NYS Music 20​17

Category: Central NY

  • Melvin Seals & JGB Return to Central NY

    This Wednesday, March 8, Melvin Seals & JGB will return to The Westcott Theater in Syracuse.  The “Keepers of the Flame” are no strangers to Central New York, having played the same venue less than six months prior and every year since 2012.

    The folky Dishonest Fiddlers as well as Upstate’s own Los New Yorkers are opening for Seals and his band, so fans can expect a little bit of everything on this upcoming hump day.   The Syracuse show is the third stop in the Empire State this tour, following their Friday night performance with special guests Ron Holloway and John Kadlecik at the Capitol Theatre in Port Chester and the Tuesday night gig at the Buffalo Iron Works with Pink Talking Fish.

    Melvin Seals and JGB continue to show their love for New York as they return to the Putnam Den in Saratoga Springs on Saturday, March 11 and the Bearsville Theater in Woodstock on Sunday, March 12.  The different bills feature eclectic opening acts from all over the Northeast, so prepare for something unique and special to happen at every show.

    Tickets for Wednesday night’s show at the Westcott Theater are still available and the remainder of the tour dates can be found here.

  • The Magic Beans Get Down in Colorado with Special Guest Thom LaFond

    Sunday night, The Barkley Ballroom in Frisco, CO was home to a reunion of two former New Yorker bandmates turned Colorado transplants. Thom LaFond, former guitarist for Albany-based and Camp Bisco alum, Dirty Paris, joined his former bassist, Chris Duffy, with Duffy’s current band The Magic Beans for an ambient take on The Magic Bean’s space funk rager “Jabu Jabu’s Belly.”

    LaFond lent his hand in setting the tone with an opening improv jam, heavy with ambient delay which built the suspense and anticipation for the first drop into the meat of the song where Casey Russell took over with a soulful organ lick to get the bodies moving. Chris Duffy held things down for the bulk of the song with his thick bass grooves while the rest of the band moved through keeping things danceable yet continuing to utilize the spacey vibe that has become more familiar to a Beans dance party as they develop as a band.

    Around the 8:20 mark, drummer Cody Wales started laying out the heavy snare hits, signaling the jam to open up, transforming into a high flying shred fest. Lafond adeptly built the speed and intensity of his lead work while Beans guitarist Scott Hachey complimented, both matching LaFond’s picking runs and building things up behind LaFond to take the final few minutes of this jam into something that had the whole room soaring before being dropped straight back into the dance party for a few more measures.

    If you haven’t had a chance to experience The Magic Beans in person, be sure to catch them on tour in April.

    magic beans thom lafondThe Magic Bean’s 5th annual music festival Beanstalk, will be held June 22nd-25th at the legendary festival venue Rancho del Rio along the Colorado River in Bond, CO. The lineup includes tons of faces familiar to the Northeast jam scene including Holly Bowling, lespecial, Corey Henry, Tom Hamilton as well as a smattering of established and up-and-coming awesome Colorado based bands. Don’t miss out on a chance to learn why Colorado is so in love with The Beans.

    You can catch LaFond’s band, Banshee Tree, at License No. 1 in Boulder, CO every Saturday night for a swing dance-dance party.

    magic beans thom lafond

  • Hearing Aide: SCHMAVE ‘Painted Post’

    There’s always that one, odd, sunny day at the tail end of winter that breaks away from the routine gloom and darkness characteristic of the past few months. The sun is shining and there isn’t a soul that’s not outside enjoying the weather. SCHMAVE, an indie rock band out of New Paltz, New York, embodies that spirit in their debut album, Painted Post.

    Each track on this seven-song project has a story and is told through seeable lyrics and tangible melodies. While songs like “Drunk” and “Hand Washed Clothing” are reminiscent of Local Natives style rhythm section and melodic structure, songs like “Fruitless” provide a jumpy alternative, creating a refreshing change of pace from the rest of the album.

    Recently, the indie rock music scene has definitely emitted great projects, although most of them visibly try to create for themselves a unique sound that has never been heard before. After a while, the definition of “unique” gets lost among the saturation of bands trying to set themselves apart from the rest. Painted Post proves that a band doesn’t need a completely original sound to get recognition. In effect, SCHMAVE makes a name for itself by simply making good, relatable, honest music.

