Category: News

  • Dark Honey Revamp Their Sound, Drop Single ‘Stinging Nettle’

    After taking some time to redevelop themselves and fine-tune their music, it seems like Dark Honey’s got it figured out. Formerly known as One Red Martian, the band of (mostly) brothers picked up shop from the south and reverted to their roots in Upstate NY to record and release their newly calibrated music. The Albany outfit dropped the catchy single “Stinging Nettle” as their new sound takes finally takes shape trailing a five year hiatus.

    “Stinging Nettle” is delivered to us by a trio of brothers, Ben, Jimi and Joe Woodul as well as life-long friend Dan DeKalb, with a fun pop-melody that dives into deeper meanings with its playfully vivid syntax, amusing synth and carefully articulated lyrics. In a wave of pure indie-pop-rock, the quartet delivers a blunt track filled with clear cut emotion through personal storytelling and youthful mishaps. With an artistic vision entirely their own, the foursome even direct and produce their own videos, including their other track “Driving Song,” displaying raw emotion and full-on guitar psychedlia.

    A band a decade in operation, Dark Honey has molded its unique sound and racked up a larger bank of relatable experiences to creatively share with listeners as Woodul’s vocals have the ability to master a light, airy sound in one breath and raw and gritty in another. They’ve made their way to favorite local downtown Albany venue, The Hollow, for a show back in September and the Alt ranked them third best band in Albany. Since its debut, “Stinging Nettle” was featured on Spotify’s New Music Friday as well as Weekly Buzz and the USA Viral 50 Charts.

    Catch Dark Honey at their next gig at Rockwood Music Hall in NYC on Nov. 7.

    Listen to their newest single here:

  • Watch Jon Lewis Band’s Spooky Music Video for “Let Me Go”

    Just in time for the witching season, Jon Lewis Band created a music video inspired by classic black and white horror movies. Filmed on location in their hometown of Rochester, the monster chase includes scenes from local landmarks such as the Cinema Theater and Mount Hope Cemetery. The band used delightfully cheesy low tech filming techniques reminiscent of classic B movies from Hollywood’s golden age.

    The song “Let Me Go” comes from Jon Lewis Band‘s latest EP, Baby Brother. It’s their second release of the year. The first, Exquisite Corpse, is a contender for best local album in City Newspaper’s annual “Best Of” reader’s poll.

  • ‘Weird Al’ Tones It Down for 2018 Tour, Several NY Dates Included

    Everyone’s favorite parody musician will once again hit the road, as “Weird Al” Yankovic, has announced dates for an extensive tour of North America in 2018. Yankovic has recently wrapped up one of his biggest tours ever and will return in 2018 with his 70+ city “The Ridiculously Self-Indulgent, Ill-Advised Vanity Tour.” Longtime friend and comedian Emo Phillips, will perform before “Weird Al” takes stage.

    Weird Al 2018Shows will take place in venues with a more intimate feel, and create a little different atmosphere than normal “Weird Al” shows. Yankovic has stated that he and his band will perform original material, rarities, and deep cuts. “Weird Al” will perform songs he and his band haven’t played in years, and songs they have never before played live. He also stated that he and his band have been rehearsing around 60 songs for the trek, and each show on the tour will have a different set list.  Unfortunately, there won’t be any costume changes or running and jumping around by “Weird Al,” as he and the band will sit on stools, and jam out songs for around 90 minutes.

    “Weird Al,” has released 14 studio albums. Four of those fourteen albums reached gold status, while six others reached platinum certifications, including 1984’s “Weird Al” Yankovic in 3-D. He has also won four Grammy awards in his career including Best Concept Music Video for the song “Fat,” in 1989. He has sold over 12 million albums, and has appeared in numerous television shows and on the big screen.

    The tour will kick off on Feb. 27, at the Bardavon 1869 Opera House in Poughkeepsie. New York will see several other stops on the tour throughout the state, including March 1 at the Tarrytown Music Hall in Tarrytown; March 13 at the University at Buffalo Center for the Arts in Buffalo; March 14 at the State Theatre in Ithaca; March 17 at The Paramount in Huntington; and March 23 at The Apollo Theater in New York.

