Category: International

  • On the Cinder and OC45 Team Up for a Run of Shows in the Northeast and Canada

    Punk rock fans will not want to miss this pairing: Buffalo’s On The Cinder and Boston’s OC45 are touring together this month. The run of shows starts on November 13 at Noiseland Arcade in Buffalo. From there, they make their way through New England and Quebec before ending in Boston at Great Scott on November 19.

    Nov. 13 – Buffalo, NY – Noiseland Arcade
    Nov. 14 – Burlington, VT – Club Metronome
    Nov. 15 – Montreal, QC – Bar L’Hemisphere Gauche
    Nov. 16 – Quebec City, QC – Scanner Bistro
    Nov. 17 – Jonquiere, QC – Cafe L’Envol
    Nov. 18 – TBA
    Nov. 19 – Boston, MA – Great Scott

  • Leaning into the Darkness: Cowboy Junkies Soothed Albany Audience with Soulful Folk Jazz

    The Cowboy Junkies brought their smooth, dark chocolatey sound to a sold out Swyer Theatre at The Egg on November 4, 2017. The stage was set for an intimate evening of bluesy folk music, complete with oriental carpets and roses by the microphone. When the band members took the stage a bit later than expected, any annoyance felt by the audience was quickly soothed away as they opened to “Late Night Radio.”

    cowboy junkiesBy the second song, “Cheap,” the audience was swaying in a sweet, dream like state normally reserved for sharing a bottle of merlot with old friends. With her hands in her pockets, Margo Timmins presented like someone you knew from college who was swaying and crooning to make you relax and smile. Real, human, and still incredibly talented, Margo’s haunting voice shared story after story from newer albums during the first set. “Mountain Streams” and “Missing Children” highlighted the mandolin as she whispered dreams of abandonment, disillusionment, and loneliness. Her style of pulling her mouth away from the microphone while still crooning along with the instruments added an intense harmony of layered instruments to the complex music.

    Song after song of free associating story telling, even over the saddest plot lines, offered calm reassurance about the human condition. “Sun Comes Up” and “My Little Basquiat” regulated the mood; melancholy but sweet, the richness of the sound rebounded the mood of the concert until “Reckoning,” the final song of the first set. Heavier in bass, and highlighting the musicianship of both the percussionist’s ability to coax his instruments with professional timpanist ability and the bassists’ rhythmic thick sound, “Reckoning” brought the first set to a close on the sad message that lovers often ask for more than they can give.

    Timmins was drinking tea and taking breaks away to the back of the stage to blow her nose, but those were the only cues she was sick.  Her velvety voice opened the second set as strong as the first. Moving between songs of longing like “Dreaming” and “Hunted” to the more trance like piece “State Trooper,” the Cowboy Junkies demonstrated that they weren’t only prolific in producing albums (they are currently producing their 51st album since 1985), but also able to maintain a mellow vibe through heavier rock, alternative country, folk jazz, and the occasional trance song.

    A three-song acoustic set nicely broke up the second half of the concert, complete with Timmins sharing stories about parenting her son that again brought her humanity directly into focus. The group moved into more familiar territory, including “Sweet Jane” after a satisfying bass and percussion riff led the music back into heavier lands. Ending with “Misguided Angel,” the Cowboy Junkies left the stage with their audience begging for more. They returned to do two more pieces, but the climax of the evening was already passed.

    The Cowboy Junkies is a Canadian band that was founded by guitarist/songwriter Michael Timmins and bassist Alan Anton. Joined by drummer Peter Timmins and singer Margo Timmins, they were well known in the late 1980s for the album The Trinity Session.  While Anton never cracked a smile, and had the flattest affect possible throughout the soulful songs, his intense bass playing is a cornerstone of this mellow group. Adding the talented Jeff Bird on mandolin and harmonica was a beautiful, seamless fit; his sound magically pulled much of the night together with sounds that transformed the Egg to a smoky jazz bar.

    The Cowboy Junkies celebrate what it means to be human: the pain, the longing, and also the connection. Here’s to wishing for at least 50 more albums from this band.

  • They Fought the Law and the Funk Won: After Funk Debuts Latest Video “Freak”

    After Funk has released the video for “Freak,” the first single off their album set to be released in Spring 2018. Shot in Toronto, Ontario, Canada and Tampa, Florida over last New Years, the video follows two criminals, Donnie and Lou, who flee with their winnings to South Florida, and the detectives who track them down.

