Category: Rock

  • Queen and Adam Lambert Announce North American Summer Tour

    Queen has announced that they will once again team up with former American Idol rocker, Adam Lambert, for a 25-city tour across North America this summer. May, Taylor, and Lambert, will not only perform all the Queen hits, they have specially designed and created a new show for this outing, after a wide range of very successful sold out tours throughout North America, Europe, Australia, Asia and Latin America.

    queen adam lambertThe arena tour will start to rock you on June 23, at the Gila River Arena in Phoenix, Arizona, and will play it’s last “Bohemiam Rhapsody” on Aug. 5 at the Toyota Center in Houston, Texas.

    New Yorkers can catch the tour when it comes through the state on July 28, at the Barclay’s Center in Brooklyn. Depending on your location, New York fans can also see shows within driving distance on July 17, at the Bell Centre in Montreal, QC,  July 18, at the Air Canada Centre in Toronto, ON, July 23, at the Mohegan Sun Arena in Uncasville, CT, July 26, at the Prudential Center in Newark, NJ, and July 30 at the Wells Fargo Center in Philadelphia, PA.

    The trio first teamed up when Lambert was part of the singing competition show American Idol in 2009 when they performed “We Are The Champions.” They once again shard the stage in 2011 at the MTV European Music Awards in Ireland. They played an eight minute medley of “The Show Must Go On,” “We Will Rock You,” and “We Are The Champions” to close out the show. The three first hit the road together in 2012, when Lambert joined Queen for several shows across Europe, including at several festivals.

    In a Blabbermouth report, quotes from Adam Lambert, guitarist Brian May and drummer Roger Taylor about working together were published.

    queen adam lambertMay on Lambert :Adam is the first person we’ve encountered who can do all the Queen catalog without blinking. He is a gift from God.”

    Taylor on Lambert: “Adam’s incredibly musical, and we certainly take anything he says quite seriously.”

    Lambert on replacing Freddy Mercury: “There’s never going to be another, and I’m not replacing him. That’s not what I’m doing. I’m trying to keep the memory alive, and remind people how amazing he was, without imitating him. I’m trying to share with the audience how much he inspired me.”

    Tickets go on sale to the general public on Feb. 3, at LiveNation.com.

    Queen Tour Dates:

    June 23 – Gila River Arena – Phoenix, AZ
    June 24 – T-Mobile Arena – Las Vegas, NV
    June 26 – Hollywood Bowl – Los Angeles, CA
    June 29 – SAP Center – San Jose, CA
    July 1 – Key Arena – Seattle, WA
    July 2 – Pepsi Live at Rogers Arena – Vancouver, BC
    July 4 – Rogers Place – Edmonton, AB
    July 6 – Pepsi Center Arena – Denver, CO
    July 8 – CenturyLink Center – Omaha, NE
    July 9 – Sprint Center – Kansas City, MO
    July 13 – United Center – Chicago, IL
    July 14 – Xcel Energy Center – St. Paul, MN
    July 17 – Bell Centre – Montreal, QC
    July 18 – Air Canada Centre – Toronto, ON
    July 20 – The Palace of Auburn Hills – Detroit, MI
    July 21 – Quicken Loans Arena – Cleveland, OH
    July 23 – Mohegan Sun Arena – Uncasville – CT
    July 25 – TD Garden – Boston, MA
    July 26 – Prudential Center – Newark, NJ
    July 28 – Barclay’s Center – Brooklyn, NY
    July 30 – Wells Fargo Center – Philadelphia, PA
    July 31 – Verizon Center – Washington, DC
    Aug. 2 – Bridgestone Arena – Nashville, TN
    Aug. 4 – Americans Airlines Center – Dallas, TX
    Aug. 5 – Toyota Center – Houston, TX

  • The Egg Hosts Legendary Chicano Rockers Los Lobos

    A uniting sound in a time of discord was found with Los Lobos at The Egg Performing Arts Center in Albany, on Sunday, January 29. The legendary cross-cultural rock n roll group brought out a rising tempo over the course of two sets in the Hart Theater this evening.

