NYS Music 20​17

Category: Western NY

  • On the Cinder and OC45 Team Up for a Run of Shows in the Northeast and Canada

    Punk rock fans will not want to miss this pairing: Buffalo’s On The Cinder and Boston’s OC45 are touring together this month. The run of shows starts on November 13 at Noiseland Arcade in Buffalo. From there, they make their way through New England and Quebec before ending in Boston at Great Scott on November 19.

    Nov. 13 – Buffalo, NY – Noiseland Arcade
    Nov. 14 – Burlington, VT – Club Metronome
    Nov. 15 – Montreal, QC – Bar L’Hemisphere Gauche
    Nov. 16 – Quebec City, QC – Scanner Bistro
    Nov. 17 – Jonquiere, QC – Cafe L’Envol
    Nov. 18 – TBA
    Nov. 19 – Boston, MA – Great Scott

  • Roots of Creation Announces 2017-18 Tour

    Roots of Creation wishes all of their fans a “Happy HoliBlaze” as they kick off their 2017-18 tour. They’ll be playing four New York-based shows spanning from Buffalo, Brooklyn, Kingston to Canton from December through April. Of course this is a busy time of year, so those caught up in the holiday rush can also catch them just outside the city in Bridgeport CT as well as Stanhope NJ. Tickets are available now on the band’s website.

    There’s evidence that these will be some of their most energetic and memorable shows, as seen in a recent performance on their Facebook page featuring a “Rage Against the Dead” show, which garnered a large virtual and live audience. There is also reason to believe that they will be showcasing a number of Grateful Dead covers with a reggae twist due to their hype over the soon the be released album, Grateful Dub. RoC has asked fans to help fund the album by giving a donation, which is coupled with great incentives ranging from early album access to studio time with the band. Visit their PledgeMusic page for more information.

    Roots of Creation Tour:

    Nov. 25 – Portland, ME – East Coast Cannabis Conference & Awards
    Dec. 17 – Buffalo, NY – Buffalo Iron Works [18+]
    Dec. 19 – Brooklyn, NY – Brooklyn Bowl
    Dec. 23 – Boston, MA – Brighton Music Hall [18+]
    Dec. 28 – Bridgeport, CT – The Acoustic [21+]
    Dec. 29 – Stanhope, NJ – Stanhope House [18+]
    Dec. 30- Kingston, NY – BSP Kingston [18+]
    Dec. 31 – Plymouth, NH – “NYE Grateful Ball”
    Jan. 5 – Providence, RI – The Strand Ballroom & Theatre (Lupos)
    April 12 – Canton, NY – Java Barn at St. Lawrence University

  • “Playing Songs for Strangers in Towns That Aren’t Ours”: Anna Tivel & Jeffrey Martin at Good Luck

    On a Monday night, nestled in Rochester’s Neighborhood of the Arts, art was being created live within the walls of the restaurant Good Luck. For their last show in 2017, Honest Folk brought an artist back for the first time in it’s two year history. Portlanders Anna Tivel and Jeffrey Martin had performed in the same space earlier this year, and it was so well-received they invited them again. Or as Martin supposed, they screwed up so badly they were given another shot. The couple, who are not normally a duo, both returned with brand new albums, and new songs, to play.

    They opened with “Saturday Night” off of Tivel’s new release Small Believer. They drew a Saturday crowd out on a Monday, the Monday after Daylight Saving no less, so it was an appropriate song to start the show. To call what they played ‘songs,’ however, wouldn’t be doing them full justice. They were stories and revelations told in poetic verse, that just so happened to be sung in beautiful voices and accompanied by sparse but rhythmic guitars. The audience hung on every word, absorbing the insights, receiving the sparks of inspiration.

    The pair found their stories through people. All sorts of people; some who they were close to, some they randomly crossed paths with, some they’d only read about, and some who were famous. Gillian Welch once said, folk music is music made for folks to listen to. Martin and Tivel might add, folk music is music made about folks.

    Anna Tivel They sang about the man who sat on a bench in Portland, rain or shine, to watch as a Marriot was built on the riverside. There was a song inspired by the soul of her just passed 99 year old grandmother. Another about young people finding true love, or maybe not, in small town America. The hard-working border agent she heard about on the news, the drunk woman who told her her life story from a bar stool and the stories she read on the Occupy website. There were songs about fathers, sons, uncles, mothers and daughters, and one about womanhood which included a shoutout to local and national hero Susan B. Anthony. There was the one about William S. Burroughs, how he stupidly and accidentally shot his wife dead. “Just Like You” included verses about Hitler and Jesus and includes what may be the most hilarious opening line of any folk song: “Joseph Stalin came from someone’s vagina.” Most songs were deep and dark, but Tivel answered later in the show with her own humorous tune, about a smattering of whacky characters she met while dating on Craigslist, in which the conclusion was, “We’re all crazy all the time.”