    As the opening track, “Alfred” symbolizes the rising of the sun with an open chord structure and uplifting melody, the final song, the albums title track, symbolizes the setting of it. This irregular sunny day is now over and tomorrow the weather returns to the dreary winter cold, as spring tries to officially push through to the surface. Yes, tomorrow will not be the same, although those fleeting hours were the perfect remedy to getting through the rest of the season.

    Key Tracks: Drunk, Hand Washed Clothing, Painted Post

  • Hearing Aide: Overkill “The Grinding Wheel”

    It is already the second month of 2017 and it is already showing this year is the year of the thrash! With Kreator’s Gods Of Violence and Sepulutura’s Machine Messiah released in January, both are perfect examples why the genre will never go down without a fight. Now it is time for another thrash/speed heavyweight to show the spirit of cheap beer and denim is still alive. I am speaking of course of the mighty Overkill with their latest album, The Grinding Wheel, released via Nuclear Blast. Time to give this giant a well deserved review.

    Being the eighteenth studio album from Bobby “Blitz” and the boys, it is safe to say these veterans of the genre know what makes the name Overkill so great. A great follow up from White Devil Armory (released 2014 via Nuclear Blast), this album has their brand of metal written all over it. The groove aspects of D.D Verni (bass guitar) and Derek Tailer (rhythm guitar) gives the album many memorable tracks. The most dominant tracks on the album that showcase their type of approach are the tracks “Come Heavy” and “Red White and Blue.” With “Blitz” vocals, you will find yourself singing along while the general public just stares at you. Let them stare! You are a thrasher. These tracks just keep you bobbing your head more than a headbanger from “Brütal Legend”. It is called heavy metal.

    Another key element of this album are the 80s classic thrash riffs that makes you wanna toss your friend in the circle pit while you hold his beer. You totally got it dude! The single off the album, “Our Finest Hour,” is the powerhouse staple that drives the aggression from start to finish on this shred-tastic release. The machine gun style drumming of Eddy Garcia, always keeping up the groove and the pace of the song, is like a kick in the jaw. . Every snare and cymbal hit sounds as if a storm is coming over the horizon. You might as well get a mouth guard while listening to it. It is a a non-stop ride of pure danger, but we know you love the abuse.

    There are so many tracks on this work of art which which will keep you windmilling for days. It is safe to say this album will constantly be blasted by those who are thirsty for the glory days of American thrash. Prepare those neck muscles. This album gets a 4.5 out of 5 stars. Pick it up now via Nuclear Blast or at your local record store.

    Key Tracks: Come On Heavy, Our Finest Hour, Red White and Blue.

    Overkill is currently on a North American tour w/ Nile, Amorphis and Swallow The Sun.
    Overkil. Hitting up Clifton Park at Upstate Concert Hall on September 3rd, 2017.

    For all concert check the band’s page. http://wreckingcrew.com/Ironbound

  • Grateful Dead Announce Official Release of Legendary Cornell ’77 Show

    One of the Grateful Dead‘s most revered shows is finally seeing the light of day in an official release this spring to mark the show’s 40th anniversary.

    The band played its first of three shows (1977, 1980, and 1981) on May 7, 1977, booked by the Cornell Concert Commission after some troubles with booking live acts in the years prior. May ’77 wasn’t first live Cornell campus appearance from the Grateful Dead family however. The Jerry Garcia Band had performed at Cornell’s Bailey Hall less than two years prior on 10-27-1975. The May 1977 lineup for the Grateful Dead included the core of Jerry Garcia, Phil Lesh, Bob Weir, Mickey Hart and Bill Kreutzmann, as well as Donna and Keith Godcheaux.

    Photo: dead.net

    The official release, in the form of a 5-LP box set and CD, will contain the entire Cornell ’77 show mastered from the Betty board tapes. Not only will this Barton Hall show be released, included in another 11-CD box set (May ’77: Get Shown The Light) will be 5/5/77 at Veterans Memorial Coliseum in New Haven, CT, 5/7 at Boston Garden, and 5/9 at Buffalo Memorial Auditorium.

    Cornell ’77 Poster designed by Cornell alumnus Jay Maybrey

    Many sources of the Barton Hall show have been circulated over the years, including unofficial soundboards (heard over on archive.org) which are of decent quality, though with some flaws inherent to the taping and matrix mixing process. Rolling Stone gave a sneak preview of “Morning Dew” from the upcoming release and after listening to the bootlegs of Barton Hall, the release promises to be a fantastic treat for Deadheads.