    The first set was highlighted by “Burn It Down,” while the second set took off with the rockabilly “Train Don’t Stop Here,” highlighted by Conrad Lozano on bass with Cesar Rojas’ vocals. The iconic “Kiko and the Lavender Moon” was soulful and smooth as always, with that haunting accordion from David Hidalgo. “Mas Y Mas,” found the band joined by a guest trombonist and Steve Berlin on trumpet.

     

    Kiko and the Lavender Moon @LosLobosBand @theeggpac #tejano #nysmusic

    A video posted by NYS Music (@nystatemusic) on


    “Last Night” brought the crowd to their feet, and featured lyrics from “Turn on Your Lovelight” and a brief horn duel, then segued seamlessly into the Buddy Holly classic “Not Fade Away.” The set ended with a rousing rendition of the Grateful Dead’s “Bertha,” and an encore of Traffic’s “Light Up or Leave Me Alone.” Once again, the timeless Los Lobos sound rocked The Egg, bringing rock n roll and Tejano together to the delight of the audience.

    Los Lobos Albany
  • Coheed and Cambria Announce Tour for Breakthrough Album “Good Apollo”

    Coheed and Cambria have announced a U.S. tour for their monumental third album, Good Apollo, I’m Burning Star IV: From Fear Through The Eyes Of Madness for this spring.

    After releasing a mysterious video on their YouTube channel, the band announced the tour for the album the day after. The tour, entitled the NEVERENDER GAIBSIV tour, will visit North America from April to May with the progressive rock band performing the concept album from 2005 in its entirety. The Dear Hunter will be direct support for the tour on non-festival dates.

    Good Apollo, which features the most popular works by Coheed and Cambria including “Welcome Home” and “The Suffering”, has sold over a million records worldwide.

    The name “NEVERENDER” for the tour comes from Coheed and Cambria’s performances of the album originating in 2008, where they performed their first four albums over the span of four nights.

    Stops on the tour include Terminal 5 in New York, Hollywood Palladium in Los Angeles, CA and the “Welcome To Rockville” festival in Jacksonville, FL.

    Tickets are on sale today via Ticketmaster and you can visit the band’s website for more details.

    NEVERENDER GAIBSIV Tour dates:

    April 11 – Seattle, WA – The Showbox
    April 13 – Portland, OR – Roseland Theater
    April 14 – Oakland, CA – Fox Theater
    April 15 – Los Angeles, CA – Hollywood Palladium
    April 18 – San Diego, CA – Observatory North Park
    April 19 – Tempe, AZ – The Marquee
    April 22 – Salt Lake City, UT – The Complex
    April 22 – Denver, CO – Fillmore Auditorium
    April 25 – Austin, TX – Stubb’s Waller Creek Amphitheater
    April 26 – Dallas, TX – House of Blues
    April 27 – Houston, TX – House of Blues
    April 29 – Jacksonville, FL – Welcome to Rockville*
    April 30 – Saint Petersburg, FL – Jannus Live
    May 2 – Atlanta, GA – Tabernacle
    May 3 – Nashville, TN – Marathon Music Works
    May 5 – New York, NY – Terminal 5
    May 6 – Silver Spring, MD – The Fillmore Silver Spring
    May 7 – Concord, NC – Carolina Rebellion*
    May 9 – Boston, MA – Blue Hills Bank Pavilion
    May 10 – Philadelphia, PA – The Fillmore
    May 11 – Royal Oak, MI – Royal Oak Music Theatre
    May 13 – Minneapolis, MN – First Avenue
    May 15 – Saint Louis, MO – The Pageant
    May 16 – Kansas City, MO – Arvest Bank Theatre at The Midland
    May 18 – Pittsburgh, PA – Stage AE – Indoor
    May 19 – Chicago, IL – Aragon Ballroom
    May 20 – Columbus, OH – Rock on the Range Festival*

