Category: World/Reggae

  • Best of NYS Music 2017: Bands on the Rise and Artists You Should Know

    As we continue our look at the best of and the brightest in music in 2017, we shift our focus to up and coming bands that are ready to burst on to the national stage.  While our staff picks may mirror those of last year, NYS Music readers have voted for a new act that’s ready to join the ranks of other popular New York bands with bight futures.

    And if you’ve missed any of our previous voting results from earlier this week, check out our winners for Best Venues, Best Albums and Best Festivals.

    Bands on the Rise

    Staff Pick

    Aqueous

    For the second year in a row, our staff has selected Aqueous as a band on the rise as the Buffalo, NY quartet continues their steady progression towards national relevancy.  Playing bigger festivals, opening for acts like The Disco Biscuits, and collaborating with members of moe., fellow Upstate New Yorkers, in addition to a steady touring schedule have all contributed to this band’s surge in popularity.  This should come as no surprise to Buffalo area music fans who have been singing the group’s praises for years now.  They’ll get to enjoy Aqueous back in their hometown as they ring in the new year at Town Ballroom.  Tickets are still available and can be purchased here.

    Readers Pick

    The Other Brothers

    At least the readers of NYS Music have offered up a new taste this year for their Band on the Rise selection as they’ve chosen The Other Brothers.  Fresh off the heels of their recently released EP Jones, this band has seen a steady rise in prominence in 2017 thanks to increased exposure this summer at local festivals like Disc Jam and strong word of mouth.  They hang their hat on being able to mix delicate ballad-like songs with focused and heavy jamming in the live setting.

    Artists You Should Know

    We’re always looking for new music, especially bands from New York State, and this year we stepped up our game and found bands from all corners of the state playing our local bars and clubs, just getting started.

    We checked in with our readers, and they overwhelmingly suggested three New York artists: The Backseat Bullets (for fans of shoegaze and a 90s grunge influence), Aqueous (jam stalwarts of Buffalo), and Hartley’s Encore, the new funk powerhouse in Albany.

    The Backseat Bullets

    Aqueous

    Hartley’s Encore

    Meanwhile, we asked the staff who were some artists readers should know about, and we ended up with an impressive list of 21 different artists to check out. There’s no sense in sending you off to listen to three or four bands worth checking out when there is so much variety in store. So here’s the NYS Music Staff list of Best Artists You Should Know for 2017.

    St. Phillip’s Escalator

    Nathaniel Rateliff & the Night Sweats

    Sydney Worthley

    Big Mean Sound Machine
    King Gizzard and the Lizard Wizard

    The Honey Smugglers

    lespecial

    Pigeons Playing Ping Pong

    Vulfpeck

    Turkuaz

    oh wonder

    The Seratones

    Sofus

    Anderson .Paak & the Free Nationals

    Portugal. The Man

    The Wood Brothers

    Root Shock

    Parquet Courts

    Mary’s Blood (Japan)

    Highly Suspect

    Royal Jelly Jive

  • 5 Shows to See in Rochester in December

    How’d you do with our November picks Rochester? We were able to catch a few of our recommendations and thoroughly enjoyed each and every one. We’re back with five more choice live music options to fill up your Rochester in December calendar so you can end the year strong. Check them out and let us know what you see.

    Wednesday, December 6
    lespecial @ Funk n Waffles Music Hall

    First stop is Funk n Waffles for lespecial, a young electronic-infused trio carving out a name for themselves on the jam band circuit. Childhood friends, these guys have many years worth of connection to each other behind some otherworldly onstage communication. The music flips around furiously and often, keeping surprises around every corner. Is it rock? Or is it world? Is it punk? Or is it jazz? Is it funk? Or is it hip hop? The answer is yes.

    Tuesday, December 12
    The Black Lillies @ Abilene Bar and Lounge

    The joint will be jumping when The Black Lillies return to Abilene. With a full-blooded country and blues rock sound, the old house will be struggling to contain it all. They’re a bit of a rotating cast behind frontman and multi-instrumentalist Cruz Contreras. The current lineup includes bassist and vocalist Sam Quinn, drummer Bowman Townsend, and guitarist/vocalist Dustin Schaefer. This might be the last chance you have to see them before Abilene needs to upgrade these guys to one of their “On the Road” destinations.