    During a recent interview with Nerdist, “Weird Al” commented on the upcoming tour, his longevity, Emo Phillips and what he hopes fans take away from the tour. “Weird Al” was also asked about his stamina, he replied:

    I’ve definitely had time to relax, reconnect with my family, even take a shower! But yeah, when I’m on the road, it’s pretty exhausting–I get a real workout every night. This upcoming tour shouldn’t be too taxing though. We’re just going to walk out on stage, sit down on stools and play a bunch of songs. No running and jumping around, or changing into thirty different costumes. It’ll be a little rougher on my vocal cords, because I won’t have any video breaks during the show. But the whole vibe of this next tour is going to be pretty laid back. It’s the “Let’s Not Work Up Too Much of a Sweat” tour.

    What he’s looking forward to the most about the tour:

    The band and I are really just looking forward to a change of pace. I’ve been putting on fat suits and riding Segways around the stage, and I just wanted to do something totally different this time out. I don’t think I’ll be making a habit of this: this is quite possibly a once-in-a-lifetime thing. It’ll also be really fun for me to play some of the songs that I was always proud of, but somehow slipped through the cracks. There are only so many songs I can perform in my live show, and the parodies are the audience-pleasers, so we have to focus on those, and as a result, a lot of my original material never makes the cut. But this is not an audience-pleasing show. It’s probably going to be an audience-baffling show. As I’ve said before, there’s a subset of my fan base that’s going to go absolutely nuts for this tour, but it might not be for everybody.

    If he was nervous touring a different type of show for the first time around:

    Well, I wasn’t really nervous until you just brought it up! Yeah, I always get a little nervous right before a tour, and particularly when I’m doing something new. And this tour is extremely different from every other tour I’ve done. I guess I just have to go into it with a good attitude. I know it’s not going to be perfect… it’s not supposed to be perfect. All my other shows were rigidly planned down to the second, and on this tour, we’re literally doing a different set list every night. I’m going to talk a lot more on stage. See, this is really going against my nature and stepping out of my comfort zone. I’m the kind of guy that likes to have everything super-planned out and over-rehearsed and always know exactly what I’m going to do and say. On this tour, I’m just going to walk out on stage and see what happens. It could suck; it could be amazing. That’s a little terrifying to think about… so… I’m going to stop thinking about it.

    On what he hopes fans will bring home from seeing this show:

    Primarily, lots of MERCH. That would be good. Besides that… this tour is geared specifically for the long-time hardcore fans, so I just hope that some of them get their minds blown by hearing some obscure old favorite songs that they never dreamed they’d ever get a chance to hear live. And we’re really pulling out the deep cuts for this show. We’re rehearsing 50 or 60 songs, most of which we’ve either never played live before, or haven’t played in decades. It’s a lot of work. I’d also like to think that, since this show will be comprised almost entirely of my original songs, it might shine a light on the fact that I’ve done some decent non-parody material over the last three decades. But hey, I’m not kidding myself – I know that to 95% of the general population, I’ll always just be the “Eat It” guy.

    How it feels to tour with his longtime friend Emo Phillips:

    I’m really looking forward to that. Emo’s one of my oldest friends, and I think he’s seriously one of the funniest guys in the world. I’ve never traveled with a support act before. For a long time, promoters would hire local comedians to open the show. We never knew anything about them before we got there. Some were good, some were not so good, and some were totally inappropriate. And then, when our show length passed the two-hour mark, we decided to eschew the opening act entirely and make it an “Evening With Al.” But we’re going to try not to bust anybody’s bladder on this tour: Emo’s doing about 30 minutes, and I’m doing about 90. It’ll be really fun; I always have a good time with him, and it’ll be a blast riding a bus with him for 15 weeks. I just hope he doesn’t snore, or perform daily ritual sacrifices or anything. Eh, whatever, I’m sure I’d get used to it.