    *Festival show, No Neverender or The Dear Hunter

  • The Disco Biscuits Coming Home Again for 3 Night Run at the Fillmore Philadelphia

    The City of Brotherly Love has seen more Disco Biscuits shows than any other, and the tradition will continue on February 2, 3, and 4 with the band’s second 3 night run, home again at the Fillmore Philadelphia.  Almost a year ago to the day after their last visit to Philly, the Biscuits and locals alike are unanimous in their eagerness to get things started.  Having seen every show the band played last year, the fact that a slew of people consider last year’s Fillmore run to be one of the best in recent years in wholly unsurprising to me.  It’s the same concept of Home Team Advantage to make a seasonally appropriate football analogy; we’re all a little more comfortable closer to our roots.

    disco biscuits home againWe’ll be covering Friday night, right in the heat of it, giving first hand account of this writer’s 50th show.  Coming off a long, busy year of following the Disco Biscuits has honed my critical edge of their sound to a new level, and it’s safe to say that 2016 was one of their best within the last 3, 4, possibly 5 years.  The New Year’s Run at the famous Tabernacle in Atlanta, GA, was the band’s first outside region of their home town and the North East, and had some engaging highs and frankly embarrassing lows; will their return be triumphant?  Below you’ll find a video of the 3rd set’s beginning from New Year’s Eve leading into the countdown, a Trans-Siberian Orchestra cover entitled Wizards in Winter, with the most recent previous performance having been at the Rothbury Festival on July 3rd, 2008.

  • Phish Announces 13-Night Summer Run at MSG

    Rumors of Phish breaking with summer tour tradition and taking an extended stay at Madison Square Garden have been circulating all winter, and today the band announced that they will indeed be taking up residence at MSG for a 13-night run.Phish 13-Night MSG

    The famed New York City venue has played host to Phish 39 times since their sold-out debut there in 1994, while the Baker’s Dozen shows will bring them up to 52 performances at the Garden by summer’s end.

    The run will start on Friday, July 21 and conclude on Sunday, August 6, with scheduled days off on the Mondays and Thursdays between. Tickets will be sold as the whole Baker’s Dozen package (13 shows for the price of 12) or as individual shows. Travel packages are available and pre-sale tickets are available now through Sunday, February 17 at Phish’s website. All floor tickets will be general admission.

    Phish 13-Night MSGAlong with the Baker’s Dozen announcement, came news that Phish will not be touring this fall, so it’s MSG or bust, Phans!

    Phish – The Baker’s Dozen, a 13-night run at MSG

    Friday, July 21
    Saturday, July 22
    Sunday, July 23
    Tuesday, July 25
    Wednesday, July 26
    Friday, July 28
    Saturday, July 29
    Sunday, July 30
    Tuesday, August 1
    Wednesday, August 2
    Friday, August 4
    Saturday, August 5
    Sunday, August 6

    Watch the announcement video below.

  • Bret Michaels Talks Future of Poison

    Ready to embark on a summer tour with Def Leppard and Tesla, Blabbermouth reports that during a recent interview on Sirius/XM’s “Trunk Nation,” hosted by Eddie Trunk, Poison frontman Bret Michaels, talked about his upcoming reunion with all the original members of Poison, and the future of Poison.

    Trunk asked Michaels why he felt it was the right time to re-connect with the original members of Poison for the upcoming summer tour:

    It’s two things. One, it will be awesome – honestly – it will be awesome to see Bobby [Dall, bass] and C.C. [DeVille, guitar] and Rikki [Rockett, drums] again. We always have fun. I know there’s notorious stories of… You know, the great thing about us, if we have any problems, we don’t bother to air it out backstage, we just wait until we’re onstage to beat the hell out of each other. So I’ve always laughed and told you, it’s great music, there’s always a great energy, and occasionally you get a lot of pyro and a good prizefight once in a while. But, honestly, to me, we’re mixing up with the solo dates and with Poison/Def Leppard… We had such a great time out with Def Leppard last time, and obviously with Tesla out there, it’s just a great early summer… I call it early summer, but it’s starting off… kicks off first week of April, I believe in New Hampshire, and I’m really looking forward to it — playing all the greatest hits and just being out there and having fun.

