Category: Regions

  • Kevin Morby Provides a Preview of Things to Come in Philadelphia

    Kevin Morby is releasing his new album in just a couple weeks (out June 16), but you’d forgive those in attendance on Friday, May 26 during the sold out show at Johnny Brenda’s in Philadelphia if they were unaware.

    The album didn’t even getting a passing mention from the stage, even as the band filled half the 80 minute set with it’s songs. That is of course unless you count Morby’s stark white suit, decorated with bold black musical notes. Across the back the album’s title, City Music, was spelled out in sparkling jewels, while the lapels included his initials. An unorthodox but rather fashionable way of getting the message across.

    Regardless, there was no need for the announcement. Most in the crowd seemed well aware of the music that was on it’s way, to the point of singing along with the couple of singles that have already made their public appearance. The set got off to a wailing good start with the title track off the new album. Morby played a dueling guitar lead with Albany’s Meg Duffy, who released her own stellar album earlier this year under the Hand Habits moniker. Her soft voice and precise playing were the perfect foil for Morby’s monotone and brasher guitar strokes throughout the night.

    The set explored material from the full breadth of Morby’s catalog. The energy peaked with “Destroyer,” where the rhythm section, Nick Kinsey on drums and Cyrus Gengras on bass, locked into a tight groove while Duffy soared with slide guitar leads. They kept the energy high with “I Have Been to the Mountain” and “Harlem River” featuring more heady guitar action. It slowly mellowed out from there, before closing with the quietest moment, Morby playing solo on “Beautiful Strangers.”

    Though non-traditional with the album promotion, Morby promised the crowd that they would honor the old concert tradition of coming back out for a few more songs if the crowd clapped after they left the stage. And they didn’t disappoint, playing two fan favorites off of last year’s breakout album, Singing Saw, and then finishing it off with a bombastic cover of Velvet Underground’s “Rock and Roll.”

    John Andrews, who we last saw drumming in Quilt, was fronting his own band, The Yawns, in the opening slot. They played a short but exciting set featuring material off their recent release, Bad Posture. Lazy, slinky, psychedelic folk rock, songs like “Drivers” and “Old News” gave way to the engrossing set closer “Audrey” that had the crowd desperate for more.

    Kevin Morby Setlist:
    City Music, Crybaby, 1234, Aboard My Train, Destroyer, I Have Been to the Mountain, Harlem River, Come to Me Now, Parade, Downtown Lights, Beautiful Strangers
    E: Cut Me Down, Dorothy, Rock and Roll

  • Albany’s Alive at 5 Concert Series Begins June 8 with Karl Denson’s Tiny Universe and Let’s Be Leonard

    Alive at 5 is heading into its 28th season, starting off on June 8 with performances by Karl Denson’s Tiny Universe and Let’s Be Leonard. The summer series takes place at Jennings Landing from 5-8 p.m. on Thursdays (with the exception of July 4). A partial lineup for other dates has been announced, including performances by Average White Band, The Funky Meters, Marian Hill, and King Yellowman & the Sagittarius Band. Regional support for these headliners comes from Victory Soul Orchestra, Wurliday, and Dr. Jah and the Love Prophets.

    Karl Denson’s Tiny Universe  is a funk soul band from California. Frontman Denson also plays saxophone for The Rolling Stones, and just wrapped up a tour with them. Primed to release a new album this year, KDTU will be performing some of their new songs at Alive at 5.

    Saratoga’s jazz fusion phenoms Let’s Be Leonard will open the show. Renowned for their improvisational style, the band just released Live at Gug’s, a session recorded in Glenn’s Falls earlier this year. Read the NYS Music review.

    2017 Alive at 5 Dates (Full Schedule Will Be Announced Soon):

    June 8 – Karl Denison’s Tiny Universe / Let’s Be Leonard
    June 15 – Average White Band / Victory Soul Orchestra
    June 22 – TBA
    June 29 – TBA
    July 13 – The Funky Meters / Wurliday
    July 20 – TBA
    July 27 – Marian Hill / TBA
    August 3 – King Yellowman & the Sagittarius Band / Dr. Jah and the Love Prophets

    For more information and updates, visit www.albanyevents.org.