    The Ridiculously Self-Indulgent, Ill-Advised Vanity Tour Dates:

    Feb. 27 – Bardavon 1869 Opera House – Poughkeepsie, NY
    March 1 – Tarrytown Music Hall – Tarrytown, NY
    March 2 – Foxwoods Resort Casino – Ledyard, CT
    March 3 – The Music Hall – Portsmouth, NH
    March 4 – Wilbur Theatre – Boston, MA
    March 7 – Place Des Arts – Montreal, QC
    March 9 – Danforth Music Hall – Toronto, ON
    March 10 – 20 Monroe Live – Grand Rapids, MI
    March 11 – Michigan Theater – Ann Arbor, MI
    March 13 – University At Buffalo Center for the Arts – Buffalo, NY
    March 14 – State Theatre – Ithaca, NY
    March 16 – Caesars Atlantic City – Circus Maximus – Atlantic City, NJ
    March 17 – The Paramount – Huntington, NY
    March 18 – American Music Theatre – Lancaster, PA
    March 20 – Music Center at Strathmore – Bethesda, MD
    March 23 – Apollo Theater – New York, NY
    March 24 – Palace Theatre – Greensburg, PA
    March 25 – Playhouse Square – Ohio Theatre – Cleveland OH
    March 26 – Lexington Opera House – Lexington, KY
    March 28 – Kentucky Center for the Performing Arts – Louisville, KY
    March 30 – Virginia Theatre – Champaign, IL
    March 31 – Hoyt Sherman Place – Des Moines, IA
    April 2 – Mayo Civic Center Presentation Hall – Rochester – MN
    April 3 – Pantages Theatre – Minneapolis, MN
    April 4 – Pantages Theatre – Minneapolis, MN
    April 6 – Vic Theatre – Chicago, IL
    April 7 – Vic Theatre – Chicago, IL
    April 10 – Pabst Theater – Milwaukee, WI
    April 12 – Honeywell Center – Wabash, IN
    April 13 – Walker Theater – Chattanooga, TN
    April 14 – Miller Theater – Augusta, GA
    April 15 – Tabernacle – Atlanta, GA
    April 17 – War Memorial – Nashville, TN
    April 19 – Gillioz Theatre – Springfield, MO
    April 20 – S.E.Belcher Jr Chapel and Performance Center – Longview, TX
    April 21 – Paramount Theatre – Austin, TX
    April 22 – Wagner Noel Performance Arts Center – Midland, TX
    April 24 – tafford Centre for Performing Arts Theatre – Stafford, TX
    April 25 – Tobin Center for the Performing Arts – San Antonio, TX
    April 27 – The Majestic Theatre – Dallas, TX
    April 28 – Orpheum Theater – Wichita, KS
    April 29 – Folly Theater – Kansas City, MO
    May 1 – Paramount Theatre – Denver, CO
    May 3 – Avalon Theatre – Grand Junction, CO
    May 4 – Tuacahn Ampitheatre at Tuacahn Center for the Arts – Ivins, UT
    May 5 – Fox Tucson Theatre – Tuscon, AZ
    May 6 – Lensic Performing Arts Center – Senta Fe, NM
    May 8 – Meza Arts Center- Ikeda Theatre – Mesa, AZ
    May 9 – McCallum Theatre for the Performing Arts – Palm Desert, CA
    May 11 – The Theatre at Ace Hotel – Los Angeles, CA
    May 12 – Humphrey’s Concerts by the Bay – San Diego, CA
    May 15 – Crest Theatre – Sacramento, CA
    May 17 – Golden State Theatre – Monterey, CA
    May 18 – Turlock Community Theatre – Turlock, CA
    May 19 – Fox Theatre – Oakland, CA
    May 20 – Uptown Theatre – Napa, CA
    May 22 – Cascade Theatre – Redding, CA
    May 24 – McDonald Theatre – Eugene, OR
    May 25 – Revolution Hall – Portland, OR
    May 26 – Revolution Hall – Portland, OR
    May 27 – Martin Woldson Theater at the Fox – Spokane, WA
    May 29 – Moore Theatre – Seattle, WA
    May 31 – Grey Eagle Resort & Casino – Calgary, AB
    June 1 – Casino Regina – Show Lounge – Regina, SK
    June 2 – River Cree Casino and Resort Entertainment Centre – Enoch, AB
    June 3 – Esplanade Theatre – Medicine Hat, AB
    June 5 – Burton Cummings Theatre for the Performing Arts – Winnipeg, MB
    June 6 – Fargo Theatre – Fargo, ND
    June 8 – Columbia, MO – Jesse Auditorium – Columbia, MO
    June 9 – Surf Ballroom – Clear Lake, IA
    June 10 – Meyer Theatre – Green Bay, WI

