Category: Hudson Valley

  • New York State to Aid 2019 Woodstock Anniversary in Event Funding

    Music Festivals are constantly curated and in recent times, unfold in abundance as live music lovers today are spoiled to have their preferred picks of summertime get downs. However, there’s only one original festival that can be credited with truly sparking an endless movement–Woodstock. We’re lucky enough to see footage, listen to wild tales of the 1969 live music renaissance and visit the stomping grounds where the magic of Jimi Hendrix, The Who, Jefferson Airplane, Janis Joplin and so many more were unleashed. Now, New York State has big plans to step in with financial funding to commemorate the fest with a 2019 50th Woodstock anniversary event.

    After rumors have circulated among fake bills, rock music fans can rest knowing that a dream will soon be reality. According to LocalSyr, “The Regional Economic Development Council announced earlier this week includes nearly $690,000 for the Bethel Woods Center for the Arts — that’s located on the site of the original Woodstock Music Festival.”

    Promoter Michael Lang put together two previous anniversary versions of the iconic festival; the first in nearby Saugerties at Winston Farm in 1994. The event featured a raucous mud-throwing performance from Green Day, the Red Hot Chili Peppers, Primus and Bob Dylan. The 1999 edition, held on a deactivated air force base in Rome, is most remembered for its tumultuous ending. Attendees rioted, starting fires and looting vendors as the final bands performed. Allegations of rape throughout the weekend also tainted the festival, putting any further incarnations of it in doubt.

    Having showcased three days of peace, music and love to over 400,000 attendees, the 2019 event will offer the same three-day setup at the 11-year old venue. Bethel Woods oozes history from its amphitheater to its Woodstock Museum that often showcases clothing and special effects from its generation’s biggest stars, offering you a way to get lost in time and get on the bus for a bit.

    We won’t get to see Hendrix shred the “Star-Spangled Banner,” hear Jerry Garcia sing songs to fill the air or listen in awe as Joplin unleashes her raspy vocals to an endless crowd but we can only expect the biggest names to make their way out to the late 1960s and 1970s resurgence. No one who was there will ever be the same, and we’re hoping this statement at least holds up half way for its 50th anniversary bash.

    https://www.youtube.com/watch?v=TKAwPA14Ni4

  • NYS Music’s Guide to 2017 New Years Eve shows around New York State

    NYS Music combed the state, across I-90 and I-87, up into the North Country and down into the Southern Tier, and has compiled a comprehensive list of all events coming up this New Year’s Eve. Make your plans for New Years Eve 2017 and say hello to a brighter 2018! (If we missed a show, email details to editors@nysmusic.com)

    Buffalo and WNY

    Join Intrepid Travelers and Folkfaces in their Buffalo hometown at Nietzsche’s. Event Link

    2017 new years eveRing in the New Year at Buffalo Iron Works with Moon Hooch, Gnomedad & Honeycomb. Get your tickets in advance – this show is sure to sell out! Event Link

    Aqueous has a Gorillaz-themed set planned for their bash at Town Ballroom. Event Link 

    Renown Pink Floyd Tribute band The Machine will be performing at Rapids Theatre in Niagara Falls. Event Link 

    North Tonawanda’s Strand Theatre has Miller & The Other Sinners with special guest Cinnamon Jones. Event Link

    Celebrate The New Year in Jamestown at Jamestown Eagles Club with the Kates Brothers Band. Event Link

    Ithaca

    Big Mean Sound Machine’s Big Mean New Year’s Eve will mean of night of getting down at Lot 10. Event Link

    Get a double dose of folk rock at The Haunt with Driftwood. Event Link

    Rochester and Finger Lakes

    Rochester’s hottest new venue, Radio Social, has a hot show planned featuring harp-playing singer/songwriter Mikaela Davis. Event Link 

    Mosh your way into 2018. Floated Magazine is hosting a hardcore show a show at Bug Jar with REPS, The Weight We Carry, Kodivk, and Bone Mask. Event Link

    Funk n Waffles Rochester: Dirty Blanket & Root Shock. Event Link 

    Anthology has two nights of fun planned. Giant Panda Guerilla Dub Squad plays both nights. On December 30 they’re joined by John Brown’s Body and Thunder Body. And on New Year’s Eve, they share the stage with Easy Star All-Stars (performing Dub Side of the Moon) Event Link

    Syracuse and CNY

    In Syracuse, Sophistafunk and Skunk City will rock out at Funk N Waffles Downtown. Event Link

    Or catch The Ripcords at the Fireside Inn in Baldwinsville.

    Verona – Mick Adams and The Stones at Turning Stone Casino. Event Link

    Capital District

    Throughout Albany, Schenectady and Troy this New Year’s Eve, celebrate responsibly. Call for a free cab in the Capital Region during New Year’s Eve, courtesy of Martin, Harding, & Mazzotti LLP.

