hall at Eastman Theatre – Jeff Tyzik, conductor; Carmen Bradford, vocals; Herb Smith, trumpet; Joe Locke, vibes; Brian Scanlon, saxophone.
Sept. 21 & 23 – Season Opener: Grieg’s Piano Concerto+ Cinderella – Kodak Hall at Eastman Theatre – Ward Stare, conductor; Inon Barnatan, piano.
Oct. 5 & 7 – Ravel’s Bolero – Kodak Hall at Eastman Theatre – Ward Stare, conductor; Isabel Leonard, mezzo-soprano.
Oct. 8, 2017 – Iolanthe: Opera for Kids 2 – Hochstein Performance Hall – Michael Butterman, conductor; Eastman School of Music vocal and opera students.
Oct. 19 & 21 – Seaman Conducts Mozare & Sibelius – Kodak Hall at Eastman Theatre – Christopher Seaman, Conductor Laureate; Joyce Yang, piano.
Oct. 26 – rePLAY: Symphony of Heroes – Kodak Hall at Eastman Theatre – Amy Andersson, guest conductor.
Oct. 29 – RPO Section Spotlight: Dvorak & More – Hochstein Performance Hall – Ward Stare, conductor.
Nov. 3 & 4 – Harry Potter and the Sorcerer’s Stone (TM) – In Concert – Kodak Hall at Eastman Theatre.
Nov. 5 – A Tour of World Flutes with Orchestra – Hochstein Performance Hall – Matthew Kraemer, guest conductor; Tereasa Payne, flute.
Nov. 9 & 11 – Olga Kern Plays Beethoven’s “Emperor” – Kodak Hall at Eastman Theatre – Ward Stare, conductor; Olga Kern, piano.
Nov. 16 & 18 – Beethoven’s Ninth – Kodak Hall at Eastman Theatre – Ward Stare, conductor; Eastman-Rochester Chorus.
Nov. 19 – Mendelssohn’s “Reformation” – Hochstein Performance Hall – Michael Butterman, conductor; Nazareth College Chamber Singers & Concert Choir.
Nov. 22, 24-26 – The Nutcracker – Kodak Hall at Eastman Theatre – Michael Butterman, conductor; Rochester City Ballet; Bach Children’s Chorus.
Dec. 10 – OrKIDstra Holiday Special: The Snowman and The Bear – Kodak Hall at Eastman Theatre
Dec. 14 & 16 – Vivaldi’s Four Seasons – Kodak Hall at Eastman Theatre – Michael Christie, guest conductor; Juliana Athayde, violin.
Dec. 21-23 – Gala Holiday Pops – Kodak Hall at Eastman Theatre – Jeff Tyzik, conductor; Festival High School Chorale.
Jan. 12 & 13 – E.T. the Extra Terrestrial in Concert – Kodak Hall at Eastman Theatre.
Jan. 14 – Bach & Brahms – Hochstein Performance Hall – Matthew Kraemer, guest conductor.
Jan. 18 & 20 – Night on Bald Mountain – Kodak Hall at Eastman Theatre – Marcelo Lehninger, guest conductor; Andrei Ionita, cello.
Jan. 25 – Audra McDonald – Kodak Hall at Eastman Theatre
Jan. 28 – Peter and the Wolf – Hochstein Performance Hall – Nazareth College Dance Ensemble.
Feb. 2 & 3 – Broadway’s Ashley Brown – Kodak Hall at Eastman Theatre – Jeff Tyzik, conductor; Ashley Brown, vocals.
Feb. 8 & 10 – Tchaikovsky’s Swan Lake – Kodak Hall at Eastman Theatre – Ward Stare, conductor; Rochester City Ballet; David Halen, violin.
Feb. 23 & 24 – Latin Heat with the Mambo Kings – Kodak Hall at Eastman Theatre – Jeff Tyzik, conductor; The Mambo Kings; Camille Zamora, vocals.
March 1 & 3 – Bernstein Centennial Celebration – Kodak Hall at Eastman Theatre – Ward Stare, conductor; Misha Dichter, piano.