    As Tivel sang, her eyes closed and her shoeless feet twitched and flexed. Martin also sang eyes shut, his accentuated facial contortions partially hidden beneath his burly beard. They were completely absorbed in the words they sang, giving each character the attention they deserved.

    In two hour-long sets, the couple shared each other’s songs and also took the stage solo off and on. They did manage to squeeze in a pair of other people’s songs, covering Bob Dylan’s “Buckets of Rain” which Martin called the greatest love song ever written, and John Prine’s “In Spite of Ourselves.” Some folk royalty there. Though the highlights were easily their own, like Martin’s “Coal Fire” with Tivel’s haunting fiddle accompaniment, and Tivel’s “Dark Chandelier” which was a bit of a heart stopper.

    Some of the best stories were told in between the songs, and one of the best lines was too. Putting a positive spin on the tough times the world is living through now, Martin remarked, “When times are good, bands like Nickelback pop up.”

    Honest Folk is taking a break until after the new year, but keep your eyes peeled for their next show announcement soon after. Doubtful it will be Nickelback.

  • Premiere: Collin Jones releases title track off “Specimen” EP

    On Friday, November 10, Collin Jones will release his first solo EP, Specimen, released on Galaxy Diamond Records. A member of Rochester bands Haewa, Ocular Panther and Stereo Nest, this record offers a more personal, stripped down approach to Jones’ music, who wrote, records and produced the tracks in his hometown of Rochester. An album release party will take place on November 10 at Temple Bar with PA Line.

    Listen below to the exclusive premiere of ‘Specimen’

  • Gwar Ruins the 1 Percent at Town Ballroom

    The day after Halloween the ghouls were still out play and people were ready to rock with mutant metal band Gwar. The intergalactic band bestowed mere earthlings of Buffalo in support of their latest album “The Blood of Gods”. Town Ballroom housed all the humans and extraterrestrial bands that night. Brent Purgason was pulling double duty, his band U.S. Bastards, the most earthling related of the group kicked things off.

    Next up was Doyle, The Misfits guitarist Doyle Wolfgang Von Frankenstein, His singer Alex Story gave everyone a good laugh, before every song he said “This is a love song; you can dance to it if you want too.” In a girlish voice that complimented his mini skirt and fishnet stockings.

    Ghoul performed with their potato sack masks,  like something you would see out of a old scary movie. The band’s thematic set is heavily influenced by Gwar. Ghoul had various characters that squirted fake blood — from an odd dictator in a cape and gas mask to their dreaded voodoo magician complete with his large fake chicken that streamed red liquid into the crowd. Also, who wouldn’t love a giant distorted looking turnip to end a set?Black Sabbath`s “War Pigs” came over the speakers and the earthlings started getting wrestles. Fans started singing the first verse at the top of their lungs. GWAR walked onto the stage and started “War on the Gwar” playing the first track off the new album The Blood of Gods. Other new tracks included the catchy “I’ll Be Your Monster Baby” which is probably the closest thing you’ll ever get to a love song by GWAR. Blothar proceeded to covered the front section of the crowd with fake blood from his cow utter like penises

    The crowd of monster lovers also partied to older blood-filled songs like “Hail, Genocide!” and “Saddam a Go-Go.” Everyone who attends a Gwar show knows there is no hold bar with them, they poke fun at politics, corporations, social media and of course religion. During the new song “El Presidente” they brought out a Jabba the Hut looking Donald Trump which received “Boos” from the crowd as well as a mutant version of Hillary Clinton. Both were slaughtered for the gluttonous fans who wanted blood. Politics doesn’t matter at a GWAR show, mutants rule their world.

    “Do you want Blood?” asked Blothar. The already soaked crowd wanted more and they got it. GWAR ended the night with a cover of AC/DC’s “If You Want Blood (You’ve Got it)” Bone Snapper came out with his infamous sawblade spinning machine which spat out waves of blue into the audience.

    After all the recent sad events going on in the world GWAR and the other bands gave people a chance to escape from their troubles and have a great time full of singing laughter and of course blood.

  • John McLaughlin Kicks Off Meeting of the Spirits Tour in Buffalo with Jimmy Herring

    Jimmy Herring and the Invisible Whip struck the match. John McLaughlin and the Fourth Dimension fanned the flames. Together, using material from a 45 year old band, McLaughlin’s Mahavishnu Orchestra, they built a blazing fire inside the University at Buffalo Center for the Arts Wednesday night on the Meeting of the Spirits Tour.