    Michaels was asked if he has had any contact with any of the band members since their last stint. Michaels replied:

    We go and do some of the private [gigs as Poison], and it’s really great. And every time we do it, we get together [and] we rehearse, everyone’s having fun, it’s great to catch up, but not on a daily… You know, I don’t see them on a daily basis. It’s like I said, we’re four guys that if you asked us for direction to any place, we would give you four completely different directions to get to the same location. It’s just our personalities. But also that energy – the fact that none of us are ‘yes’ men to the other person, we all have our own individual identity, but when we get out there on that stage and it’s working, there’s a certain energy in the air and a certain party and feeling that everyone’s on their feet, hands in the air. And it’s truly a great time. And probably of all of ’em, Bobby’s the one I’m in the most contact with. You know, we’re all friends, but Bobby’s probably the one I speak to the most about… not just about Poison; just about life in general.

    Michaels on the future of Poison after the tour:

    We would all have to go do this and have a great time together and say, ‘Look, next year I think we’re gonna go out, just headline, pick out twenty or thirty dates, and go play.’ But I think we have to go through this… I think you just simply go through this. This isn’t gonna be one of those scenes where — God forbid — we’re ever inducted into the [Rock And Roll] Hall Of Fame, and no one will show up or this; there’s none of that. It is truly as real as it gets. Those moments that we’re having a great time are real, and when it goes ugly, it’s real; it’s not a pre-thought-out thing. And I think we just go through this, have the best time in April, May and June. We’ve added more dates through Canada and a bunch of stuff, and just see where it goes. I would literally, when it’s done, say, ‘Hey, guys, I think it would be killer next year to go out, pick out some great headlining dates and have an amazing time again.

    If fans could expect a possible new Poison album:

    Very simple. You know with me that I still live and breathe for the creativity and making new music. A lot of the reason, for me, to be able to go out with Pete Evick and all the guys in the solo band… We get on that bus and we truly get up there, and even before and after shows, we’re up there at soundcheck writing new music, playing new music. And, of course, one day it would be awesome. I don’t look at the business of it. It would be great if we could sit down as Poison and say, ‘Look, let’s just make a really fun, upbeat new ‘Nothin’ But A Good Time’ or ‘Talk Dirty To Me’…’ I’m not saying the same song, but something that just feels like what we do, obviously with modern production, and have a great time making a new song. But in the meantime, I’m gonna keep creating with what I do, with the solo band.

  • Greensky Bluegrass and Fruition Break it Down in Syracuse

    Syracuse was treated to a double dose of bluegrass Wednesday night as Greensky Bluegrass and Fruition rolled into The Westcott Theater. The Kalamazoo crew returned to the Westcott stage nearly a year to the day from their last visit, this time in support of the new album, Shouted, Written Down & Quoted, released in September.

    Earlier in the day, news of founding member of the Allman Brothers Band, Butch Trucks’ death cast a sadness upon the music world and the jam scene specifically. A tribute to Trucks would surely be on the agenda for Greensky, one of the premier progressive bluegrass bands on the scene today.

    Greensky eased the capacity crowd into things, kicking off the set with a midtempo “The Four” that segued into a rollicking “Eat My Dust” featuring some stellar dobro work from Anders Beck. The first set remained heavy on the bluegrass the band was founded upon before slowing things down for a heartfelt rendition of “Nine Days” with Michael Arlen Bont’s banjo and Beck’s dobro again featured prominently. A lengthy run through of the Greensky staple and jam vehicle, “Broke Mountain Breakdown,” brought the highlight moment of the night, if not one of the most anticipated. Fruition’s Jay Cobb Anderson was welcomed on stage, harmonica in tow, for a ripping tribute to Trucks in the form of the Allman Brothers Band’s “One Way Out.”

