NYS Music 20​17

Category: Capital Region

  • The Other Brothers Tour NY This Spring

    New Paltz area jazz, funk, and soul band, the Other Brothers, will hit the road for a spring tour around New York State, stopping in nine different cities from April through June, in some of the bands favorites venues to perform. The Other Brothers will also make a stop at the Pacific Standard Tavern in New Haven, CT. The tour kicked off at the Spinning Room in Tannersville, and will close on June 21 at the Angry Orchard in Walden.

    The Other Brothers TourThe tour will mark the first time The Other Brothers have performed in the cities of Nyack, New Haven, and Syracuse. Several acts will join The Other Brothers as support on select shows including Gang Of Thieves, Space Carnival, Formula 5, Theo Katzman, Eggy, Goose, and The New Daze.

    The Other Brothers are slated to perform at this years Disc Jam Music Festival in Stephentown, NY on June 8-11. The band’s sound and style have drawn comparisons to the likes of Stevie Wonder and D’Angelo. The band is currently recording their debut album titled Jones. The album will be released sometime during the fall of 2017.

    The Other Brothers consist of Chris Owens (vocals), John Morrison (guitar), Jordan Mendelson (bass guitar), Brandon Bera (drums), Gabe Marquez (keys), and Jared Nelson (percussion).

    The Other Brothers 2017 Tour Dates:

    April 8 – BSP Kingston – Kingston, NY!
    April 14 – Olive’s – Nyack, NY@
    April 15 – Putnam Den – Saratoga Springs, NY#
    April 19 – Garcia’s – Port Chester, NY$
    April 21 – Pacific Standard Tavern – New Haven, CT%
    April 29 – Snug Harbor Bar and Grill – New Paltz, NY^
    May 6 – Funk ‘n Waffles – Syracuse, NY*
    May 8-11 – Disc Jam Music Festival – Stephentown, NY
    June 21 – Angry Orchard – Walden, NY

    !Gang Of Thieves
    @Space Carnival
    #Formula 5
    $Theo Katzman and Joe Dart of Vulfpeck
    %Eggy
    ^Goose
    *The New Daze

  • REVIEW: Making up with Adam Levine

    Watching Adam Levine perform with Maroon 5 was a dream come true for me and likely for many of the fans who came to the Times Union Center on Tuesday, March 7. The band had previously cancelled its appearance last September due to the birth of Levine’s first child with wife, Behati Prinsloo.

    Opening the evening was the U.S. Virgin Island group, “R-City” (also known as “Rock City), featuring brothers Theron and Timothy Thomas with a half-hour set of Jamaican based hip-hop, rap, and pop hits from its debut album, “What Dreams Are Made Of.” Upon performing the hit, “Make Up,” the brothers continued to make the show kid-friendly by teaching fans some Virgin Island slang. The crowd went crazy for a medley of songs R-City recorded for other performers —“Replay” (Iyaz), “We Can’t Stop” (Miley Cyrus), “I Don’t Mind” (Usher) and “Pour It Up” (Rihanna). R-City closed out the evening with “Locked Away,” a track that features Levine, of which he would reprise later in the evening.

    A rousing, electrifying drum solo welcomed the crowd to Tinashe and her group of female dancers, as they opened to “Ride Of Your Life,” from her sophomore album, “Nightlife.” In her half hour set, Tinashe also performed hits from Justin Bieber (“Let Me Love You”) and a remix reminiscent of 5th Harmony’s “Work.” before leading on into her own “Company”  and “All Hands on Deck.” The dance choreography from Tinashe and her dancers was great to watch. At one point, they were all in formation dancing to an Beyoncé-inspired rendition of “Single Ladies.”

    By the time the lights dimmed and the music began to blare, the audience was on their feet in anticipation of Maroon 5. Levine and company opened with “Moves Like Jagger.” Levine (guitar/ lead vocals) and his band, featuring Jesse Carmichael (guitar/piano), James Valentine (lead guitar), P.J. Morton (piano), Matt Flynn (drums) and Mickey Madden (bass), wasted no time in getting the audience to sing, video tape, and dance along to a majority of the band’s hits from “Songs About Jane,” “It Won’t Be Soon Before Long,” “Hands All Over,” “Overexposed” and “V.”