    The various release formats for the Cornell ’77 show and the other May 1977 shows debut on May 5 and pre-orders for it are available now over at dead.net. Only limited quantities of the 5-LP vinyl box set of the Cornell ’77 show are available.

    Peter Conners, author of “Growing Up Dead” and other works on the Grateful Dead is working on a book titled “Cornell ’77,” chronicling the Dead’s appearance at Cornell set to be published by Cornell University Press.

  • EC Radio Launches in Utica

    Former owner of The Electric Company, Anthony ‘Zee’ Donaldson, offers a glimmer of hope for the Utica music scene in the form of EC Radio. Launched in January, the radio show host has had a hand in the Utica area for more than 20 years, owning the fabled venue from 2002-2012. With the new show, Zee hopes to breathe life back into The Handshake City.

    The Utica music scene has fallen on hard times in recent years. The 2012 closing of The Electric Company marked the lack of a main music venue in town, and Utica Music and Arts Festival not returning in the fall of 2016 have not been the best news for the once burgeoning scene in Central New York. Utica does have Saranac Brewery summer concert series that continues to be well-received and attended by fans for a variety of music each summer, but the rest of the year, the Utica scene is struggling, to put it lightly.

    EC RadioPete Mason: What made you want to start EC Radio?

    Zee: EC Radio starts with the D. Disruption Networks is a new media channel my partners and I launched on January 30th this year and features a lot of uncensored talk shows. On EC Radio I like to focus on live music, indie bands and introducing the world to all different types of music.

    PM: What can listeners expect to hear when they tune in?

    Zee: Topics range from everyday life, music, sports, different segments and interviews. All uncensored and live.

    PM: As the former owner of the Electric Company, which closed in 2012, how has the Utica music scene fared in recent years?

    Zee: There’s a lack of venues unfortunately. It’s a risk to run a live music venue. People aren’t supporting live music like they used to. It’ll come back again. It’s always a constant circle.

    PM: How can the Utica scene find its footing again?

    Zee: I hope my new platform with EC Radio will help get people out there supporting the music.

    PM: Are there bands in the Utica area that may be part of a future renaissance?

    Zee: There’s so much talent in the 315, I would be typing for days, but off the top of my head: Rusty Doves, Glen Street, Nineball, Mason’s Revolt, Copper Vein Clones, Enemy Down, Dying Breed, Floodwood, jay n nick, Alpaca, Matt Lomeo Band, Showtime, Simple Props, The Bomb, Gridley Paige, Dave Snediker Band, Joe Sweet n John Kelsey, Old Main, and there’s way more but that.

    EC Radio airs Monday through Friday from 3-6pm. Tune in!

  • Gary Allan Brings Classic Country Sounds Back to Turning Stone

    Gary Allan isn’t your typical mainstream country musician. Allan’s roots are firmly planted in a classic country soil, and the southern California and Bakersfield influence is apparent in his music and compositions.

    Performing to a sold out crowd at The Turning Stone Casino, Allan’s abilities to seamlessly switch gears on stage from an upbeat tempo to ballad is effortless.  Backed by one of the most talented bands I’ve seen recently, the setlist showcased their skills perfectly. Between Allan’s ruggedly sexy voice and the band’s ability to lull you in with each tune, you fall in love with this show a little more as each song is performed.

    Playing popular hits such as “Song About Rain,” “Airplanes,” “Do You Wish It Was Me,” and “Best I Ever Had,” although comfortable and welcoming, it wasn’t the popular songs that struck a chord in me.  It was the classic sound, the Bakersfield rockabilly, and rock-based tunes that made me sit up and take notice of this ensemble.  Songs like “Guys Like Me” with a heavy slide guitar, and “Man of Me” that featured piano, fiddle, slide guitar, and heavy percussion and guitar blew me away. While “Half of My Mistake” and “Smoke Rings In the Dark” showcased a definite southern California sound with a little Tex-Mex/Bakersfield sound mixed within.

    In a generation of new country sounds, it was refreshing to hear a classic country sound like “Nothing On But the Radio” and “It Would Be You.” His new music on Set You Free truly stands out to me.  The honesty of the lyrics, the deliverance of the emotions with songs like “It Ain’t The Whiskey,” and the super sultry sexy “Sand in My Soul” truly draws you in and makes you fall in love with this album.

