Primus has announced a slate of dates for July and August. The band takes to the road with special guest Clutch starting July 17 in Charlotte.
Claypool and company have only announced one stop in New York State, July 21 at the Dome in Henrietta, just outside of Rochester. The two-month long tour includes a variety of stops across the country including eastern dates. in Raleigh, Detroit, Lancaster, Boston, Portland (Maine), Burlington, Asbury Park, Philadelphia and Pittsburgh. The July 27 show in Burlington is a part of the Lake Champlain Festival, which also includes Twiddle’s Tumble Down Festival.
The tour heads to the midwest and west coast in August with dates in Milwaukee, Mankato, Cedar Rapids, Kansas City, Dallas, Tempe, Las Vegas, Bonner, Troutdale, Eugene, Seattle and Stateline before closing the tour at the Greek in Berkeley on the 18th.
According to Clutch’s website, both bands will be performing full sets with no openers or supporting acts.
Tickets for these newly announced shows go on sale this Friday, March 24 at 10 a.m. local time. A pre-sale begins Tuesday, March 21 at 12 p.m. ET via Primus’s website.
Chuck Berry’s name is synonymous with rock and roll. The singer-songwriter-guitarist got his start in the 50’s with hits like “Maybellene”, “Rock and Roll Music” and “Johnny B. Goode.” His music redefined the fabric of the musical landscape and provided inspiration to musicians for generations. The legendary musician passed away on March 18 in his Missouri home.
Born Charles Edward Anderson Berry in St. Louis Missouri in 1926, Berry was the fourth of six children in a middle class family. He was interested in music and entertaining at a young age, and began performing as a teenager. It was about this time he also started his lifetime conflicts with authority, landing in a reformatory until his 21st birthday. In 1948 he married Themetta “Toddy” Suggs, and they had a daughter together in 1950. Berry began performing with local bands on the side of his day job to supplement his wages.
Berry’s break came when he met Muddy Waters in Chicago in 1955. Waters connected Berry with Leonard Chess of Chess Records. With the label behind him, Berry recorded “Maybellene.” The single went on to sell over a million copies and reach number one on Billboard magazine’s rhythm and blues chart and number 5 on the Best Sellers in Stores chart.
Berry’s trademark songwriting elements, including driving beats and flashy guitar solos, became defining standards for rock and roll. He also helped shape the subject matter, with lyrics appealing to teenagers and consumer culture. His showmanship and attitude of defiance also became hallmarks of the rock and roll persona. Berry was a trendsetter for generations to follow, inspiring bands such as The Beatles, The Rolling Stones, and The Beach Boys. His influence on the genre runs so deep that John Lennon once said, “if you tried to give rock and roll another name, you might call it ‘Chuck Berry’.”
With a career spanning more than six decades, Chuck Berry recorded 20 studio albums and a dozen live albums. His contributions to the music industry garnered him such honors as a Grammy Lifetime Achievement Award and induction into the Rock and Roll Hall of Fame.
Remember the days when music used to have some kind of aggression towards the normal and mundane of everyday life of conformity? Everyone is dressing, speaking, and even thinking the same. It can literally numb the senses to some human rights which we never knew which are robbed of like free speech and the removal of censorship.
From the old muckrakers back in the day exposing the dangers of child labor in the factories, this type of political awareness has taken many forms and music has become the biggest medium to voice opinions on such issues. In the metal world, the genre that comes to mind being the most activist driven is no other than the monstrous force of thrash! Taking the most controversial subject matter in the media and turning it into an audio masterpiece can be difficult. There is one band in the modern age of metal that pulls no punches when creating such volatile music, I am speaking of which the beast from Colorado, Havok, and with their new album dubbed Conformicide, it is time to break down the system with this album review. Get ready for one hell of a ride!
