If you were smiling in Saratoga on Wednesday night, you were probably at the Performing Arts Center singing along to Post Modern Jukebox and Straight No Chaser.
PMJ took the stage to “All About That Bass,” performing the familiar tune in a jazzy 1940s style. Complete with costume, dancers, and instrumentation, PMJ didn’t disappoint fans of the well-loved YouTube sensation. While the songs were from today’s radio, anyone listening could’ve sworn we were transported back in time to radio days of our grandparents.
Group member Ariana brought the laughs, and sultry energy, as she sang, danced and introduced each song. The group brought out Demi to tap while Casey crooned to “Umbrella,” complete with a costume of yellow raincoat and umbrella. Demi then gave as close to a burlesque show as possible as she sang to “It Wasn’t Me,” and brought the laughs with self-deprecating jokes.
The big moments of the night, though, were stolen by Kenton, a small Asian man who pulled off Nine Inch Nails “Closer” with unexpected energy. Joined on stage by Ariana and Dani, Kenton jumped, gyrated and sang a shockingly charged version of the well-known song.
Casey’s rendition of “Creep” was the only thing that could follow such a performance. He crooned and laughed at himself initially, only to later bring the crowd to its feet with his vocals. Barely needing a microphone, Casey belted out “Creep” with possibly the most talented vocals of the show.
Straight No Chaser followed the zany PMJ with more traditional energy and vocals. Noticeably more focused on harmonizing while wearing their matching summer suits, the group opened with “Sweet Dreams” with a nod to “Make Your Hands Clap” mid-song.
Band members graciously demonstrated the different vocal parts of an a cappella group, for those who were unfamiliar, joked with audience members and learned the history of the group’s college origins. The singers played around with musical lyrics, performing “Straight No Chaser: The Musical” to the amicable crowd.
Straight No Chaser demonstrated professional cohesion and musicianship, and also a joyfulness to quality music that comes from sharing best-known songs from across all genres. From pop music to country, the group offered something familiar for everyone to sing and dance to.
All and all, it was a fun night out for fans of the non-traditional cover groups.
Tedeschi Trucks Band stole the show and brought the audience to their feet numerous times throughout the show, sparking the crowd on this 4th of July weekend as though they had bought tickets for spiritual renewal. In many ways, that is what the night provided. TTB opened the night with a cover of Derek and the Dominoes’ “Anyday” with Mike Mattison providing ample vocal support to Susan Tedeschi. (Coincidentally, on June 16, Bobby Whitlock of Derek and the Dominoes
“Don’t Know What It Means” was one of the numerous times Susan showed off her powerful vocals, as well as Kebbi Williams’ jazz chops, during a breakdown at the end with drummers Tyler Greenwell and J.J. Johnson. Susan didn’t let up by then belting out “Anyhow,” supercharging the venue with three big band numbers to kick the set off. Carey Frank, filling in for the recovering Kofi Burbridge, made his presence known on “Let Me Get By” and “Save Me,” adding to the big band sound as the show wound down. Rock goddess Susan and husband Derek put on a clinic of blues guitar, pounding out powerful chords and engaging the audience, eliciting cheers as peaks were reached, only to then be taken higher and higher. The final songs of the set bookended a monster rock ‘n’ roll show that had hardly a mellow moment.