  • Lord Electro Means Business

    Albany’s funktronica act, Lord Electro, will get down to business this summer as they continue their tour in support of their debut studio album, Business. The band will also release its first live album recorded at the legendary Nectar’s in Burlington, Vermont.

    Lord Electro continues its “Business” Tour in support of its debut album of the same name, which was released in March. The tour brings them around the state, starting on June 8 at the Disc Jam Festival in Stephentown, where CEG Presents named them one of the top five acts to see on the main stage.

    They make a few festival appearances over the summer. They hit up the Woodhenge Festival in Adams, where they are scheduled for two sets, on June 23. They play a late-night set on July 8 at Kenny’s Cosmic Campout in Barryville. They finish up their festival appearances on July 29 at the GEM Festival in Glens Falls. In addition to the festival appearances, they’re playing a number of shows in the Northeast, including the Monopole in Plattsburgh on June 24, Lukins in Utica on June 29 and Silvana in New York City on Aug. 5.

    Lord Electro will also release their first live album at the end of the week on June 2. Live at Nectar’s was recorded on May 10 at Burlington, Vermont’s legendary Nectar’s Lounge. The live album showcases the band’s improvisation. It will be available digitally on iTunes, Bandcamp, Spotify and Soundcloud.

    Lord Electro Summer Dates:

    June 8­ – Disc Jam, Stephentown, NY
    June 23 -­ Woodhenge Festival, Adams, NY
    June 24 – ­ Monopole, Plattsburgh, NY
    June 29 -­ Lukins, Utica, NY
    July 8 – ­Kenny Cosmic Campout­, Barryville, NY
    July 29 – GEM Festival, Glens Falls, NY
    Aug. 5 – Silvana, New York, NY

  • Intrepid Travelers Drop First Leg of Summer 2017 ‘Everyday is Your Birthday’ Tour Ahead of Summer Camp Festival

    With a name based around the ideology of fearlessly hitting the road and even other dimensions, Intrepid Travelers have set their sights on their latest voyage– the first leg of their Summer 2017 Everyday is Your Birthday tour. With a stacked, 20-date tour launch, the Buffalo-based quartet of Donny Frauenhofer (vocals/keyboards), Brian Calisto (vocals/guitar), David Naimanis (vocals/bass) and Jon Fohl (vocals/drums) will kick off at Summer Camp Festival in Illinois and bring the birthday celebration mentality through the midwest and back home to the Empire State.

    IT will tackle notable gigs in the very near future, with their first summer tour date doubling as a Sunday, 4:30 p.m.-5:30 p.m. Camping Stage festival slot at this weekend’s Summer Camp. From there, the funky, psychedelic rockers will bring their explosive improvisation, stockpile of musical elements and interwoven catalog, to the second annual IT Fest in Alden, NY from June 9-10. Last year, fans were delighted with three IT sets–one of those being a full cover of MGMT’s Oracular Spectacular from front to back.

    After notching their very own second festival, the group will keep the celebrations going at Woodhenge Music Festival for a weekend of sustainability-centered workshops and solar powered music. Fellow NYS 87/90 bands sit on the bill such as headliners Formula 5, as well as Boogie Low and Space Carnival. The boys will head to familiar territory at Buffalo Iron Works on June 29 for an official, Everyday is Your Birthday EP release party, giving them one specific night to relish in praises of their latest accomplishments. Among their summer tour dates and the peppered festival stops throughout, Intrepid Travelers have tacked an electric and acoustic set at Rochester’s Three Head’s Brewing as well as a set at Cobblestone Live! Festival in Buffalo onto the end of leg one, giving an abundance of veteran and potential fans a chance to see their receptive musical relationship.

    Through eclectic musicianship, stellar improvisation and quick evolution through an evident jazz-funk fusion outer shell, nods to reggae, bluegrass, classical and electronic tendencies by Intrepid Travelers are sure to take you through a cerebral journey of your very own.