March 8 & 10 – Mahler 4 – Kodak Hall at Eastman Theatre – Ward Stare, conductor; Emily Birsan, soprano.
March 16 & 17 – Celtic Celebration with Cathie Ryan – Kodak Hall at Eastman Theatre – Ward Stare, conductor; Cathie Ryan, vocals.
March 22 & 24 – Tchaikovsky 5 + World Premiere – Kodak Hall at Eastman Theatre – Ward Stare, conductor; Erik Behr, oboe.
April 13 & 14 – Breaking Boundaries with PUSH Physical Theatre – Kodak Hall at Eastman Theatre – Jeff Tyzik, conductor; PUSH Physical Theatre.
April 15 – Anderson & Roe Play Mozart – Hochstein Performance Hall – Michael Butterman, conductor & pianist; Anderson & Roe, pianists
April 19 & 21 – The Planets: An HD Odyssey – Kodak Hall at Eastman Theatre – Hans Graf, guest conductor.
April 28 – A Night of Symphonic Rock – Kodak Center for the Performing Arts
May 10 & 12 – Brahms 2 + World Premiere -Kodak Hall at Eastman Theatre – Ward Stare, conductor; Yolanda Kondonassis, harp.
May 11 – Michael Grandinetti – Illusionist – Kodak Hall at Eastman Theatre
May 20 – Classical Kids: Beethoven Lives Upstairs – Hochstein Performance Hall
May 24 & 26 – Carmen in Concert – Kodak Hall at Eastman Theatre – Ward Stare, conductor.
June 1 & 2 – Classical Mystery Tour: 50th Anniversary of Sgt. Pepper and The White Album – Kodak Hall at Eastman Theatre – Jeff Tyzik, conductor; Classical Mystery Tour.
June 3 – Schumann’s Fourth – Hochstein Performance Hall – Michael Butterman, conductor; Juliana Athayde, violin; W. Peter Kurau, horn.
Rod Stewart is still sexy, if you were wondering. And he likes his job. A lot.
He performed a high energy set to a sea of fans at Saratoga Performing Arts Center on Saturday, July 22 surrounded by fantastic musicians, including a show stopping tenor performance by Jimmy “Saxman” Roberts.
Cyndi Lauper opened for the legendary Stewart with “Funnel of Love,” and even some of her biggest fans were confused. Behind the beat and somewhat flat, Lauper’s entrance was disappointing. Her talking with the audience was scattered, and until she played “Money Changes Everything,” she failed to connect to the music she was playing energetically.
That all changed with “Girls Just Wanna Have Fun,” though. With a slide show of women’s rights posters from the Women’s March in January, Lauper empowered her audience members to demand their rights. At one point, she even stopped her band and coached the audience to sing “more convincingly,” noting if they ever wanted to get what they really wanted, they needed to ask for it.
“True Colors” followed and reminded anyone who may have forgotten that Lauper has been an energetic activist for LGBTQ rights. From writing and producing “Kinky Boots” to using her music to encourage kindness, Lauper’s 30-year career has been inspiring. Audience members forgave the initial flat notes, and this writer even questioned if perhaps she was sick, as she had a slight cough. The last few songs of her set absolved all of the concerns about her earlier performance, even forgiving the cover of country hit “End of the World” and silly story about her time in Nashville.
Lauper left the stage reminding the audience to have a good summer and “be good to each other,” and when the lights came up audience members were visibly moved by her gentle words.
Rod Stewart’s stage was covered by a black and white checkered curtain, and his entrance was built up dramatically with classical music. His band members entered first, covered in gold glittering costumes, and he joined them crooning “Infatuation.” Stewart moved quickly through a high energy set, singing “Some Guys Have All the Luck,” “This Old Heart of Mine,” and “Tonight’s the Night” with full audience participation.
Stewart was all smiles and spread his contagious joy singing “Forever Young.” Mid-song he left for a costume change, and three percussionists entertained the crowd with a mesmerizing and heart pounding trio. Stewart gladly promoted the drummers, fiddlers, harpsichordist, and saxophonist on stage with him, frequently offering opportunities for solos.
