Category: Berkshires

  • Halloween Horror Camp 3

    The 2017 Halloween season got off to a frighteningly good start last weekend courtesy of a small and intimate party in The Berkshires that featured some of the region’s burgeoning musical acts.  Bands from Upstate NY and Western MA, along with an intimate collection of 200 some-odd live music lovers, assembled at the rustic H.A. Moses Scout Reservation in Russell, MA for a brief, yet utterly enjoyable, festival of nostalgic music and musical costumes and the third rendition of its Halloween Horror Camp. With each band playing a predesignated set of covers from other artists, the opportunities to “dress up” both in costume and musically ran rampant this cool October evening.

    Halloween Horror CampNormally used for Boy Scout camping purposes, the main lodge was transformed into a dance hall of sorts and nearby cabins were available for additional purchase as well for those that preferred bunk beds instead of roughing it outdoors. In fact, in a really unique twist, “campers” weren’t even informed of the event’s location until about 48 hours beforehand when an e-mail was sent to ticket holders.  All that was known was that it would be somewhere in the 413 area code of MA. Those that were willing to put their faith in a party with no address were rewarded with a night of music that spanned multiple eras and genres.

    One of the earlier acts of the day of Halloween Horror Camp 3 was Creamery Station who performed a “Watkins Glen” themed set of Dead and Allman Brothers tunes.  With band members feeding into the holiday spirit and adorned in full body cow costumes, classic tunes like “Deal” and “Statesboro Blues” greeted still arriving guests and those still setting up tents and camps.  A cover of The Band’s signature hit “The Weight” was also included in this engaging early set of music.

    Shifting courses a bit, a set of Daft Punk covers followed, delivered by Northampton’s own Mammal Dap with assistance from Mary Corson on vocals.  Together, they did justice to Daft Punk’s seminal album Discovery in a performance that covered nearly the entire recording.  Songs like “One More Time,” “Voyager” and “Too Long” seemed to get the dance floor moving a little steadier and served as a great precursor for things to come.

    Albany’s own Formula 5 then delivered one of the more anticipated sets of the evening with a blistering set of Phish covers.  Beginning with a well jammed “AC/DC Bag” that fed directly into “Story of the Ghost,” the Upstate NY jam outfit did not disappoint with its cover set of one of their inspirations.   A crisp “2001” kept the rave vibe alive and well in the main lodge but one of the true gems of the set was “Reba” and a corresponding jam that was melodious and powerful all at once. The same could be said for the rousing rendition of “Harry Hood” that followed later in the set before a customary “Cavern” set closer.

    Cosmic Dust Bunnies then turned back the clock and took everyone on a musical romp through the 80s with a long set of covers from the era of hair spray and cassette tapes.  Songs like “Superfreak” and “Word Up” gave the start of their set a retro dance vibe before the New Haven rockers settled into more pop hits like “Everybody Wants To Rule the World” and the ever present Rick Astley classic “Never Gonna Give You Up.”  The Bunnies continued to impress and up the ante with standout takes of “Dirty Diana,” “Love Is a Battlefield” and “Panama.”  The selection and variety of artists that were covered in this set was really impressive and a fun take of Lionel Richie’s “All Night Long” helped bring a close to it.

    Strange Machines, a Boston-based rock fusion act, then threw it back even further with a standout set of songs by The Doors.  A full throttle version of “L.A. Woman” kicked things off and a fun “Love Me Two Times” > “Higher Ground” > “Love Me Two Times” sequence showcased the band’s ability to stylistically bob and weave.  The “Riders on the Storm” and “Strange Days” that came towards the end of the set offered a true psychedelic tone to the evening that proved not all the music tonight had to be upbeat and poppy in order to be enjoyed.

    The party kept going well into the hours of Sunday morning courtesy of a Bassnectar themed DJ set from Uncle Bob and a stellar set from lespecial chock full of Primus covers, a sound the band has really honed of late. The final set from Roots of Creation featured Grateful Dead and Rage Against the Machine songs intertwined and throwing the crowd into a final frenzy of the night, while Kerry Quirk gave the fans what everyone wants late at night, a healthy dose of Madonna.  Those that stayed and camped overnight were welcomed with a community breakfast in the morning to help recharge before leaving the wilderness and returning to civilization.  Halloween Horror Camp has all the feel of a remote festival with a powerhouse music lineup combined with a backwoods campfire among friends.