    Summer 2017 Everyday is Your Birthday Tour Dates:

    5/28 – Chillicothe, IL – Summer Camp Music Festival
    6/9-10 – Alden, NY – IT Fest II
    6/24 – Adams, NY – Woodhenge Music Festival
    6/29 – Buffalo, NY – Buffalo Iron Works **EP Release Party**
    6/30 – Canton, OH – Royal Dock’s Brewery
    7/1 – New Philadelphia, OH – Bud and Tootie’s
    7/2 – Greenwood, IN – That Place
    7/3 – Louisville, KY – Magnolia Bar
    7/5 – Lawrence, KA – The Bottleneck
    7/6 – Cedar Rapids, IA – Dick’s Tap & Shake
    7/7 – Racine, WI – George’s Tavern
    7/8 – TBA
    7/9 – Madison, WI – The Wisco
    7/11 – Ann Arbor, MI – Club Above
    7/12 – Cleveland, OH – Beachland Tavern
    7/13 – TBA
    7/14 – Youngstown, OH – Suzie’s Dogs Drafts
    7/15 – Rochester, NY – Three Heads Brewing ** Acoustic and Electric Set**
    7/16 – Buffalo, NY – Cobblestone Live! Festival

  • Interview: Olivia Grace Discusses her Upcoming Releases and Next Steps in Brooklyn

    Indie pop artist Olivia Grace is originally from Maryland but ready to take the New York music scene by storm. She’s focusing her energy and creative juices into launching a musical career while completing her senior year of college. Her latest single “Blackbird” was released on September 30 enticing listeners with her unique style. NYS Music had the chance to find out more about Olivia Grace’s unreleased music including “Shoestrings” to be released early June.

    Sammy Steiner: As a singer-songwriter, where did your inspiration for “Shoestrings” come from?

    Olivia Grace: Ultimately, the song is about feeling out of place. It’s somewhat unapologetic, but it’s also about trying to make sense of everything when you’re not quite sure how you fit in. The story isn’t completely about me, as I do love creating fictional characters in my songs. However, when I wrote this song I had just moved to New York, and it was completely different from what I had been used to. I lived in Chicago beforehand, but New York just doesn’t compare. I think that feeling of navigating a new city and finding my place inspired a bit of the song.

    SS: Can you take us through your journey and involvement in the creation of this track? What was your favorite part of the record-making process?

    OG: The song took over a year to write. When I first started it, it sounded more like a folk song. It was slower with completely different rhythms. It didn’t really feel like THE song. I came back to it when I was flipping through old song ideas, trying to write something new. I picked it back up and it just flowed out. My favorite part recording was the “oh’s” that you hear in the beginning and after the chorus. They were actually added last minute. The song didn’t feel complete when my producer Matt and I had finished. He told me to just go crazy improvising over my piano/instrumental part, and eventually I started singing the “oh” melody. We both knew when we heard it that, that was it!

    SS: Do you have any upcoming plans or prospective venues where you hope to perform in the New York State area?

    OG: I do! I’m currently setting up some shows for July in New York, so I’ll probably be posting about it in June!

    SS: Can you name your top three favorite artists to cover at your shows and why?

    OG: Truthfully, I don’t cover that many artists at shows! I mostly perform my original songs. The one song I always try to fit in my set is Lana Del Rey’s “Video Games.” It’s just so beautiful and after years of performing it, I still love it.

    SS: What are your plans going forward? Are you going to focus on future musical projects or touring?

    OG: I have a lot of unreleased recordings right now, and I’m still going in the studio and recording more. I’m writing quite often as well. Both those things are my main focus right now. I don’t see myself doing a full on tour *right now* but I am traveling a lot this upcoming year, so I probably will be doing a few shows here and there.

    SS: What is one thing you’ve learned from your glimpse into life as an artist thus far?

    OG: Be patient. Everything takes time, hard work, and persistence. You can’t rush success.

  • ‘Ambitious’ Festival Planned for ASO Maestro

    The Albany Symphony plans to conclude David Alan Miller’s 25th anniversary season with an “ambitious” arrangement for this year’s American Music Festival.

    david alan miller directorThe American Music Festival includes more than 15 concerts and events between Wednesday, May 31 and Sunday, June 4.