    Friday, December 29
    Hinkley @ Three Heads Brewing

    Rochester’s own Hinkley will start the New Year weekend off at Three Heads. Nearing the 20 year mark as a band, they will have plenty of material to draw from, but will likely be favoring their fantastic brand new album, Peak of Light. Their sound hovers amongst the Wilcos and Death Cabs of the world; hints of Americana sand-blasted with more modern and experimental rock sounds.

    Friday, December 29
    Rubblebucket, Cuddle Magic @ Anthology

    Rubblebucket has made Rochester a stop along their New Year’s tour for the past few years at least. There’s not a better time to see them than when you’re in the mood to celebrate. The afro-beat-based horn-infused dance happy music is perfect for a party and this year the party will be at Anthology. Even though it won’t quite be New Year’s Eve, they won’t skimp on the balloons, confetti and wild antics. No stranger to Rochester either, Cuddle Magic will open with their unusual instrumentation and fantastically lush baroque rock sounds.

    Sunday, December 31
    Easy Star All Stars, Giant Panda Guerilla Dub Squad @ Anthology

    Speaking of parties at Anthology, the next two nights they’ll be throwing the Forever Party to end 2017 on a dub note. It all starts on the 30th with John Brown’s Body, Giant Panda Guerilla Dub Squad and Thunderbody. JBB and GPGDS are both members of the reggae label, Easy Star Records. The label’s signature band, Easy Star All Stars, are known for recreating famous albums in their own image. On New Year’s Eve they’ll be presenting their spin on a Pink Floyd classic, playing through their Dub Side of the Moon album. That will be followed by another set by GPGDS. Should be a fun time!

  • Roots of Creation Announces 2017-18 Tour

    Roots of Creation wishes all of their fans a “Happy HoliBlaze” as they kick off their 2017-18 tour. They’ll be playing four New York-based shows spanning from Buffalo, Brooklyn, Kingston to Canton from December through April. Of course this is a busy time of year, so those caught up in the holiday rush can also catch them just outside the city in Bridgeport CT as well as Stanhope NJ. Tickets are available now on the band’s website.

    There’s evidence that these will be some of their most energetic and memorable shows, as seen in a recent performance on their Facebook page featuring a “Rage Against the Dead” show, which garnered a large virtual and live audience. There is also reason to believe that they will be showcasing a number of Grateful Dead covers with a reggae twist due to their hype over the soon the be released album, Grateful Dub. RoC has asked fans to help fund the album by giving a donation, which is coupled with great incentives ranging from early album access to studio time with the band. Visit their PledgeMusic page for more information.

    Roots of Creation Tour:

    Nov. 25 – Portland, ME – East Coast Cannabis Conference & Awards
    Dec. 17 – Buffalo, NY – Buffalo Iron Works [18+]
    Dec. 19 – Brooklyn, NY – Brooklyn Bowl
    Dec. 23 – Boston, MA – Brighton Music Hall [18+]
    Dec. 28 – Bridgeport, CT – The Acoustic [21+]
    Dec. 29 – Stanhope, NJ – Stanhope House [18+]
    Dec. 30- Kingston, NY – BSP Kingston [18+]
    Dec. 31 – Plymouth, NH – “NYE Grateful Ball”
    Jan. 5 – Providence, RI – The Strand Ballroom & Theatre (Lupos)
    April 12 – Canton, NY – Java Barn at St. Lawrence University

  • Interview: Catching Up with 311’s Tim Mahoney

    Next week, reggae rock giants 311 will be making their way through the northeast, in continuation of their currently underway 2017 fall tour. Tomorrow night, the band comes north to Pennsylvania to start at Sands Bethlehem Event Center, and then will hit Lupo’s in Providence on Friday and The Wellmont in New Jersey on Saturday. Sunday, October 30 will take them to none other than Port Chester’s The Capitol Theatre, before Halloween night sees the band play at Huntington’s The Paramount. Earlier this year, the band released their 12th studio album, Mosaic, which has been receiving high praise from longtime fans as one of their most creative albums yet. After a big summer tour (which makes eighteen summers in a row for the band), 311 is feeling more energized than ever. In anticipation of what should be a terrific run of shows next week, lead guitarist Tim Mahoney talked with NYS Music about the new album, practice time, Halloween costumes, and more.