  • Getting Weird at the 15th Strangecreek Campout

    Memorial Day weekend and Labor Day weekend bookend the festival season, meaning many northeasterners start and end their summers at Camp Kee-Wanee in Greenfield, Mass., for the 15th Strangecreek and Wormtown Campouts.

    strangecreekLast week was the 15th annual Strangecreek, and the vibe was very focused around the family that had been built up over the years. Camp Kee-Wanee is the perfect spot to host this festival, with a picturesque green landscape that leads into the forest, which is cut in half by a stream running through the creek. The late night cabins make it as fun for ragers as all the kid friendly activities make it perfect for families.

    The four-day fete spanned May 26 to 29 and was a hit to everyone in attendance. Aside from the rain over the first two days, the festival went off without issue, and by the time the music was done late on Sunday night, everyone was left with ear-to-ear smiles.

    I wasn’t able to arrive until Friday evening, just as Consider the Source was soaring on the main stage. Prior to that, David Gans’ tribute to the Grateful Dead’s Ron “Pigpen” McKernan had fans singing the type of blues that only Pigpen could sing. Rebel Alliance and Relative Souls were prior.

    At 7:30 p.m., Shakedown took over the Vernville stage to play 90 minutes of the way they interpret the Grateful Dead. It was a very nice and relaxing way to segue back to the mainstage, where headliner Badfish brought the sunny spirit of Sublime to Strangecreek. It was a welcomed surprise to boogie down to one of my favorite bands from my teenage years.

    A few minutes before 11, I caught the tail end of Western Mass. group The Alchemystics and their genre melding blend of funk and hip hop.

    In the Keewanee Cabin, Tweed jammed, and jammed and jammed until the early morning hours, before Skeleton Keys brought a new spin on Grateful Dead music, using two pianos to interpret the legendary catalog. West End Blend and Bella’s Bartok were the late night acts at the Wormtown Cabin.

    After some late night campground shenanigans, I turned in to my tent and took a much needed rest. The cool mountain air, paired with a quiet camping area, made it easy to fall and stay asleep.

    The morning started with a delicious smoothie from the Solar Cafe and a bacon, egg and cheese from an independent vendor. By the time I got to the Vernville stage, Desert Rain was wrapping up, so I wandered to the Riverworm stage, nestled in the woods, to check out Rhythmic Circus, who were the perfect complement to the fair weather.

    A friend messaged me and told me not to miss The Broadcast, a three-piece group that played the main stage at 3 p.m. They brought a sort of straightforward approach to rock and roll, but mixed in some fiery soloing.

    Big Mean Sound Machine, The Fritz and Ryan Montbleau were up next, before a dinner break to get ready for the band I come to see every year: Max Creek.

    The four-piece band has been around since the late 1960s, and continues to innovate in the jam scene. Guitarist Scott Murawski has been playing a lot with Phish bassist Mike Gordon in recent years, and the duo’s partnership and style showed a lot during the show. Max Creek, years ago, sometimes felt like it was Murawski soloing over chord progressions, but this show featured a lot more in the ways of subtle rhythm shifts and deep grooves, which is similar to what he does with Gordon. And not to be forgotten is the Dead’s spirit, which is tattooed all over Max Creek’s live sets.

    Shakedown and Zach Deputy rocked the Wormtown late night cabin, and Keepers of the Vibe and the Z3 held down Kewanee.

    Sunday morning is what I’ve been looking to for a while. New York based group Cousin Earth was opening the Riverworm stage at 10:30 a.m. to bring their super unique, sometimes quirky and all-the-time fun and intricate music to Strangecreek for the first time. The five-piece band featured Joey Calfa on electric ukulele, Corey J. Feldman on a bass the size of a ukulele, Terry Brennan on vocals and percussion, Nate Searing on drums and Tara Lawton on vocals and melodica. They bring a Broadway vibe to rock and roll, and add in memories from your childhood, such as playing the Animaniacs theme song, or performing a video game medley. All in all, Cousin Earth was the most energizing set of the weekend, and I urge you to catch this band any chance you get.

    The Rev Tor Band and Hayley Jane and the Primates performed on the main stage, before Bella’s Bartok took another shot at the crowd. Bella’s Bartok is quite unique, with an indy rock feel and also a singalong sort of vibe. At one point, their singer sang a song while on an inflatable couch that the crowd was making surf.

    The Talking Dreads and Annie in the Water had the Vernville stage hopping, while Steal Your Peach brought the river to life.

    Eric Krasno of Soulive played a set with his solo band on the main stage right around the time people were learning that Gregg Allman had passed away.

    Zach Deputy, Pink Talking Fish and Pink Floyd tribute The Machine closed out the festival in grand fashion. Pink Talking Fish’s set consisted of all Phish material, adding another layer to the weekend.