    Watching Maroon 5 perform to an almost sold out crowd was an evening I will never forget. Levine’s famous falsetto range was on point for every single song he performed. If you’ve thought watching the band perform with Levine on The Voice was awesome, watching their live performance in person at a live venue is amazing. One of the highlights of the band’s first set was a high-energy performance of “Let’s Dance,” a tribute to the late David Bowie. While another was when Levine gathered the band to center stage for an acapella chorus of “Payphone.”

    The encore featured nothing but an electronic drum kit and a piano. Levine and Valentine opened with an intimate look at the timeless hit, “She Will Be Loved.” Valentine took the lead, performing on acoustic guitar as Levine sang. He dedicated the song to all of the beautiful ladies who came to watch the show. Morton and Flynn joined Levine and Valentine to perform, “Don’t Wanna Know.” After a few more songs, the band closed the evening with yet another tribute —an electrifying homage to Prince. Purple lights flashed and illuminated the stage as each of the members poured their hearts out to perform “Let’s Go Crazy.” Levine stepped up to the challenge, performing Prince’s blistering guitar solo at the end to the crowd’s delight.

    Amy Modesti is a visual artist, photographer and musician who’s dedicated to sharing what’s surrounding her with the rest of the Capital District and beyond. She’s one of the photographers for TheSpot518.

    This article was originally published by The Spot 518.

  • Comedy Works to call Cohoes Music Hall home, Three Acts Already Signed

    After having been a staple in Albany’s comedy entertainment scene for the previous 35 years, Tommy Nicchi picked up his Comedy Works brand in 2016 and moved it up to Saratoga Springs. As he recalled the move last week during a press conference to announce the new partnership between the Comedy Works in Cohoes Music Hall, Nicchi said, “We would only come back for the right reason. And, this building is the right reason.”

    Less than a year after it was announced Cohoes Music Hall was making its return as a viable entertainment hub under the Palace Performing Arts Center Inc., the storied music hall continues to build partnerships that will ensure its lights will remain on.

    Palace Executive Director Holly Brown announced the partnership, Thursday, March 2, along with three scheduled acts to start later this month.

    “Comedy Works will bring a regular series of comedians to a ‘Comedy Works at the Cohoes Music Hall’ series,” said Brown.

    Nick DiPaolo kicks off the series Saturday, March 25. The next act features  former WWE wrestler, and Glens Falls native, “Hacksaw” Jim Duggan on Saturday, April 22. And, on Saturday, May 13, Gilbert Gottfried will take to the Cohoes stage.

    Nicchi said he sent photos of the music hall to management firms before making calls out to comedians. The aesthetics of the venue, and its relative close proximity to New York City — where many such acts call home — made for an easy sell.

    “We made three phone calls out, and got these three acts,” said Nicchi.

    The Comedy Works comes back to the greater Capital District with stiff competition. In 2015, the Funny Bone Comedy Club established business in Crossgates Mall. It, too, brings a steady stream of regional and national acts to its stage. However, the partnership between the Palace, Albany’s Park Playhouse, the Comedy Works and Cohoes Music Hall, promises both a constant and eclectic stream of entertainment.

    The Comedy Works is no stranger to bringing national names to the Capital District. Aziz Ansari famously flew into Albany and immediately took to the Comedy Works stage on what was the anchor leg of a eight-hour marathon stretch of performances in August of 2015.

    Brown said she hopes to see at least one live comedy event at the Cohoes Music Hall each month through the new partnership.

    Cohoes Mayor Shawn Morse expressed his gratitude for the positive affect Albany’s performing arts group has had on his city.

    “The Palace Theatre has certainly exceeded our expectations,” said Morse, who added that more than 7,000 patrons have visited the revitalized hall since the partnership was announced last September. “And, [it] has become our economic engine that drives success to our downtown.”

    This article was originally published by The Spot 518. is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYS Music. TheSpot518 and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.