Being the band’s forth studio album, Conformicide, delivers one of the best modern thrash albums to come out so far in 2017. Along with Kreator’s Gods of Violence (released via Nuclear Blast)and Power Trip’s Nightmare Logic ( released via Southern Lord), Havok’s latest release is adding their own special flavor to the genre. The boys did extremely well with their 2013’s release Unnatural Selection (via Candlelight). With it getting such great reviews from the old schoolers and new fans to the thrash genre, the band is showing absolutely no signs of taking the foot off the gas pedal. The album starts off with “F.P.C,” a rebellious hymn against the horrors of censorship and loss of free speech. The song starts off with a very funky bass line from Nick Schendzielos and a beautiful acoustic guitar riff which helps to set you up for a major beating of your senses. Combined with the groove induced drumming of Pete Webber, you will find yourself protesting in front of your local government building in no time flat with your faded battle vest as your flag of anarchy.
My personal favorite track on Conformicide, which goes for the throat with jaws wide open, without a shadow of a doubt is “Dogmaniacal”. If you want something that is heavy and speaks about how the modern world is these days, look no further. This track addresses the violent nature between the different religious sects in such a way you can feel the anger run through you body as the violent chugging with hypnotic shredding from both David Sanchez and Reece Scruggs on guitar unmasks an ugly truth of human life. I listened to this song the most as it is the most addicting piece on the album in my honest opinion. There has been many times I was in the break room at work giving myself whiplash, but hey if this song doesn’t cause you to become a wind-turbine, I have no idea what will! In the next couple weeks I can this song being the favorite among the other tracks on this release; Sweet!
Indeed the band first two albums Burn (released 2009 via Candlelight and Time Is Up (released 2011 via Candlelight), had their own type of style that differs from the band’s last two releases, but this album does have a great set of songs that combines both eras of the band styles. Tracks like “Intention to Deceive” and “Masterplan” combine the shredding aspects of Burn and Time Is Up with the more grooved oriented workings of Unnatural Selection, it will be ear candy for the fans who want the best of both worlds! This album for me is my favorite from the guys of Havok. I have not stop listening to it since I got it at the Soundgarden in downtown Syracuse, NY. If you think thrash is dead guess again! With Conformicide you are getting the same aggression the forefathers created in the 80’s, but with more of a powerful message as well a new approach. The thrash revival moment is gaining strength bands like Havok making waves leading the charge. Time to thrash one more time!
I will give this album 4.5 stars out of 5 stars. It is a solid album from start to finish. If you have not picked it up yet you can get from your local record store or at the band’s page. Keep on thrashing!
Snoop Dogg released “Lavender” (Nightfall Remix) featuring a clown named Ronald Klump, who wants to deport all doggs, and later Snoop fires a fake pistol at Klump, who later in the video is in chains. Watch the roller coaster video and judge for yourself:
Boston-based soul/rock band Dan & the Wildfire released their new single, “Nothing But Love” on February 22nd and will donate all proceeds to the ACLU.
Juliana Hatfield will release a Pussycat, a politically themed album, on April 28. Hatfield said of the release, “I wasn’t planning on making a record … All of these songs just started pouring out of me. And I felt an urgency to record them, to get them down, and get them out there.”
Tom Maxwell profiles The Hutchinson Family Singers, who were abolitionists with an anti-slavery anthem.
Protest music towards Trump has taken off globally, and through dance music, as detailed by The National, based in United Arab Emirates.
Connecticut based saxophonist Noah Preminger released Meditations on Freedom, on Inauguration Day and Mike Hamad at The Hartford Courant breaks down the albums political themes.
Canadians are getting in on protest music too! Hollerado from Ontario wrote “Grief Money” prior to Trump’s election but it was “It was an unhappy coincidence” the song had a secondary meaning. Blood, Sweat and Tears former singer David Clayton-Thomas wrote “Ode to the Donald” and Wintersleep wrote “Amerika,” tunes that show the interconnectedness of American policy and our Canadian neighbors.
Jon Lydon of the Sex Pistols, who rebelled against the system with punk in the 70s and 80s sees the bright side in Trump, in a new interview with Vulture.
Do you re-tweet conservative pro-Trump tweets on your feed? I’m an American first but our bands politics were known way before this circus https://t.co/Sz5rzuBX2U
It sure didn’t feel like a Sunday night in Albany’s Times Union Center on March 12, as the Garth Brooks World Tour played its third and final night at the Capital Region venue. Garth’s three hour set, which also featured his wife and country/food network star Trisha Yearwood, had the whole arena shaking, testing the building’s foundation.