    Miles Hurley: So 311 fall tour is underway with several shows so far. How are things feeling?

    Tim Mahoney: Good! We took a long enough break from summer until now, that you kind of get comfortable being at home. But once you get back out here, though, you realize it hasn’t been that long, so you just get back into it. No real dust or cobwebs, we’ve mostly been trying to get through some of these back catalogue album tracks that we did not play in the summer. You know, to just mix it up from there. This record, Mosaic, I think it was June it came out, we’re getting through a lot of that, too. Right before I called you I was just doing a little bit of homework, going over a handful of songs for soundcheck that we haven’t played for a minute. But it’s going good. Same crew and everything, so it’s like…knock on wood. Probably break both my knees or something tonight now (laughs).

    MH: Which tracks from Mosaic have been your favorite to play, or which ones have been sounding the best live to you so far?

    TM: Well, we’ve been working through most of them, I do like “Face in the Wind,” because there are a couple of guitar solos in there. You know, being the guitar guy (laughs). But they’ve all been fun to play, but it’s a challenge, because there’s a lot of material there. But it seems like most of the kinks are out of them. There’s one we have not played yet, but that might be farther down the pipeline.

    A song like “Too Late” we’ve been doing pretty much every night, and it seems to get people going. I kind of forget that there are some super metal parts, that come up in the songs all of a sudden, and if you’re not ready for them, well….(laughs) We’ve been trying to get a balance of them out there, some of the more mellow ones with the heavier ones. And when we come to the east coast, we’ll try to mix it up.

    MH: I think that’s what I like especially about the new record—it has a nice flow back and forth between the more laid back, groovier songs, and some really heavy stuff. When it comes to the heavier and the more laid back, where would say your taste, or your playing preference, lies these days?

    TM: Ooh, it’s hard for me…well both, definitely. Being a guitar player and listening to, when I was starting, punk rock and more aggressive stuff, I’ve always enjoyed that, the heaviness you can get with the electric guitar. But I also like the grooves, and funk and jam bands, I’m a Jerry Garcia fan. I’ve always enjoyed…you know like all the way back to the Bad Brains, who does reggae and punk rock together. It’s hard for me to choose one or the other, I’ve always enjoyed just playing reggae, and being a part of an ensemble playing reggae.

    But I like to kick it to the high side of the amp, too. It’s nice that on Mosaic, as you mentioned, a lot of the songs, even within the songs, are pretty bipolar, going from super clean to super heavy, I like the contrast of them. It’s fun to get to be able to play both sides with this band.

    MH: I’ve heard many fans feel this is some of the most mature stuff from 311 yet, in how many styles it weaves together.

    TM: That’s good to hear. That’s how we feel, everybody’s on the same page right now, in being inspired to play together, and to go at it like that. That makes me happy to hear that people would say that.

    MH: I also read that 311 has always been diligent when it comes to practice, and I’m sure that’s something the fans truly appreciate—the band nailing the parts in songs when the time calls for it. In terms of, on the one side, practice makes perfect, and on the other side, just going with the flow when things happen on stage, where would you say you are right now?

    TM: Aw man, yeah, that’s a hard thing because…you know, as much as you practice, you’ll never be perfect. You have to put in the time and the work, so that when you get into a situation on stage, you can let it flow, and be in the moment, and have the tools that you’ve worked on sitting there to keep you flowing. So I think it’s both, and you can only really do the work on stage on stage, basically, in front of people.