  • Justin Henricks Steps into Role of Bandleader with Wurliday

    Justin Henricks is taking on a new role as a band leader, as the Hart School graduate and Averill Park native will release Bedtime Blazer this May, the first EP for his new project Wurliday. As he leads his first band, Henricks finds himself poised for the next step in a career that has thus far found him as a key player best known for his guitar work in Beau Sasser’s Escape Plan, Way Down and The Chronicles.

    Henricks has played guitar all his life and considers Hartford to be a second home, thanks in part to the music scene that includes Arch Street Music Hall, West End Blend and Boo-yah Funk Night, while back home in Albany, Justin hosted funk night at City Beer Hall in 2016. NYS Music sat down to discuss with Henricks the shift from band member to band leader, performing with Beau Sasser and putting together the Wurliday EP.

    justin henricksPete Mason: Tell me about Wurliday and how the group came together.

    Justin Henricks: Had this idea circulating in my mind for almost a year, and I’ve been taking my time to let it come to fruition in terms of getting the songs written and making this EP that is coming out. I’ve always wanted, its been long due, having my own project that I have creative control over. I spent a lot of time working with Beau (Sasser), and the Escape Plan and The Chronicles. I’ve learned a lot as a sideman and I’m ready to take on my own project. I figured the best way to do so would be to release something, sort of build the groundwork of the band and the internet presence and everything, before the band actually starts. Almost like a Steely Dan approach  I was able to get some incredible musicians and friends together to play on these tunes. Everyone was really supportive and showed me a lot of love during the process. Trying to create something that will go for a while. Really starting to think of the future of this project and create a home base for myself, creatively and band speaking.

    PM: Where did you record the album?

    JH: We recorded at Alan Evans‘ studio Iron Wax in Millers Falls, MA. The album’s cast is nothing short of all-star. He was a pleasure to work with, he was a great engineer, gave his two cents when needed, and really worked with us to make sure we were getting all the sounds we’re trying to hear. I felt like we had two days of initial tracking and got a lot of overdubs done in the first two days. We brought the sessions back to our house with Bryan (Brundige) at his studio, Grandma’s Studio, in The Attic. Between him and I, he helped a lot in terms of lending gear and his engineering skills. We were able to bang out all the vocals

    PM: Who sings on the EP?

    JH: Arielle O’Keefe, her stage name is Girl Blue. She actually co-wrote the record with me, we worked on all the vocals together, she’s extremely great to work with, hoping to move forward with her and play some shows together. She’s singing on three of the tracks and Jennifer Hartswick (TAB) is on the fourth track, and Tyrone Hartzog (The Chronicles) is featured. In my opinion, he’s my favorite male vocal voice to record, it comes through in the recording so well, something about the timbre and the tone about that dude’s voice that sits real well. He’s like Donnie Hathaway. Between that I also went to Paulie Philippone (West End Blend), he helped me a lot with this record. He’s playing all the keys and synth. We took a trip down to his house, it’s called the Funk House, West End Blend Studio in Hartford. We had a couple fun keyboard days where we went over synthesizers.

    wurlidayPM: How did Jennifer Hartswick come to sing on a track?

    JH: I was really excited to get Jen on a track. It kinda happened organically. Arielle wrote the album with me, and we started the vocal tracking sessions for it and while she sounded great, she suggested to look around for a singer for “Getting There.” On a whim I emailed Jen and sent her the track and asked if she’d be interested in doing it because she really has such a powerhouse voice and she can really sit up there in that high register. She got right back and ended up tracking it in Nashville and did a remarkable job. I couldn’t be happier with her performance, she was the sweetest for helping out with that, it was great.

    PM: How and when did your vocals develop?

    JH: I’ve been working on my vocal chops! I look forward to singing some backups and working on it some more in this new project.

    PM: You went to the Hart School and have ties to Hartford, CT.

    JH: Hartford has always been a second home to me. They have their Booya Funk night on Wednesdays. I try to go down there as much as I can. Arch Street Tavern is one of my favorite venues to play. Going to the Hart School I got all my jazz chops from a really traditional program with some great leadership; I was lucky to study under Nat Reeves, Renee McLean and my guitar teacher Rich Goldstein who taught me everything I know.

    PM: After the Hart School you moved back up here?