Fans ate up and reacted thunderous to everything Brooks did on stage, prompting him to scream and raise his arms in triumph, like a MMA fighter winning his match after every song. The atmosphere that was created between fans, and one of the best entertainers, not only in country music, but the music industry itself, has to be experienced in person. Brooks sounded amazing; his powerful country southern twang just draws you in and almost hypnotizes you with every lyric he sings, especially on hits like “The River,” “Unanswered Prayers,” and “The Thunder Rolls.”
I’ve never seen so much love and admiration between fans and an artist like Brooks. Brooks is such a class act and in a league of his own when it comes to an artist, caring for his fans. During Brooks set, he admitted that back in 1992 when he first came to the Capital Region area, he was afraid, because of the stereotypes of the Northeast, but it’s nights like this, that prove all of that wrong, and that country music is well received in the area.
The energy in the building was unbelievable. Brooks constantly ran around the arena-width round stage set up, while waving and howling at fans. Every fan in the building, reacted to every first note, and sang every word, to every song. The fans were so vocal on every song, the tour should be renamed “Sing along with Garth and Trisha.” Fans at times even drowned out Brooks, when he performed and talked to the crowd in between songs. The crowd was so loud in singing his songs, it felt like a 17,000 plus choir that was part of the show.
Garth was so amazed by the crowds participation, he said to them that they were singing his songs, like it was their songs, and if they keep singing like this, he’ll stay and play all night.
When the night was over, fans leaving the arena were on a natural high, as they sang “Friends in Low Places,” together as they filed down the staircases leaving the Times Union Center.
After openers Karyn Rochelle and Chris Lane, opened the show with solid performances, all that stood in the way of fans, from Brooks, was a countdown clock to Garth. As every second inched closer, the Times Union Center began to vibrate.
A brief video package started playing on the video wall backdrop, reflecting Garth’s career and the achievements he’s earned throughout, The video wall lifted to reveal Garth’s band, as Brooks shot up on a platform from underneath the stage. Brooks started his extensive set with “Baby Let’s Lay Down and Dance,” followed by “Rodeo.” By the second line in the first verse in “Rodeo,” Brooks realized quickly that the vocal fans in Albany meant business, as he yelled to fans “Oh you came here to sing!”
Once the song ended, Brooks said to the crowd “Thanks again people, it’s been 20 years since we been back, thank you [the fans] for coming back.” Brooks then went on to say that fans were going to get everything that the two previous nights saw, and more.
Brooks spoke briefly about when he goes to concerts as a fan, he wants to hear the old stuff, and know fans feel the same when wanting to hear their favorite songs when coming to a show performed by their favorite artist. He then told the crowd that he and the band brought all their old stuff with them. Brooks then joked to the crowd “Speaking of old stuff, you got to remember, I’m like 117 years old. The only way this big ass is gonna get through this night, is your gonna have to pick me up and carry me over the finish line.” Brooks then said to the crowd before playing “The River,” “We can talk about the old stuff all night, let’s find out who knows the words to the old stuff.” Cell phones started to light up for this song, as the crowd sang along.
Fans held their breath for a brief moment as Garth’s high energy convinced himself to climb to the top of the sphere like structure that surrounded his drummer during the song “Ain’t Goin’ Down (‘Til The Sun Comes Up).” Amazed on how hot the crowd has been through the night, Brooks said to the crowd “This is a Sunday Night?”
Brooks conducted a 2 minute scream off between fans in attendance, on what section of the arena could be the loudest. Brooks double pointed at each section like a gunslinger drawing his weapons.
Garth stood in awe, took off his cowboy hat, and applauded the audience after they sang “Unanswered Prayers,” with him in a magical performance.
Fans went crazy when they heard the sound of thunder starting to roll. Garth talked about how the next song didn’t catch on right away, and it took a while for it to eventually become a hit. As he started singing the first verse of the song, Garth, hearing fans still singing right on cue with him told fans to “Bring It.” Everyone could not get enough of Garth and reacted to every gyration, note, and crash.
