NYS Music 20​17

Category: Regions

  • Biters and Frankie + The Studs Rock Rochester on their Unleashed on the East Coast Tour

    Fans of the glam rock resurgence were in their glory on Friday, May 26 in Rochester as Frankie and The Studs and Biters came through on their Unleashed on the East Tour. Biters have toured extensively across North America and Europe over the past seven years, but this was their first time in Rochester. For Frankie and The Studs, this was one stop of their first tour ever. The Historic German House in the South Wedge was thumping with the heavy beats and killer riffs.

    The Finger Lakes’ own Major Crush  started off the night. The Ende brothers, Tommy and Kenny, are on vocals and guitar respectively. Frankie Wheeler on bass and Brandon Young on drums round out the band. I caught an acoustic set a couple years ago, but this was my first time seeing them all together. They have a fantastic stage presence and encouraged audience interaction, which helped to get the crowd warmed up for the main acts. They play pop rock, remarkable for the stellar guitarwork and spot-on harmonies. The setlist was comprised of songs from Trophy Kids, the full-length album they released last year, including the anthemic sing-along “Turn Up the Radio” and the more edgy “You Ain’t A Saint.” On this night, they also played a new song they’ve been working on called “Summer Time.”

    Frankie and the Studs are an up-and-coming act out of Hollywood. Frankie Clarke represents the new wave of glam rock with her fringed leather catsuit, dip-dyed hair and glitter makeup. Frankie Clarke met The Studs just after recording a cover of “Hot Child in the City.”  Together, their sound and style makes me nostalgic for the days when the boy next door blared “I Love Rock and Roll” from his boom box. Their 2016 EP, High on Yourself, was produced by Clarke’s father, Gilby Clarke, who played guitar for Guns N Roses during the Use Your Illusion era.

    Frankie and the Studs were rife with punk attitude as they played a set which included their originals “High on Yourself,” “Sick of You,” and “She’s Insane.” They also threw in the cover of “Hot Child in the City” and a new ballad, yet to be recorded, called “Dance with You.” The spin light above the stage caught the silver studs and glittered platform boots as Frankie danced around with her stars and stripes guitar. The Studs complimented her perfectly with backup vocals, a strong beat, and fantastic fretwork.

    While this is their first time on tour, it’s not their first time playing in New York. Frankie and the Studs played a show in New York City last year during Fashion Week. With the allure of the New York punk scene, I expect we’ll be seeing this band come through again and again.

    Biters put on a high octane performance, a reminder that hard rock is not to be relegated to the graveyard of classic radio station rotation. Smoke filled the stage and silhouetted their cowboy-boot and denim-clad figures. Their music, like their logo, has razor-sharp teeth that cut to the core. They serve their songs straight up with no frills. With two LP’s and four EP’s under their belt, they had a vast array of songs to choose from for their setlist. Standouts included their hits “Low Lives in High Definition,” “Gypsy Rose,” “Hallucination Generation,” and “1975.” They also threw in a fun medley of a few bars from famous rock songs that they don’t cover. To make up for it, they included Tom Petty’s “American Girl” in their encore.

    Catch the final New York State show of the Unleashed on the East Tour at St. Vitus in Brooklyn on May 31.

    Remaining tour dates:

    May 31 – St. Vitus – Brooklyn, NY

    June 1 – The Metro Gallery – Baltimore, MD

    June 2 – Abbey Bar at Appalachian Brewing – Harrisburg, PA

    June 3 – Voltage Lounge – Philadelphia, PA

    Photos by Alyssa Smith

  • Photo Gallery: Mihali Savoulidis at the Hollow

    Mihali Savoulidis of Twiddle rocked a capacity crowd at The Hollow Bar and Kitchen in Albany, NY on May 17.

    Mihali Savoulidis hollowThis was his 2nd stop from the recent six-show solo tour where he shared some Twiddle classics, material off the new album Plump: Chapter 2, and some crowd pleasing covers that had everyone singing along.  Adam Brockway of Eastbound Jesus started the night off, and set the tone for an epic night full of positive vibes. Check out the photos below!

  • Kevin Morby Provides a Preview of Things to Come in Philadelphia

    Kevin Morby is releasing his new album in just a couple weeks (out June 16), but you’d forgive those in attendance on Friday, May 26 during the sold out show at Johnny Brenda’s in Philadelphia if they were unaware.