    JH: Yeah the Chronicles were gigging a lot and I was playing with Way Down, who were my first sort of band that I had a stake of leadership in. It  was all of our bands but I learned a lot about leadership skills and what it means to be a band leader, which makes me so excited to finally get this project off the ground. Really looking forward to taking something and calling it my project.

    PM: How did you go from playing with The Chronicles to playing with Beau Sasser?

    JH: I met Beau because Way Down was opening for Alan Evans’ Playonbrother and Beau invited me out to do one of his funk nights at Bishop’s Lounge in Northampton, MA, He asked me to come out and play. I didn’t know what to expect and he didn’t send me any tunes, it’s kinda Beau’s way. I went out there and it was a very crazy packed jam party. From there Beau and I became really great friends and he wanted to start the Escape Plan and thought it would be cool to have a band with two guitar players. He brought Danny Mayer to the table and Mary Corso, who are both playing in the Eric Krasno Band now. Beau mentioned he wanted a vocalist and I was able to bring Mary, who I went to Hart School with, into the mix. We had maybe half a rehearsal and Mitch Moriber at Tone Wheel Music Group booked us a bunch of shows and off we went. I definitely do owe Beau some credit in introducing me to a lot of these folks who have been kind enough to play some music with me from time to time; pretty much everybody on the record.

    The Escape Plan is fun, for all of us really, I think it was a really nice vehicle. We played some shows and met a lot of great people and we still play from time to time – Beau is with Kung Fu, Danny and Mary are with Eric Krasno Band. It’s been a funny little stepping stone for all of us I think. It’s like the family band at this point, we have a lot of fun when we get together.

    PM: Who are your guitar/musical influences?

    JH: Guitar-wise, George Benson, John Scofield, Wes Montgomery and Grant Green. Musical influences: Earth Wind and Fire, Steely Dan

    PM: You’re 24 and your roots are in Albany. What do you see your goals are by the time you’re 30?

    JH: I would hope that this original project, long term, has gotten to a sustainable point and something I can really call home, and still doing a lot of the same – getting a chance to play with these amazing musicians and making more records. I hope to have a bunch more records under my belt. This is the first go at it – the first recording process that I produced and had creative say over and I like it a lot. So the bug has definitely bitten and I hope to get back in the studio next fall and do Bedtime Blazer, Vol. 2.

    PM: Thinking of the second one already?

    JH: Absolutely.

    PM: What are your thoughts on the Albany scene? How do you see the Albany scene from the point of view of a traveling musician with a base here?

    JH: It’s a tricky thing for sure. What makes a scene, ya know? People going to shows, we certainly have that, The Hollow and Parish Public House are great rock clubs that host a lot of great bands. A lot of bands have called this place home and had a lot of great times here. There’s a lot of great musicians to play with in the area. It’s a bit of an older scene in my experience. There’s a lot of people that for whatever reason ended up here who are heavy dudes and have their resources available to you as a musician to go seek out and play with them. I was on the phone with Skip Parsons not too long ago. Skip has been doing a gig at The Fountain, he’s been holding that gig for like 50 years, every other Saturday, playing old school jazz and sharing a wealth of knowledge of old music. There’s people to play with here and a lot of history.

    PM: There’s so much going on in this town, and the ridicule of calling it ‘Smallbany’ doesn’t help and you realize there are all these musicians tucked away.

    JH: A scene for me is … there’s all these scenes in all these cities, and it’s the people that are in them that matters. With funk night in these other cities – Beau has in Northampton, West End Blend has in Hartford, Kung Fu has in Bridgeport – it’s definitely a staple that I tried to get going in Albany at City Beer Hall last summer. We had some really successful ones, and some not successful ones, but I learned a lot from it, directing a band, being a band leader. That was my gig that I had to prepare for each week, so I learned a lot from that experience too, all building up to this original project I want to start; all learning experiences.

  • Albany Common Council Greenlights Ownership Transfer of Palace Theatre

    Less than a week after the opening of the Albany Capital Center, ownership of the city’s most storied stage changed hands — the first big step required for the upgrades it needs to expand.