Trisha Yearwood soon took over the show, and gave her husband a breather. Garth did stay on stage and play some guitar during her set.
Yearwood started off with “XXX’s and OOO’s (An American Girl).” Yearwood stated after the song that they had the best weekend performing in Albany. She said “It’s been loud, it’s been fun, you have been singing every word. It’s been incredible, thank you, thank you, thank you for a great weekend Albany.”
Yearwood told the crowd that she’s been listening to them sing, and that they sounded really good, and asked, if they knew the next song, to please sing it with her. She continued that the song has a really high note in it, then joked to the crowd “So I’m expecting a lot.”
Fans then held it down throughout Trisha’s amazing vocal performance of “How Do I Live.” Yearwood slowly made her way around the stage giving all fans in the arena a glimpse of her as she waved. When she came full circle, Yearwood turned the ending of the song over to the Albany fans. She held the mic in the air and said “It’s on you Albany.” In that instance, a breathtaking concert moment was created as fans did not let Yearwood down including hitting the high note she talked about. Yearwood said after the song, “Even the high note Albany, great job.”
For those of you who know the lyrics, a real life Katie and Tommy in the crowd holding a sign, caught the attention of Yearwood as she was explaining the rules of the kiss cam for the upcoming and last song in her set “She’s In Love With The Boy.” Yearwood brought them up on stage for the song. Couples were kissing and dancing as Trisha sang the feel good song. After the song, Katie and Tommy walked away with not only one hell of a memory, but Yearwood autographed her sign, and not to be outshined Brooks autographed the guitar he was playing and handed it over to the couple.
Garth returned with a cover of Billy Joel’s “Shameless,” and “Callin’ Baton Rouge,” before performing “Friends In Low Places.” As Brooks hit the first note, the place erupted. The crowd was at peak singing volume and insanity at this point. Fans received a special treat during the song as Garth explained to fans, that on the new World Tour, he and the band, don’t perform the third verse of the song. He then stated “I am thinking though, it’s the last night here. It has been 20 years since we been back here.” Brooks then joked that still wasn’t enough before stating “But when you think about a Sunday night, kicking the shit out of any other Saturday night…that’s enough reason to say screw it, let’s do the damn thing, so New York if we’re going to break the rules, I got to hear you sing this as loud as you have ever sang before.” Confetti cannon’s shot white streamers over the crowd as the song ended.
Garth came back out for an encore. Before he got started, he thanked fans for coming out and wished those who needed to leave cause they have work tomorrow, safe travels.
A lot of artist should take note from Brooks, and change the norm of an encore if you perform all your hits during your set. Brooks said to the crowd, “For you guys who may never have been to a Garth show…if I’m lucky enough to get to this position after the show is over… people will bring their signs, and they will bring them out here for songs that maybe they didn’t get to hear during the show, sometimes like album cuts. So let’s see what we can do here.” Brooks then scoured the signs for songs and made brief comments to fans holding signs that he chose. In all, Brooks performed seven tracks from the audience’s wish list.
An impromptu second encore started with an amazing version on Billy Joel’s “Piano Man.” Garth stated he only pulls out the guitar he his holding on special occasions to perform this one song. It was the perfect song to fit the mood of the evening. Garth once again took his cowboy hat off and bowed to the crowd for their appreciation and admiration, after the song concluded.
Brooks again stated to the crowd “Ok, same speech as before, but now it’s 11:00 at night. For you people who have to go, thank you for a tremendous evening, for a tremendous weekend. For you people who can stay…I’m gonna play more music for you all night.” At one point, the crowds enthusiasm, prompted Garth to say “Are you motherfucking kidding me?” Brooks lowered the mouthpiece on his headset mic, so the curse word didn’t come through the PA.
Before running off more covers, Brooks said that he was going to play songs by some of the greatest voices in country music. Brooks stated to the crowd “You guys always get a bad rap, people don’t think you know your country music. I know, you know country music.”