    The 2017 American Music Festival will be the our most ambitious and exciting festival yet,” said Albany Symphony Orchestra’s Music Director David Alan Miller. “It will celebrate the uniqueness of our Capital Region as the gateway to the Erie Canal, as we prepare to kick off the Erie Canal Bicentennial with our magnificent orchestral barge trip from Albany to Buffalo during the first week of July. Even more, it will celebrate the magnificent diversity and richness of living American composers and their music through a myriad of extraordinary and diverse concerts and related activities. We hope our friends and music lovers everywhere will join us for lots of the events to experience the incredible breadth of contemporary musical art being created today. It’s so much fun to just hang out with us and with all our amazing featured creative artists all weekend long.

    This year’s festival, “Water Music,” will include more than 40 new works, including compositions by 2016 Grammy Award-winning composer Michael Daugherty, Christopher Theofanidis, Reena Esmail, Viet Cuong, Saad Haddad, and winners of the “Composer to Center Stage Reading Session” call-for-scores competition.

    Many of the works amplify the festival’s theme, which celebrates the waters that surround us, and advance the ASO’s mission of giving voice to innovative new works, with a particular emphasis on young and emerging composers. Viet Cuong’s newly commissioned work, which will be premiered by the ASO’s new music ensemble, Dogs of Desire, is a programmatic concerto for the percussion quartet inspired by the limitless power of wind, water, and sun, and the technologies that are transforming the way communities generate sustainable energy. Cuong’s premiere is part of the ASO’s continuing partnership with GE Renewable Energy to explore the ways in which the arts, business, and technology can intersect and influence each other.

    In addition to the Dogs of Desire performance on Friday, June 2 and the full orchestra’s signature festival concert on Saturday, June 3, Festival highlights include 16 world premiere performances, “This Land Sings,” a song-cycle by Michael Daugherty inspired by the life and times of Woody Guthrie, a recital by Sandbox Percussion, and the Argus Quartet, performing works by Christopher Theofanidis and Sleeping Giant’s Rob Honstein and Chris Cerrone. T

    The festival will also feature a special preview concert of seven newly commissioned works for “Water Music NY,” the orchestra’s seven-day barge tour and cross-cultural celebration of the bicentennial of New York’s Erie Canal to take place from July 2 to July 8 across New York state. Community events beyond the concert hall include a guided River Walk with the Rensselaer County Historical Society, and a curated poetry reading at Troy Kitchen.

    For information, including how to purchase tickets and festival passes to the American Music Festival, visit albanysymphony.com or call the Albany Symphony Box Office at (518) 694-3300.

    This article was originally published by The Spot 518. is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYS Music. TheSpot518 and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.

  • Driftwood Takes The Stage At FTC StageOne

    Groups Driftwood and Seth Walker hit FTC StageOne in Fairfield, Connecticut Friday, May 19, and left with quite the bang. Both acts were polished, and the energy that each group brought was high and captivating. The venue in which the show was held was small and quaint, with a smaller stage and crowd the night of the performance. The acoustics were phenomenal, and the size made the performances personal and intimate.

    driftwood FTC StageOne

    Seth Walker, the opening act, set the tone for the night with positive energy and dedication to his performance. Despite the small venue, front man Seth Walker and his band commanded the stage with loud presence and loud sound, their melodies washing over the entire crowd. The crowd seemed heavily interested and entertained by the music this group brought to the table. Walker referred to the crowd as “small, but mighty” between songs.

    Walker was in tune with the instrumentalists he played along with, watching them solo and announcing their names and instruments after they finished. The stage presence of this group was sharp, and it kept the crowd interested. The group as a whole was highly interactive, able to talk and feed off of one another’s melodies and vibes during their set. Bassist Myles Weeks harmonized with Seth Walker on multiple songs, adding depth and flavor to the sound. Seth Walker’s set as a whole held a good amount of variety, ranging from bluesy, jazz bangers to soft, folk songs with country twang. The instrumental aspect of music is held on a high appreciation in both the Seth Walker Band and Driftwood. Walker, though a primarily jazz musician, has his fair share of folk music. The blend of tunes he chose to showcase was complimentary to Driftwood, making Walker a successful and suitable opening act.