    The Albany Common Council approved the sale of the Palace Theatre to the Palace Performing Arts Center, Inc., the not-for-profit organization which operates it on Monday, March 6. The transition, from a municipally owned venue to privately owned, will secure additional funds for a $65 million expansion and renovation project.

    The Palace’s expansion project is billed as a means of revitalizing its surrounding neighborhood. Once completed, its proposed to enhance traffic to area restaurants and provide a bridge to downtown’s entertainment district from the city’s burgeoning Warehouse District. PPAC estimates there will be an “on-going indirect” annual impact of $10 million on local businesses.

    “The Palace Performing Arts Center is clearly an important driver of the local economy as proven through the theatre’s exceptional growth under the leadership of Holly Brown and her partners at Park Playhouse and Albany Symphony,” Albany Mayor Kathy Sheehan said in January, when PPAC announced it had secured a labor agreement for the expansion project. “The exciting project will certainly spur additional downtown development, and create an even more dynamic venue for arts and entertainment in the heart of downtown Albany.”

    According to PPAC, the Palace has doubled the number of featured events at the 86-year old theatre in the past five years, from 77 events in 2009-10 to 170 in 2015-16. The Palace is also home of the Park Playhouse, which uses the building space for offices and classes for the community.

    Palace Executive Director Holly Brown and PPAC Chairman Alan Goldberg said they anticipate the proposed expansion to occur in different phases. The first of which will include restoration and expansion of the theatre’s stage and backstage areas, and creation of classroom and rehearsal space. Additional elements of the project includes a new 600-seat theatre, expanded lobby and box offices, a video post-production studio, the addition of a loading dock and rehearsal space.

    In preparation for the expansion, the Palace has spent more than $750,000 to purchase properties along North Pearl Street, and to fund appraisals and various studies to investigate further steps.

    The renovation plans rival those implemented by Schenectady’s Proctors Theatre over the years. Proctors Theatre has about 2600 seats to the Palace’s approximate 2800.
    The city sold the theatre for $750,000, the aggregate value to be paid over the next 30 years. The city first purchased the property for $90,000 shortly after its doors closed in September 1969.
    Over the theatre’s eight decades of operations, it has features iconic figures of both the arts and pop culture. Bob Hope, The Who, Bruce Springsteen, The Rolling Stones and Jerry Seinfeld have all taken to the Palace’s stage. The Palace is also the home of the Grammy Award winning Albany Symphony Orchestra.

    The sale of the theatre did receive some opposition from members of the Albany Common Council, who expressed concern the city was not receiving a fair price. Though the PPAC reportedly presented its purchase proposal based on two, separate assessments, Councilmember Frank Commisso, Jr. took to social media hours before the 12-3 vote last Monday.

    “As Mayor Sheehan and her allies on the Albany Common Council are preparing to give away the Palace Theater [sic.], an inconvenient data point is presented,” stated Commisso, attaching an Albany Business Review article reporting the sale of $497,000 sale of the 13,500-square foot eba Dance Theatre on Albany’s Lark Street and Hudson Avenue. Late last week, Commisso announced he will run for Albany Mayor.

    This article was originally published by The Spot 518.

  • Premiere: Wild Adriatic’s Music Video for ‘Come Back Baby’

    Wild Adriatic premieres today their video for ‘Come Back Baby,’ off their latest album Feel. Drummer Mateo Vosganian shares a little on the making of the video:

    “For this video we had the idea of involving the local community a bit more and put out a call for local young theater students to cast in this video. We ended up working with kids from Ballston Spa and had such a great time shooting with them. They were, of course, way more professional than we were on set and committed a whole weekend of their lives to making a fun video with us. Everything related to the video stems from our home community. Our friend Josh Casano is a band director at Oneida Middle School and connected us with the school principal who agreed to let us shoot there. Our friends Chromoscope Pictures are based in the Troy area and directed, produced, and edited this project. All in all it ended up being a super fun concept and we loved being able to sneak nods to some of our heroes into it.“