    Twiddle will ring in the New Year, with a second performance at the Palace Theatre in Albany with special guest Giant Country Horns. Event Link.

    Join in on the mystique of Albany, at the Hollow Bar + Kitchens NYE Masquerade party with live music by The Late Shift, and Mirk. Event Link

    The Albany Hilton will host a NYE ’80s theme party, with music by The Refrigerators. Event Link

    A Pirate, and mermaid themed Shipwrecked party will take over The Desmond Hotel in Albany, with live music by The Audiostars, Skeeter Creek, and DeeJay Element. Event Link

    Playing With Fire Band, along with many others, will perform at Bethlehem’s First Night, in Delmar. Event Link

    Ring in the New Year at the annual First Night, in downtown Saratoga, where there will be a wide range of activities and live music. Event Link

    Vapor Nightclub at the Saratoga Casino and Hotel, with feature the biggest balloon drop in the Capital Region along with music by The New York Players. Event Link

    Motown will take over the Rivers Casino & Resort in Schenectady, as R&B and Funk legends, The Commodores, are set to ring in the New Year in the Electric City. Event Link

    Proctors Theater in Schenectady will hold their own Motown NYE bash with music by The Chronicles. Event Link

    Soul Provider will rock in the New Year at the Rustic Barn Pub in Troy. Event Link

    The Shop in Troy, along with other neighboring spaces, will host a Masquerade party with Burlesque performers and live jazz bands. Event Link

    Hudson Valley

    Kingston’s BSP Lounge will host Rubblebucket and local organist Marco Benevento. Event Link 

    Bearsville Theater will welcome Gratefully Yours on New Year’s Eve for a night of Grateful Dead music. Event Link

    In Woodstock, check out The Big Takeover at Colony Cafe. Event Link 

    North Country

    In Plattsburgh, The Monopole will host Groovestick for all night party with some Grateful Dead added in! Music starts at 10pm and goes until 6am. Event Link

    Saranac Lake at The Waterhole will feature Annie in the Water and Nina’s Brew. Event Link

    Westchester

    Portchester’s Capitol Theatre brings in Colorado’s String Cheese Incident for 3 sets! Event Link

    New York City

    Brooklyn

    They Might Be Giants at Music Hall of Williamsburg. Event Link


    Brooklyn Bowl will host the legendary funk troupe Lettuce along with rising dance artists Jaw Gems. Event Link 

    Rich Medina presents HOME at C’mon Everybody  in Brooklyn, performing house, rare groove and garage classics. Event Link

    Soul Clap will keep the Crew Love real this New Year’s Eve with special live performances from rhythmic house duo No Regular Play and Afro-Futuristic pilots The Illustrious Blacks. Event Link

    Budos Band will hit The Knitting Factory with Evolfo and Electric Citizen. Event Link

    Bell House hosts The Rub NYE featuring DJ Ayres, DJ Eleven, Makossa Brooklyn Cookout and Prince Klassen. Event Link

    Manhattan

    Holly Bowling will perform her annual pre-show at The Cutting Room at 4pm on NYE. Event Link

    Electric Love Machine hosts a FREE pre-party at American Beauty before Phish. Event Link

    Gov’t Mule will host ‘The Rockin Mule Revue’ at The Beacon Theater, with special guests including Jackie Greene, Shawn Pelton, The Chronic Horns and The Better Half Singers. Event Link

    Gramatik throws a dance party like no other at Terminal 5 on NYE. Event Link

    Prefer Jazz to kick 2018 off? Try The Birdland Big Band at Birdland. Event Link


    Three sets of Disco Biscuits await their loyal fans at The Playstation Theater in Times Square. Event Link


    Macy Gray’s soulful voice will be singing the crowd into 2018 at Iridium Jazz Club. Event Link


    John Digweed and Tara Brooks headline a bevy of DJs at Output. Event Link

    and of course, Phish at Madison Square Garden. Event Link

    Followed by and one final Phish After-party, this one with Kung Fu, Wyllys, Jerry Lounge Experience and more at American Beauty. Event Link

  • Best of NYS Music 2017: Staff and Reader Picks for Best Venue

    NYS Music is celebrating the end of 2017 by sharing our staff and reader picks in 10 categories, and today we are highlighting the winners of the Best Venue in New York State.

    Staff Picks

    Brooklyn Steel

    This new venue in the heart of the East Williamsburg neighborhood of Brooklyn has been quite busy in its first year of existence.  Playing host to such acts as Ween, Pigeons Playing Ping Pong, Turkuaz and Yo La Tengo, this 1,800 person capacity room prides itself on open sight lines and great acoustics thanks to a roof specially designed to keep in sound.  The venue’s name is derived from the previous use for this building on the corner of Frost and Debevoise streets, steel fabrication, and patrons are constantly reminded of this with a minimalist decor furnished with scrap metal.