    Further reflecting his classic country sound were covers such as “Her Man,” by Waylon Jennings, and “Fast As You,” a Dwight Yoakum favorite, highlighted the smoldering country and Bakersfield sounds that are slowly making their way back in to mainstream country today.

    Allan is true class and classic at the same time.  With songs like “Learning How to Bend,” he demonstrates his talent in songwriting and performance.  He has a way of drawing you in to his songs where they become your life.  That’s a gift.  Perhaps it’s because of the honesty in his music.  He doesn’t march to the beat of popular tides, he’s true to his roots and to his sound.  You feel his music because he feels his music.

    The stand out performance of the evening was “Get Off on the Pain.”  The honesty in which Allan delivers this song cranks it up to over drive and he leaves it all on stage with that number.

    Closing out the show with “Drinking Dark Whiskey,” this Chris Stapleton, Mike Henderson number, once again highlighted Allan’s classic country sound and the tide that country music is to turning to today.  With a new album on the horizon, it is my prediction we have yet to see the best of Gary Allan.  This ever evolving musician has just begun to make his mark on the country music stage.

    Setlist: Tough All Over, Radio, Man to Man, Guys Like Me, Do you Wish It Was Me, Smoke Rings, Sand in my Soul, It Ain’t the Whiskey, Half of My Mistakes, Her Man (Waylon Jennings cover)It Would Be you, Get Off on the Pain, Song About Rain, Airplanes, Learning How to Bend, Life Ain’t Always Beatuitful, Best I Ever Had, Man of Me, Right Where I Need to Be.

    Encore: Every Storm, Fast As You (Dwight Yokam cover), Drinking Dark Whiskey (Chris Stapleton/Mike Henderson cover)

    [ngg_images source=”galleries” container_ids=”326″ display_type=”photocrati-nextgen_pro_horizontal_filmstrip” image_crop=”0″ image_pan=”1″ show_playback_controls=”1″ show_captions=”0″ caption_class=”caption_overlay_bottom” caption_height=”70″ aspect_ratio=”image_average” width=”100″ width_unit=”%” transition=”fade” transition_speed=”1″ slideshow_speed=”5″ border_size=”0″ border_color=”#ffffff” override_thumbnail_settings=”1″ thumbnail_width=”120″ thumbnail_height=”90″ thumbnail_crop=”0″ ngg_triggers_display=”always” order_by=”pid” order_direction=”ASC” returns=”included” maximum_entity_count=”500″]

  • Interview: Marco Benevento Kicks Off Northeast Tour, talks Duo, Fred Short and his new Instrument

    Marco Benevento kicked off tour last night in Syracuse and performs tonight at Buffalo Iron Works. The Woodstock resident took time to talk with NYS Music about his recording studio in Woodstock, performances with JRAD and The Duo, as well as his forthcoming album Woodstock Sessions, due out this Friday, February 17. Catch him at The Rongo in Ithaca on February 1, Brooklyn Bowl on February 2 and at The Hollow in Albany with Maybird and Band of Ghosts on February 3. Marco Benevento sat down for an interview with NYS Music ahead of these shows.

    marco benevento interviewBen Landsman: You just played the first Duo shows with Joe Russo in years. What was it like reviving the Duo sound?

    Marco Benevento: It was so much fun. It was bit of work because we hadn’t done the music in a while and had to have a couple of rehearsals. I hadn’t done foot basslines on the Hammond in a while, but it was really well received.

    BL: Has performing in Joe Russo’s Almost Dead change your chemistry at all?

    MB: It did in a way. We play the part when we do the Grateful Dead stuff and go into character, even through we’re doing our own twist on it. We’re doing a very improvisational take on it. Maybe we’ve spent a lot of time playing together and the classic rock stuff, maybe it carries over from the complex nature of the Duo music. We’re good at reading each other’s minds, knowing when to move onto the next section. We have as pretty dialed in musical relationship.

    BL: You started singing within the last few years. How has that changed your sound, given that your piano lines/melodies can sound like lead vocals.