    We talk about this a lot, about the adjustments. You know, if we rehearse in the studio, it still can’t really prepare you for when you get on stage, in front of people. And there are all these other entities there, the energies and stuff, that come into play. So managing that energy and that excitement and being able to keep focused and have it flow with the music is a big part of it, too. And that just comes from time spent doing it. But to be able to survive and to be comfortable in the on stage situations, you have to spend time working. Even the greatest players that maybe don’t rehearse any more, there was a time when they did, and I still have to work at it, everyday.

    It’s so funny, because the most random things can happen up there, in different parts of the songs. So, you always try and do your best out there, but it’s different every night, and that’s what’s fun, that’s what’s exciting about it. Even the songs we play, they’ll be different from night to night.

    MH: So would you say you are still experiencing unexpected moments on stage from your band members?

    TM: Oh yeah! (Laughs) Just weird funny little things that might make you laugh. Whether it’s a new dance move from SA, or last night Chad had some light up drumsticks that were pretty cool. And as time goes on, I enjoy playing music more and more, and I think everybody in the band is on the same page there. We’re just very appreciative of the fact that we can go out there and play music.  

    MH: Have you ever considered either playing some kind of solo shows, or solo recording?

    TM: Well I’ve played with some friends bands and stuff, and recorded here and there with them, just little projects. I think eventually I will do something, because I have songs from over the years that aren’t quite right for 311. Like, although I enjoy singing, I’ve never really sang (laughs). So it’d probably be a collaborative thing, but eventually, yeah. When I get a little time to work on something like that, it’d be fun.

    MH: Something to bring the trombone in on, too.

    TM: Yes! That’s funny you bring that up, because I have been working on a little something there. I’ve been trying to figure out what song I might be able to whip it out on. My first instrument, you know, I do love it. The hardest thing, having to buzz your lips, and the wind control. That kind of stuff has been the hardest for me. But you know, I’ve got a pretty solid one octave there, so I figure I could chip away at one of these melodies, I just have to figure out what the proper one would be.

    But yea, trombone! I’m excited, I don’t know if you listen to much Phish or to Trey, but his solo band there has a really great trombone player…I’m a huge Trey fan, so it’s nice for me also being a trombone fan, that he’s got a trombonist in his band.

    MH: Yeah, Natalie. I’ve seen her in TAB and in some side stuff with other people, yeah she’s incredible.

    TM: Yeah, chainsaw! Wow, you’re lucky, see every time Trey Band comes to Los Angeles, I’m out of town, it’s been going on for years and years now. This year they’re doing Halloween out there, and we’ll be in New York. I’m such a huge Phish fan, and every couple of years their schedule and ours line up…but yeah, TAB, what a great band he’s got there.

    MH: And I also read that you’ve always been a big deadhead, too. Has 311 played the Capitol Theatre before, or will this be a debut there?

    TM: Aw yeah. I’m pretty sure this is our debut there. It’s exciting for me, just knowing so many people have played there, you know what I mean? I’m pretty sure I have some Jerry Garcia Band shows from The Capitol Theatre. It must be a stop for a lot of bands on the jamband circuit, too. I’m getting all the emails, it seems like a lot of people are going through there.

    MH: It’s a special place to see a show, for sure. Crowds tend to get really amped there.

    TM: Aw, good! Well I’m just excited to get to step foot in it. It sounds to me like a classic room, too…

    MH: You mentioned Halloween. The 31st you’ll go to The Paramount. Does 311 do any Halloween-type bashes?

    TM: Actually, it’s been so long since we’ve played on Halloween, so we’re trying to get it together. We have some ideas, but you know you’ve got five people, so things get vetoed and cut. What I thought were good ideas, I don’t want to say them, I don’t know if they have any traction anymore (laughs). But it’ll be fun, it has been a long time since we’ve played on Halloween. You know, we’re kind of procrastinators a bit, but we’ll get something good going that night. I still have to get my costume together, that’s my biggest thing right now (laughs).

    MH: You’ve got something good?