    Tour Dates
    Wild A Tour Dates
    3/31 – Nectar’s – Burlington, VT
    4/01 – Port City Music Hall – Portland, ME w/ The Maine Youth Rock Symphony
    4/07 – Parlor Newport – Newport, RI
    Come Back Baby
    Wild Adriatic & Leopold & His Fiction Tour
    4/11 – Baby’s All Right – Brooklyn, NY
    4/12 – Coda – Philadelphia, PA
    4/13 – Daryl’s House – Pawling, NY
    4/14 – The Haunt – Ithaca, NY
    4/15 – Dogfish Head Brewing – Rehoboth Beach, DE
    4/16 – Rams Head Baltimore – Baltimore, MD
    4/18 – Broadberry – Richmond, VA
    4/19 – MotorCo – Durham, NC
    4/20 – The Evening Muse – Charlotte, NC
    4/21 – Ashley Street Tavern – Augusta, GA
    4/22 – Sweetwater 420 Festival (Just Wild Adriatic)
    4/25 – Empire Control Room – Austin, TX
    4/26 – Gas Monkey – Dallas, TX
    4/27 – House of Rock – Corpus Christi, TX
    4/29 – Limelight – San Antonio, TX
    5/02 – Atomic Cowboy @ The Bootleg – St. Louis, MO
    5/05 – Schubas – Chicago, IL
    Wild Adriatic Summer Tour
    5/26-5/28 – Summercamp – Chillicothe, IL
    6/1-6/04 – Hazelnut Hang – Isle of Palms, SC
    6/30-7/02 – moe. Down – Turin, NY

  • Formula 5 Announces Album Release Date and Supporting Spring Tour

    Up and coming Albany based jamband, Formula 5 has announced its new album, the band’s third, along with a supporting spring tour. The new album, All Points North, was funded through a Kickstarter campaign last fall and is set for release April 14.

    The album was produced, recorded and mixed by Bryan Brundige at Overit Studios in Albany and Mastered by Michael Schoonmaker at Gigantic Mastering and will be available on streaming platforms on April 14 as well as at the band’s website and JEMP Radio.

    The new album marks a new stage in the band’s progression, bringing a more mature sound. Guitarist Joe Davis reflected on the old version of the band:

    “Q&A” and “Excalibur” are on ode to the old band, having been written by myself and (former keyboardist) Mike McDonald. It’s like a final farewell to the old, mixed in with new styles, such as with “The Birch Tree,” “Do Tell,” “Figure Out a Feeling,” “Trout Waters Pt I & II” and “It Goes…;” that old jammy style is still in us but it’s more mature and reigned in.

    The new sound has a more introspective feel while still maintaining roots in the band’s signature improvisational style. It’s an album that will appeal to old fans and garner new as the band looks to expand its reach beyond the Capital District.

    Formula 5 kicks off its Northeast spring tour at the Rock ‘n Roll Resort in Kerhonksen, N.Y. on March 31 and hits several New York venues along the way, including the legendary Monopole in Plattsburgh, the Waterhole in Saranac Lake, Putnam Den in Saratoga Springs, American Beauty in New York City, Buffalo Iron Works, Three Heads Brewing in Rochester, Nanola in Malta, the Dinosaur in Troy and wrapping up at Disc Jam Festival in Stephentown June 8 through 11.

    All Points North Tracklist:

    1. Come Along
    2. Sad Bed
    3. Trout Waters, Pt. I & II
    4. It Goes…
    5. Excalibur
    6. The Birch Tree
    7. Q&A
    8. Do Tell
    9. Figure out a Feeling

    Formula 5 Spring 2017 Tour:

    March 31 – Rock n Roll Resort – Kerhonksen, NY
    April 1 – Nectar’s – Burlington, VT *
    April 7 – The Monopole – Plattsburgh, NY
    April 8 – The Waterhole – Saranac Lake, NY
    April 13 – Bourbon and Branch – Philadelphia, PA ^
    April 14 – Pacific Standard Tavern – New Haven, CT +
    April 15 – Putnam Den – Saratoga Springs, NY &
    April 26 – Wonder Bar – Asbury Park, NJ
    April 27 – American Beauty – NYC %
    May 3 – The 8×10 – Baltimore, MD $
    May 5 – B.R.Y.A.C. – Bridgeport, CT
    May 12 – Stone Church – Newmarket, NH !
    May 13 – Bishop’s Lounge – Northampton, MA
    May 18 – Fete Music Hall – Providence, RI +
    May 24 – James Street – Pittsburgh, PA
    May 25 – Buffalo Iron Works – Buffalo, NY @
    May 26 – Three Heads Brewing – Rochester, NY
    May 27 – Nanola – Malta, NY
    June 2 – Dinosaur Bar-B-Que – Troy, NY
    June 8 – Arch St Tavern – Hartford, CT #
    June 8-11 – Disc Jam Music Festival – Stephentown, NY