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    It was the first night of a fusion guitar lover’s dream tour, dubbed The Meeting of the Spirits. It will be the last ever North American visit for the legendary British septuagenarian guitarist.

    The opening set from Jimmy Herring’s new solo outfit, was anything but your typical opening set. The seats in the theater were full and the crowd was at full attention from the first notes. Herring showcased his talents in restrained spurts, masterfully directing his bandmates through 50 minutes of exhilarating instrumental fantasies. His crack squad of Jeff Sipe, Jason Crosby, Matt Slocum and Kevin Scott were with him every step of the way through a seven-song set including “1911” and “Jungle Book.” Their mid-set rendition of “Les Brers in A Minor” made clear that it was a jazz fusion tune hiding out in a Southern rock band all along.

    McLaughlin’s Fourth Dimension is another band brimming with talent. Bassist Etienne Mbappe, drummer Ranjit Barot and keyboardist/drummer Gary Husband all had ample space to showcase their talents throughout the set. Masterful bass solos were met with drum solos complete with mind-boggling scat drumming. Husband made the synthesizer a chameleon, realigning the sound continuously. “Kiki” and “Miles Beyond” gave way to more mellow material like “Gaza City” and “El Hombre Que Sabia,” a tune McLaughlin meant to record with Paco Delucia before he passed away, which now he plays as an homage. He wandered the wide-open stage as he played, effortlessly creating guitar sounds that were impossibly perfect at impossible speeds. As their set ended, McLaughlin was ready to keep it going, calling for Herring and band to come out. Call it a first night mix-up, apparently there would need to be a quick break.

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    For the third set both bands combined to form a 9-man fusion supergroup. This was headphone music and luckily the theater’s acoustics were up to the challenge. The sound was impeccable. And the playing was too. Double drummers, double bassists, double keys, and McLaughlin pulled out the double-neck guitar to boot. Somehow as the band doubled in size it only grew tighter. McLaughlin played facing the band for most of the set, not only lead-guitarist but musical director, steering the monster band through a selection of classic Mahavishnu Orchestra tunes. “Meeting of the Spirits,” “Trilogy,” “The Dance of Maya,” not quite as fresh and vital as they were 40 years ago, but still powerful and invigorating. The maestro was in and the class was in session. “Eternity’s Breath” showcased the intensity of a band where every member is a secret weapon. Though perhaps they were most impressive on the mellower “Earth’s Ship,” as the bassists weaved lines around each other and the rest of member’s distinct sounds were teased apart gently to beautiful effect. The inner mounting flame was burning, unfortunately it couldn’t be eternal.

    Leaving a Buffalo stage for the last time, McLaughlin said his final goodbye to the city with a quote from the Eagles, of all things, “We may lose and we may win though, we will never be here again.”

    Take it easy, John.

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  • Interview: A Backstage Chat with The Weekend Classic

    The members of The Weekend Classic are no strangers to life on the road, having spent the past couple years criss-crossing the country to build a fan base one show at a time.

    They make their return to New York State on November 13 with a show at Stamps in Buffalo. The quartet from Madison, Indiana is Chris Webster (vocals/guitar), Christian Richards (drums), Matt White (guitar/vocals), and Ryan Wells (bass/vocals). NYS Music caught up with them backstage at a recent show to talk about what it was like to win last year’s Ernie Ball Play Warped Tour challenge, what keeps drawing them back to New York, and what’s on the horizon.

    Photo by Camrun Courtney

    Paula Cummings: I saw you guys last year in June, and you said that your band goal was to play Warped Tour. Then you won the Ernie Ball Warped Tour Challenge. What was that like?

    Chris Webster: It was pretty crazy. We didn’t think ever in a million years that we’d win a competition like that. Two years prior, we got on the competition and we played  the Cincinnati Warped Tour date. Then we decided to go for it again. We posted about it and we had a lot of support from people. It was really cool.

    PC: As a result, you got to go into the studio with some famous people.

    CW: Chad Gilbert (New Found Glory) and Ryan Key (Yellowcard). That was honestly really cool, too. Just getting to meet them and working with them. It was a little stressful, but it was really good for us. It pushed us to step out of our comfort zone.

    Christian Richards: I feel like he (Chad) re-taught us how to write a song.

    CW: He showed us things that someone who is a professional would know, and us, being us, are not going to know off the bat.

    PC: You guys have toured pretty extensively over the past couple years. You’ve come through New York a few times.

    CR: We’ve been to Long Island once before, twice now, and Buffalo, Rochester, and Poughkeepsie.

    PC: What keeps you coming back to New York?

    Matt White: Its a huge market. You can play a lot of places in New York.