    Owned by Bowery Presents, the similarities between Brooklyn Steel and Terminal 5, another Bowery Presents-owned NYC music venue, are unmistakable.  Both rooms have an industrial feel to them, highlighted by the standing room only viewing areas that surround the stage on both sides.  With fairly easy access thanks to the L line Subway stop nearby and featuring a room with good sound and sight lines, it’s a pretty easy prediction that Brooklyn Steel will be a staple of the city music scene before long.

    Here’s an interesting time lapse video showing the remarkable transformation of an old steel factory into a first rate concert venue.

    The Capitol Theatre

    Located just a short drive outside the city is Port Chester, home to the historic Capitol Theatre which is constantly housing first rate bands and artists.  It was originally designed and used as a theater for cinema and Vaudeville acts when it first opened way back in 1926, but it’s since been redeveloped as a music venue and has seen a wealth of musical royalty pass through its doors.  Acts like Pink Floyd, Janis Joplin, Traffic and The Grateful Dead, who played 13 gigs there in a one year span from 1970-71, all drew large crowds there back in the day just as acts like moe., The Disco Biscuits, Twiddle and Joe Russo’s Almost Dead do now.

    Affectionately known as “The Cap,” this building has all the looks and feels of a classic music hall with modern day amenities. An open floor area generally has more than enough space for concert goers, even for shows that are sold out, while the expansive mezzanine offers seats as well as additional bars upstairs. And if that’s not enough, the adjoining establishment to The Cap was bought out and turned into a bar as well, appropriately named Garcia’s. Peter Shapiro, who also owns Brooklyn Bowl, has done a nice job of refurbishing and putting the Capitol Theatre back on the map as a first rate home for live music in New York State.

    Here’s a clip of moe.’s performance from last year that gives you a little idea of the views and the usage of the walls to double as projection screen of sorts at The Cap.

    The Egg

    The last of our staff picks for best music venue in NYS is that oddly shaped building you might have seen at Empire State Plaza in Albany.  Completed in 1978, this circular shaped performance venue actually holds two different theaters inside with the 982 seat Hart Theatre being the one mainly used for concerts. Although the smaller, 450 seat Swyer Theatre that resembles more of a lecture hall than a music hall recently played host to an acoustic evening of Keller Williams tunes.

    As you would expect from observing it from the outside, The Egg has no sharp angles or straight lines inside with almost everything having a gentle curve to it, even the walls as they meet a gently concave ceiling above them.  This results in not only a relaxed atmosphere for a show, but impeccable acoustics as well. Phish’s Mike Gordon even put out a live release that was recorded here simply called The Egg.  It may not host the large, national touring acts that can fill an arena, but for a pure musical experience with pristine sound in a sit down environment, it doesn’t get much better than The Egg.

    Here’s a clip of the aforementioned Keller Williams playing piano in the smaller Swyer Theatre that gives you a taste of the sound and intimate feel of the room.

    Readers’ Pick

    Bearsville Theater

    The NYSMusic.com readers have spoken and, in a bit of a surprise, the Bearsville Theater located in Woodstock came out on top when the polls closed.  This iconic, yet quaint, music hall is located on the outskirts of town and a perfect location for an intimate evening. Stop next door at Bear Cafe for fine New American dining options before the show, then saunter next door and enjoy the warm ambiance of the lounge and bar inside, before entering the venue and enjoying the incredible acoustics of a popular venue in one of New York’s most iconic towns for arts and music.

    Stay tuned all week for more of our series of the Best of NYS Music.

  • Dark Star Orchestra Continues 20th Anniversary Celebration at Paramount Hudson Valley

    On Nov. 12, Dark Star Orchestra traveled downstate from a show at the Palace Theater in Albany to Paramount Hudson Valley in Peekskill the next night to continue celebrating their 20th year of performing authentic Grateful Dead show replications. The saying “never miss a Sunday show” was once again validated by DSO’s stellar sets at the Paramount a day after the 20th anniversary of their first show in 1997.

    Dark Star Orchestra Paramount Hudson ValleyA fun game for the audience at any DSO show is to take a guess as to what Grateful Dead show the band is covering (which they later reveal before their encore). Shortly after the start of the first set it was fairly easy to narrow the time frame to the late 1980s/early 19990s from the prominence of the keys and later the style of the drum break.  DSO broke form slightly to perform a selective setlist in the style of a particular show which in this case was based on the stylings of 7-19-1990 at Deer Creek Music Center in Indiana. Even though the show wasn’t an exact replica of a Grateful Dead setlist, it showed DSO’s endowment for channeling a particular Grateful Dead style seamlessly through set substitutions to maintain the feel of a real Dead show.

