



The lineup on the night’s gig consisted of Rich Bomzer on tenor sax, Eric Frost and Christian Crawford (trumpet), Annie Mclean (vocals), Tj Adorno (guitar/rap), Colin Dooman (bass), Evan Sundquist (keyboard, vocals, computerized sound effects), Angel Lau (percussion) and Alex Aitken (drums).Hip-hop superstar and rapper Darryl “DMC” McDaniels drops his latest work, Back From The Dead, The Legend Lives on Record Store Day, Nov. 24. To celebrate the release, he’ll be doing meet-and-greets and talking about his life with fans at record stores throughout the entire weekend:Looney Tunes Records on Long Island (Friday, Nov. 24), Vintage Vinyl Records in Fords, NJ (Saturday, Nov. 25), and The Record Archive in Rochester (Sunday, Nov. 26). Each event starts at 3pm. Fans must pre-order Back From The Dead, The Legend Lives through a participating record store in order to get a wristband to attend.
Fans will not want to miss this rare opportunity to meet the legendary Darryl “DMC” McDaniels and hear his inspirational story! The founding member of Run-DMC will be joined at these events by Jason Rockman of Slaves on Dope, who performs on the album. The pair will be available after the talk to take pictures and sign copies of “Back From the Dead, The Legend Lives.” Released on Brookvale Records, the LP is limited to only 4,000 copies.
Friday, Nov. 24
Looney Tunes Music and More (LONG ISLAND, NY)
631.587.7722
www.LTCDS.com
Saturday, Nov. 25
Vintage Vinyl Records (FORDS, NJ)
732.225.7717
www.vvinyl.com
Sunday, Nov. 26
Record Archive (ROCHESTER, NY)
585.244.1210
www.recordarchive.com
Surrounded by avid clubs and music venues dawning bright lights, all host such enthusiastic musicians and performers. One in particular performs to achieve one simple objective: Give em’ what they want! This is the essence of the solo act that is Rob (the guitar guy) Baione.Dark Star Orchestra rolled out more 2017 tour dates. The newly added East Coast performances include a handful of shows in New York, including DSO’s 20th anniversary celebration on November 11 at the Palace Theatre in Albany. The fall dates lead up to a Cosmic New Year’s Run which includes three nights at Philly’s Electric Factory from December 29 through New Year’s Eve. Details and tickets are available at DSO’s website.
Dark Star Orchestra Remaining 2017 Dates:
Sept.21 – San Antonio, TX – The Aztec Theatre
Sept. 22 – Austin, TX – Stubb’s Austin
Sept. 23 – Dallas, TX – House of Blues Dallas
Sept. 26 – Salina, KS – Stiefel Theatre for the Performing Arts
Sept. 28 – Boulder, CO – Boulder Theater
Sept. 29 – Boulder, CO – Boulder Theater
Sept. 30 – Boulder, CO – Boulder Theater
Oct. 2 – Omaha, NE – Slowdown
Oct. 5 – Cleveland, OH – House of Blues Cleveland
Oct. 6 – Cincinnati, OH – Taft Theatre
Oct. 7 – Columbus, OH – Express LIVE
Oct. 10 – Grand Rapids, MI – The Intersection
Oct. 12 – Detroit, MI – The Majestic
Oct. 13 – Chicago, IL – The Vic Theatre
Oct. 14 – Milwaukee, WI – Riverside Theater
Dark Star Orchestra Fall Tour – Part 2 (Newly Announced Dates):
Nov. 10 – Montclair, NJ – Wellmont Theater
Nov. 11 – Albany, NY – Palace Theater
Nov. 12 – Peekskill, NY – Paramount Hudson Valley
Nov. 14 – Northampton, MA – Calvin Theatre
Nov. 16 – Portland, ME – State Theatre, Portland, Maine
Nov. 17 – New Haven, CT – College Street Music Hall
Nov. 18 – Worcester, MA – Worcester Palladium
Nov. 19 – Ithaca, NY – State Theatre of Ithaca
Nov. 21 – Concord, NH – Capitol Center for the Arts
Nov. 22 – Jim Thorpe, PA – Penn’s Peak
Nov. 24 – Huntington, NY – The Paramount
Nov. 25 – Huntington, NY – The Paramount
Nov. 29 – Richmond, VA – The National
Nov. 30 – Richmond, VA – The National
Dec. 1 – Norfolk, VA – The NorVA
Dec. 2 – Washington D.C. – The Anthem ( ** Recreating Grateful Dead’s 6/14/91 R.F.K. show **)
Dec. 28 – Montclair, NJ – Wellmont Theater
Dec. 29 – Philadelphia, PA – Electric Factory – with Dirty Dozen Brass Band
Dec. 30 – Philadelphia, PA – Electric Factory – with Keller Williams solo
Dec. 31 – Philadelphia, PA – Electric Factory – 3 sets of DSO
New York hip hop is often thought of as music with a classic “boom-bap” style beat, intricate rhyme schemes, vivid lyrical content, grittiness and smooth flow. When people think of NY hip-hop, the five boroughs and their respective legends come to mind…But everyone always forgets about the suburb attached to the City’s hip; Long Island. When you think of Long Island, you think of rich people, strip malls & mindless self-indulgence. Musically you think of pop punk and garage bands. But walk into a Long Island bar or music venue and you might just catch a rare breed; the Long Island emcee. Among this rare breed there’s a sound that would be hard to forget; Doug G the Nightchild performing tracks off of his EP Nightchild.
The Nightchild EP coincides with the change in Doug Gallardo’s moniker from “Doug G” to “Doug G the Nightchild.” Going for a darker, grittier route in both instrumentals and lyrics, songs on the record cite feelings of disgust, hate, rage, teetering on brokenness and impending apathy. In other words, the boiling angst that can be found in the millennial counterculture. Doug delivers this feeling through hard-hitting, atypical beats, clever word play, smooth flowing multi-rhyme schemes and tons of vocal energy that most people can’t muster live nor in the booth.
“66669” is the song that will get the audience jumping and shouting back the lyrics. The hook is as simple as the chant “six-six-six-six-nine” over a trap style beat, with edgy, aggressive vocals. “66669” in context of the song is Doug being the “devil” and “69” being what he’s doing/will be doing to your girl, the game, etc. My initial reaction to the song was “damn that sh*t is thug as f*ck”…but the Nightchild isn’t thug, just a real NY lyricist.
Doug captures the essence of what he’s living and feeling a la songs like “Death to Your Drug Dealer,” which captures the state-of-affairs on Long Island where addiction to heroin and opiates runs rampant. The issue of this poison ruining the lives of young men and women is one that many listeners will be able to connect to. “Emotionless” expresses the guttural feelings of “hating the pain away,” and taps in to the apathy that most millennials are feeling.
Overall, this five-song EP does two very essential things; it snapshots an energetic and constant performance that would appeal to a new listener, and it gives Doug’s established fan-base something with a lot of substance and some new flavor to enjoy. By being able to accomplish these things, Doug G The Nightchild continues to grow his following both online and at live shows. What makes this EP a noteworthy piece of art from the Long Island music scene is first and foremost Doug’s vocal performance and energy. Without having to utilize a singer, catchy hooks or overbearingly fast flow (disclaimer; people are dumb enough to think rapping fast equivalates to having the best flow), Doug establishes a unique sound that captures your attention throughout the entire EP.
Be on the look out for Doug G the Nightchild at a NYC or Long Island music venue, often performing alongside his counterpart Bearded Legend as BLDG.
Key Tracks: 66669, Emotionless, Death to Your Drug Dealer