He went to talk about that after so many years in the business, he considers himself one of the old guards, he self imposed on himself the responsibility, to make sure the newer generation, knows some of the greatest country vocalist that he knows. Brooks played covers by Keith Whitley, George Straight, and Randy Travis, before ending the night with “Standing Outside the Fire.”
Garth Brooks World Tour Setlist: Baby Let’s Lay Down and Dance, Rodeo, Two of a Kind, Workin’ on a Full House, The River, Two Pina Coladas, Papa Loved Mama, Ain’t Goin’ Down (‘Til The Sun Comes Up), Unanswered Prayers, If Tomorrow Never Comes, That Summer, The Thunder Rolls, In Another’s Eyes, XXX’s and OOO’s (An American Girl), How Do I Live Without You, Prize Fighter, Georgia Rain, She’s In Love With The Boy, Shameless, Callin’ Baton Rouge, Friends in Low Places, The Dance
Encore 1: When You Come Back To Me Again, Wild Horses, Belleau World, The Red Strokes, Fit For a King, Much To Young (To Feel This Damn Old), More Than A Memory, Piano Man
Encore 2: Don’t Close Your Eyes, Amarillo By Morning, I Told You So, Standing Outside the Fire
Local artists looking to make their first professional recording or those simply looking for a change have a new option beginning this Saturday. OmniZen Studios in Cohoes is holding its grand opening Saturday, March 18 from 4:00 -8:00 p.m.
Hosted by the owners, entrepreneurs and New York natives, Shane Morris and Peter Alexander, the grand opening located at 3 McElwain Ave. in Cohoes will feature local artists including Carl Daniels. Free food, beer and liquor will be on hand for those attending the event. Morris and Alexander will be on hand to answer any questions and discuss what they are looking to accomplish.
OmniZen Studio will provide services in audio/video recording and editing, audio mastering, artist management and production and graphic design. OmniZen will also feature yoga classes during the studio’s downtime.
Morris and Alexander met each other through a mutual friend and quickly found that they both share a love for music, artistry and people. The duo’s ultimate goal is to make OmniZen, an actual record label, and help mold local talent into the stars of tomorrow.
Morris on his and Alexander’s plan for OmniZen:
We plan to make this the best studio for artists that are trying to get up and running with their music, while also producing and managing artists. We plan to progress to a point where we eventually start a record label, where we will be using my connections with music industry professionals to shop artist and songwriters to major labels like Sony Music and Warner Music. Eventually, we also plan to develop a music engineering workshop for people to learn mixing and engineering skills. Further, this studio will be more than just a recording studio, as we currently have a professional graphic designer on staff, and Peter is a talented videographer who produces music videos and web series weekly. Going even further with diversity we will be hosting yoga classes in our studio during downtime. We are both Avid certified engineers (Avid is the company that makes Pro Tools recording software).
Alexander on the upcoming venture:
While attending school I gained much more knowledge and understanding on sound as a whole, my perspective has changed immensely. Also, I was able to connect with people and work live sound almost my entire time attending the new school. After finishing the course, I became a stay at home dad who currently spends most every evening building toward my dreams, goals, and putting together our recording studio in hopes to make our services the best available.
Shane Morris is a native of Newburgh and was part of the College of Saint Rose’s Music Industry program, where he perfected his skills in Pro Tools and audio engineering.
While attending St. Rose, Morris worked in several local venues as a live sound engineer including Valentines Music Hall, Red Square, and Legends on Pearl to name a few. Morris started DownBeat Music Group to record and do live sound after he graduated. He also gave private vocal and guitar lessons during this time. In 2014, Morris worked the MOVE Music Festival in Albany as a promoter and sound engineer
Peter Alexander is a Kingston native. During his time trying to get a solo career off the ground, Alexander managed other local artists booking studio time and shows as well as online promotion. Alexander worked live sound at local bars and venues while performing throughout the northeast for a year. After needing a change in his surroundings, Alexander moved to Albany. After just over a year in Upstate N.Y., Alexander became a certified Avid Operator in Pro Tools after attending the New School For Media for Engineering and Music Production.