    After Funk is currently wrapping up their Fall Tour with shows in Hamilton, Ontario on Saturday 10/28, Boston on Wednesday 11/1, Providence on Thursday 11/2, Bridgeport on Friday 11/3 and wrap things up on Thursday, November 30 at Java Barn in Canton, NY.

  • Throw Away the Rudder (Float Away on Vapour Trails) – A Tribute to Gord Downie

    When your nation’s leader gives a tearful press conference lamenting that they are less of a country without you in it. When your country’s flagship news magazine spends the majority of its broadcast speaking of your legacy. When a national network dedicates hours of programming on both television and radio to the news of your death. When the Toronto Maple Leafs hold a moment of silence for a lifelong Boston Bruins fan. When your hometown’s mass transit system substitutes the bus route for “thanks for your life” on the message boards. When musicians, athletes, politicians, actors, commentators, indigenous leaders and everyday people recount memories of their encounters with you. These are all signs that you led a life to be celebrated.

    Gord Downie of the Tragically Hip passed away Oct. 17, a casualty of glioblastoma, a severe and incurable form of brain cancer. His diagnosis followed a seizure he had in December of 2015. Why this resonates so strongly with me is that my mother was diagnosed with the same. The fact that he didn’t take this diagnosis as a death sentence but as a mission to bring his message to Canada and the world, speaks to the character of the man. The period following his diagnosis turned out to be one of his most prolific.

    Downie was genuine. Downie was intense. Downie was humorous. Downie broke down fences. Downie built bridges. Downie was uniquely Canadian. Downie was one of kind.

    The Tragically Hip was never a big name in the U.S. Perhaps the obtuse poetry of the band’s lyrics or the uniquely Canadian references in their songs kept that from happening. Those Americans who had heard of the Hip and who learned to love the Hip most likely did so because of some connection to Canada, whether it be proximity to the border, family ties or a friend in the know. For me, it was a combination. I was turned on to the Hip by my friend Derrick, who had played hockey professionally and had many Canadian friends who were big Hip fans. Knowing my fondness for the Toronto Maple Leafs, Derrick told me about a Hip song that lamented former Leafs player Bill Barilko, entitled “50 Mission Cap.” I was hooked.

    I was in my mid-20s when I dove into the Hip. I dove in deep. Perhaps it was my many family trips to Canada in my childhood. Perhaps it was my need to be different than others. Whatever it was, I loved the sound of the Hip and the content of their lyrics. Through those lyrics, I discovered more about Canada than I ever would have otherwise. I was fascinated by the story of Barilko. I researched Hugh MacClennan and David Milgaard. I was an American with my own little Canadian secrets.

    Perhaps the coolest thing about being an American Hip fan in their heyday was that seeing them live didn’t involve sleeping out for tickets or sitting in a huge stadium to see them play. While the band’s hometown of Kingston, Ontario is just a few hours away from my hometown of Rome, New York, in Hipworld, it may as well be light years away. My first time seeing the band was at the Club Chameleon on the Day for Night tour in Syracuse in 1995 with a band called the Rheostatics opening. Not only was I getting an opportunity to see a new favorite band in an intimate venue, I was also being introduced to a cool new band I had never heard of in the Rheos. I’ve been a Rheos fan since that day and have the Hip to thank for that.

    The people working the door that night were asking each attendee how far they’d come for the show as they entered. I’d never encountered that when going to a concert. A few years later, I realized why. It soon became apparent that Hip fans travel, not unlike Pittsburgh Steelers fans. And I can’t say as I blame them. Given the choice between seeing my favorite band among 20,000 others in a stadium or with 1000 people in a small bar in Central New York, I’d choose the latter as well.

    Perhaps the Tragically Hip’s greatest legacy is that on Canadian music as a whole. In the year and a half since Downie’s illness was revealed, generations of Canadian musicians have come forward to express their gratitude for the band’s music. On New Year’s Day, 2017, Canadian radio host George Stroumboulopoulous celebrated the career of the Tragically Hip in a four hour show that brought together artists as varied as Sam Roberts, Geddy Lee, Blue Rodeo, Barenaked Ladies, A Tribe Called Red and Tanika Charles to perform versions of Hip classics and discuss the band’s influence on them and the musical culture of Canada as a whole. You can listen to that show here.

    Perhaps my biggest takeaway in becoming a Hip fan is the relationships I’ve developed along the way. To meet a fellow Hip fan is to meet a kindred spirit. And if you happen to be wearing something Canada-related, the barriers are immediately broken. This happened to me at Syracuse’s Landmark Theatre during the Phantom Power tour in 1998, the second of mine and my wife’s three consecutive “Thruway Tour” shows that also hit Albany and Rochester that year.