    After Walker cleared the stage, only a short period of time passed before Driftwood took the stage, sound checking their instruments and setting up their equipment. They were quick and efficient in the process, and soon enough, they were introducing themselves and performing their first song. Bassist Joey Arcuri was unable to make it that evening, and due to the sudden setback, the group was forced to change their set around. It consisted mostly of their slower tunes, but the set still featured sound variety. It was clean, polished, and performed as if there was never a set back to be had.

    Violinist and vocalist Claire Byrne revealed to the crowd that the group was once a trio after addressing the absence of the groups bassist, and interacted with the crowd often throughout the night, encouraging their participation with the music being played. Byrne  encouraged clapping and snapping on a number of songs, and was featured as a soloist on many numbers. Driftwood was personable, courteous to the crowd, and spoke amongst themselves naturally. The stage chemistry between the band was phenomenal, as well as the chemistry between the band and crowd.

    Their music was well-rehearsed, and the intonation and dynamics of this group were amazing. Their harmonies were crisp and well-balanced with the instrumentals. Dan Forsyth and Joe Kollar were attentive to Claire’s solo sections, and even had solos of their own. The group left the crowd smiling and singing along, even requesting an encore. Driftwood ended the evening on a high note, and those who traveled to see them play did not leave disappointed.

  • Hearing Aide: Let’s Be Leonard ‘Live at Gugs’

    After planting their musical seed in Saratoga Springs, Let’s Be Leonard sprouted rather quickly into a jam-jazz fusion powerhouse with all intentions of climbing the jam community ladder. Just a few short years after their formation and quitting their jobs, they’ve become a prized outfit in the Capital Region and beyond. Following the debut of their 2015 debut Cow., LBL put forth four live recordings on Bandcamp, this time, releasing the fifth, Live at Gugs in Glens Falls.

    The 5-piece, led by Karl Bertrand (vocals and rhythm guitar), Matt Griffin (guitar), Connor Dunn (saxophone), Chris Cronin (bass) and Paul Guay,
    (drums) took on their Thursday night gig at Gugs on March, 23.  
    The 14-track live recording displays the group’s organic and majestic improvisations, whether they’re taking it slow and steady with poppy lyrics and sing-a-long choruses or bringing back the blues with suave, seductive saxophone solos.

    The gathering at Gugs was treated to a debut opener of “Spit it Out,” a fresh track with buttery-smooth jazz from start to finish and soft vocals to match. “Kindergarten Blues” follows as a well-known LBL track off of Cow. If you’re a previous fan, you’ve probably heard the blues-referenced track, as well as “Frisbee,” the third execution of the night, on radio stations like WEQX. The back-to-back hits ended with attention honed in on Dunne’s tickling of the saxophone, a busted drum pedal and verbal rant by Mike Rios. “Jump Ship” comes next with a switch-up in musical approach. Vocals take precedence in this easily accepted track with a story to tell, while the band acts as support on this Bertrand-led venture.

    In relation to their debut album, Bertrand described them as “generated by feelings you have at the best time in your life: childhood.” It’s safe to say that the material played at Gugs drew from that same care-free mentality. Other highlights of the night include a blues-heavy “Young Sprite,” which bears a slight, yet pleasant sounding comparison to the Dead’s “Sugaree” at moments, as well as unmistakable insight to the groups comfort with one another and stage banter, regardless of the time span they’ve officially been Let’s Be Leonard. If all that wasn’t enough to be wrapped around their fingers, the sensationally executed guitar solos mark a personal favorite milestone in the set.

    A surprise “Brad Paisley” cover ended the night with unconventional onstage vocal motif between the guys, extremely comparable to Phish’s “David Bowie.” All members repeatedly sing and spew out the country star’s name over and over in a mimicked care-free manner as the jam icons. The light-hearted song acted as an engaging way to close out a set that was so obviously and mutually enjoyed by band members and the crowd alike.