    MB: Singing is a new instrument for me, and now when I sit down I write lyrics before melodies at times. Coming up with lyrics on the spot and intuitively singing right from the start as far as the song-writing process goes, quite honestly im hooked. I love the new instrument, the new process that I have. I still don’t like the sound of my own voice, but after we do shows I get a lot of positive feedback from the audience, which I need because I’m still a beginner at it. I do love the process of lyric writing and the act of just singing with people live. It’s more of a connection with the audience than ever before. I’m currently working on my seventh record and have about 15 songs and they all have words and vocal melodies, so I can’t stop now.

    BL: You are the founder and recording engineer of the Upstate NY recording studio. Fred Short. What artists have recorded there and how has the studio changed you as a musician?

    MB: I have a lot more time to create. My studio is right next to my house, so then the kids and wife go to bed, I can get pretty busy out there pretty quickly. It’s all wired up so 1 or 2 on switches and we’re rolling. I’ve been super busy, I can’t believe I’ve been without it for so long. It’s so great to have a recording space that I know so well. I’ve had my friends come and record, a bunch of stuff for other people. A.C. Newman, the keyboardist for The New Pornographers did all the keyboard stuff for his album in my studio. I’ve done some stuff with Mike Gordon from Phish, he came up and we had a nice session with his band there. I did some new stuff with my friend who does the music for Bob’s Burgers and did some music for some of those episodes. Mainly I’ve been working on my own stuff and had Kalmia Traver from Rubblebucket come up to record “Limbs of a Pine” off my album TigerFace. A friend of mine calls it ‘Inspiration Station,’ a small room with tons of keyboards, some drums, bass amp and guitar amp.

    BL: Are you still using circuit bent electronics/toys/instruments? If so, which ones?

    MB: I’m not using it as much as I used to. For a while I went through a phase where I could use a toy help me write a song. There’s something about those toys – I call them ear candy – that sort of give me fun sounds to get started. Over the last couple years I haven’t been using them a lot, and did it so much. They’re battery operated pieces of plastic and sometimes they break on the road, which is part of why I don’t use them anymore. Casio drum machines I will use here and there and random Japanese kids toys too. I love them to death but haven’t been using them lately.

    BL: What have you been listening to lately?

    MB: Tons of vinyl, I have a pretty serious vinyl addiction. I’ve been listening to a lot of stuff off this record label Light in the Attic; they put out a Native American compilation that’s pretty dope. This band called Relatively Clean Rivers. I’m a big fan of the keyboardist from The Arcs, Leon Michels, he has some pretty cool stuff out there. I subbed for him this past May and really got a chance to hang out with those guys and check out some real vinyl and got pretty inspired by them. We made a record with Richard Swift from The Arcs, so whatever Richard, Dan or Leon does, I really dig.

    BL: What other musical ventures do you have planned this year?

    MB: We have Northeast tour right now, then off to the West coast via Colorado, then we have a 3 week West coast tour coming up at the end of March into April from Washington State down to L.A., promoting the new live album we have coming out called Woodstock Sessions, and touring around that for the next few months to promote the new live record.

    Full tour dates can be found here.

  • Coheed and Cambria Announce Tour for Breakthrough Album “Good Apollo”

    Coheed and Cambria have announced a U.S. tour for their monumental third album, Good Apollo, I’m Burning Star IV: From Fear Through The Eyes Of Madness for this spring.

    After releasing a mysterious video on their YouTube channel, the band announced the tour for the album the day after. The tour, entitled the NEVERENDER GAIBSIV tour, will visit North America from April to May with the progressive rock band performing the concept album from 2005 in its entirety. The Dear Hunter will be direct support for the tour on non-festival dates.

    Good Apollo, which features the most popular works by Coheed and Cambria including “Welcome Home” and “The Suffering”, has sold over a million records worldwide.

    The name “NEVERENDER” for the tour comes from Coheed and Cambria’s performances of the album originating in 2008, where they performed their first four albums over the span of four nights.

    Stops on the tour include Terminal 5 in New York, Hollywood Palladium in Los Angeles, CA and the “Welcome To Rockville” festival in Jacksonville, FL.

    Tickets are on sale today via Ticketmaster and you can visit the band’s website for more details.