    The album didn’t even getting a passing mention from the stage, even as the band filled half the 80 minute set with it’s songs. That is of course unless you count Morby’s stark white suit, decorated with bold black musical notes. Across the back the album’s title, City Music, was spelled out in sparkling jewels, while the lapels included his initials. An unorthodox but rather fashionable way of getting the message across.

    Regardless, there was no need for the announcement. Most in the crowd seemed well aware of the music that was on it’s way, to the point of singing along with the couple of singles that have already made their public appearance. The set got off to a wailing good start with the title track off the new album. Morby played a dueling guitar lead with Albany’s Meg Duffy, who released her own stellar album earlier this year under the Hand Habits moniker. Her soft voice and precise playing were the perfect foil for Morby’s monotone and brasher guitar strokes throughout the night.

    The set explored material from the full breadth of Morby’s catalog. The energy peaked with “Destroyer,” where the rhythm section, Nick Kinsey on drums and Cyrus Gengras on bass, locked into a tight groove while Duffy soared with slide guitar leads. They kept the energy high with “I Have Been to the Mountain” and “Harlem River” featuring more heady guitar action. It slowly mellowed out from there, before closing with the quietest moment, Morby playing solo on “Beautiful Strangers.”

    Though non-traditional with the album promotion, Morby promised the crowd that they would honor the old concert tradition of coming back out for a few more songs if the crowd clapped after they left the stage. And they didn’t disappoint, playing two fan favorites off of last year’s breakout album, Singing Saw, and then finishing it off with a bombastic cover of Velvet Underground’s “Rock and Roll.”

    John Andrews, who we last saw drumming in Quilt, was fronting his own band, The Yawns, in the opening slot. They played a short but exciting set featuring material off their recent release, Bad Posture. Lazy, slinky, psychedelic folk rock, songs like “Drivers” and “Old News” gave way to the engrossing set closer “Audrey” that had the crowd desperate for more.

    Kevin Morby Setlist:
    City Music, Crybaby, 1234, Aboard My Train, Destroyer, I Have Been to the Mountain, Harlem River, Come to Me Now, Parade, Downtown Lights, Beautiful Strangers
    E: Cut Me Down, Dorothy, Rock and Roll

  • Intrepid Travelers Drop First Leg of Summer 2017 ‘Everyday is Your Birthday’ Tour Ahead of Summer Camp Festival

    With a name based around the ideology of fearlessly hitting the road and even other dimensions, Intrepid Travelers have set their sights on their latest voyage– the first leg of their Summer 2017 Everyday is Your Birthday tour. With a stacked, 20-date tour launch, the Buffalo-based quartet of Donny Frauenhofer (vocals/keyboards), Brian Calisto (vocals/guitar), David Naimanis (vocals/bass) and Jon Fohl (vocals/drums) will kick off at Summer Camp Festival in Illinois and bring the birthday celebration mentality through the midwest and back home to the Empire State.

    IT will tackle notable gigs in the very near future, with their first summer tour date doubling as a Sunday, 4:30 p.m.-5:30 p.m. Camping Stage festival slot at this weekend’s Summer Camp. From there, the funky, psychedelic rockers will bring their explosive improvisation, stockpile of musical elements and interwoven catalog, to the second annual IT Fest in Alden, NY from June 9-10. Last year, fans were delighted with three IT sets–one of those being a full cover of MGMT’s Oracular Spectacular from front to back.

    After notching their very own second festival, the group will keep the celebrations going at Woodhenge Music Festival for a weekend of sustainability-centered workshops and solar powered music. Fellow NYS 87/90 bands sit on the bill such as headliners Formula 5, as well as Boogie Low and Space Carnival. The boys will head to familiar territory at Buffalo Iron Works on June 29 for an official, Everyday is Your Birthday EP release party, giving them one specific night to relish in praises of their latest accomplishments. Among their summer tour dates and the peppered festival stops throughout, Intrepid Travelers have tacked an electric and acoustic set at Rochester’s Three Head’s Brewing as well as a set at Cobblestone Live! Festival in Buffalo onto the end of leg one, giving an abundance of veteran and potential fans a chance to see their receptive musical relationship.

    Through eclectic musicianship, stellar improvisation and quick evolution through an evident jazz-funk fusion outer shell, nods to reggae, bluegrass, classical and electronic tendencies by Intrepid Travelers are sure to take you through a cerebral journey of your very own.