    While Saratoga Springs is no stranger to celebrity strolls down in its perfect weekend-visit city with SPAC just round the corner, it’s hard for residents not to get excited when Brad Paisley is spotted in a local coffee shop. In town for his summer show at SPAC, a local mentioned the group’s own “Brad Paisley.” I wonder if he ever found his way to track of his namesake.

    Bertrand and company recently snagged a headlining spot for Glenn’s Falls 2nd annual GEM Festival held on July 29 and sits among local artists on the newly announced trio of Sunday afternoon concerts on SPAC’s gazebo stage. From their youngest hours as a group, they’ve gained fast and hard earned notoriety. With signing on as one of the founding bands on NYS Music 87/90, it’s safe to say things will keep moving with the same onward energy and hunger to get their next gig booked and festival played.

    Key tracks: Spit it Out, Young Sprite, Brad Paisley

    Live at Gug’s Set list:

    Spit It Out,  Kindergarten Blues,  Frisbee, Jump Ship, “Salvation”, Balloons, Most Days > How Do You Fall In Love?, Open Your Eyes,  Channel 2, Young Sprite, Comet > High n Dry, Birdsong > Rocky Road, Sad Town
    E: Brad Paisley
  • Brad Paisely Opens Saratoga Performing Art Center’s Summer Concert Series

    Brad Paisely kicked off Saratoga Performing Art Center’s (SPAC) summer concert series with a bang, bringing an all-star line up of guests. Paisley played his array of songs to a crowd of over 10,000. He brought his incredible guitar capabilities that left the crowd on their toes.

    brad paisley SPACCountry stars such as Dustin Lynch, Chase Bryant and Lindsay Ell supported Paisely on the tour giving the fans a bang for their buck. After Lindsay Ell ended her set, a huge storm made its way to the venue  which then forced them to shut down all equipment and bring everyone on the lawn inside for shelter. After an hour delay, Chase Bryant quickly came on to get the crowd back on their feet.

    brad paisley SPACBrad Paisely came on at SPAC shortly after 10 pm, playing his hit songs such as “Crushin’ It” and “Old Alabama.” Paisely then welcomed Dustin Lynch on stage to sing a duet for the song “I’m Still A Guy.” During that song, a fan was brought on stage to propose to his girlfriend and she said yes. Paisely was very happy with the first show of the tour telling the crowd, “I can’t tell you how much it means to be playing in a place where my favorite jam bands played for a bunch of stoners.”

    brad paisley SPACbrad paisley SPAC

  • So Last Year Embarking on Northeast Tour

    Rochester indie pop band So Last Year is setting off on a month-long journey through New York, Pennsylvania, Ohio, and for the first time, Massachusetts. Tour kicks off on June 3 with a hometown show at the California Brew Haus and includes stops in Buffalo on June 18 and Syracuse on June 25.

    So Last Year describes their distinctive sound as “vibrant pop/indie-rock with a little bit of piano and a lot of soul.” On tour, they will be playing songs from theirself-released full length albums, It’s Later Than You Think (2013) and In Light of Summer (2015). Formed in 2013 from members of prog rock project Inneriot and other musicians, they’ve undergone some amicable lineup changes. The ensemble currently consists ofLogan Van Epps (vocals, keys), Jon Stowell (guitar), Jason Campbell (guitar), Curtis Matteson (bass), Mitch VanDenBerghe (drums).

    Tour Dates:

    June 3 – Rochester, NY – The California Brew Haus
    June 8 – Boston, MA – TBA
    June 9 – Pembrooke, MA – Lucky Dawg
    June 10 – Tauton, MA – Allaboutrecords
    June 11 – Boston, MA – house show
    June 15 – Pittsburgh, PA – house show
    June 16 – Kent, OH – The Outpost
    June 17 – Pittsburgh, PA – Black Forge Coffee
    June 18 – Buffalo, NY – Buffalo Iron Works
    June 25 – Syracuse, NY – Spark Art Gallery

    Follow So Last Year on Facebook and Instagram for tour updates.

Built in Breakdance