    From September 15 to 17 at Kee-Wanee is Wormtown, which is put on by the same people. Melvin Seals and JGB and Max Creek are the headliners. You should really plan on attending if you want to experience one of the most amazing and laid back festivals in the country.

  • Lord Electro Means Business

    Albany’s funktronica act, Lord Electro, will get down to business this summer as they continue their tour in support of their debut studio album, Business. The band will also release its first live album recorded at the legendary Nectar’s in Burlington, Vermont.

    Lord Electro continues its “Business” Tour in support of its debut album of the same name, which was released in March. The tour brings them around the state, starting on June 8 at the Disc Jam Festival in Stephentown, where CEG Presents named them one of the top five acts to see on the main stage.

    They make a few festival appearances over the summer. They hit up the Woodhenge Festival in Adams, where they are scheduled for two sets, on June 23. They play a late-night set on July 8 at Kenny’s Cosmic Campout in Barryville. They finish up their festival appearances on July 29 at the GEM Festival in Glens Falls. In addition to the festival appearances, they’re playing a number of shows in the Northeast, including the Monopole in Plattsburgh on June 24, Lukins in Utica on June 29 and Silvana in New York City on Aug. 5.

    Lord Electro will also release their first live album at the end of the week on June 2. Live at Nectar’s was recorded on May 10 at Burlington, Vermont’s legendary Nectar’s Lounge. The live album showcases the band’s improvisation. It will be available digitally on iTunes, Bandcamp, Spotify and Soundcloud.

    Lord Electro Summer Dates:

    June 8­ – Disc Jam, Stephentown, NY
    June 23 -­ Woodhenge Festival, Adams, NY
    June 24 – ­ Monopole, Plattsburgh, NY
    June 29 -­ Lukins, Utica, NY
    July 8 – ­Kenny Cosmic Campout­, Barryville, NY
    July 29 – GEM Festival, Glens Falls, NY
    Aug. 5 – Silvana, New York, NY

  • Disc Jam 2017 Initial Lineup Announced

    Disc Jam Music Festival 2017 announced the initial lineup for its 7th edition.  The June 8-11 festival returns for the third year to Gardner’s Farm in Stephentown, NY, a Berkshire Mountain town near the Massachusetts border.

    The weekend of music, art and disc golf features more than 60 acts on its twin main stages and two side stages and features headliners The Motet, Break Science Live Band, Dopapod, Turkuaz, Manic Focus, TAUK, Kung Fu, Pink Talking Fish, Giant Panda Guerilla Dub Squad, Aqueous, Gubbulidis (Twiddle side project), Ghost-Note (Snarky Puppy side project), Electric Beethoven, Consider the Source and Honeycomb.

    The festival’s grounds are home to a 27-hole disc golf course that will play host to a number of tournaments throughout the weekend appealing to the enthusiasts as well as casual players.

    Other announced artists reads like a list of the Northeast’s best talent, including: Yheti, lespecial, Esseks, Brightside, Of the Trees, Spiritual Rez, Roots of Creation, Holly Bowling, Hayley Jane, Agent Lockhart, the Mallett Brothers Band, Strange Machines, Congo Sanchez, Sophistafunk, Wild Adriatic, After Funk, Funky Dawgz, Funk You, Swift Technique, Litz, Calliope Musicals, Earphorik, West End Blend, Teddy Midnight, Mister F, Formula 5, Chromatropic, Annie in the Water, Goose, the Mushroom Cloud, Eggy, Lord Electro, William Thompson Funk Experiment, Ben Silver (Orchard Lounge), Toadface, Saltus, Uncle Bob, DELTAnine, Klassik, Leila, Detox, Tsimba, Zerogravity, Zoologic, Bunk Buddha, Bells & Robes, Icculus, Echo Mecca, Kroma Kode, In Flux, Stephen Lewis, Mether, Qwill, Oogee Wawa, the Other Brothers, Humble Digs, Monotronic, Resin Heads, Big Jon Short, Zack Slik, Political Animals, Schooley Mountain Band and Cal Kehoe.

    Promoter Tony Scavone said of the talent:

    We’ve put together a Who’s Who of Northeast musical talent without straying from our funk/jam roots, while keeping with the times to include the electro-fusion craze that has taken hold of new music being created by today’s fastest rising acts

    In addition to the breadth of music and disc golf, there will also be flow arts workshops, interactive art throughout the grounds and daily yoga sessions. Craft and art vending will be sponsored by PhanArt.

    Early bird tickets are available now at the Disc Jam website for $125. This includes camping and early entry to the grounds. Special VIP packages include a stay at nearby Jiminy Peak.

    Check out Dopapod’s performance with the West End Blend horns from last year’s festival below:

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