    It’s pretty much a requirement to wear something Canadiana to a Hip show, whether it’s a maple leaf patch on your jean jacket, a hockey jersey or the shirt of any Canadian band. I wore my favorite Maple Leafs hat to every Hip show that tour. While waiting in line for a beer, a tall gentleman in front of me turned and asked where in Canada I was from, apparently bewildered that an American would be a fan of a Canadian hockey team. I mentioned that I was from less than an hour away and have been a Leafs fan for years. That question led to a friendship going on 20 years now. My friend Tom hailed from Barrie, Ontario and made the trip south for the show in Syracuse. He spoke about the tremendous time he had at the Hip’s run of shows at Bill’s Bar in Boston earlier that year and how he wished he could hear those shows again. As luck would have it, I happened to have said shows on tape from a trade I had made on a Hip listserv. He jotted his address down on a cocktail napkin.  A few days later I copied the shows and mailed them off to Barrie and a friendship was born. Tom now lives in the Calgary area, but thanks to the miracle of technology, he and I have been able to maintain our friendship over all these years and I can count him as one of my truly best friends.

    Since 1995, I have been fortunate enough to see the Hip a total of 12 times, the most memorable was at Woodstock ’99 on the Saturday morning of that weekend in my hometown. Definitely one of the finest performances I’ve witnessed by any band, Gord at peak stream-of-conscious banter. When Downie said, “Ah, it’s nice to be back in Rome,” my face lit up, despite the fact that he’d more than likely never been here before.  The last time I saw them was with my wife at CMAC in Canandaigua on July 4, 2015. You can read my review of that show here.

    The night of the band’s final performance, in their hometown of Kingston last August 20, I sat in my living room, watching along with 12 million others across Canada and throughout the world as Downie gave his final farewell, tears in my eyes.

    Gord Downie brought people together. He had a magical touch that reached the rock fan and the poets. In times that have become increasingly divided, the world could use a lot more Gord Downies.

    Rest in power, Mr. Downie. You have enriched the lives of millions. Your words, your actions, your life will live on in those you’ve inspired.

  • Gord Downie, Tragically Hip Frontman, Dead at 53

    Charismatic frontman and Canadian national treasure, Gord Downie of the Tragically Hip passed away Tuesday night at the age of 53.

    Tragically Hip Cancer Gord DownieDownie was diagnosed with glioblastoma, an aggressive form of brain cancer, in December 2015. It was discovered after he suffered a seizure.

    The diagnosis wasn’t publicly revealed until May of last year when the band also announced a final Tragically Hip tour. The Hip, with Downie (vocals), Rob Baker (guitar), Paul Langlois (guitar), Gord Sinclair (bass) and Johnny Fay (drums) embarked on a 15 show cross-Canada tour in 2016, culminating in a nationally-broadcast show in their hometown of Kingston, ON on Aug. 20.

    Gord Downie
    Gord Downie assessing the situation in Canandaigua.

    A statement issued on the band’s website spoke of the inevitability of Downie’s passing, “Gord knew this day was coming – his response was to spend this precious time as he always had – making music, making memories and expressing deep gratitude to his family and friends for a life well lived, often sealing it with a kiss…on the lips.” Downie made a point to kiss his bandmates on the lips at the end of each performance on the Man Machine Poem tour in 2016 to show his love for them. The full statement from the Downie family:

    Last night Gord quietly passed away with his beloved children and family close by.

    Gord knew this day was coming – his response was to spend this precious time as he always had – making music, making memories and expressing deep gratitude to his family and friends for a life well lived, often sealing it with a kiss… on the lips.

    Gord said he had lived many lives. As a musician, he lived “the life” for over 30 years, lucky to do most of it with his high school buddies. At home, he worked just as tirelessly at being a good father, son, brother, husband and friend. No one worked harder on every part of their life than Gord. No one.

    We would like to thank all the kind folks at KGH and Sunnybrook, Gord’s bandmates, management team, friends and fans. Thank you for all the help and support over the past two years.

    Thank you everyone for all the respect, admiration and love you have given Gord throughout the years – those tender offerings touched his heart and he takes them with him now as he walks among the stars.

    Love you forever Gord.