    Set 1 started with a quick recognition of “Jack Straw” and continued on with an easy groove through the set. The 1940s blues standard “It Hurts Me Too” anchored the first set with a remarkable feature of singer Lisa Mackey’s vocals. Rounding off the first set was “Deal,” starting off like any Grateful Dead performance of the song interlaced with plenty of noodling intricately replicated by Jeff Mattson (who replaced long-time DSO guitarist John Kadlecick in 2010). Like a firecracker on a short fuse Mattson’s noodling quickly went from its regular form to a fiery hot guitar jam before coming back around to a quick refrain of the chorus.

    The second set was a bit more true to the Deer Creek show it was modeled after with just two song substitutions. True to a Grateful Dead second set the song run was continuous until the encore even with the contrast between some adjacent songs. Leading in from a “Playing In The Band” reprise, original DSO drummers Rob Koritz and Dino English gave the subtle hints about the drum break about to happen. Koritz and English began with a more structured duet between the two kits before loosening up to move around for a more improvised percussion break including some electronic drums (something Billy Kreutzman and Mickey Hart started incorporating in the late 1980s). While “Space” is what it is for some folks, it’s a good opportunity to zone in and hear something unexpected. The latter part of the second set capped off the show with a strong finish. A Spanish jam akin to Maurice Ravel’s 1928 composition “Bolero” (from which the music of Jefferson Airplane’s “White Rabbit” was inspired) segued into a crescendo that progressed through “Dear Mr. Fantasy,” “Black Peter,” and “Not Fade Away.”

    Keyboardist Rob Barraco took a few moments before the encore to explain a little bit of the setlist and to plug DSO’s four-night Jamaican excursion in January. The Dead’s 7-19-1990 show only included “U.S. Blues” but DSO took the opportunity to make it a perfect close to the show by adding on “Mr. Charlie.” With many unique and excellent Grateful Dead cover acts out there, Dark Star Orchestra has shown again their consistency in delivering a genuine Grateful Dead tribute.

    Dark Star Orchestra, Paramount Hudson Valley, Peekskill, NY

    Set 1: Jack Straw*, They Love Each Other*, Good Times Blues, Row Jimmy*, Blow Away, It Hurts Me Too, Althea* > Deal
    Set 2: Foolish Heart* > Playing In The Band* > China Doll* > Uncle John’s Band* > Playin’ Jam* > Drums* > Space* > Dear Mr. Fantasy > Black Peter* > Not Fade Away*

    Encore: U.S. Blues*, Mister Charlie

    * denotes songs from the Grateful Dead setlist

    (Omissions from Grateful Dead 7-19-1990 setlist: Desolation Row, Picasso Moon, Promised Land, Victim or the Crime, All Along The Watchtower)

    Check out a recording of this DSO show on archive.org.

  • Help those in need at Jam for Tots Shows throughout NYS this Holiday Season

    NYS Music along with Positive Mental Trip present 13 Jam for Tots shows throughout New York State (and one in Connecticut) to help those most in need this holiday season. Fans who attend any of these shows are encouraged to bring an unwrapped gift for a child age 2-12.

    help jam for totsEight bands are part of the Jam for Tots lineup this year, a charitable effort that brings live music and holiday season charity. Luke Weiler (Positive Mental Trip) has brought this series of shows to venues around Northeast, and has been expanded this year to span across New York State and includes 87/90 artists Intrepid Travelers, Cousin Earth, Formula 5, Space Carnival, Gowanus and Let’s Be Leonard, as well as Funkworthy and Chinatown Lights.

    Bring an unwrapped gift for a 2-12 year old and the gifts will be gathered by USMC representatives. Give back to those most in need this holiday season and enjoy a great show at the same time!

  • Roots of Creation Announces 2017-18 Tour

    Roots of Creation wishes all of their fans a “Happy HoliBlaze” as they kick off their 2017-18 tour. They’ll be playing four New York-based shows spanning from Buffalo, Brooklyn, Kingston to Canton from December through April. Of course this is a busy time of year, so those caught up in the holiday rush can also catch them just outside the city in Bridgeport CT as well as Stanhope NJ. Tickets are available now on the band’s website.

    There’s evidence that these will be some of their most energetic and memorable shows, as seen in a recent performance on their Facebook page featuring a “Rage Against the Dead” show, which garnered a large virtual and live audience. There is also reason to believe that they will be showcasing a number of Grateful Dead covers with a reggae twist due to their hype over the soon the be released album, Grateful Dub. RoC has asked fans to help fund the album by giving a donation, which is coupled with great incentives ranging from early album access to studio time with the band. Visit their PledgeMusic page for more information.