    “Hold On,” from the band’s latest release, kicked off the second set, segueing into a cover of the Traveling Wilburys’ “Handle With Care” and into “Blood Sucking F(r)iends.” The segue-filled second set finished up with a “Casual Wednesday” for this casual Wednesday, segueing into the new “Run or Die,” an explosive way to finish the night.

    Frution, from Portland, OR, gained the respect of the early arriving attendees, ripping through twelve songs in their opening set. While also heavily based in bluegrass, Fruition blends soulful vocals and a funk downbeat to deliver a unique sound that complemented the headliners perfectly. This is a band that will be headlining stages at theaters in short order.

    If you missed Greensky and Fruition at The Westcott Theater you can still catch them at The Egg in Albany on Jan. 31, the Union Transfer in Philadelphia PA on Feb. 1, and a three night run at the 9:30 Club in Washington D.C.

    You can also check out Greensky Bluegrass and Fruition’s upcoming tour dates here.

    Greensky Bluegrass Setlist (via Jambands.com):

    Set 1: The Four> E.M.D. (Eat My Dust), Into the Rafters, Room Without a Roof, White Freight Liner Blues, Demons, Nine Days, Broke Mountain Breakdown> One Way Out*

    Set 2: Hold On> Handle With Care> Blood Sucking F(r)iends, Tied Down, Last Winter in the Copper Country> A Letter to Seymour> New Rize Hill, Casual Wednesday> Run or Die

    Enc: Windshield

    * with Jay Cobb Anderson (Fruition) on harmonica

  • Photo Gallery: The Dean Ween Group at Brooklyn Bowl

    The Dean Ween Group came to the Brooklyn Bowl last Thursday, January 19, with The Mike Dillion Band providing support. Mickey “Dean Ween” Melchiondo made a comment to the crowd that tonight seemed like a hometown show, as they had a bunch of friends they were going to bring out.

    Those friends included opener Mike Dillon, vocalist Carol Brooks and bassist’s Dave Dreiwitz’s bandmate, guitarist Scott Metzger. The night included a bunch of cover’s and sit-in’s, which the gave the night a feel that you were watching a bunch of friend’s just jamming along and having fun. The Dean Ween Group finishes their tour with an early February run down south.

    Setlist: Sunset Over Asbury Park, Exercise Man, Dickie Betts, Freedom of ’76, It’s Gonna Be a Long Night, Garry, Do That Stuff, You Were There, The Ritz Carlton, Mercedes Benz, Pink Eye (On My Leg), A Tear For Eddie, Tender Situation, Fingerbanging, The Rift

    Notes:

    • Freedom of ’76, You Were There and Mercedes Benz with Carol Brooks on vocals.
    • Long Night with Mike Dillon on percussion and backing vocals.
    • Ritz Carlton with Mike Dillon on vibes.
    • Tender Situation through The Rift with Scott Metzger on guitar.
    • The Rift with Mike Dillon on something.
  • Butch Trucks, Founding Member of the Allman Brothers Band, Dead at 69

    Butch Trucks, founding member of the Allman Brothers Band, died on the evening of Tuesday, January 24 in West Palm Beach, Florida. He was 69 years old.

    Butch Trucks
    Jason Merritt/Getty Images

    Born Claude Hudson Trucks on May 11, 1947 in Jacksonville, Florida, Butch refined his craft playing in several ensembles at Florida State University and in the Jacksonville Symphony Orchestra before cutting his rock ‘n roll teeth in local bands such as the Vikings, the Echoes, and the Bitter Ind.

