Category: Rochester

  • Maybird Plays Hometown Gig at Three Heads Brewing

    Two things were made clear Friday night when Maybird commanded the stage at Three Heads Brewing. First, their time hitting the road playing gigs across the country has been paying off. Even in returning to Rochester, playing in front of friends, family and fans old and new, the band has shed that familiar ‘local band’ tarnish. It was still the same band, but tighter, more confident, boasting a more muscular full-bodied sound. The kind of bold sound that has been knocking out audiences far and wide.

    Secondly, the band has not forgotten their roots in the midst of their blossoming success and discovery. They were clearly excited to be back on familiar turf, showing their love for Rochester continually throughout their 80 minute set. The oldie but goodie song “One Love” they claimed is played nowhere but Rochester, led one to believe that when lead singer Josh Netsky sang, “You are my one love,” he was talking about his native city. Guitarist Overhand Sam Snyder proudly recounted how it made people happy to hear they were from Rochester when they were out on the road. But just the simple, “It’s sweet to be back home,” uttered a few songs into the set made it quite clear.

    From the building slinky psychedelia of “Maybird” to the tight big rock dueling guitar finish on “Turning Into Water,” the set was stacked with tracks from their two most recent EPs. But there were a few surprises as well. They dropped in a brand new tune “Don’t Keep Me Around” with synth-heavy grooves. A few covers were played, spanning the decades. They took on the 60’s with Brenda Lee’s “All Alone Am I,” payed tribute to early 80’s David Bowie with a perfectly funky “Ashes to Ashes” and brought it up to the last decade with a Rosewood Thieves cover, a song which Snyder had originally contributed to and one that their tour manager, Erick Jordan, had actually written. The show closed with a bombastic encore of “Call You Mine,” another older tune, the full sound bubbling over with Kurt Johnson on a ferocious electric lap steel.

    The band is about to head back out for more touring, this time sharing the stage with fellow Rochester success story Joywave. If you can’t be home, might as well take a piece of it with you.

    Setlist: Nocturne, Maybird, Ashes to Ashes (Bowie), Don’t Keep Me Around, All Alone Am I (Brenda Lee), Bluebird Flew Away, One Love, Grace, To the Stars, (Rosewood Thieves), Two Horizons, Keep in Line, Turning into Water

    Encore: Call You Mine

  • Hearing Aide: Collin Jones ‘Specimen’

    If you’ve ever experienced live music in Western/Central New York, the chances are you’ve heard Collin Jones. Whether he is out playing with Haewa, Ocular Panther, Stereo Nest, or collaborating with other local artists, the man exhales music. His new EP Specimen is a beautiful assortment of innovative folk-inspired melodies, and a raw reflection of the true essence of human existence.

    Collin Jones SpecimenThe first notes of Specimen transport the listener to a different dimension. The intricately woven acoustic rhythms and spacey loops featured throughout create an aura that is somewhere in between the past and future, but certainly not in the now. If you close your eyes and dig deeper into the EP you may suddenly get the feeling that you are alone, lost on a farm in Medieval times. However, you cannot be sure you have gone too far into the past as spaceships and the glowing effects of technological advancements cautiously linger above. The combination of folk-influenced songwriting with psychedelic loops throughout create a futuristic Americana sound that can delicately be defined as an Emersonian audio experience.

    It would not be fair to single out any particular track when discussing this EP, as each individual song molds together to create a magnificent sum. Had Jones decided to record the songs as a string of instrumental tracks it would be worth your listen, but thankfully he chose to layer it with soothing vocals and thought-provoking samples. The theme of the album can be heard scattered throughout, and demands that you truly examine the human condition. He asks substantial questions like why are we here, and what’s it all for? However, he dares not provide answers, but rather guides the listener to an optimistic acceptance of the world we live in. As you reach the end of the final track, ‘Chapel Perilous,’ you are a caught in an anxious daydream of wanting more with the feeling of being lost in a snowstorm and glad to have nothing left to do but keep wandering. It would not be inappropriate to queue up “Throw Hands” again, and spend a little more time in the angelic world of Collin Jones.

    Key Tracks: Throw Hands, Specimen, Cube

  • “Playing Songs for Strangers in Towns That Aren’t Ours”: Anna Tivel & Jeffrey Martin at Good Luck

    On a Monday night, nestled in Rochester’s Neighborhood of the Arts, art was being created live within the walls of the restaurant Good Luck. For their last show in 2017, Honest Folk brought an artist back for the first time in it’s two year history. Portlanders Anna Tivel and Jeffrey Martin had performed in the same space earlier this year, and it was so well-received they invited them again. Or as Martin supposed, they screwed up so badly they were given another shot. The couple, who are not normally a duo, both returned with brand new albums, and new songs, to play.