During a grouping of love songs, Stewart floated pictures of his wife and kids on the screens behind him. He smiled and admitted he had a great job as he sang a bluesy cover from Muddy Waters. With a nod to jazz blues, Stewart disclosed he owes a lot of those who inspired him.
Possibly the best moment of the night, however, came as he brought the crowd to their feet with “Downtown Train.” At its close, the tenor sax’s sweet round notes juxtaposed with high pitched screams demonstrated Jimmy Roberts’ smooth jazz talent and breath support.
From that moment to the night’s end, Rod Stewart and his fellow musicians only got more animated. “Proud Mary” gave Stewart time to again change costume, followed by faster and faster-paced songs. He kicked his characteristic soccer balls into the audience, reminding everyone he was a pro soccer player and danced at a high pace. The crescendo peaked when Stewart asked, “Do You Think I’m Sexy.”
Clearly, the crowd does think Stewart is still sexy. At age 72, Stewart doesn’t seem to be slowing down anytime soon. He still fills hearts with gladness and brings audacious musicians along for the ride.
As the first weekend of Phish’s Madison Square Garden Baker’s Dozen residency rolls on, and with a memorable Friday night show already in the books, Saturday delivered another rousing two sets of music set to the tune of the next donut flavor of choice: Strawberry milkshake glaze. Once announced, speculation ran rampant as to what the band could pull out of its hat in order to comply with tonight’s theme. Perhaps a rare Strawberry Alarm Clock cover? An extended “Halley’s Comet” with strawberry jam? As usual, The Phish from Vermont did not disappoint.
The show began with all four band members at the front of the stage in barbershop quartet formation as they debuted an a cappella version of one of the more popular cover song guesses of the evening, The Beatles’ “Strawberry Fields Forever.” Those in the “Halley’s Comet” for an opener crowd were then quickly rewarded next with the standout version that followed, replete with thousands of delighted fans singing in unison about the preferred method of their strawberry goo intake.
Things escalated quickly from there courtesy of a sterling rendition of “The Moma Dance” that was delightfully stretched out, showcasing the steady and patient jamming style the band has featured of late. The “Breath and Burning” that followed was in the same vein and the normally straightforward reggae infused number took on an entirely different feel this evening with a complex and, at times, dark jam attached to it. Bassist Mike Gordon took over on lead vocals for the next two songs, a typically energetic and rocking cover of “Funky Bitch” and the old school staple “Mound.” To the delight of many, the first set continued with another Phish staple of yore, the rarely played “Foam” which is featured on the band’s first major release, Junta. “Roggae,” always a popular first set selection followed before “The Squirming Coil” with Page McConnell’s signature piano solo capped things off.
https://www.youtube.com/watch?v=f0bdLdTJdKI
Saturday’s second set kicked off with “Down with Disease” and its typical massive, psychedelic infused jam that seems to get deeper and more epic each time it’s played. Only true musical nerds could have possibly guessed what was next as Phish brought out their second debut of the night, “Strawberry Letter 23,” a song first written by Shuggie Otis, popularized by a cover from The Brothers Johnson in 1977 and sampled endlessly in popular music ever since. Before the shock of seeing this out of nowhere cover could wear off, Trey Anastasio’s opening guitar riff to “Birds of a Feather” rang through the Garden and sent the crowd into a frenzy, birds of a feather all singing and dancing in unison.
Another somewhat unexpected song selection followed with McConnell once again taking lead on the synthesizer fueled “I Always Wanted It This Way” which is found on the band’s most recent album, Big Boat. As the ensuing jam slowly winded down, a true bust out emerged with the first “All of These Dreams” played in over 250 shows which served as a true “breather” song. The last segment of the second set was classic Phish in a nutshell. The rhythm section of Gordon and drummer Jon Fishman initiated a “Split Open and Melt” that featured its typical dark, heavy improv section before eventually morphing back into the main riffs of “Down with Disease,” bringing the set opener full circle and leaving fans with mouths agape.