    Roots of Creation Tour:

    Nov. 25 – Portland, ME – East Coast Cannabis Conference & Awards
    Dec. 17 – Buffalo, NY – Buffalo Iron Works [18+]
    Dec. 19 – Brooklyn, NY – Brooklyn Bowl
    Dec. 23 – Boston, MA – Brighton Music Hall [18+]
    Dec. 28 – Bridgeport, CT – The Acoustic [21+]
    Dec. 29 – Stanhope, NJ – Stanhope House [18+]
    Dec. 30- Kingston, NY – BSP Kingston [18+]
    Dec. 31 – Plymouth, NH – “NYE Grateful Ball”
    Jan. 5 – Providence, RI – The Strand Ballroom & Theatre (Lupos)
    April 12 – Canton, NY – Java Barn at St. Lawrence University

  • ‘Weird Al’ Tones It Down for 2018 Tour, Several NY Dates Included

    Everyone’s favorite parody musician will once again hit the road, as “Weird Al” Yankovic, has announced dates for an extensive tour of North America in 2018. Yankovic has recently wrapped up one of his biggest tours ever and will return in 2018 with his 70+ city “The Ridiculously Self-Indulgent, Ill-Advised Vanity Tour.” Longtime friend and comedian Emo Phillips, will perform before “Weird Al” takes stage.

    Weird Al 2018Shows will take place in venues with a more intimate feel, and create a little different atmosphere than normal “Weird Al” shows. Yankovic has stated that he and his band will perform original material, rarities, and deep cuts. “Weird Al” will perform songs he and his band haven’t played in years, and songs they have never before played live. He also stated that he and his band have been rehearsing around 60 songs for the trek, and each show on the tour will have a different set list.  Unfortunately, there won’t be any costume changes or running and jumping around by “Weird Al,” as he and the band will sit on stools, and jam out songs for around 90 minutes.

    “Weird Al,” has released 14 studio albums. Four of those fourteen albums reached gold status, while six others reached platinum certifications, including 1984’s “Weird Al” Yankovic in 3-D. He has also won four Grammy awards in his career including Best Concept Music Video for the song “Fat,” in 1989. He has sold over 12 million albums, and has appeared in numerous television shows and on the big screen.

    The tour will kick off on Feb. 27, at the Bardavon 1869 Opera House in Poughkeepsie. New York will see several other stops on the tour throughout the state, including March 1 at the Tarrytown Music Hall in Tarrytown; March 13 at the University at Buffalo Center for the Arts in Buffalo; March 14 at the State Theatre in Ithaca; March 17 at The Paramount in Huntington; and March 23 at The Apollo Theater in New York.

    During a recent interview with Nerdist, “Weird Al” commented on the upcoming tour, his longevity, Emo Phillips and what he hopes fans take away from the tour. “Weird Al” was also asked about his stamina, he replied:

    I’ve definitely had time to relax, reconnect with my family, even take a shower! But yeah, when I’m on the road, it’s pretty exhausting–I get a real workout every night. This upcoming tour shouldn’t be too taxing though. We’re just going to walk out on stage, sit down on stools and play a bunch of songs. No running and jumping around, or changing into thirty different costumes. It’ll be a little rougher on my vocal cords, because I won’t have any video breaks during the show. But the whole vibe of this next tour is going to be pretty laid back. It’s the “Let’s Not Work Up Too Much of a Sweat” tour.

    What he’s looking forward to the most about the tour:

    The band and I are really just looking forward to a change of pace. I’ve been putting on fat suits and riding Segways around the stage, and I just wanted to do something totally different this time out. I don’t think I’ll be making a habit of this: this is quite possibly a once-in-a-lifetime thing. It’ll also be really fun for me to play some of the songs that I was always proud of, but somehow slipped through the cracks. There are only so many songs I can perform in my live show, and the parodies are the audience-pleasers, so we have to focus on those, and as a result, a lot of my original material never makes the cut. But this is not an audience-pleasing show. It’s probably going to be an audience-baffling show. As I’ve said before, there’s a subset of my fan base that’s going to go absolutely nuts for this tour, but it might not be for everybody.

    If he was nervous touring a different type of show for the first time around:

    Well, I wasn’t really nervous until you just brought it up! Yeah, I always get a little nervous right before a tour, and particularly when I’m doing something new. And this tour is extremely different from every other tour I’ve done. I guess I just have to go into it with a good attitude. I know it’s not going to be perfect… it’s not supposed to be perfect. All my other shows were rigidly planned down to the second, and on this tour, we’re literally doing a different set list every night. I’m going to talk a lot more on stage. See, this is really going against my nature and stepping out of my comfort zone. I’m the kind of guy that likes to have everything super-planned out and over-rehearsed and always know exactly what I’m going to do and say. On this tour, I’m just going to walk out on stage and see what happens. It could suck; it could be amazing. That’s a little terrifying to think about… so… I’m going to stop thinking about it.