    They opened with “Saturday Night” off of Tivel’s new release Small Believer. They drew a Saturday crowd out on a Monday, the Monday after Daylight Saving no less, so it was an appropriate song to start the show. To call what they played ‘songs,’ however, wouldn’t be doing them full justice. They were stories and revelations told in poetic verse, that just so happened to be sung in beautiful voices and accompanied by sparse but rhythmic guitars. The audience hung on every word, absorbing the insights, receiving the sparks of inspiration.

    The pair found their stories through people. All sorts of people; some who they were close to, some they randomly crossed paths with, some they’d only read about, and some who were famous. Gillian Welch once said, folk music is music made for folks to listen to. Martin and Tivel might add, folk music is music made about folks.

    Anna Tivel They sang about the man who sat on a bench in Portland, rain or shine, to watch as a Marriot was built on the riverside. There was a song inspired by the soul of her just passed 99 year old grandmother. Another about young people finding true love, or maybe not, in small town America. The hard-working border agent she heard about on the news, the drunk woman who told her her life story from a bar stool and the stories she read on the Occupy website. There were songs about fathers, sons, uncles, mothers and daughters, and one about womanhood which included a shoutout to local and national hero Susan B. Anthony. There was the one about William S. Burroughs, how he stupidly and accidentally shot his wife dead. “Just Like You” included verses about Hitler and Jesus and includes what may be the most hilarious opening line of any folk song: “Joseph Stalin came from someone’s vagina.” Most songs were deep and dark, but Tivel answered later in the show with her own humorous tune, about a smattering of whacky characters she met while dating on Craigslist, in which the conclusion was, “We’re all crazy all the time.”

    As Tivel sang, her eyes closed and her shoeless feet twitched and flexed. Martin also sang eyes shut, his accentuated facial contortions partially hidden beneath his burly beard. They were completely absorbed in the words they sang, giving each character the attention they deserved.

    In two hour-long sets, the couple shared each other’s songs and also took the stage solo off and on. They did manage to squeeze in a pair of other people’s songs, covering Bob Dylan’s “Buckets of Rain” which Martin called the greatest love song ever written, and John Prine’s “In Spite of Ourselves.” Some folk royalty there. Though the highlights were easily their own, like Martin’s “Coal Fire” with Tivel’s haunting fiddle accompaniment, and Tivel’s “Dark Chandelier” which was a bit of a heart stopper.

    Some of the best stories were told in between the songs, and one of the best lines was too. Putting a positive spin on the tough times the world is living through now, Martin remarked, “When times are good, bands like Nickelback pop up.”

    Honest Folk is taking a break until after the new year, but keep your eyes peeled for their next show announcement soon after. Doubtful it will be Nickelback.

  • Premiere: Collin Jones releases title track off “Specimen” EP

    On Friday, November 10, Collin Jones will release his first solo EP, Specimen, released on Galaxy Diamond Records. A member of Rochester bands Haewa, Ocular Panther and Stereo Nest, this record offers a more personal, stripped down approach to Jones’ music, who wrote, records and produced the tracks in his hometown of Rochester. An album release party will take place on November 10 at Temple Bar with PA Line.

    Listen below to the exclusive premiere of ‘Specimen’

  • Watch Jon Lewis Band’s Spooky Music Video for “Let Me Go”

    Just in time for the witching season, Jon Lewis Band created a music video inspired by classic black and white horror movies. Filmed on location in their hometown of Rochester, the monster chase includes scenes from local landmarks such as the Cinema Theater and Mount Hope Cemetery. The band used delightfully cheesy low tech filming techniques reminiscent of classic B movies from Hollywood’s golden age.

    The song “Let Me Go” comes from Jon Lewis Band‘s latest EP, Baby Brother. It’s their second release of the year. The first, Exquisite Corpse, is a contender for best local album in City Newspaper’s annual “Best Of” reader’s poll.

  • Such Gold Throws Mid-Tour Hometown Punk Rock Show

    Such Gold ripped a gig in Rochester on Friday the 13 of October. The punk rockers played at Bug Jar, their familiar stomping grounds, at the midway point in their fall tour. “We’ve played here one… thousand times,” quipped front man Ben Kotin between songs.

    such goldThe all-local show included support from Barbarosa, California Cousins, and Taking Meds. Two members of Such Gold did double duty, as they also play in Taking Meds: Kotin (guitar) and Jon Markson (bass). Such Gold is rounded out with Nate Derby on guitar and Matt Covey on drums. They performed work from their eight-year span, including a handful of songs from last month’s release Deep In A Hole. Both in their studio recordings and at live shows, they’re energetic and fun.