    * with Mister F and Phantom Airwave
    ^ with Space Carnival
    + with Relative Souls
    & with The Other Brothers
    % supporting Dead Phish Orchestra
    $ with Litz
    ! with Revibe
    + with Electro Politics
    @ with Space Junk
    # with Airlooms

  • Holly Bowling at The Whisper Dome in Schenectady

    Holly Bowling brought her classical piano renditions of the music of Phish and The Grateful Dead on March 24 to The Whisper Dome, a little know music venue in Schenectady, NY, one that had such sublime acoustics that Bowling performed this night without amplification to a respectfully silent round room.

    holly bowling whisper dome “Sleep” and “Crazy Fingers” opened the night, followed by “Free” where Bowling used the strings of the piano during an improvised section. A transcendent “Althea” segued into a slow build “Piper” that landed in “China Cat Sunflower” with Phish’s “Bliss” sliding in just before “I Know You Rider” ended the set. Throughout the set, lights projected on the ceiling danced intermittently, woven into the quadrilateral design by Jeffery Bowling.

    https://www.instagram.com/p/BSCoPUjhve9/

    Set 2 began with “Help on the Way” > “Slipknot!” and soon found the night drifting into very spacey territory. The improvisation in “Steam” and “Waves” were patiently developed, the latter including “Beautiful Jam” from 2/18/71. A somber “Stella Blue” brought the set back into “Slipknot!” and then a bouncy and rousing “Franklin’s Tower.” The lights were turned off for the encore, the serene “Waste,” with only living room lighting illuminating the room as a backdrop. Visually and acoustically, the performance was simply pure.

    https://www.instagram.com/p/BSCzA_gDPlc/

    Set 1: Sleep, Crazy Fingers, Free, Althea > Piper > China Cat Sunflower > Bliss > I Know You Rider

    Set 2: Help on the Way> Slipknot! > Steam > Waves > Beautiful Jam 2/18/71 > Waves* > Stella Blue > Slipknot! > Franklin’s Tower

    Encore: Waste **

    * w/ China/Rider Tease
    ** Played with all the lights turned off.

  • Consider The Source, Felix Martin and Ampevene: PROG Rock Nation at The Hollow

    It was a night of pure psychedelic/prog rock heaven at The Hollow in Albany on Saturday, March 18 as the musical explorations of Ampevene, Felix Martin and NYC-based headliner Consider the Source took the stage to an enthusiastic crowd of the band’s faithful fans.

    First to take the stage was Ampevene, a locally based quartet founded by guitarist Gabe Stallman. The band’s roster includes Mack Hogan on bass, Darryl Kniffen on drums/percussion, and Ava Smith on keyboards. Their sound is a self-described eclectic mix of free form frenzy, jagged riffs, and hypnotic rhythms. Ampevene was formed in 2013 and since it’s inception has played Albany’s coveted Lark Street festival in 2015. They also have produced three EPs, the latest of which is entitled Rometheu which the band chose as the opener for the show. It was one of the only times throughout the night they blended lyrics with the incredible instrumental skills of the band. One of the high points of the hour long set in my opinion was the use of imaginative sounds that were crafted by talented keyboardist Ava Smith. They provided a beautiful sonic layer that enhanced the psychedelic musical experience that Ampevene created early in the evening.

    After a brief break in the action the musical journey continued with the talent of Venezuelan guitarist Felix Martin whose claim to fame is being able to simultaneously play two guitars at once. His website describes his amazing skill in this way, “Felix uses his self-designed 14 and 16-string guitars, which are two regular guitars in one, in a way never seen or heard before.” Felix and his band which is comprised of bassist Killian Duarte and drummer Victor Carracedo are currently wrapping up their 10 date tour with Consider The Source while promoting their newly released album Mechanical Nations.