    On what he hopes fans will bring home from seeing this show:

    Primarily, lots of MERCH. That would be good. Besides that… this tour is geared specifically for the long-time hardcore fans, so I just hope that some of them get their minds blown by hearing some obscure old favorite songs that they never dreamed they’d ever get a chance to hear live. And we’re really pulling out the deep cuts for this show. We’re rehearsing 50 or 60 songs, most of which we’ve either never played live before, or haven’t played in decades. It’s a lot of work. I’d also like to think that, since this show will be comprised almost entirely of my original songs, it might shine a light on the fact that I’ve done some decent non-parody material over the last three decades. But hey, I’m not kidding myself – I know that to 95% of the general population, I’ll always just be the “Eat It” guy.

    How it feels to tour with his longtime friend Emo Phillips:

    I’m really looking forward to that. Emo’s one of my oldest friends, and I think he’s seriously one of the funniest guys in the world. I’ve never traveled with a support act before. For a long time, promoters would hire local comedians to open the show. We never knew anything about them before we got there. Some were good, some were not so good, and some were totally inappropriate. And then, when our show length passed the two-hour mark, we decided to eschew the opening act entirely and make it an “Evening With Al.” But we’re going to try not to bust anybody’s bladder on this tour: Emo’s doing about 30 minutes, and I’m doing about 90. It’ll be really fun; I always have a good time with him, and it’ll be a blast riding a bus with him for 15 weeks. I just hope he doesn’t snore, or perform daily ritual sacrifices or anything. Eh, whatever, I’m sure I’d get used to it.

    The Ridiculously Self-Indulgent, Ill-Advised Vanity Tour Dates:

    Feb. 27 – Bardavon 1869 Opera House – Poughkeepsie, NY
    March 1 – Tarrytown Music Hall – Tarrytown, NY
    March 2 – Foxwoods Resort Casino – Ledyard, CT
    March 3 – The Music Hall – Portsmouth, NH
    March 4 – Wilbur Theatre – Boston, MA
    March 7 – Place Des Arts – Montreal, QC
    March 9 – Danforth Music Hall – Toronto, ON
    March 10 – 20 Monroe Live – Grand Rapids, MI
    March 11 – Michigan Theater – Ann Arbor, MI
    March 13 – University At Buffalo Center for the Arts – Buffalo, NY
    March 14 – State Theatre – Ithaca, NY
    March 16 – Caesars Atlantic City – Circus Maximus – Atlantic City, NJ
    March 17 – The Paramount – Huntington, NY
    March 18 – American Music Theatre – Lancaster, PA
    March 20 – Music Center at Strathmore – Bethesda, MD
    March 23 – Apollo Theater – New York, NY
    March 24 – Palace Theatre – Greensburg, PA
    March 25 – Playhouse Square – Ohio Theatre – Cleveland OH
    March 26 – Lexington Opera House – Lexington, KY
    March 28 – Kentucky Center for the Performing Arts – Louisville, KY
    March 30 – Virginia Theatre – Champaign, IL
    March 31 – Hoyt Sherman Place – Des Moines, IA
    April 2 – Mayo Civic Center Presentation Hall – Rochester – MN
    April 3 – Pantages Theatre – Minneapolis, MN
    April 4 – Pantages Theatre – Minneapolis, MN
    April 6 – Vic Theatre – Chicago, IL
    April 7 – Vic Theatre – Chicago, IL
    April 10 – Pabst Theater – Milwaukee, WI
    April 12 – Honeywell Center – Wabash, IN
    April 13 – Walker Theater – Chattanooga, TN
    April 14 – Miller Theater – Augusta, GA
    April 15 – Tabernacle – Atlanta, GA
    April 17 – War Memorial – Nashville, TN
    April 19 – Gillioz Theatre – Springfield, MO
    April 20 – S.E.Belcher Jr Chapel and Performance Center – Longview, TX
    April 21 – Paramount Theatre – Austin, TX
    April 22 – Wagner Noel Performance Arts Center – Midland, TX
    April 24 – tafford Centre for Performing Arts Theatre – Stafford, TX
    April 25 – Tobin Center for the Performing Arts – San Antonio, TX
    April 27 – The Majestic Theatre – Dallas, TX
    April 28 – Orpheum Theater – Wichita, KS
    April 29 – Folly Theater – Kansas City, MO
    May 1 – Paramount Theatre – Denver, CO
    May 3 – Avalon Theatre – Grand Junction, CO
    May 4 – Tuacahn Ampitheatre at Tuacahn Center for the Arts – Ivins, UT
    May 5 – Fox Tucson Theatre – Tuscon, AZ
    May 6 – Lensic Performing Arts Center – Senta Fe, NM
    May 8 – Meza Arts Center- Ikeda Theatre – Mesa, AZ
    May 9 – McCallum Theatre for the Performing Arts – Palm Desert, CA
    May 11 – The Theatre at Ace Hotel – Los Angeles, CA
    May 12 – Humphrey’s Concerts by the Bay – San Diego, CA
    May 15 – Crest Theatre – Sacramento, CA
    May 17 – Golden State Theatre – Monterey, CA
    May 18 – Turlock Community Theatre – Turlock, CA
    May 19 – Fox Theatre – Oakland, CA
    May 20 – Uptown Theatre – Napa, CA
    May 22 – Cascade Theatre – Redding, CA
    May 24 – McDonald Theatre – Eugene, OR
    May 25 – Revolution Hall – Portland, OR
    May 26 – Revolution Hall – Portland, OR
    May 27 – Martin Woldson Theater at the Fox – Spokane, WA
    May 29 – Moore Theatre – Seattle, WA
    May 31 – Grey Eagle Resort & Casino – Calgary, AB
    June 1 – Casino Regina – Show Lounge – Regina, SK
    June 2 – River Cree Casino and Resort Entertainment Centre – Enoch, AB
    June 3 – Esplanade Theatre – Medicine Hat, AB
    June 5 – Burton Cummings Theatre for the Performing Arts – Winnipeg, MB
    June 6 – Fargo Theatre – Fargo, ND
    June 8 – Columbia, MO – Jesse Auditorium – Columbia, MO
    June 9 – Surf Ballroom – Clear Lake, IA
    June 10 – Meyer Theatre – Green Bay, WI