To close out the set, Phish played a popular encore-like selection with another cover, this time The Rolling Stones’ sing along “Shine A Light.” The actual encore was one for the books with “Peaches en Regalia” making an appearance there for the first time since the late 80s. A fitting high energy but brief cover of The Talking Heads’ “Cities” followed before “My Sweet One” closed out the evening. One of the highlights of the night was the extended pause at the end of the song that had everyone in attendance roaring in approval with a force so strong that it seemed to bring up the house lights – a fitting end to a most epic Baker’s Dozen ‘Strawberry’ show.
Setlist via Phish.net
Baker’s Dozen Night 2 – Strawberry
Set 1: Strawberry Fields Forever[1], Halley’s Comet > The Moma Dance[2] > Breath and Burning > Funky Bitch, Mound, Foam, Roggae, The Squirming Coil
Set 2: Down with Disease, Strawberry Letter 23[3] > Birds of a Feather, I Always Wanted It This Way[4] > All of These Dreams, Split Open and Melt > Down with Disease > Shine a Light
Encore: Peaches en Regalia > Cities, My Sweet One
[1] Phish debut; a cappella. [2] Unfinished. [3] Phish debut. [4] With Trey on Marimba Lumina.
Phish played the intimate Petersen Events Center in Pittsburgh on Thursday. The small indoor arena on the University of Pittsburgh’s campus was a nice respite from the scorching heat outside. Fresh off the band’s opening run in Chicago and a one off show the night before at a similar style arena in Dayton, Ohio, the band offered up a unique show featuring some bustouts, new songs and jam or two in unexpected places.
The crowd was locked in and was giving back the energy, which was first very apparent during one of the better versions of “The Divided Sky” in quite some time, with the crowd completely losing it during the pause. The first set ended with “Prince Caspian”. It seemed like it would be a standard set closer but the band decided to give the Magnaball Caspian a run for its money and they took it deep. The jam first sounded like it could have came straight out of Maganaball’s Drive-In jam, before picking up speed into a Pink Floyd-like groove before it escalated into some soaring solos from Trey.
After getting things started back up again with a “Punch You In The Eye,” the band played the Trey Anastasio Band song “Mr. Completely” for only the second time. This was the jam of the night as the band played patient and loose while drummer Jon Fishman was the backbone, keeping it driving forward with momentum. This kind of relaxed jamming from the band usually doesn’t happen until the middle or end of the tour so it was very promising to see. Next up was a pairing of the rarely played but often loved “Mercury” into a new song called “Come Together.” They then went into a more song based portion to end the show, with solid versions of “Contact”, “Steam” and “Backwards Down the Numberline” being the highlights.
Phish heads nest to New York City for their 13-show residency at Madison Square Garden.
07/19/2017 • Peterson Events Center • Pittsburgh, PA
Tour: 2017 Summer Tour
Set 1: My Soul, NICU, Halley’s Comet, Undermind, The Divided Sky, Marissa, Home,Prince Caspian
Set 2: Punch You in the Eye, Mr. Completely, Mercury> Come Together, Contact, Axilla,Steam, Backwards Down The Number Line
The buildup and anticipation for Phish’s 13 night ‘Baker’s Dozen’ run at Madison Square Garden hit a fever pitch on July 21 as the band kicked off the first of 13 shows with a coconut theme, free donuts, free Ben & Jerry’s ice cream and a show full of surprises and deep jams with excitement stoked for the next 12 shows.
Having not repeated a song during the first 5 shows of the run, heavy speculation among fans pointed to no repeats this run, with the band working new songs and side project covers into the rotation early. Alongside this was a ‘Coconut’ theme tonight, which was also the flavor of Federal Donuts handed out for free inside the venue this evening, all setting the stage for 12 more themed nights of donut flavored musical fun.