It was an absolute honor and pleasure to see this iconic group of musicians Ladysmith Black Mambazo play such a humble venue as the Quick Center in Fairfield, CT. They were not only baffling to listen to, they were visually astounding. Dressed in brightly colored shirts, dark pants and white shoes, they danced around in unison and improvisationally in the most entertaining way. They were well rehearsed, full of energy and had a great sense of humor.
Those not familiar with the group might recognize them from the highly respected Paul Simon album, Graceland, among a plethora of other widely recognized artists. More info on the band can be found in an interview with NYS Music and one of the founding members, Albert Mazibuko. Listeners can appreciate the beauty of the music for themselves by finding their copious amount of music available for download on their website, iTunes and Spotify.
The group consisted of mostly replacement members and only two members that were with the original group. Taking the place of founding member Joseph Shabalala, were his two sons, Thamsanqa Shabalala and Sibongiseni Shabalala, who were a perfect fit for the group as it moved into it’s sixth decade. Other members included close and extended family, all of whom did an immaculate job.
Unfortunately, Ladysmith already made their rounds through New York and Connecticut, but they are always touring and will undoubtedly run through the tri-state area again soon.
Their music wasn’t really the most fascinating part of the show, though. Although it was more than impressive, their presence and personalities made it the extravagant performance that it was. At first, it was almost uncanny how close they sounded to their studio recordings. But what was more astounding was they didn’t need to listen to the key of the song they were going to sing. They just dove right into it and all nine of them were all in sync and on the same key. It goes to show how well rehearsed and passionate they are about about their music as well as what it represents. Some amount of improvisation was used in terms of their singing and dances. The rest of the group would vamp over the chorus while members would take turns stepping forward to center stage and show off some moves. They would perform both native dances as well as some modern and comical moves coming from the younger members.
They mostly performed songs from their most recent album, Walking In the Footsteps of Our Fathers which they described as a celebration of the group’s past present and future. They said it is a way for the future group to honor the paved path made by their predecessors. They featured many of their own popular recordings like “Awu Wemadoda, “King of Kings” and “Long Walk to Freedom” as well as some of their most popular songs like “Homeless, and the intro to “Diamonds In the Soles of Her Shoes,” both of which were written alongside Paul Simon. Preceding the songs, members would tell a quick story or explanation behind the creative process and meaning of the songs. These stories clearly gave the audience a better understanding of the songs as well as the visuals performed by all members. The show was stimulating to almost all of the sense and is definitely something everyone should experience in their lifetime.
It’s time for Round 2 of the 2017 NYS Music March Madness! We’ve brought together 64 of New York’s up and coming bands for a friendly tournament style competition for readers to discover new artists who call New York home.
The original field of 64 bands are those you might not know about, but should. Recommended for inclusion in our field of 64 by NYS Music staff, contributors and readers, we hit every corner of New York State, from Long Island to Buffalo, The Catskills to the North Country and all points in between. NYS Music March Madness is a great way to discover a new and upcoming band in your area and show your support and love for bands you see often. We focus once again this year on the bands who are on the cusp of greatness. There was only room for 64 but we made some great choices and picked a wide array of genres to bring to you this year.
We’d like to thank our regional sponsors The Hollow Bar and Kitchen, Nietzsche’s Buffalo, The Downtown Barn and Castle Studio. These small businesses represent the best of what New York State has to offer and celebrate music while inviting local and touring bands to perform for growing local scenes across the state.
Second Round voting begins at 10AM EST on Thursday, March 16, and closes at midnight on Saturday, March 18. Sweet Sixteen voting begins at 10AM EST on Monday, March 20. Vote now for your favorites and discover some of the great up and coming music that New York State has to offer!
A steady crowd gathered for a musical treat as guitar virtuoso Al Di Meola brought his tour to a close on its last stop at Paramount Hudson Valley on Feb. 26. His stop at the historic Peekskill theater in support of his latest release Elysium, also marked a celebration of the 40th anniversary of one of his first releases Elegant Gypsy.