    Summer 2017 Everyday is Your Birthday Tour Dates:

    5/28 – Chillicothe, IL – Summer Camp Music Festival
    6/9-10 – Alden, NY – IT Fest II
    6/24 – Adams, NY – Woodhenge Music Festival
    6/29 – Buffalo, NY – Buffalo Iron Works **EP Release Party**
    6/30 – Canton, OH – Royal Dock’s Brewery
    7/1 – New Philadelphia, OH – Bud and Tootie’s
    7/2 – Greenwood, IN – That Place
    7/3 – Louisville, KY – Magnolia Bar
    7/5 – Lawrence, KA – The Bottleneck
    7/6 – Cedar Rapids, IA – Dick’s Tap & Shake
    7/7 – Racine, WI – George’s Tavern
    7/8 – TBA
    7/9 – Madison, WI – The Wisco
    7/11 – Ann Arbor, MI – Club Above
    7/12 – Cleveland, OH – Beachland Tavern
    7/13 – TBA
    7/14 – Youngstown, OH – Suzie’s Dogs Drafts
    7/15 – Rochester, NY – Three Heads Brewing ** Acoustic and Electric Set**
    7/16 – Buffalo, NY – Cobblestone Live! Festival

  • Interview: Olivia Grace Discusses her Upcoming Releases and Next Steps in Brooklyn

    Indie pop artist Olivia Grace is originally from Maryland but ready to take the New York music scene by storm. She’s focusing her energy and creative juices into launching a musical career while completing her senior year of college. Her latest single “Blackbird” was released on September 30 enticing listeners with her unique style. NYS Music had the chance to find out more about Olivia Grace’s unreleased music including “Shoestrings” to be released early June.

    Sammy Steiner: As a singer-songwriter, where did your inspiration for “Shoestrings” come from?

    Olivia Grace: Ultimately, the song is about feeling out of place. It’s somewhat unapologetic, but it’s also about trying to make sense of everything when you’re not quite sure how you fit in. The story isn’t completely about me, as I do love creating fictional characters in my songs. However, when I wrote this song I had just moved to New York, and it was completely different from what I had been used to. I lived in Chicago beforehand, but New York just doesn’t compare. I think that feeling of navigating a new city and finding my place inspired a bit of the song.

    SS: Can you take us through your journey and involvement in the creation of this track? What was your favorite part of the record-making process?

    OG: The song took over a year to write. When I first started it, it sounded more like a folk song. It was slower with completely different rhythms. It didn’t really feel like THE song. I came back to it when I was flipping through old song ideas, trying to write something new. I picked it back up and it just flowed out. My favorite part recording was the “oh’s” that you hear in the beginning and after the chorus. They were actually added last minute. The song didn’t feel complete when my producer Matt and I had finished. He told me to just go crazy improvising over my piano/instrumental part, and eventually I started singing the “oh” melody. We both knew when we heard it that, that was it!

    SS: Do you have any upcoming plans or prospective venues where you hope to perform in the New York State area?

    OG: I do! I’m currently setting up some shows for July in New York, so I’ll probably be posting about it in June!

    SS: Can you name your top three favorite artists to cover at your shows and why?

    OG: Truthfully, I don’t cover that many artists at shows! I mostly perform my original songs. The one song I always try to fit in my set is Lana Del Rey’s “Video Games.” It’s just so beautiful and after years of performing it, I still love it.

    SS: What are your plans going forward? Are you going to focus on future musical projects or touring?

    OG: I have a lot of unreleased recordings right now, and I’m still going in the studio and recording more. I’m writing quite often as well. Both those things are my main focus right now. I don’t see myself doing a full on tour *right now* but I am traveling a lot this upcoming year, so I probably will be doing a few shows here and there.

    SS: What is one thing you’ve learned from your glimpse into life as an artist thus far?

    OG: Be patient. Everything takes time, hard work, and persistence. You can’t rush success.

  • ‘Ambitious’ Festival Planned for ASO Maestro

    The Albany Symphony plans to conclude David Alan Miller’s 25th anniversary season with an “ambitious” arrangement for this year’s American Music Festival.

    david alan miller directorThe American Music Festival includes more than 15 concerts and events between Wednesday, May 31 and Sunday, June 4.