“Shake Your Coconuts” debuted to kick off the run, an energetic tune with lyrics inciting the crowd to get moving, “Just keep on dancing now / Just keep on getting down / Just keep on having fun / This party’s just begun.” “Martian Monster,” “Timber Ho!,” and “555” raised the funk factor with “Pigtail” and “Halfway to the Moon” barely mellowing the crowd. Cheers grew throughout the peaks that came out of these longer than usual versions. The phenomenal duo of “Reba” > “Moorage Daydream” threw a dose of early 90’s old school jamming with an arena rock level drive to each. “Walls of the Cave” closed out a set that raised the bar for the 25 sets to follow. All throughout, Chris Kuroda’s new light rig took on a life of its own, floating above the band and adding another layer to the already stellar light show.
The 16 minute “Tweezer” that opened up the second set grew patiently into an expansive jam, shifting into “Seven Below,” serving as a one-two punch to crank the second the set gears. “Billy Breathes” and “Sparkle” let the audience catch their breath for a moment before a TAB song “Everthing’s Right” took a spin for over 11 minutes and jammed nicely, fitting into the second sets of this tour more than any other debut thus far. A peaking “Slave” and “Suzy Greenberg” seemed to cap the set, but that was done with a cover of “Coconut” (the ‘Lime in the Coconut’ song by Harry Nilsson) done barbershop quartet style with Mike stealing the show. “Mango Song” and “Good Times Bad Times” paired perfectly with the two rocking sets that preceded.
Tonight’s theme has been announced as Strawberry, and we’re not far from Central Park. Strawberry Fields Forever, anyone?
Setlist via Phish.net Set 1: Shake Your Coconuts[1], Martian Monster, Timber Ho! > 555, Pigtail, Halfway to the Moon, Reba[2], Moonage Daydream, Walls of the Cave Set 2: Tweezer > Seven Below > Billy Breathes > Sparkle, Everything’s Right > Slave to the Traffic Light, Suzy Greenberg,Coconut[1] Encore: The Mango Song, Good Times Bad Times [1] Phish debut. [2] No whistling.
There’s only one way to cool yourself down on these thermal, mid-summer nights and that’s to let loose and do some swimmin’. Vermont outfit, Swimmer, resides just a stone’s throw away from New York in the jam-centered, musical hub that is Burlington, VT. As a well-known Burlington band having held an impressive residency slot at Nectar’s and previously opening up for the likes of Dopapod, the quintet made it a point to splash into unexplored territories, cities and states in order to further their rising presence in the jam community.
Welcoming the conception of their first-ever U.S. tour, the guys already completed stint one with stops across the Northeast. They hit NY specifically, with a July 2 show at Silvana in Harlem and a July 7 gig at Arlene’s Grocery in NYC before they dipped their toes into WV, NC, VA and DC. Their second voyage will see more NY dates, beginning with back-to-back stops at Plattsburgh’s Retro Live on Aug. 3 and Buffalo’s Neitzsche’s on Aug. 4 while gearing up to make their first appearance out West in Muncie, IN, Boulder and Denver, CO. They’ll return to MA and ultimately their Burlington swim hole for an appropriate tour closer at Nectar’s and a festival stop at Beaver Fest from Aug. 25-26.
Heavily influenced by artists such as Phish, Frank Zappa and The Disco Biscuits, Joe Agnello (guitar/vocals), Matt Dolliver (keys/saxophone), Cotter Ellis (drums/vocals), Paul Klein (guitar) and Jack Vignone (bass), encompass an encyclopedia of jam, progressive and experimental rock styles, blending them together to create a waterfall of elements all their own. Troy Rosenberg was recently introduced to the Swim team to manage stellar light shows to supplement Swimmer’s engaging and improvisational live performances.
Summer tour has given Swimmer the platform to promote their latest album, No Shape. The release compiles tunes they’ve been delighting fans with for quite some time, such as “Undercover Junkie,” while introducing fresh tunes for fans to float in, like fan-favorite “Godmeat” and “Schwack,” featuring Nate Reit on trumpet. No Shape gives any new swim-fan an in-depth look as to what the group is all about. As any jam band fan would explain, the full experience resides within the magical atmosphere of their live shows. The band’s ability to roll out extensive jams within any given song makes for a unique gig each night, always keeping the crowd fully engaged with a toss up of treats. For more of Swimmer’s live shows and to listen to their studio work, be sure to visit their Bandcamp.