    NEVERENDER GAIBSIV Tour dates:

    April 11 – Seattle, WA – The Showbox
    April 13 – Portland, OR – Roseland Theater
    April 14 – Oakland, CA – Fox Theater
    April 15 – Los Angeles, CA – Hollywood Palladium
    April 18 – San Diego, CA – Observatory North Park
    April 19 – Tempe, AZ – The Marquee
    April 22 – Salt Lake City, UT – The Complex
    April 22 – Denver, CO – Fillmore Auditorium
    April 25 – Austin, TX – Stubb’s Waller Creek Amphitheater
    April 26 – Dallas, TX – House of Blues
    April 27 – Houston, TX – House of Blues
    April 29 – Jacksonville, FL – Welcome to Rockville*
    April 30 – Saint Petersburg, FL – Jannus Live
    May 2 – Atlanta, GA – Tabernacle
    May 3 – Nashville, TN – Marathon Music Works
    May 5 – New York, NY – Terminal 5
    May 6 – Silver Spring, MD – The Fillmore Silver Spring
    May 7 – Concord, NC – Carolina Rebellion*
    May 9 – Boston, MA – Blue Hills Bank Pavilion
    May 10 – Philadelphia, PA – The Fillmore
    May 11 – Royal Oak, MI – Royal Oak Music Theatre
    May 13 – Minneapolis, MN – First Avenue
    May 15 – Saint Louis, MO – The Pageant
    May 16 – Kansas City, MO – Arvest Bank Theatre at The Midland
    May 18 – Pittsburgh, PA – Stage AE – Indoor
    May 19 – Chicago, IL – Aragon Ballroom
    May 20 – Columbus, OH – Rock on the Range Festival*

    *Festival show, No Neverender or The Dear Hunter

  • Greensky Bluegrass and Fruition Break it Down in Syracuse

    Syracuse was treated to a double dose of bluegrass Wednesday night as Greensky Bluegrass and Fruition rolled into The Westcott Theater. The Kalamazoo crew returned to the Westcott stage nearly a year to the day from their last visit, this time in support of the new album, Shouted, Written Down & Quoted, released in September.

    Earlier in the day, news of founding member of the Allman Brothers Band, Butch Trucks’ death cast a sadness upon the music world and the jam scene specifically. A tribute to Trucks would surely be on the agenda for Greensky, one of the premier progressive bluegrass bands on the scene today.

    Greensky eased the capacity crowd into things, kicking off the set with a midtempo “The Four” that segued into a rollicking “Eat My Dust” featuring some stellar dobro work from Anders Beck. The first set remained heavy on the bluegrass the band was founded upon before slowing things down for a heartfelt rendition of “Nine Days” with Michael Arlen Bont’s banjo and Beck’s dobro again featured prominently. A lengthy run through of the Greensky staple and jam vehicle, “Broke Mountain Breakdown,” brought the highlight moment of the night, if not one of the most anticipated. Fruition’s Jay Cobb Anderson was welcomed on stage, harmonica in tow, for a ripping tribute to Trucks in the form of the Allman Brothers Band’s “One Way Out.”

    “Hold On,” from the band’s latest release, kicked off the second set, segueing into a cover of the Traveling Wilburys’ “Handle With Care” and into “Blood Sucking F(r)iends.” The segue-filled second set finished up with a “Casual Wednesday” for this casual Wednesday, segueing into the new “Run or Die,” an explosive way to finish the night.

    Frution, from Portland, OR, gained the respect of the early arriving attendees, ripping through twelve songs in their opening set. While also heavily based in bluegrass, Fruition blends soulful vocals and a funk downbeat to deliver a unique sound that complemented the headliners perfectly. This is a band that will be headlining stages at theaters in short order.

    If you missed Greensky and Fruition at The Westcott Theater you can still catch them at The Egg in Albany on Jan. 31, the Union Transfer in Philadelphia PA on Feb. 1, and a three night run at the 9:30 Club in Washington D.C.

    You can also check out Greensky Bluegrass and Fruition’s upcoming tour dates here.

    Greensky Bluegrass Setlist (via Jambands.com):

    Set 1: The Four> E.M.D. (Eat My Dust), Into the Rafters, Room Without a Roof, White Freight Liner Blues, Demons, Nine Days, Broke Mountain Breakdown> One Way Out*

    Set 2: Hold On> Handle With Care> Blood Sucking F(r)iends, Tied Down, Last Winter in the Copper Country> A Letter to Seymour> New Rize Hill, Casual Wednesday> Run or Die

    Enc: Windshield

    * with Jay Cobb Anderson (Fruition) on harmonica