Before starting his first set, Di Meola took a couple of minutes to introduce his band, most of whom he has known or played with for many years – Philippe Saisse (keyboards, marimba), Gumbi Ortiz (percussion), Elias Tona (bass), Luis Alicea (drums) and Evan Garr (violin). Kicking off with the fast-paced and melodic “One Night Last June,” the first set intertwined tightly-knit improvisation traded between band members with Di Meola’s brilliant songwriting. Before wrapping up the set the theater was treated to a throwback to Di Meola’s days as a teenager playing with the prog supergroup Return to Forever with “Medieval Overture.”
As skilled as Di Meola is on electric guitar, he is equally talented on acoustic guitar and started the second set with a few acoustic songs by himself and later with some help from the rest of the band. He opened this portion with a work-in-progress titled “Ava’s Dream Sequence,” inspired by his daughter. Leading back into the electric portion of the second set was a teaser of Led Zeppelin’s “Black Dog.” The set was exciting with a looser, more improvised feel to it focusing more on his older compositions/collaborations.
Perhaps the most appreciable part of Di Meola’s performance was the career-spanning diversity of the setlist. Not only did he perform songs from early in his career including a few from Elegant Gypsy (to mark that album’s 40th anniversary), but he included recent compositions from Elysium and a few favorites from his collaborations with Chick Corea and Return to Forever. It was nothing short of a top-notch end to a tour.
Setlist
Set 1: One Night Last June, Flight Over Rio, Babylon, Senor Mouse, Adour, Medieval Overture
Set 2: {acoustic set}, Black Dog, Midnight Tango, Song to the Pharaoh Kings, Dark Eyed Tango, Egyptian Danza
Encore: Chiqualin, Race With Devil on Spanish Highway, Sorceress
Sometimes some of the most unusual pairings become the sweetest combinations. That is exactly what happens when you combine Grammy award winners Bruce Hornsby and Ricky Skaggs. Ten years ago the two came together by happenstance and after discovering how appealing this union was, their marriage of sounds continues to please all that have the opportunity to hear it.
Collaborating on a combined album ten years ago fittingly named, Ricky Skaggs and Bruce Hornsbythey debunked all nay sayers who insisted the piano and bluegrass combo didn’t gel. With breakneck upbeat tempos on piano, Hornsby keeps the fire going as Skaggs shreds the mandolin and guitar with lightning speed. Finishing up their spring tour at the Turning Stone Showroom on Sunday, March 5, Skaggs, Hornsby and their band Kentucky Thunder wowed the crowds from start to finish.
Kentucky Thunder, Skaggs’ tour band, includes Paul Brewster (tenor vocals, rhythm guitar), Scott Mulvahill (bass, bass vocals), Russ Carson (banjo), Jake Workman (lead guitar), Mike Barnett (fiddle) and Dennis Parker (baritone vocals, guitar). With front men Skaggs and Hornsby leading the surge, the sound explosion rocks the crowd each and every time they hit the stage. The songs chosen for the setlist showcased the skills and talents of each and every one of them. This group performance had the feeling of a mountainous jam session despite the bright lights of the Showroom. The packed crowd couldn’t contain themselves as they clapped and moved in their seats with each tune all night long.
As the show ended and the crowds dispersed, those who stuck around had the ultimate pleasure of meeting the legendary Ricky Skaggs. Hornsby who unfortunately had a flight to catch couldn’t stay, but Skaggs took the time to sign and take photographs with each and every fan. I couldn’t help but fangirl over this legend. Growing up outside of Nashville, the music of the Opry and the stars that shine brightly on that stage become part of your culture. They are family, and Ricky Skaggs is a patriarch to that family. To meet this legend was huge. It was the grace and humility demonstrated by Ricky Skaggs that evening that proved that country music is more than just music, it’s the common thread that unifies us. In this chaotic life we lead, to stop and enjoy music as we did this evening is what it’s all about.
Setlist: How Mt. Girls, Toy Heart, Bluegrass Breakdown, Darlin Corey, The Way It Is, Spoon, Ceili, I’m A People, Blue Night, Columbus Stockade, 20/20 Vision, Sally Jo/Maggie, Uncle Pen, Rawhide. Encore: Heard My Mother