    It was the suggestion of Jai “Jaimoe” Johnny Johanson that led Duane Allman to recruit Trucks into the fold back in 1964 as he was forming the original Allman Brothers Band. Jaimoe and Trucks would go on to play drums alongside one another on and off for 46 years as members of the Brothers. Trucks is the third member of the original ABB lineup to pass away, joining Duane Allman, who died in 1971, and Berry Oakley, who died the next year. Trucks was inducted into the Rock and Roll Hall of Fame as a member of the Allman Brothers Band in 1994.

    The cause of death is unknown and comes as a surprise, as Trucks had remained active on the music scene of late. Upon the Allman Brothers Band breakup in 2014, Trucks founded Les Brers with fellow former Allmans Jaimoe, Marc Quiñones, Oteil Burbridge, and Jack Pearson in an effort to keep the ABB catalog alive. His latest act, Butch Trucks and the Freight Train Band, had recently been touring in the southeast.

    Trucks is survived by his wife Melinda, four children, and four grandchildren, plus a number of family members who are active musicians in their own right, nephews Derek and Duane Trucks, the guitarist of Tedeschi-Trucks Band and drummer of Widespread Panic/Hard Working Americans respectively, and his son Vaylor Trucks, who plays with the Yeti Trio.

    At this time the Trucks and Allman Brothers Band families request “friends and fans to please respect our privacy at this time of sadness for our loss. Butch will play on in our hearts forever.”

    Check out footage of Butch discussing the early days of the Allman Brothers Band below.

  • Engaging in Wintercourse: Friday Night @ the Knitting Factory

    On Friday night in Brooklyn, the sixth annual “Wintercourse” took place at the Knitting Factory.  All four bands on the bill had shared practice space and admiration for one another over the years which created a love filled environment on the gloomy Inauguration Day.  Fans young and old packed the small venue before the first band entered the stage, proving that time placement had nothing to do with crowd preference or popularity.

    Teddy Midnight performed first and instead of simply warming the crowd up, they hot boxed the room!  Glow sticks began lighting their way into the crowd during the first song of the evening, “Veni Veni Veni,” off their 2016 release, Velvet Blue.  In fact, the set list was heavily layered with songs off the same album, which happens to be their meatiest and most recent release.  The four members sonically tasered their fans during the nucleus of the set list when the “Primordial> Velvet Show Jam>Velvet Mist> Tree-O-Tree” combination was played for the first time.  Adam Magnan on drums teamed up with Sean McAuley on keys to recreate my childhood in what I can only describe as the theme music from Crusin’ USA for Nintendo 64.  Sean Silva added some fuzzy textures by means of the bass and synth throughout the notable jam that lasted for the better half of the set.   Guitarist Wiley Griffin announced their final song to the dismay of the audience as “Air BND” followed them off the stage.

    The “Ukulele progressive rock band,” Cousin Earth, was the group that I was most excited to see on the bill solely based on the genre description posted on the website.  The five-piece consists of Joey Calfa on ukulele, Nate Searing on drums, Corey J. Feldman on Ubass, Tara Lawton on melodica and keys and Terry Brennan on percussion.  All of the members handled vocals during the gender blending set that consisted of originals and well-known covers.  “Point of No Return” off the 2015 self-titled EP started the set and acted as the padding for the first cover of the night, “Yellow Submarine” by an English band called The Beatles.  The spacey “Alive” was up next followed by the reggae-influenced “Train Luck> Inspector Gadget Theme.”  Only a handful of songs had been executed and I could already tell that their eclectic sound mixed with the funny, yet thought-provoking lyrics had abducted the room for the duration of their time on stage.  My favorite part of the set was the appropriately placed “Another Brick In The Immigration Wall” which mashed up iconic Pink Floyd and Led Zeppelin songs into a sing-a-long for the entire venue.  Earlier in the day, an unmasked Darth Vader was sworn into the Oval Office, leaving me with a pit in my stomach that only comedy and good music could remedy. Thanks to Cousin Earth, I was able to leave our solar system for a while.  As a first time Earthling follower, the group reminded me of a new creation from Taco Bell… it may not have been what I was expecting, but I ate it up and would absolutely order it again.