    TM: You know, I like going as guitar players, like back in the day when we were playing on Halloween all the time. I got through a lot of the obvious ones, like Slash, Garcia, Angus Young. So I’ve been toying with that, but I don’t know yet for sure…you know the thing is, everybody in the band dresses up and I go out there without a costume, I end up looking like a dilweed.

    MH: You’ve got a date coming in November with Karl Denson. Has there been any collaboration there before?

    TM: No, you know I’ve met him…because he’s played with Slightly Stoopid, right? That’s where I’ve gotten to meet up, and hear him play. And I’ve heard…Tiny Universe songs, just a couple of them. And he’s a great player, and in Slightly Stoopid, in that context, it’s great to hear him, his solos and stuff. So I’m looking forward to playing with him. But we’ve never collaborated before, that would be a fun collaboration, to have him sit in with us, if he would ever be into that. Looking forward to that. And I didn’t know he played with the Rolling Stones, too, shit. But that show should be fun, that’s a benefit show we’re doing down there. I haven’t heard much yet other than that we’re playing with him, and…I can only imagine that the band he gets together must be pretty fun to listen to.

  • Venezuelan-American Folk/Rock singer Daniel Tortoledo Premieres “Eloise”

    Brooklyn-based Venezuelan-American songwriter Daniel Tortoledo has released his latest single “Eloise,” from his upcoming album Throughout These Years.

    Regarding “Eloise,” Daniel Tortoledo noted “When we first started putting it together with the band, I remember challenging the drummer to a bare minimum use of cymbals. Listening to the track today, I think it shows how much it can be accomplished with so little.” Daniel added “Anecdotes aside, I believe and stand behind every word in the lyrics.”

    Daniel Tortoledo EloiseThroughout These Years is Daniel Tortoledo’s first full-length solo album and was recorded in New York City and Boston, and backed up by band members Billy Herron, Cullen Corley, Chris Kyle, Dave Cole and Grant Zubritsky. “I’ve worked in different projects in the past but this one has the most meaning to me because I was able to get out of my comfort zone and hit extreme aspects of my inner self.” he explained. “I feared and loved every decision along the process.”

    Alongside the studio version, Tortoledo has shared an acoustic stripped-down rendition of the song, filmed during an intimate live session in Brooklyn shortly after the songwriter completed a string of West Coast shows.

    Follow Daniel on his website and on Spotify, Facebook, Soundcloud, Instagram, Youtube and Twitter.

  • The Wailers: Preserving the Musical Legacy of Reggae Great Bob Marley

    The Legendary Wailers, Bob Marley’s famed backing band,  will be performing the Reggae icon’s hits when they play at the  Cohoes Music Hall on Tuesday October 17. The Wailers have long been the caretakers of Marley’s musical legacy since his premature death from cancer back in 1981. The band continues to tour around the world in order to spread Marley’s timeless message of “Jah Love” just as he requested they do prior to his death.

    The Wailers Legacy

    The current version of the band, steered by famed bassist and founder Aston “Familyman” Barret, along with original Wailers‘ guitarists Julian Marvin and Donald Kinsey, spread Marley’s message and music to a new generation of fans.  That message of love is masterfully channeled to the audience by Rastaman lead vocalist Joshua David Barrett.  The Wailers bring infectious Jamaican Reggae dance music wherever they go. If you love to groove, this is a show not to miss.  Tickets are available at the Cohoes Music Hall box office.

  • Giant Panda Guerilla Dub Squad Links Kingston to Buffalo

    With the bustling, vibrant music scene which Buffalo has remarkably fostered, there are often many places a music lover can find solace on an active Saturday night. Despite the many options, it seems many WNY music lovers knew the place to be on Saturday, September 30 was in Buffalo at The Tralf Music Hall to catch a nearly sold out performance by Rochester’s own reggae powerhouse Giant Panda Guerilla Dub Squad (GPGDS).

    Attendants were in great spirits as they frolicked through the doors and found a place to put their recently located jackets and sweatshirts on Buffalo’s first truly chilly Autumn night. The festivities began right on time with Hip-Hop Duo Level 7 Experience acting as the night’s MC and performing on the floor in front of the stage to better engage with the audience while the bands set up.