    The crowd at Bug Jar was abuzz with excitement, and it wasn’t long before the center of the room opened up into a mosh pit. There was a great dynamic between the band and members of the audience, many of whom have been supporters since the early days. Tonight’s show was full of crowd surfing and even a stage dive or two. A highlight was when Skylar Sarkis of Taking Meds took the stage to sing on a cover of Snapcase’s “Energy Dome.”

    Such Gold takes to the road for the second leg of their tour with a headliner on Thursday, October 19 in Stanhope, New Jersey. They join A Wilhelm Scream, After The Fall and We Were Sharks  for a run of shows which start on Friday, October 20 at St. Vitus in Brooklyn and end with a Halloween show in Lancaster, PA.

    Setlist: Intro, Locked Out of the Magic Theater, Engulfed In Flames, Two Year Plan, Ceiling Stare, Ransom, Four Superbowls No Rings, Nauseating, Deep In A Hole, Rot Gut, No Cab Fare, Energy Dome (Snapcase), Storyteller, Sycamore

    such goldsuch gold

  • Amy Helm Pays Tribute to Petty in Rochester

    Friday October 6 at Funk n Waffles Music Hall in Rochester started with one voice and one guitar, as Woodstock’s Connor Kennedy took the stage to warm up the stage for Amy Helm. He would end the night, as part of Helm’s band, on a two-neck guitar. Three and four-part harmonies would be the centerpiece of Helm’s set, which culminated with five songs by Tom Petty songs as a part of a six-song encore. One two three four five six… though Amy Helm and band put on a show that was anything but paint-by-numbers.

    Amy Helm PettyKennedy highlighted his emotive country-ready voice in a short set of fresh original folk tunes. He was appropriately decked out in denim head to toe, though he admitted a “clerical error” in not wearing his Nick Tahoe’s tee. During “Down by the Water” a voice emerged from the audience, in perfect harmony. Amy Helm, enjoying the set from the crowd, decided to sing along, beautifully “sitting in” without taking the stage. His set ended with him seated at the Rhodes, to play the title track off of his excellent just-released album, Somewhere.

    Helm’s set started with a small hiccup, as Kennedy had some guitar amplification issues. The rest of the band soldiered on, extending the beginning of “Didn’t It Rain” into a funky little jam, complete with improvised vocals. They funked, but didn’t waffle. As soon as the guitar was ready, the band immediately clicked into the song proper, as if it was part of the plan all along. The rest of the set went on without a hitch, mixing and matching genres like soul, R&B, roots, country, funk and blues. “Rescue Me” took on a southern rock feel and “Cotton and the Cane,” a new song co-written with Mary Gauthier,  showed more twang, but the band’s incredible harmonies were present throughout. They mixed in two great ones from the late great Alan Toussaint, “Yes We Can Can” and “Freedom for the Stallion,” both times Helm remarked how relevant the lyrics still were in our current time. The set closed with a searing rendition of Bob Dylan’s “Meet Me in the Morning,” which opened with some thumping bass from Ted Pecchio, closed with a rollicking solo from Sean Dickson on drums, and was pure fire in between.

    The encore opened with another cover, one of more recent significance, a near a capella rendition of Tom Petty’s “Wildflowers” with only the Rhodes and some very subtle bass and drums as accompaniment. A beautiful tribute, but wait, there’s more. Helm said they knew in the lead up to this gig, a part of a quick three-show stint, they would need to play a Petty song. But once the time grew closer, they realized they couldn’t just play one, they needed to play five. So the encore became a mini Tom Petty tribute set. They continued on, with “You Don’t Know How It Feels,” an acoustic one-mic bluegrass version of the deep cut “No Second Thoughts” and “Waiting is the Hardest Part.” Helm then held back tears as the band beautifully dedicated the hymn “Gloryland” to Petty. This immediately led into an explosive finish, with Kennedy strapping on the aforementioned double-neck guitar for a perfect “American Girl.” We give it a ten!

  • Such Gold Fall Tour Will Hit Up Rochester and Brooklyn

    Such Gold sets off on a month-long tour today in support of their latest release Deep In A Hole. The itinerary includes a headliner in Rochester at The Bug Jar on Oct. 13, a show at Saint Vitus in Brooklyn on Oct. 20, and a set at The Fest in Gainesville, FL on Oct. 27. The first leg of the tour takes place in Canada with 88 Fingers Louie, Belvedere, and Sled. A handful of headlining shows follow, before they join up with A Wilhelm Scream, After The Fall and We Were Sharks for the remaining dates. Tickets are on sale now.