  • Mickie James, Josh Halverson and More Honored at Native American Music Awards Held In Niagara Falls

    The 17th Annual Native American Music Awards were held on Saturday, Oct. 14 at the Events Center at Seneca Niagara Resort and Casino. The night was filled with performances, from traditional drums to dub step music. Among the honorees were country musician Mickie James and The Voice finalist Josh Halverson.

    Mickie James

    Mickie James was inducted into the Native American Music Hall of Fame. The recording artist and WWE Superstar also took the award for Song of the Year with “Shooting Blanks.”

    Josh Halverson was named Artist of the Year. The singer/songwriter from Texas recently released a new album, Year of the Thunderbird, which took the award for Best Folk Recording.

    Josh Halverson

    Plans are underway to rebroadcast the performance. Visit the Native American Music Awards for updates, or join their mailing list to be alerted to the latest news.

    NYS Music congratulates all the winners and nominees for the 17th annual Native American Music Awards.

    2017 WINNERS

    Artist of the Year
    Josh Halverson
    “Year of the Thunderbird”

    Debut Artist of the Year
    Lucas Ciliberti
    “Rainmaker”

    Debut Group of the Year
    Black Bear Brothers
    “Songs from Cheyenne Creek”

    Best Female Artist
    Kelly Derrickson
    “I Am”

    Flutist of the Year
    Randy McGinnis
    “The Journey – hi a vi si i”

    Group of the Year
    The Cody Blackbird Band
    “Live From Chicago”

    Best Male Artist
    Conrad Benally
    “Always And Forever”

    Record of the Year
    “Hoka”
    Nahko and Medicine For The People

    Song of the Year
    “Shooting Blanks”
    Mickie James

    Best Music Video
    “Indomitable”
    DJ Shub & Northern Cree Singers

    Best Music Video For A Performance
    “Ascension”
    Jan Michael Looking Wolf Band

    Best Music Video For A Narrative
    “Never Give Up”
    Artson, Supaman & Quese Imc

    Native Heart
    Bearheart Kokopelli
    Bernhard Mikuskovics (3rd from left)
    “Native Heart”

    Best Country Recording
    “You’ve Got to Go Back the Way That You Came”
    Danielle Egnew

    Best Folk Recording
    “Year of the Thunderbird”
    Josh Halverson

    Best Gospel/Inspirational
    “Awake, Arise and Shine”
    Callie Bennett

    Best Instrumental Recording
    “Songs of the Earth”
    Vince Redhouse

    Best Native American Church Recording
    “Simplicity”
    Cheevers Toppah

    Best Pop Recording
    “Celebration”
    Cherokee National Youth Choir

    Best Pow Wow Recording
    “It’s A Cree Thing”
    Northern Cree

    Best Rap/Hip Hop/R&B Recording
    “The 7th Generation Prophecy”
    Sten Joddi

    Best Rock / Best Blues Recording
    “Take Me Back”
    Levi Platero

    Best Traditional Recording
    “Before America”
    James Edmund Greeley

    Best Waila Recording
    “Creed and Culture”
    Native Creed

    Lifetime Achievement Award
    Gary Farmer

    Honorary Award of Excellence
    Arthur Redcloud

    Hall of Fame
    Mickie James

  • Eminem Puts President Trump on Blast During BET Awards

    Eminem put President Trump and his supporters on blast in a video that aired during Tuesday night’s BET Hip Hop Awards. The freestyle rap titled “The Storm” has Eminem lashing out at Trump as a “racist grandpa” and for being a hypocrite.