  • Hearing Aide: The Other Brothers Debut EP ‘Jones’

    Everyone, at some point, dreams of being in a band. Everyone who is in a band, dreams of achieving ultimate success. Some bands spend years in musician purgatory, putting forth albums, riding the in-between waves of small victories within their genre and trying to come to terms with if they’ll ever break through to fame or if the future remains with sold-out hometown shows. The Other Brothers, while still managing similar questions of their own, have showed relentless passion and drive to come out on top over the years, despite the lack of tangible music, until now.

    Trading in hometown gigs for Capitol Theatre collaborations with Theo Katzman and Joe Dart of Vulfpeck as well as slots on festival bills, The Other Brothers have quickly hopped amid their own neo-soul totem pole to the top. Beginning as a New Paltz quartet in 2012, the six-pack made up of the flavorful Chris Owens (lead vocals), John Morrison (guitar), Jordan Mendelson (bass), Brandon Bera (drums), Gabriel Marquez (keys) and Jared Nelson (percussion), constantly performed to friends and family while hitting up the town bars and cafes, quickly making their name known and earning the gold star achievement of local favorites. Fast forward five years and the high-talent sextet have finally compiled a five-song, debut EP, Jones, ready to bestow a plentiful stew of soulful R&B, funky, rock and roll genres onto new listeners.

    Adorned with a simple cartoon drawing of a burnt orange beanie, Jones offers up a fusion of sound from the very first track. The EP kicks off with “A2W,” or better known as “Addicted to Weed” and if you’ve had the pleasure of catching The Other Brothers live, you’ve noticed it’s quite the crowd pleaser, evoking smiles around the room. The song’s theme is centered on playful lyrics about tokin’ and jokin’ as listeners are lead into Jones with a head-knock worthy drumbeat and funky bass line. Owen’s launches into a narrative of all things that have been blown off because of his unwavering marijuana morale. His deep and smooth articulations are perfectly supplemented by the sultry back up vocals of Mary Corso which make a second pop up later on the release.

    Lyrics like “Used to make me laugh, now I just wanna quit” and “get a full-time job and maybe a car” allude to the crossroads many people come to–when to shake a certain comfortable lifestyle in hopes of shifting into a different one or how to make both worlds coexist. The end of the song finds a rap breakdown filled with inner thoughts about giving up personal addictions while guitar aficionado Morrison dives into a funky segue with a build up and climax of heavy, mind-altering psychedelia. The EP quality is top-notch as Jones was recorded to tape, mixed and mastered by David Andersen at Art Farm in Accord, NY and Sound City Studios in Los Angeles.

    “Can I Get It” quickly follows as the second track of the EP, with pronounced drum-circle percussion by Nelson and Mendelson’s bass hook stealing the show in the midst of a dance-party anthem that awakens all senses. The lyrics, while repetitive and straight-forward, aren’t meant to be the highlight of the track. Rather, they state exactly what the band will do as vocal growls and embellishments unleash before wrapping back to the song’s theme of  “We’re gonna funk you up, gonna funk you down!”

    An abrupt ending welcomes another fan favorite “Hit You Up” ft. The Other Brothers’ companion Wavy Cunningham. Taking a slower R&B approach to track three, silky smooth vocals and Marquez’ assistance on the keys come to the forefront of the tune before Cunningham steals the mic for a quick rhyme, appropriately placed smack dab in the middle of the track. Owens truly displays his powerhouse singing chops as the song nears its end with high-hitting notes, running scales and impressive falsetto.