    CR: And a lot of great bands, too, all spread out through New York.

    PC: What’s up next?

    CW: We have some more touring that we know we’re going to be doing.

    CR: Write a record. And release some songs we haven’t put out yet. They’re a lot better than anything else we’ve done. But they’re not there just yet, not fully ready.

    PC: What can we look forward to with the new music?

    CW: There’s a more mature sound to it, more in the direction we want to go.

    CR: I feel like we wrote it for ourselves.

    MW: We think its sick.

    Catch The Weekend Classic on tour this month. They are joined on select dates by In Good Nature, Young Culture, and Chris Swartz. Tickets are on sale now. Their music is available on iTunes, Spotify, and Bandcamp. Follow on Facebook for updates on shows and new music.

  • Nietzsche’s FolkFest 2017 Lineup includes Folkfaces, Jonathan Richman

    Nietzsche’s dropped the lineup for the 2017 edition of their FolkFest, which takes place next week at the famed Buffalo club. The second annual FolkFest features headliner Jonathan Richman and NYS Music 87/90 act Folkfaces.

    After a successful inaugural year, Nietzsche’s brings back their FolkFest for 2017. The fest kicks off on Wednesday, Nov. 8 and runs through Saturday, Nov. 11. Jonathan Richman, known for his work with the Modern Lovers, headlines the festival on Nov. 11 at 8 p.m.

    Tyler Westcott and Dr. Jazz kick off the festivities on Wednesday at 6 p.m. with some old time swing and gypsy jazz. The headliner on Wednesday is the Oddjob Ensemble from Santa Rosa, California at 10 p.m. Following them is 18 Wheels and a Crowbar.

    Thursday night features the Heenan Brothers followed by local act the Observers. The Dishonest Fiddlers, of Northeast Pennsylvania headline the night at 10:30 p.m. Rockabilly Steve and RB3 close out the night at midnight.

    The fest starts to heat up on Friday with Seth Faergolzia’s Multibird from Rochester headlining the night at 11:30 p.m. The music kicks off with Cooper and Gin at 10 p.m. followed by Utica’s the Old Main at 10:30 pm. Ryan Sutherland and Dave Brown cap off the night at 1 a.m.

    Follow the festival headliner show with Jonathan Richman, there is a second late night show with second tier headliners the Crooked North at 10 p.m. The late show also features NYS Music 87/90 act Folkfaces at 11:30 p.m. followed by Pine Fever at 12:30 a.m. The festival concludes at 1:30 a.m. with Chris James and Mama G.

    Admission for Wednesday and Thursday nights is $5. Friday and Saturday’s late night run $10 with Saturday’s headliner set costing $15 to get in. All shows are 21 and over, though minors will be admitted when accompanied by an adult.

    Nietszche’s FolkFest 2017 Lineup

    Wednesday, Nov. 8
    Oddjob Ensemble
    18 Wheels and a Crowbar
    Tyler Westcott and Dr. Jazz
    No Illusions
    Bess Greenberg
    Tough Old Bird
    Old Time Hoedown
    Cairde “That’s Irish for Friends”
    Mike & Kathy

    Thursday, Nov. 9
    The Dishonest Fiddlers
    The Observers
    The Heenan Brothers
    Rockabilly Steve & RB3
    Greg Barresi
    Nickel City String Band
    James Robert Kibby

    Friday, Nov. 10
    Seth Faergolzia’s Multibird
    The Old Main
    Cooper and Gin
    Ryan Sutherland and Dave Brown

    Saturday, Nov. 11
    Jonathan Richman
    Folkfaces
    Pine Fever
    The Crooked North
    Chris James & Mama G

  • Photo Gallery: Jimkata at Buffalo Iron Works

    Jimkata‘s farewell tour saw them stopping at a sold out Buffalo Iron Works on October 20. Jimkata Nation packed the place eagerly anticipating the Friday night throwdown while West End Blend‘s opening set made sure things got started with a funky good time. Soon enough the lights dimmed, the trio took the stage and memories were made…

  • Watch Jon Lewis Band’s Spooky Music Video for “Let Me Go”

    Just in time for the witching season, Jon Lewis Band created a music video inspired by classic black and white horror movies. Filmed on location in their hometown of Rochester, the monster chase includes scenes from local landmarks such as the Cinema Theater and Mount Hope Cemetery. The band used delightfully cheesy low tech filming techniques reminiscent of classic B movies from Hollywood’s golden age.

    The song “Let Me Go” comes from Jon Lewis Band‘s latest EP, Baby Brother. It’s their second release of the year. The first, Exquisite Corpse, is a contender for best local album in City Newspaper’s annual “Best Of” reader’s poll.