    The 2017 American Music Festival will be the our most ambitious and exciting festival yet,” said Albany Symphony Orchestra’s Music Director David Alan Miller. “It will celebrate the uniqueness of our Capital Region as the gateway to the Erie Canal, as we prepare to kick off the Erie Canal Bicentennial with our magnificent orchestral barge trip from Albany to Buffalo during the first week of July. Even more, it will celebrate the magnificent diversity and richness of living American composers and their music through a myriad of extraordinary and diverse concerts and related activities. We hope our friends and music lovers everywhere will join us for lots of the events to experience the incredible breadth of contemporary musical art being created today. It’s so much fun to just hang out with us and with all our amazing featured creative artists all weekend long.

    This year’s festival, “Water Music,” will include more than 40 new works, including compositions by 2016 Grammy Award-winning composer Michael Daugherty, Christopher Theofanidis, Reena Esmail, Viet Cuong, Saad Haddad, and winners of the “Composer to Center Stage Reading Session” call-for-scores competition.

    Many of the works amplify the festival’s theme, which celebrates the waters that surround us, and advance the ASO’s mission of giving voice to innovative new works, with a particular emphasis on young and emerging composers. Viet Cuong’s newly commissioned work, which will be premiered by the ASO’s new music ensemble, Dogs of Desire, is a programmatic concerto for the percussion quartet inspired by the limitless power of wind, water, and sun, and the technologies that are transforming the way communities generate sustainable energy. Cuong’s premiere is part of the ASO’s continuing partnership with GE Renewable Energy to explore the ways in which the arts, business, and technology can intersect and influence each other.

    In addition to the Dogs of Desire performance on Friday, June 2 and the full orchestra’s signature festival concert on Saturday, June 3, Festival highlights include 16 world premiere performances, “This Land Sings,” a song-cycle by Michael Daugherty inspired by the life and times of Woody Guthrie, a recital by Sandbox Percussion, and the Argus Quartet, performing works by Christopher Theofanidis and Sleeping Giant’s Rob Honstein and Chris Cerrone. T

    The festival will also feature a special preview concert of seven newly commissioned works for “Water Music NY,” the orchestra’s seven-day barge tour and cross-cultural celebration of the bicentennial of New York’s Erie Canal to take place from July 2 to July 8 across New York state. Community events beyond the concert hall include a guided River Walk with the Rensselaer County Historical Society, and a curated poetry reading at Troy Kitchen.

    For information, including how to purchase tickets and festival passes to the American Music Festival, visit albanysymphony.com or call the Albany Symphony Box Office at (518) 694-3300.

    This article was originally published by The Spot 518. is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYS Music. TheSpot518 and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.

  • Driftwood Takes The Stage At FTC StageOne

    Groups Driftwood and Seth Walker hit FTC StageOne in Fairfield, Connecticut Friday, May 19, and left with quite the bang. Both acts were polished, and the energy that each group brought was high and captivating. The venue in which the show was held was small and quaint, with a smaller stage and crowd the night of the performance. The acoustics were phenomenal, and the size made the performances personal and intimate.

    driftwood FTC StageOne

    Seth Walker, the opening act, set the tone for the night with positive energy and dedication to his performance. Despite the small venue, front man Seth Walker and his band commanded the stage with loud presence and loud sound, their melodies washing over the entire crowd. The crowd seemed heavily interested and entertained by the music this group brought to the table. Walker referred to the crowd as “small, but mighty” between songs.

    Walker was in tune with the instrumentalists he played along with, watching them solo and announcing their names and instruments after they finished. The stage presence of this group was sharp, and it kept the crowd interested. The group as a whole was highly interactive, able to talk and feed off of one another’s melodies and vibes during their set. Bassist Myles Weeks harmonized with Seth Walker on multiple songs, adding depth and flavor to the sound. Seth Walker’s set as a whole held a good amount of variety, ranging from bluesy, jazz bangers to soft, folk songs with country twang. The instrumental aspect of music is held on a high appreciation in both the Seth Walker Band and Driftwood. Walker, though a primarily jazz musician, has his fair share of folk music. The blend of tunes he chose to showcase was complimentary to Driftwood, making Walker a successful and suitable opening act.