    Felix and his band started their show with “Carnat,” which showcased the slap style guitar playing Felix is renowned for on an instrument that looks like it was cooked up in Frankenstein’s lab. Two separate guitars attached together at the neck in a most unnatural way, but yet yields wondrous results at the hands of guitar virtuoso Martin. Up next was newly released “Bom,” which illustrated how tight the band plays as an ensemble ever pleasing the crowd with it’s upbeat hypnotic tempo. Midway through the show bassist Killian Duarte aptly stated to the energized audience “Let’s keep things heavy and proggy” and they did not disappoint. The tone of the show was aggressive with the three piece creating a wall of sound that was reminiscent to Primus, featuring lots of chest cavity pumping bass with head bouncing percussion.

    Last on the bill were headliners Consider the Source, the NYC power trio, whose credits since their formation in 2004 include playing Burning Man, Gathering of the Vibes, Catskill Chill, and numerous other nationally renowned music festivals took the stage. CTS is comprised of Gabriel Marin on fretless doubleneck guitar, bassist John Ferrara, and drummer/percussionist Jeff Mann. Consider The Source’s music showcases a Middle Eastern flair and features pieces with hypnotic melodies such as set opener “Aquarians.” The sonic landscape that filled the room took the audience on a mystical journey into unchartered territory with pieces such as “Closer To Home” and “Abdiel.” The enthusiastic crowd seemed transported to the desert with female spectators breaking out in impromptu belly dancing reminiscent of some ancient Bedouin tribe. The musical menagerie that is Consider The Source is deceiving in its sound, with multi-layered and complex rhythms; it easily feels like these sonic sculptures could have been created by a band twice its size. The craftsmanship and camaraderie of the band was obvious and while CTS was playing early in the set, both previous opening frontmen Gabe Stallman from Ampevene and Felix Martin stood by appreciatively taking in the show in the nearby wings along side the captivated audience.

    Consider the Source’s next local performance will be on May 5 at the Putnam Den in Saratoga Springs. They will also be featured at this year’s Disc Jam festival June 8th- 11 in Stephentown NY.

    Ampevene Setlist: Romethu, Ottro Jam, Tracalysis, Intro Jam, Tumultuous, Valencia

    Felix Martin Setlist: Carnat, Bom, Bom Continues, Eight Moon Headress, Nomadic Tree, Santos, Barquisimetal, Flashback

    Consider The Source Setlist: Aquarians, Many Words of Disapproval, Keep Your Pimp Hand Strong, Closer To Home, Abdiel (Second 1/2), (Good Point) Wandering Bear, A Monument To Compromise, Blue Steel

  • Round 4 of NYS Music’s 2017 March Madness

    And then there were 8…

    Last Monday, we started with an field of 64 original bands from across New York State – some you’ve heard of, and some you might not know about. These bands were recommended for inclusion in our field of 64 by NYS Music staff, contributors and readers and we brought in bands from every corner of New York State, from Long Island to Buffalo, The Catskills to the North Country and all points in between.

    NYS Music March Madness 2017 is a great way to discover a new and upcoming band in your area and show your support and love for bands you see often. We focus once again this year on the bands who are on the cusp of greatness. There was only room for 64 but we made some great choices and picked a wide array of genres to bring to you this year. Here are the elite bands that have made it through to Round 4:

    Funktional Flow (funk n jam) vs Raibred (Progadelic)
    Intrepid Travelers (improv/jam) vs Ampevene (prog rock)
    Root Shock (reggae) vs Barroom Philosophers (reggae rock)
    Boogie Low (acid rock) vs Big Mean Sound Machine (funk)

    Voting begins at Noon on Thursday, March 23 and ends at Midnight on Saturday, March 25. The Final Four begins next Monday!

    We’d like to thank our regional sponsors The Hollow Bar and Kitchen, Nietzsche’s Buffalo, The Downtown Barn and Castle Studio. These small businesses represent the best of what New York State has to offer and celebrate music while inviting local and touring bands to perform for growing local scenes across the state.