    The crowd was loose and ready to dance once Level 7 Experience finished their first set and the opening band, Thunder Body, took the stage. The multi-instrumental, Rochester-local Dub group took no time to get started as they performed a bouncing set, spanning multiple genres. Jumping from reggae to ska to outward psychedelia, the well-rehearsed band did an excellent job using their horn section, percussionists, and theremin to create a very distinct sound of their own. It seemed as though they could play all night and everyone would have been okay with it, but unfortunately time was not on their side and they had to leave room for the main course.

    After a well-earned standing ovation, Level 7 Experience took to the floor once again to entertain the crowd while the stage was set for GPGDS. Now that people were a bit more liquored up and frisky, the duo played to the room and performed more call and response songs than their first set. By the time they finished their last number and thanked the crowd, GPGDS took the stage leaving almost no time between performances.

    As the band took the stage, the screen behind them featured a homage to the city by displaying the Bill’s logo with the buffalo replaced by a panda. It quickly became clear that this was a reoccurring symbol as many people in the crowd wore shirts with the logo, indicating how invested and committed the reggae band’s fanbase was in the area.

    A long, slow drum segment started out the set, leading to an explosion of funk and reggae with bass player James Searl and drummer Chris O’Brian holding down the low end while guitarist Dylan Savage played a scratchy rhythm to get the crowd grooving. After the long intro, O’Brian mixed things up by playing a Latino-inspired beat prompting Searl to holler a Marley-inspired rap with quick, impressive alliteration. Following a breakdown and nailed composed ending, the band slowed things down and segued perfectly into a slower reggae number.

    The light, minimalist reggae tune transformed the Tralf from a dark, oddly shaped room to a refreshing summer day just relaxing by the pond. Reggae fans experienced exactly what they came for as keyboardist Tony Gallicchio sprinkled light-hearted fills throughout the tune while the rest of the band kept things easy. From there they shifted the tempo once again to a faster reggae number which allowed guitarist Dan Keller to showcase his musical expertise by taking the quick reggae tune to space, infusing his love of reggae with that of psychedelia.

    One of the most impressive aspects of GPGDS is their ability to jump from song to song without any stopping and constructing their setlist to feel seamless. They controlled the energy in the room throughout the night with few breaks in the music and making the show feel like a sound wave; going up and down as they played songs with varying tempos one after another.

    Each member of the band was proficient at what they played and took turns on lead vocals. Throughout the night the band excelled at giving the crowd a genuine reggae performance while at the same time incorporating different genres to establish a sound of their own. By welcoming guest spots from the previous acts, there was never a dull moment throughout the show as you could not predict what was coming next.

    Had you told me I would be walking out of this show and entering the humid streets of Kingston, I might have believed you after that performance. It is clear why GPGDS has such a strong following among reggae fans, and they can truly do justice to a genre of music that so many bands tend to butcher.

    giant panda buffalo

  • Young Dubliners Bring the Party to the Wescott

    As the Young Dubliners made their way through New York on their East Coast Tour, they certainly liven up Hump Day for those brave enough to venture out to The Westcott this past week.

    Those in attendance for this mid-week concert were there to dance and have a good time as they had an inside track to what they were in store for. Immediately apologizing for not keeping his word to play on a Friday night, you wouldn’t know it wasn’t a Friday as they brought the party with them for their captivated audience.

    Opening for the band were New York locals Waydown Wailers. Although a great band in their own right, I don’t think those in attendance were able to appreciate their unique sound.  More of a southern rock band, these talented locals from Canton played to a group of Celtic loving souls, and left them scratching their heads and feeling a bit quizzical in what they just heard. With more than enough local Celtic performers to choose from as openers, I believe when booking opening bands for shows, the Westcott needs to start pairing bands together that play to the same crowd.  Not only will it appease the crowds, those bands that are opening, will begin to reach more of the audience they wish to reach.