    The Downie Family

    Downie’s final days were spent championing indigenous causes, forming The Gord Downie and Chanie Wenjack Fund to support reconciliation between indigenous and non-indigenous people in Canada. Chanie Wenjack was a young indigenous boy who died while trying to escape one of Canada’s now defunct residential schools in 1966. Downie released a solo album entitled Secret Path, accompanied by a graphic novel, last October to bring light to Wenjack’s death and the impact of the residential schools on Canada’s indigenous people.

    As a result of his tireless work for the First Nations people, Downie was honored at a ceremony given by the Assembly of First Nations last December. National Chief Perry Bellegarde bestowed an eagle feather, a symbol of the creator, on Downie and gave him an honorary aboriginal name, Wicapi Omani, which means “man who walks among the stars.”

    Gordon Edgar Downie was born in Kingston, ON on Feb. 6, 1964. He attended the Kingston Collegiate and Vocational Institute, where he met his future bandmates. Davis Manning was an original member of the band as saxophonist. He was replaced by Langlois in 1986. The band inked a deal with MCA Records after an appearance at Toronto’s famed Horseshoe Tavern, releasing its self-titled EP in 1987. The follow-up Up to Here in 1989 produced four hit singles for the Hip in Canada, “Blow at High Dough,” “New Orleans is Sinking,” “38 Years Old” and “Boots or Hearts.”

    The band’s blues-based sound and poetic Canadiana lyrics endeared them to Canadians of all walks and perhaps kept the Hip from success in the U.S., aside from the border towns. Nonetheless, the Hip became Canadian rock royalty, garnering 16 Juno Awards (Canada’s equivalent of the Grammys), the Order of Canada, induction into the Canadian Music Hall of Fame and a street naming in their hometown.

    Over the course of 30 years, 14 Tragically Hip albums, five solo efforts (with another set for release on Oct. 27) and many collaborations, Gord Downie was a champion of music, especially Canadian music. The Hip brought many Canadian artists with them on tour, including the Arkells, Rheostatics, the Sadies, Eric’s Trip, Spirit of the West, the Inbreds and Ron Sexsmith among others. Many of them have left fond remembrances. Max Kerman of the Arkells told CBC Radio’s “Q” podcast, “Gord taught me that it’s OK to dance.” The Toronto Globe and Mail tweeted, “Gord Downie, troubador of Canada, charmed and challenged a nation.”

    Canadian Prime Minister Justin Trudeau, visibly emotional, delivered a statement on Wednesday, describing Downie as one who “gave us goosebumps and made us proud to be Canadian.”

    But Downie was more than a musician. Downie was an activist. He was a performer. He was a poet. He was an actor. Gord Downie was a treasure. To gather an image of who Gord Downie was, the New York Times said it best, “The place of honor that Mr. Downie occupies in Canada’s national imagination has no parallel in the United States. Imagine Bruce Springsteen, Bob Dylan and Michael Stipe combined into one sensitive, oblique poet-philosopher, and you’re getting close.”

    Farewell, Mr. Downie. “It was a pleasure doing business with you.”

  • Premiere: Swedish Pop Group Akaba Releases Video for “Starfly”

    Swedish band Akaba has released their newest video “Starfly,” a collaboration with Kjahart, who used stop motion film and also created the album cover art for The Rust Within, recorded at Roth Handle Studios in Stockholm, Sweden.

    Åsa Carild tells of the song’s background “I used to sing in a band that was, for a little while, very successful. Being very young at the time it became an important part of how I defined myself. When all that faded, I was no longer who I defined myself as. The song is about the struggle with this.”
    Akaba starfly

    Akaba will release their debut album The Rust Within on October 13 and will perform at Pianos in NYC on October 14. Doors open at 6:30, with Akaba performing at 7pm.

    Akaba was born from the ashes of two other prominent Swedish Indie bands, Pineforest Crunch and Reminder. Åsa Carild, Tobias Ljungkvist and Mattias Olsson have toured extensively in Sweden playing everything from Thai restaurants to 600 seat venues, as well as touring the west coast of the United States, Toronto, London and New York City. Follow Akaba on Facebook, Soundcloud, Instagram, and tune in on Spotify or order their album on Amazon.

  • Trey Anastasio Band Fall Tour with Halloween Show

    Trey Anastasio will bring his solo band on a six-night fall tour in Las Vegas and California in late October where the tour includes a Halloween show at the Wiltern in Los Angeles.