    Up to this point, the EP has offered slower, smooth arrangements and dance-centered tracks until “Your Machine” comes as the funkiest tune off of Jones, immediately placing you in a time machine to their enchanting Disc Jam 2017 performance. An unmistakable groove first grabs hold of your ear as odd time signatures, soaring guitar licks and swift tempo-switches keep you attentively listening to the very ending note. The guitar-wailing track collectively showcases all member’s talents and even ends with a stellar outro that tantalizes a full spectrum of sentiments.

    “Cave In” is delivered as the EP’s 5th and final track, giving off a stimulating and inviting arrangement to tap your toes and swing your hips to. The dreamy vocals enter into airy falsetto, unmistakable growls and even add jazzy scatting into the mix for a nod to yet another wall of sound. “I’m gonna hide inside this groove, baby, until I get back to you” perfectly depicts the soulful and emotive themes the ending track delivers.

    Before The Other Brothers even released their tunes in any capacity, they shared the stage with Vulfpeck giants Theo Katzman and Joe Dart at the famed Capitol Theatre, sold out their EP release party at American Beauty in NYC on September 30 and tore up their festival slots and summertime gigs. Taking the frontman’s signature hip sways and energetic bops across the stage out of the equation, the debut places focus on the band’s music alone–solidifying what most already knew. Owens may act as the mitochondria of The Other Brothers cell, but each of the members carry out their own complimentary duties to craft their ever-morphing sound.

    With eclectic and effortless transitions between a broad horizon of styles, The Other Brothers don’t allow themselves to be labeled as a one-genre group, if anything, they’re simply contagious. Instead, they master a collection of ballads and soul-soothing soundscapes leaving their exploration and further projects open to directions of all kinds.

    Celebrating their first official EP, a release party will take place at American Beauty in NYC on Sept. 30 at 8PM. Keep your eyes peeled for impending fall tour dates that will be released prior to the show.

    Key Tracks: Your Machine, Cave In

  • Photo Gallery: The Werks at Bearsville Theater

    The Werks arrived in Bearsville, NY fresh off a performance at Last Daze of Summer Music Festival in Sterling, NY. They capped off Labor Day weekend with their first ever show at Bearsville Theater, with an opening performance by Dharma Bums.

    Photos by Jim Rice

    Setlist: Fire Eater, Fly Like an Eagle, Slab, Waiting Room>Lights Out, Drop, Duck Farm

    Encore: Into the Moss

    the werks bearsville

  • China Welcomes EVHO Fall Tour

    Long time buds and New York State natives in EVHO, also referred to as Event Horizon, are no strangers to piling in the van and hitting the touring circuit across the states, building unique relationships with each venue and band they come in contact with. This time, touring will point them towards fresh horizons as they swap the tour bus for a cross-country flight. The prog rockers will embark on their very first, out-of-the-country tour in China where language barriers and a diverse lifestyle await them.
    With a stacked, 14-date tour, the quartet will explore territories unknown and show off their talents to a completely unique audience who already seem to have a leg up on recent Event Horizon tunes. Drawing from musical influences like Red Hot Chili Peppers, Pink Floyd, The Mars Volta, Circa Survive and more, John Clark (vocals/guitar), Craig Podell (bass), Mars Vendz (lead guitar) and Parke O’Leary (drums), nailed the ability to fuse together groovy, progressive sounds and exploration with the fundamentals of hard-hitting rock, guitar solos, modern electronica and a booming voice to the forefront of their performances.
    After forming life-long friendships, playing together for 16+years and becoming the musical celebrities of their hometown, EVHO has been riding the growing wave to morning show appearances and talk show drop-ins across the country. Having recently released From the Sun and its single “Ricochet,” the four look to making unique memories for their first visit to China.

    Their first gig will kick off tonight in Hangzhou, run for a two-week time span and conclude on September 8 in Suzhou. Be sure to catch these guys upon their return to the U.S. and be on the lookout for their fall tour updates on social media!

    EVHO China Fall Tour Dates:
    August 24- Hangzhou- Sky1944
    August 25 – Wenzhou – Honglian Live
    August 26 – Yongkang – Sita Coffee
    August 28 – Shaoyang – Jazz Livehouse
    August 29 – Liuyang – Puyuege
    August 31 – Changsha – 46 Livehouse
    September 01 – Xiangtan – Dongyou Bar
    September 02 – Yueyan – Shuise Bar
    September 03 – Huangshi – On the Way
    September 04 – Jiujiang – V Live
    September 05 – Nanchang – Black Iron Live
    September 06 – Yiwu – Miaomu
    September 07 – Ningbo – CMK
    September 08 – Suzhou – Wave