    As the L.A. lads took the stage, they jumped feet first into a fully charged setlist that included many favorites from their large catalog of music. With Keith Roberts on lead vocals and guitar, he quickly engaged the crowd with his edgy vocals and charismatic personality, not to mention the stage full of talent that accompanied Keith with David Ingraham on percussion, Brendan Holmes on bass, Bob Boulding on lead guitar, and Chas Waltz on fiddle, mandolin, and harmonica.  Each musician was as impressive as the next as they melodically mesmerized their audience leaving them wanting more.

    For those that made their way to the Westcott to see the talented Young Dubliners, they were treated to an awesome performance and enough energy to last them till the next time they can make their way back east.

    Setlist: Paddy’s, Adhainn Mor, Fall, Say Anything, Brown Dog, Howaya Girls, Come Back Home, Bodhran, Apart, Liverpool, Seeds of Sorrow, Tell Me Ma, Foggy Dew, Ashley Falls, Waxies, Pari of Brown Eyes, Chas Solo, We The Mighty, Carlow, Fall from Grace, Rosie, and Rocky Road

  • Exclusive: Shouthouse Debuts Video for “ANTS”

    New York City ensemble Shouthouse debuted their single “ANTS” last week on NYS Music, and today, they debut an elaborately choreographed music video for the tune. Watch below.

    Composed by pianist Will Healy, shot and edited by Jack Frerer and colorized by Bobby Wagnerman at Haym Pictures, the music video traverses the city and combines various elements of New York City with “ANTS,” bringing two complex components together for one multi-dimensional video. Healy spoke with NYS Music about the video:

    “Living in New York can become oddly isolating, even though there are so many people living there together. As you move through the streets and subways, it’s easy to feel alone in a crowd. There is an impersonal atmosphere in New York, and any amount of self expression can be seen as bizarre, shocking, or dangerous.

    shouthouse video ants“For this video, I wanted each rapper and dancer to slowly transform from a normal face into the crowd into artists. As the music plays, they are shown walking or standing, and over time they separate from those around them, transitioning into movements and verses that express their inner dialogue.

    “I wanted the viewer to get a sense of the different sides and heights of urban living, progressing from underground in the subways to ground level in Times Square, and finally on a roof overlooking East Harlem.

    “We had a blast shooting this video. Any excuse to interrupt the routine among commuters gets great reactions (especially the shots on the escalator!). There are also so many interesting spots to shoot, the city was our playground for the day. There are three dancers in the video–Taylor LaBruzzo and Zach Gonder from Juilliard, and Quilan Arnold, who is a Brooklyn-based hip hop dancer. It was great to see their different styles interact, and they did a great job visually representing our unique style of music-making through their different genres of dance.”

    Shouthouse performs next at Shapeshifter Lab in Gowanus, Brooklyn, on October 6. More info can be found here.

  • The Young Dubliners East Coast Tour Begins

    NYS Music welcomes the Young Dubliners once again to New York as they begin their east coast tour, making their first of three New York appearances tomorrow evening in Cohoes at the Cohoes Music Hall.

    Often considered one of Celtic Rock’s hardest working bands, The Young Dubliners blend their musical backgrounds and styles to create a unique sound that encompasses an electric mix of influences which of course includes a Celtic rock sound. Touring the entire year across the United States and Ireland, these few shows are their only east coast appearances scheduled this year in our area. Don’t hesitate to grab your tickets and take in a show as their energy as a live band is a must see.

    Sept. 22 – The Kate – Old Saybrook, CT
    Sept. 23 – Cohoes Music Hall – Cohoes, NY
    Sept. 25 – Mercury Lounge – New York, NY
    Sept. 27 – Westcott Theater – Syracuse, NY
    Sept. 28 – World Cafe Philadelphia – Philadelphia, PA
    Sept. 29 – Stouts Irish Sports Pub – Providence, RI
    Sept. 30 – Amp by Strathmore – North Bethesda, MD

    You can stream the Young Dubliners’ latest release NINE here.