    Trey Anastasio continues to keep his solo band busy. With four shows already scheduled in mid-September in Northern New England and New Brunswick, he recently announced a string of shows out west in October and November. The tour kicks off with two nights at the Brooklyn Bowl Las Vegas on Oct. 27 and 28. It continues on Halloween at The Wiltern in Los Angeles, only the fourth time the Trey Anastasio Band has played the holiday, the last time being two years ago. He hits up the Observatory OC in Santa Ana, California the next night on Nov. 1. After a night off to travel north, he finishes up his tour with two nights at the Fox Theater in Oakland, California on Nov. 3 and 4.

    In addition to those dates, he also has a pair of orchestral dates in late September in Nashville and Atlanta.

    Tickets for the fall tour are currently available through a realtime pre-sale, which ends Wednesday, Aug. 23. They go on sale to the general public on Friday, Aug. 25.

    Trey Anastasio Band Tour Dates
    Sept. 15 – Harvest Jazz & Blues Festival, Fredericton, NB
    Sept. 16 – Thompson’s Point, Portland, ME
    Sept. 17 – Grand Point North Festival, Burlington, VT
    Oct. 27-28 – Brooklyn Bowl, Las Vegas, NV
    Oct. 31 – The Wiltern, Los Angeles, CA
    Nov. 1 – The Observatory OC, Santa Ana, CA
    Nov. 3-4 – Fox Theater, Oakland, CA

    Trey Anastasio Orchestral Dates
    Sept. 27 – Shermerhorn Symphony Center, Nashville, TN
    Sept. 29 – Atlanta Symphony Hall, Atlanta, GA

  • Photo Gallery: Tom Petty and The Heartbreakers Celebrate 40 Years at Air Canada Centre in Toronto

    Tom Petty and the Heartbreakers made a stop on their 40th anniversary tour at the Air Canada Center on July 15. The veteran rockers played to a sold-out crowd of over 19,000.

    The band played mostly hits, but dropped in an occasional B-side or rare track. They kicked off their set by going way back to the first song off their very first album, Rockin’ Around (With You). Petty and the Heartbreakers took us on a ride through time which Petty described as “We’re going to pretend like this is a record spinning around up here playing our entire catalog and every now and then we are going to drop the needle.”

    Petty took fans through a history of his solo and the Heartbreakers catalog, including “Mary Jane’s Last Dance,” “You Don’t Know How it Feels,” softer hits like “Wildflowers” and “Crawling Back to You.”  They ended the evening with fan favorite, “American Girl.” Check out the photo gallery below.

  • Mike Gordon Announces ‘OGOGO’ and Fall Tour with Stop in Syracuse

    Mike Gordon is putting the final touches on his newest studio album, OGOGO, set to be released in September. He will head out on a fall tour with the current lineup of his solo band. The 17 night tour kicks off on Sept. 22 in Athens, Georgia and includes a stop at Syracuse’s Westcott Theater.

    mike gordon ogogo tourPhish bassist, Mike Gordon, has been keeping busy with the new lineup of his solo band. His fifth studio album, OGOGO, will be released on Sept. 15. The first track, “Steps,” is available for streaming now and can be heard in the video below.

    Gordon will also take his current solo band out on a 17 night tour that kicks off on Friday, Sept. 22 at the Georgia Theatre in Athens, Georgia. The tour makes a stop on Friday, Sept. 29 at the Westcott Theater in Syracuse. The only other stop in the Northeast is at New Haven, Connecticut’s College Street Music Hall on Wednesday, Sept. 27. The tour closes out with a two-night stand at the Boulder Theater in Boulder, Colorado on Friday and Saturday, Oct. 13 and 14. Gordon’s band includes Scott Murawski on guitar, Robert Walter on keyboards, John Kimock on drums, and Craig Myers on percussion.

    Tickets for the tour are available now via a real-time pre-sale, which ends Thursday, July 13 at 5 p.m ET. The general on sale date for the tour is this Friday, July 14 at 10 a.m. ET.

    Mike Gordon Fall 2017 Tour Dates
    Sept. 22 – Georgia Theatre, Athens, GA
    Sept. 23 – Neighborhood Theatre, Charlotte, NC
    Sept. 24 – Lincoln Theatre, Raleigh, NC
    Sept. 26 – The National, Richmond, VA
    Sept. 27 – College Street Music Hall, New Haven, CT
    Sept. 29 – The Westcott Theater, Syracuse, NY
    Sept. 30 – Phoenix Concert Theatre, Toronto, ON
    Oct. 1 – St. Andrews Hall, Detroit, MI
    Oct. 3 – Bells Eccentric Cafe, Kalamazoo, MI
    Oct. 4 – 20th Century Theater, Cincinnati, OH
    Oct. 5 – The Vogue, Indianapolis, IN
    Oct. 6 – The Metro, Chicago, IL
    Oct. 8 – Pabst Theatre, Milwaukee, WI
    Oct. 10 – Slow Down, Omaha, NE
    Oct. 11 – Madrid Theatre, Kansas City, MO
    Oct. 13-14 – Boulder Theater, Boulder, CO

  • Folkfaces Announce Extensive 2017 Summer Tour

    Buffalo’s Folkfaces are gearing up for 2017 and their biggest summer tour yet. The extensive tour focus primarily on New York, giving those in the state plenty of opportunities to check them out.