If you don’t know these guys, catch them on the second leg of their summer tour. Get acquainted, get aquatic and check out their tour dates below!
We all know there are bands that ladies just dig, and groups with lyrics that can get the booty shaking while keeping it gritty enough for the guys to be able to pump their fists to as well are even better. You know there is a band that many of us can enjoy when we want a party type of sound. There is one band from Rochester, NY who can supply such great tunage. Who is this group that promises nothing but good grooves and chaos? Diluted of course my dear friends! With their EP, Never Fit In, you will find yourself dancing and shaking more than the time you tried to reenact the bar dancing scene from Coyote Ugly! Let us get this album review in full swing boys and girls!
The first track off this album “Better Living Through Hennessy” goes from 0-60 in less than 2 seconds into the album. The guitar styles of Helmer and Coffey will take you by storm. Their funky yet hardcore approach for this track is nothing but full of life! You will have yourself singing along with the lyrics while moving those two left feet of yours. Let me tell ya, nothing beats a good old fashioned song you can find yourself singing to in the car. This song is one of those jams I can see the whole venue singing along to with a couple drinks in hand!
If you like groups like Faith No More, who has a nice little mix of rap flow blended with some great punk related attitude, the track “Hipster Helmets & Harpsichords” will make those feet of yours go manic! I really enjoy this track from the get go! Like seriously digging it with my whiskey right now! The vocal approach by Mulligan and Coffey reminds me of the glory days of my youth with such bands like Neurosonic and Skindred. Excellent destructive vocal execution fused with modern hip-hop type of lyrical construction made this song stand out the most to me personally. The most fascinating part of this track is the communication between West (drums) and Kimak (bass), which really lays down the foundation for the energy of this sweet tune! The beat is never lost and you can really swing your body to it all the way through! This will be the jam the ladies will be losing their minds to. Look out fellas, we have some bonafide lady killers on our hands!
Now this album has some great party songs on it, but it also contains great heavy tunes like “Sledge Hovercraft.” Much like the other tracks on the EP, it has a great flow with both the lyrics and musicianship. You can tell the boy’s formula is spot on with this gem! The screeching sound of the vocals on the track will make you bang your head! If you want some Red Hot Chili Peppers type funky style with your hardcore music, but want to be mad as hell at the same time, well this track is for you. This song is made for the guys hands down. If you get drunk enough and want to start a bar brawl, this will be your theme song for the ring.
Over all there are so many other great tracks on this album from Diluted. I wouldn’t think I would find myself enjoying a band like this, but I am hooked and I cannot stop blasting this. My fingers are starting to bleed from pressing the repeat button so many times! Go out and buy this sick product of jams! 4 stars out of 5 for sure! Go check out their page. You will not regret it, I promise you!
Key Tracks: Better living Through Hennessy, Sledge Hovercraft, Hipster Helmets & Harpsichords
The fourth annual Jeezum Crow Fest at Jay Peak Ski Resort began with a rainy and windy start on Friday, July 14, though many locals and out-of-towners braved the elements for a night of great music at the Stateside Amphitheater. Though construction prevented as many vendors from setting up shop as in previous years, there were still a few staples of the community, such as Miso Hungry, an authentic ramen shop and a tie-dye stand, where children were taught how to make their own tie-dye shirts. The rainstorms were scattered, with blue sky peaking through the clouds fairly often.
