Relix Magazine has announced it will be holding the first Relix Live Music Conference on Wednesday May 10th. The one day event will happen at Brooklyn Bowl in Brooklyn. Ticket sales begin Friday, March 10.
Organizers say the event will be geared toward professionals in live music. The conference will be a showcase of new technologies, music management, and publicity while bringing together many leaders in today’s ever-changing music industry. Panels and presentations will be moderated and presented by a variety of industry leaders including Red Light Management, CID Entertainment, Head Count, Madison House Presents, and AEG Live.
The day long event will feature a variety of panels and discussions focusing on subjects important to the music industry. According to the event website, moderated panels include industry topics like talent buying, artist management, publicity and music festivals. Presentations will also take place on topics such as ticketing, technology and event activism.
Legendary promoters Peter Shapiro and Ron Delsner are slated to give the event’s keynote speeches. The speeches will be moderated by Rolling Stone Senior Editor David Fricke.
The evening will also include music from the Meat Puppets and Mike Watt & the Secondmen.
In 1974, Relix Magazine was launched as a handmade newsletter designed to connect fans that recorded the Grateful Dead. It eventually expanded into a music magazine covering a wide variety of music. The magazine is the second-longest continuously published music magazine in the United States.
Event organizers noted that they hope the Relix Live Music Conference will serve as a resource to bring together “all the pieces and people that help bring a live show to life.”
Tickets for the event will go on-sale to the public on Friday, March 10 at noon.
Included in the archives, is an estimated 600 hours of demos, concerts, and poetry readings, from throughout Reed’s career. The archives also consist of more than just recordings, as there are several various types of paperwork and photographs in the collection.
When Anderson was going through the tapes with hired archivist Don Fleming, some mysteries were brought to light. There is a reel of Velvet Underground, with handwritten notes “Delightful,” and “Gas,” that Fleming believes may be from Warhol. In May of 1965, In an even bigger mystery, Reed mailed himself a five inch reel-to-reel tape. The box remains unopened to this day, and it’s contents on the reel unknown. Fleming thinks this may have been an attempt for Reed to establish a copyright for the material.


Speaking with
Inductees (in alphabetical order):