    After Walker cleared the stage, only a short period of time passed before Driftwood took the stage, sound checking their instruments and setting up their equipment. They were quick and efficient in the process, and soon enough, they were introducing themselves and performing their first song. Bassist Joey Arcuri was unable to make it that evening, and due to the sudden setback, the group was forced to change their set around. It consisted mostly of their slower tunes, but the set still featured sound variety. It was clean, polished, and performed as if there was never a set back to be had.

    Violinist and vocalist Claire Byrne revealed to the crowd that the group was once a trio after addressing the absence of the groups bassist, and interacted with the crowd often throughout the night, encouraging their participation with the music being played. Byrne  encouraged clapping and snapping on a number of songs, and was featured as a soloist on many numbers. Driftwood was personable, courteous to the crowd, and spoke amongst themselves naturally. The stage chemistry between the band was phenomenal, as well as the chemistry between the band and crowd.

    Their music was well-rehearsed, and the intonation and dynamics of this group were amazing. Their harmonies were crisp and well-balanced with the instrumentals. Dan Forsyth and Joe Kollar were attentive to Claire’s solo sections, and even had solos of their own. The group left the crowd smiling and singing along, even requesting an encore. Driftwood ended the evening on a high note, and those who traveled to see them play did not leave disappointed.

  • Hearing Aide: Let’s Be Leonard ‘Live at Gugs’

    After planting their musical seed in Saratoga Springs, Let’s Be Leonard sprouted rather quickly into a jam-jazz fusion powerhouse with all intentions of climbing the jam community ladder. Just a few short years after their formation and quitting their jobs, they’ve become a prized outfit in the Capital Region and beyond. Following the debut of their 2015 debut Cow., LBL put forth four live recordings on Bandcamp, this time, releasing the fifth, Live at Gugs in Glens Falls.

    The 5-piece, led by Karl Bertrand (vocals and rhythm guitar), Matt Griffin (guitar), Connor Dunn (saxophone), Chris Cronin (bass) and Paul Guay,
    (drums) took on their Thursday night gig at Gugs on March, 23.      The 14-track live recording displays the group’s organic and majestic improvisations, whether they’re taking it slow and steady with poppy lyrics and sing-a-long choruses or bringing back the blues with suave, seductive saxophone solos.

    The gathering at Gugs was treated to a debut opener of “Spit it Out,” a fresh track with buttery-smooth jazz from start to finish and soft vocals to match. “Kindergarten Blues” follows as a well-known LBL track off of Cow. If you’re a previous fan, you’ve probably heard the blues-referenced track, as well as “Frisbee,” the third execution of the night, on radio stations like WEQX. The back-to-back hits ended with attention honed in on Dunne’s tickling of the saxophone, a busted drum pedal and verbal rant by Mike Rios. “Jump Ship” comes next with a switch-up in musical approach. Vocals take precedence in this easily accepted track with a story to tell, while the band acts as support on this Bertrand-led venture.

    In relation to their debut album, Bertrand described them as “generated by feelings you have at the best time in your life: childhood.” It’s safe to say that the material played at Gugs drew from that same care-free mentality. Other highlights of the night include a blues-heavy “Young Sprite,” which bears a slight, yet pleasant sounding comparison to the Dead’s “Sugaree” at moments, as well as unmistakable insight to the groups comfort with one another and stage banter, regardless of the time span they’ve officially been Let’s Be Leonard. If all that wasn’t enough to be wrapped around their fingers, the sensationally executed guitar solos mark a personal favorite milestone in the set.

    A surprise “Brad Paisley” cover ended the night with unconventional onstage vocal motif between the guys, extremely comparable to Phish’s “David Bowie.” All members repeatedly sing and spew out the country star’s name over and over in a mimicked care-free manner as the jam icons. The light-hearted song acted as an engaging way to close out a set that was so obviously and mutually enjoyed by band members and the crowd alike.

    While Saratoga Springs is no stranger to celebrity strolls down in its perfect weekend-visit city with SPAC just round the corner, it’s hard for residents not to get excited when Brad Paisley is spotted in a local coffee shop. In town for his summer show at SPAC, a local mentioned the group’s own “Brad Paisley.” I wonder if he ever found his way to track of his namesake.

    Bertrand and company recently snagged a headlining spot for Glenn’s Falls 2nd annual GEM Festival held on July 29 and sits among local artists on the newly announced trio of Sunday afternoon concerts on SPAC’s gazebo stage. From their youngest hours as a group, they’ve gained fast and hard earned notoriety. With signing on as one of the founding bands on NYS Music 87/90, it’s safe to say things will keep moving with the same onward energy and hunger to get their next gig booked and festival played.