    Tour Dates:
    Oct. 6 – The Brass Monkey – Ottawa, QC*
    Oct. 7 – Pavilion des Pionniers – St. Hyacinthe, QC*
    Oct. 8 – Velvet Underground – Toronto, ON*
    Oct. 9 – Call The Office – London, ON
    Oct. 10 – Southgate House Revival – Newport, KY
    Oct. 11 – Reggie’s Rock Club – Chicago, IL w/ Pears
    Oct. 12 – Basement Transmissions – Erie, PA
    Oct. 13 – Bug Jar – Rochester, NY – with Taking Meds, California Cousins, and Barbarosa
    Oct. 19 – Stanhope House – Stanhope, NJ
    Oct. 20 – St. Vitus – Brooklyn, NY^
    Oct. 21 – Milkboy – Philadelphia, PA^
    Oct. 22 – Shakas – Virginia Beach, VA^
    Oct. 23 – Metro Gallery – Baltimore, MD^
    Oct. 24 – Local 506 – Chapel Hill, NC^
    Oct. 25 – Pergatory – Atlanta, GA^
    Oct. 27 – High Dive – Gainsville, FL (THE FEST)^
    Oct. 30 – Metro Gallery – Baltimore, MD^
    Oct. 31 – Lizard Lounge – Lancaster, PA^

    * with 88 Fingers Louie, Belvedere, Sled

    ^with A Wilhelm Scream, After The Fall, We Were Sharks

  • Dive Into Fall: A Fall Down Music Festival Preview

    Don’t let the weather deceive you, believe it or not, autumn began on September 22. Festival season in New York is nearing it’s close and festival goers are itching for a few last hurrahs. Next weekend, locals will be traveling to The Fall Down Music Festival at The “G” Lodge in Hannibal, NY. Presented by local booking and promotion company Hey Dude After Hours, The Fall Down is an intimate Central NY based music festival specializing in string music, jam bands, and singer-songwriters. Progressive string band Floodwood will be the headliner. Floodwood is lead by national talents of Vinnie Amico (moe) and Tony Markellis (Trey Anastasio Band). The Fall Down will take place next week at The “G” Lodge (81 Keller Rd, Hannibal, NY) on October 6th and 7th. Get your weekend passes for $50 here!

    Take a glance below and click the play button. You’ll find a Rochester Groovecast podcast episode. This episode is a preview of the upcoming 2nd annual The Fall Down Music Festival.  During the episode, you’ll listen to The Crooked North, Floodwood, Haewa, The Dwayne Johnsons, Folkfaces, Dirty Blanket, Timothy Braley, and Jungle Steve & The Gysophelias. All of these bands will be at this year’s The Fall Down Music Festival. If you scroll even further down, you’ll find a detailed episode timestamp.

    Timestamp:
    00:00: The Crooked North- Hop High My Lulu Gal
    03:24: Introduction
    06:19: The Crooked North- You Don’t Fit In
    10:02: Floodwood- Waiting For The Punchline (Moe Cover)
    18:58: Floodwood- Caught
    24:22: Haewa- Chem De-Vision
    28:04: Haewa- Swampin
    33:37: The Dwayne Jonhsons- About That
    37:17: The Dwayne Johnsons- Cold Pizza
    41:24: Folkfaces- Angels And Demons
    44:31: Folkfaces- Freedom Fries
    48:24: Dirty Blanket- My Getaway
    54:28: Dirty Blanket- Getting In The Way
    57:58: Timothy Braley- Graceland (Paul Simon Cover)
    1:02:15: Conclusion
    1:03:55: Jungle Steve- Safe & Sound

  • Watch Talking Under Water’s Live In-Studio Acoustic Video For ‘Gravity’

    Elise Hughey and Dave Chisholm make beautiful music together. The pair recorded an acoustic version of “Gravity,” a song from their band’s debut self-titled album Talking Under Water. “Gravity” is a melancholy tune about trying to break free from the weight of the world.

    “I need to run away, I need to fly away,” Chisholm sings while playing his acoustic guitar, “But there’s so much gravity. This planet is too big for me.” Hughey accompanies on her cello, playing the stirring notes with elegance and grace. This intimate performance of the Talking Under Water duo was captured on film by Dave Drago and Jon Lewis at 1809 Studios in Macedon, New York, and edited by Drago.

    Visit Talking Under Water online or follow on Facebook for updates. Sign up for their mailing list to receive special features like free song downloads and exclusive previews of videos.

    The full-length debut Talking Under Water is available to stream on Spotify and purchase on Bandcamp and iTunes. For more about the album, read the NYS Music review.