Friday’s music kicked off with the return of The Mallett Brothers Band, who performed in the Foeger Ballroom last winter. The Brothers brought their blend of folk, rock and Americana to an eager crowd, successfully melding several genres into their sound, a snug fit for Jay Peak, whose locals exhibit a propensity for the folkier side of music. They were followed shortly after by a local favorite, one of Vermont’s hardest working musicians, Seth Yacavone of Morrisville, Vermont. Better known for his work with Dead Sessions, an extremely active Grateful Dead cover band, Seth Yacavone and his power trio played a set full of originals, showcasing his incredible chops on the guitar, as well as an affinity for the edgier side of rock music. They performed several cuts from their latest album, entitled Shovel Down, artfully creating a sound that drew influence from both funk and hair metal, bringing some much needed energy to the mountain.
Friday night’s headliner, Pink Talking Fish, did not disappoint the growing crowd, with their expertly interwoven sets that featured the timeless music of Pink Floyd, Talking Heads, and Phish. Right out of the gates, they got the crowd moving with Phish’s “Possum” which flowed seamlessly into “Breathe” by Pink Floyd into the dark and funky “Slippery People” by Talking Heads. Pink Talking Fish’s true merit lies in their ability to integrate riffs and progressions from each band and incorporate them into their jams, playing each song faithfully to the source material, but still managing to find inventive new ways to tweak the music and keep it interesting for the audience. A blend of hits and obscure gems were played, with the band diving into some deep Pink Floyd cuts as well as the rare Phish tune “Colonel Forbin’s Ascent.” This reporter may have had to wipe a tear or two from his eye when Floyd’s “Fearless” was played, and the whole crowd sang along while the band encored with a mash-up of “Tennessee Jed” and “Ocelot” that concluded with the iconic “Bathtub Gin” riff. Unfortunately, due to unforeseen circumstances, the late-night act, the Balkun Brothers were unable to perform in the Bullwheel Bar, but attendees took to the parking lot and partied the night away regardless.
Festivities began again at noon on Saturday with Lionize, who had been added to the bill relatively late. Though many Jeezum Crow attendees were still sleeping off the previous night’s shenanigans, Lionize performed energetically for a small crowd in the bright sun, which starkly contrasted Friday’s gray skies. More concert-goers began to trickle in as Rick Redington & the Luv (another Vermont local and staple of Franklin County and the Northeast Kingdom) took the stage, delivering a mellow and enjoyable set. Soule Monde followed next, and truly blew the minds of the audience with their ability to sound like a full orchestra, despite just being a drummer and an organ player. Their flavor of heavy jazz-funk with just a little bit of rock impressed existing fans and newbies alike, as the duo displayed some impressive musical ability. Soule Monde is comprised of Russ Lawton and Ray Paczkowski of Trey Anastasio Band fame. Eric Gales Band performed after that, bringing some heavy funk to an already-energetic crowd. He closed his set out with an instrumental, psychedelic version of “Don’t Fear The Reaper” by Blue Oyster Cult. The Infamous Stringdusters took the stage afterwards, bringing the predominantly Vermont-based crowd their daily dose of traditional bluegrass, with a modern twist. Full of explosive energy, the Charlottesville, Virginia-based outfit plucked and crooned for nearly two hours, and even invited Todd Park Mohr, Big Head Todd of Big Head Todd and the Monsters, to perform a song.
Big Head Todd took to the stage for an impressive set that blended their older tunes with several new tracks from their last album, released in 2014. A bluesy, rocking set that incorporated southern rock and country as well, Todd Park Mohr showed Jay Peak his guitar-playing skill as well as his fantastic, Stevie Ray Vaughn-esque voice, which was well-suited to the older crowd. Jeezum Crow collectively swooned during their rendition of their original song, “Bittersweet,” and sang along and swayed with a soaring encore of the classic rock hit, “Hey Joe.” Big Head Todd and the Monsters formed in the early eighties, saw some fame in the mid-to-late nineties, and are seeing a resurgence now with the release of the album Black Beehive and an extensive tour.