    He also calls out Trump for using Twitter to distract from bigger issues and for his responses to hurricane relief efforts in Puerto Rico, the violence in Charlottesville, VA and the mass shooting in Las Vegas.

    The nearly five minute video holds nothing back and is sure to generate controversy. Several celebrities and athletes including LeBron James, T Pain, Colin Kaepernick, Keith Olbermann and Ellen DeGeneres have lit up the twittersphere in support of Eminem. Olbermann called it “Best politcal writing of the year, period.”

    Eminem is no stranger to controversy nor criticism of Trump. In October he released a freestyle called “Campaign Speech” where he called Trump “a loose cannon who’s blunt with his hand on the button.”

    The Detroit rapper also took his followers to task in his lyrics:

    And any fan of mine/who’s a supporter of his/I’m drawing in the sand a line/you’re either for or against/and if you can’t decide/who you like more and you’re split/on who you should stand beside/I’ll do it for you with this (middle finger)

    You can watch the video below.

    https://youtu.be/LunHybOKIjU

  • Cohoes Music Hall to Host Ominous Seapods Reunion this Weekend

    The Ominous Seapods’ Tom Pirozzi revealed in September that the band’s reunion show at Cohoes Music Hall on Saturday, January 13 would become a two-night run, plus an addition show on Sunday, January 14 at Brooklyn Bowl, followed by the Zen Tricksters.

    I want to thank everyone who bought Ominous Seapod tickets for January 13th. The show sold out in just 5 days! The band is overwhelmed by the support. Due to that fact, and the fact that Dana Monteith is coming all the way from Australia for the show, we’ve decided to expand the event to a weekend run. We will be adding Friday night, January 12th at the Cohoes Music Hall and an encore performance at the Brooklyn Bowl on Sunday Jan. 14th. The Brooklyn Bowl show will be one 90 minute set at 7:30pm followed by a set by the Zen Tricksters. The next day is a holiday so we can all rest on Monday. More details coming soon!!!

    When we last saw the Ominous Seapods, they were bidding a fond farewell to co-founder Dana Monteith as he and his wife Deb prepared for a life down under in Perth, Australia. The farewell was Dec. 17, 2011 at Valentine’s in Albany. That show saw a tight version of the band throwing down with guest appearances from moe. drummer Vinnie Amico, Josh Himmelsbach on mandolin and promoter Greg Bell on vocals. Tickets for both Cohoes shows are sold out

    The original lineup of the band (Monteith on guitar and vocals, Tom Pirozzi on bass, Ted Marotta on drums, Max Verna on guitar and Brian Mangini on keys) will be on hand for the reunion.

    Known for their psychedelic jams and onstage humor, the Ominious Seapods came of age during the “New Renaissance of Jambands” in the early to mid-’90s and achieved a moderate level success over the course of four albums. The band broke up in 2001 and have played a handful of reunion shows since.

    Listen to The Seapods discography on Spotify:

  • West Berlin Drops Music Video for Hardcore Anthem “Sun”

    Syracuse hardcore band West Berlin just dropped the music video for “Sun.” The working-class anthem clocks in at under three minutes, but packs a powerful punch. It’s the title track off their latest EP which was released during the week of this summer’s solar eclipse. Shot in classic black and white by Dalton Lampo, the video documents their recent tour and includes footage from their high-energy performances and time spent on the road.

    West Berlin is comprised of Jesse Robles (vocals), Evan Sanders (guitar/vocals), Tim Keefe (Bass), and Jordan Haynes (drums). Check out their EP Sun on Bandcamp or Spotify. They play at Amity Music Hall on Friday, Oct. 6 with I Dreamt The Sea, Weary Travelers, Here/Now, A Light Winter, and Ü Blue. Follow West Berlin on Facebook for the latest on news and events.