    Key tracks: Spit it Out, Young Sprite, Brad Paisley

    Live at Gug’s Set list:

    Spit It Out,  Kindergarten Blues,  Frisbee, Jump Ship, “Salvation”, Balloons, Most Days > How Do You Fall In Love?, Open Your Eyes,  Channel 2, Young Sprite, Comet > High n Dry, Birdsong > Rocky Road, Sad Town
    E: Brad Paisley

  • Brad Paisely Opens Saratoga Performing Art Center’s Summer Concert Series

    Brad Paisely kicked off Saratoga Performing Art Center’s (SPAC) summer concert series with a bang, bringing an all-star line up of guests. Paisley played his array of songs to a crowd of over 10,000. He brought his incredible guitar capabilities that left the crowd on their toes.

    brad paisley SPACCountry stars such as Dustin Lynch, Chase Bryant and Lindsay Ell supported Paisely on the tour giving the fans a bang for their buck. After Lindsay Ell ended her set, a huge storm made its way to the venue  which then forced them to shut down all equipment and bring everyone on the lawn inside for shelter. After an hour delay, Chase Bryant quickly came on to get the crowd back on their feet.

    brad paisley SPACBrad Paisely came on at SPAC shortly after 10 pm, playing his hit songs such as “Crushin’ It” and “Old Alabama.” Paisely then welcomed Dustin Lynch on stage to sing a duet for the song “I’m Still A Guy.” During that song, a fan was brought on stage to propose to his girlfriend and she said yes. Paisely was very happy with the first show of the tour telling the crowd, “I can’t tell you how much it means to be playing in a place where my favorite jam bands played for a bunch of stoners.”

    brad paisley SPACbrad paisley SPAC

  • Leif Vollebekk Honestly Good at German House

    Honest Folk, a little over a year in existence, promotes occasional pop-up folksy shows in the Rochester area. For their latest booking, they brought Montreal’s Leif Vollebekk to the Historic German House. Rather than plop Vollebekk and band, drummer Evan Tighe and bassist Michael Felder, up on the venue’s tall stage, they set up on a short riser in front for a more appropriately intimate appearance. ‘Honest’ wasn’t just in the name, it was the driving force behind the evening. Honest to the earth: it was announced it was a zero waste event, with everything either being recycled or composted. Honest to the community: proceeds from the event would be donated to the Center for Youth, a local non-profit working with homeless children.

    And honest to the ears and soul: Vollebekk’s music, both reflective and relatable, was conceived, delivered and received without any air of contrivance. Opening with a short meditation mixing some ethereal Moog swirls with Wurlitzer grooving, he eased into “Into the Ether,” off his 2017 release Twin Solitude, which he played heavily from throughout the two-set show.

    Vollebekk played like a man possessed, it seemed it was two people playing the part. The singer delivered every lyric like he was just realizing the weight of the words for the first time right then and there. His face stretched, contorted and squeezed into inhuman shapes as he sang, whether words or just utterances. His hands worked almost independently, banging out complementary sounds on the electric pianos or picking along on one of his three guitars. At times the playing and the singing happened in succession, as though one was answering the other.

    Vollebekk was more emotive seated at the keys, but his guitar work was equally impressive. Both sets closed with him strapping on the electric, in the first on “Telluride” and the second with “East of Eden.” Both songs slowly built to a relatively energetic finish, with a fantastic flurry of finger-picking elegance.

    The two sets were a rarity for this band. As Vollebekk explained it, LP’s have two sides, but he was from the CD generation. It felt like the audience got two separate show closers out of the deal. So it was only appropriate that we would get two encores. Vollebekk said they couldn’t decide between two covers, so they would play both. The evening would end with their takes from two folk legends. A full band reading of Bob Dylan’s “Jokerman” followed by a solo guitar interpretation of Joni Mitchell’s “A Case of You.” Honest through and through.

    Setlist:
    Into the Ether, Vancouver Time, ?, Michigan, Elegy > Off the Main Drag, Photographer Friend, Telluride

    From the Forth, Cairo Blues, ?, All Night Sedans, ? > Elegy, East of Eden

    E: Jokerman, A Case of You

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