After the Monsters played their closing notes on the main stage, festival-goers were delighted to see Burlington-based band Barika, whose sound almost defies description. Incorporating a sitar-like West African instrument called a N’Goni, Barika played their late-night set in the intimate Bullwheel Bar, the perfect closer to the weekend. Their highly-danceable sound is made unique by the West African influence of Craig Myers, who has performed with Mike Gordon of Phish and Burlington greats Rubblebucket. Their music, which would already be an exciting blend of styles ranging from reggae to funk to afro-beat, is bolstered by the use of the N’Goni, which is best described in appearance and tone, as a cross between a banjo and a sitar. They also incorporate drums, bass, guitar, keys, trombone, and baritone into their multi-faceted sound. They ended their set close to 2am, and then took to the parking lot to mingle with a very satisfied group of concert-goers.
Though the absence of Dark Star Orchestra for the first time since the festival’s induction and nasty weather on Friday may have hurt attendance somewhat, Jeezum Crow managed to assemble a very eclectic group of musicians and bands, for a weekend that truly unites the many communities that border Jay Peak Resort. Visitors new to Jay Peak and families that have lived on or near the mountain for years enjoyed one of Jay Peak’s biggest musical attractions.
If you were smiling in Saratoga on Wednesday night, you were probably at the Performing Arts Center singing along to Post Modern Jukebox and Straight No Chaser.
PMJ took the stage to “All About That Bass,” performing the familiar tune in a jazzy 1940s style. Complete with costume, dancers, and instrumentation, PMJ didn’t disappoint fans of the well-loved YouTube sensation. While the songs were from today’s radio, anyone listening could’ve sworn we were transported back in time to radio days of our grandparents.
Group member Ariana brought the laughs, and sultry energy, as she sang, danced and introduced each song. The group brought out Demi to tap while Casey crooned to “Umbrella,” complete with a costume of yellow raincoat and umbrella. Demi then gave as close to a burlesque show as possible as she sang to “It Wasn’t Me,” and brought the laughs with self-deprecating jokes.
The big moments of the night, though, were stolen by Kenton, a small Asian man who pulled off Nine Inch Nails “Closer” with unexpected energy. Joined on stage by Ariana and Dani, Kenton jumped, gyrated and sang a shockingly charged version of the well-known song.
Casey’s rendition of “Creep” was the only thing that could follow such a performance. He crooned and laughed at himself initially, only to later bring the crowd to its feet with his vocals. Barely needing a microphone, Casey belted out “Creep” with possibly the most talented vocals of the show.
Straight No Chaser followed the zany PMJ with more traditional energy and vocals. Noticeably more focused on harmonizing while wearing their matching summer suits, the group opened with “Sweet Dreams” with a nod to “Make Your Hands Clap” mid-song.
Band members graciously demonstrated the different vocal parts of an a cappella group, for those who were unfamiliar, joked with audience members and learned the history of the group’s college origins. The singers played around with musical lyrics, performing “Straight No Chaser: The Musical” to the amicable crowd.
Straight No Chaser demonstrated professional cohesion and musicianship, and also a joyfulness to quality music that comes from sharing best-known songs from across all genres. From pop music to country, the group offered something familiar for everyone to sing and dance to.
All and all, it was a fun night out for fans of the non-traditional cover groups.
The first track off this album “Better Living Through Hennessy” goes from 0-60 in less than 2 seconds into the album. The guitar styles of Helmer and Coffey will take you by storm. Their funky yet hardcore approach for this track is nothing but full of life! You will have yourself singing along with the lyrics while moving those two left feet of yours. Let me tell ya, nothing beats a good old fashioned song you can find yourself singing to in the car. This song is one of those jams I can see the whole venue singing along to with a couple drinks in hand!
Friday night’s headliner, 
Festivities began again at noon on Saturday with 
Big Head Todd
After the Monsters played their closing notes on the main stage, festival-goers were delighted to see Burlington-based band 
Though the absence of Dark Star Orchestra for the first time since the festival’s induction and nasty weather on Friday may have hurt attendance somewhat, Jeezum Crow managed to assemble a very eclectic group of musicians and bands, for a weekend that truly unites the many communities that border Jay Peak Resort. Visitors new to Jay Peak and families that have lived on or near the mountain for years enjoyed one of Jay Peak’s biggest musical attractions.