    Voted the “Top 10 Best” AND “Top 10 Worst Names for a Band” in 2016 by CMJ, the jamtronica quartet, Space Bacon, hit the ground running with an almost 20-minute “Wolves” and even with minor technical difficulties, I was shocked to learn that this was their first time performing this beast live.  In fact, three of the four songs in their Wintercourse performance were Space Bacon virgins, which made the performance an instant classic set for the up-and-coming funky-electronica group.  They transitioned into the commonly played “Jupiter” as Sam Crespo on drums sped up the tempo and created a rave inside the tiny Factory.   “Ice Planet” contained elements of trance and hard rock as the band seamlessly segued from one genre to the other. Kevin LeGall’s bass joined paths with Chris Gironda’s keys to knit together a labyrinth of danceable delight.  Guitarist Jack Willard asked, “Do you guys want to hear new shit or old shit?”  The crowd began calling out for different fan favorites before Willard pronounced, “F*ck you guys, we are doing new shit,”  as they launched into “Prologue.” By far the wordiest tune they played on Friday, this new track was welcomed by the cult-like Baconators and at times had a complex Phishy vibe to it.  Don’t let the short and sweet set list fool you on paper; this thing had fangs, horns and some kick-ass moves.

    Chromatropic finished off the festivities with a unique jazz-fusion jam session spanning their career and highlighting their newest release, Abundance.  The frequently played “Bloom” was tackled early on after transitioning out of a crowd-pleasing intro jam.  One day when they release a Greatest Hits album, this track will make the cut due to its smooth sailing peaks and valleys.  “Habanero” was the first song from the new album and one of my favorites considering I’m all about that bass that Moses Margel is slapping.  Each member gets his time to shine during this spicy instrumental capped off by a Danny Caridi keyboard solo that will leave you in search of water.  Just as it seemed the band couldn’t get any hotter, they segued into the second half of “The Abundance of Elements” where Andrew Carton showed off his impressive and intricate guitar skills.  Mark Potter on midi and drums peppered in samples during the third one off Abundance entitled “Glove.”  The soulful and funky jazz piece is part-Vulpeck, part-Thievery Corporation and part The Chainsmokers?  You read that correctly.  While a high school cheerleader may call “Closer” by The Chainsmokers, “so 2016,” Chromatropic was able to incorporate the cover right into their music and it fit like a glove.

    The Brooklyn jam band scene is currently growing at an alarmingly satisfying rate and Friday night in the funkiest of boroughs, I was reminded that America continues to get greater every day.  While these four bands may be fighting for the same cause, to make people dance, they are in no way clones of each other.  Through their diversity and gender bending identities, they were able to come together and turn a surreal day into a sublime night.

    Teddy Midnight Setlist: Veni Veni Veni, Turkish Silva, Trap Haus, Primordial > Velvet Slow Jam > Velvet Mist > Tree-O-Tree*, Air DNB

    *Primordial through Tree-0-Tree first time played segue

    Cousin Earth Setlist: Point of No Return>Yellow Submarine@>Point of No Return, Alive, Train Luck>Inspector Gadget, When the Dinosaurs Come Back from Outer-space!, Super Fun Laser Beams, I Got This, Another Brick in the Immigrant Wall$, Capricorn on the Cob

    @ Beatles cover, ! BELT original, $ Led Zeppelin & Pink Floyd mash-up

    Space Bacon Setlist: Wolves*^> Jupiter (end), Ice Planet*, Prologue*

    *First time played, ^ bass malfunction, audible’d trio jam

    Chromatropic Setlist: Intro> Bloom, Habanero > The Abundance of Elements@>Gaia, Glove> Closer*> Glove

    @ Second half only, * The Chainsmokers cover