    Buffalo-based Americana quintet Folkfaces has had a busy 2017 and the year is only half over. They released their debut album How Long? back in April while also completing two spring tours. The band consists of Tyler Westcott (guitar, vocals), Dan Borodzik (slide guitar, vocals), Ellen Pieroni (saxophones), Patrick Jackson (upright bass) and Dan Schwach (drums, washboard).

    Folkfaces’ summer tour features over 30 dates throughout New York with stops in five other states and Toronto. The tour kicks off this Wednesday, June 21 at Al’s Wine & Whiskey in Syracuse and closes out at the Night Lights Music Festival in Sherman. The tour primarily brings the band throughout New York with a heavy focus on the western portion of the state for their hometown fans.

    In addition to their own shows, they’ll be sharing the stage with a handful of other bands. They play with Dustbowl Revival on June 28 at Babeville in Buffalo. They’ll join The Tenants on July 14 for a house show in Akron, Ohio on July 14. On July 22, they play the Putnam Den in Saratoga Springs with The North and South Dakotas. The Fredtown Stompers and the Buffalo Brass Machine join them on Aug. 2 at the Tralf in Buffalo. As part of the Buffalo Infringement Festival, they play alongside Swimmer, Minor Racket, Dark Matter Trio and The Funk Theory Extravaganza on Aug. 4 at Nietzsche’s in Buffalo. Nietzsche’s sees them again on Aug. 23 along with Minor Moon and Pine Fever.

    Folkfaces is one of NYS Music’s 87/90 up and coming featured artists.

    Folkfaces Summer Tour Dates
    June 21 – Al’s Wine & Whiskey, Syracuse, NY
    June 23 – 42 North, East Aurora, NY
    June 28 – Babeville, Buffalo, NY *
    July 6 – The Waterhole, Saranac Lake, NY
    July 7 – The Monopole, Plattsburgh, NY
    July 8 – Light Club Lamp Shop, Burlington, VT
    July 9 – The Pizza Stone, Chester, VT
    July 12 – Temple Bar and Grille, Rochester, NY
    July 13 – The Crittenden Tavern, Coudersport, PA
    July 14 – House Show, Akron, OH **
    July 15 – Cobblestone Festival, Buffalo, NY
    July 16 – 10th Ave. Burrito Co., Belmar, NJ
    July 17 – Shrine World Music Venue, New York, NY
    July 17 – Silvana, New York, NY
    July 18 – Arlene’s Grocery, Brooklyn, NY
    July 19 – Salt Gastropub, Stanhope, NJ
    July 20 – Cabaret at Germano’s, Baltimore, MD
    July 21 – TBA
    July 22 – Putnam Den, Saratoga Springs, NY #
    July 28 – Fiddler’s Picnic, Marion, NY
    July 31 – Buffalo Infringement Festival, Lafayette Square, Buffalo, NY
    Aug. 2 – The Tralf, Buffalo, NY ##
    Aug. 3 – Funk ‘n Waffles, Rochester, NY
    Aug. 4 – 189 Public House, East Aurora, NY
    Aug. 4 – Buffalo Infringement Festival, Nietzsche’s, Buffalo, NY ^
    Aug. 5 – The Riverboat Bar, Alexandria Bay, NY
    Aug. 6 – Junction City Music Hall, Toronto, ON
    Aug. 11 – Slyfest, Sherman, NY
    Aug. 20 – Nights of Fire Festival, Franklinville, NY
    Aug. 23 – Nietzsche’s, Buffalo, NY ^^
    Aug. 25 – Night Lights Music Festival, Sherman, NY

    * w/ Dustbowl Revival
    ** w/ The Tenants
    # w/ The North and South Dakotas
    ## w/ The Fredtown Stompers, Buffalo Brass Machine
    ^ w/ Swimmer, Minor Racket, Dark Matter Trio, The Funk Theory Extravaganza
    ^^ w/ Minor Moon, Pine Fever