  • Grateful Dead Musical Opens This Month

    An off-Broadway Grateful Dead musical based around the lyrics of Robert Hunter and the music of Jerry Garcia opens later this month.

    “Red Roses, Green Gold” opens at New York City’s Minetta Lane Theater in Greenwich Village on Oct. 29. The musical features music and lyrics by Robert Hunter and Jerry Garcia with additional music provided by founding members of the Grateful Dead Phil Lesh, Mickey Hart and Bob Weir. Keyboardist Jeff Chimenti, who played with the “core four” founding members for the 50th anniversary of the Grateful Dead and currently plays with Weir, Hart and Bill Kreutzmann in Dead & Company, will provide musical supervision and arrangements for the musical.

    “Red Roses, Green Gold” is the third musical written by Michael Norman Mann that takes inspiration from the music of the Grateful Dead. The musical is directed and choreographed by Rachel Klein, director of “The Anthem” and “Around the World in 80 Days.”

    From the website: “This new musical set in 1920s Cumberland tells the fantastical and comical tale of Jackson Jones and his family of swindlers as they gamble their way to love and riches.”

    Tickets for “Red Roses, Green Gold” are on sale now. Previews begin Oct. 11.

  • Watch Talking Under Water’s Live In-Studio Acoustic Video For ‘Gravity’

    Elise Hughey and Dave Chisholm make beautiful music together. The pair recorded an acoustic version of “Gravity,” a song from their band’s debut self-titled album Talking Under Water. “Gravity” is a melancholy tune about trying to break free from the weight of the world.

    “I need to run away, I need to fly away,” Chisholm sings while playing his acoustic guitar, “But there’s so much gravity. This planet is too big for me.” Hughey accompanies on her cello, playing the stirring notes with elegance and grace. This intimate performance of the Talking Under Water duo was captured on film by Dave Drago and Jon Lewis at 1809 Studios in Macedon, New York, and edited by Drago.

    Visit Talking Under Water online or follow on Facebook for updates. Sign up for their mailing list to receive special features like free song downloads and exclusive previews of videos.

    The full-length debut Talking Under Water is available to stream on Spotify and purchase on Bandcamp and iTunes. For more about the album, read the NYS Music review.

  • Darryl “DMC” McDaniels Celebrating New Release With Series of In-Store Appearances

    Hip-hop superstar and rapper Darryl “DMC” McDaniels drops his latest work, Back From The Dead, The Legend Lives on Record Store Day, Nov. 24. To celebrate the release, he’ll be doing meet-and-greets and talking about his life with fans at record stores throughout the entire weekend:Looney Tunes Records on Long Island (Friday, Nov. 24), Vintage Vinyl Records in Fords, NJ (Saturday, Nov. 25), and The Record Archive in Rochester (Sunday, Nov. 26). Each event starts at 3pm. Fans must pre-order Back From The Dead, The Legend Lives through a participating record store in order to get a wristband to attend.

    Darryl "DMC" McDaniels Fans will not want to miss this rare opportunity to meet the legendary Darryl “DMC” McDaniels and hear his inspirational story! The founding member of Run-DMC will be joined at these events by Jason Rockman of Slaves on Dope, who performs on the album. The pair will be available after the talk to take pictures and sign copies of “Back From the Dead, The Legend Lives.” Released on Brookvale Records, the LP is limited to only 4,000 copies.

    Friday, Nov. 24
    Looney Tunes Music and More (LONG ISLAND, NY)
    631.587.7722
    www.LTCDS.com

    Saturday, Nov. 25
    Vintage Vinyl Records (FORDS, NJ)
    732.225.7717
    www.vvinyl.com

    Sunday, Nov. 26
    Record Archive (ROCHESTER, NY)
    585.244.1210
    www.recordarchive.com