NYS Music 20​17

Category: Genres

  • Coheed & Cambria Energize the Crowd at Terminal 5

    There are not too many rock bands anymore that pursue the art of the concept album. There are even fewer that have a concept across several albums. Enter the world of Coheed & Cambria – a science fiction prog rock band originally hailing from Nyack, New York. The band, getting its start in the early 2000’s put out some of it’s best records based on lead singer Claudio Sanchez’s Amory Wars comic book series. Coheed and Cambria’s tour through the US during April and May celebrated their third album Good Apollo: I’m Burning Star IV, Volume One: From Fear Through the Eyes of Madness. The record is a fan favorite, spawning some of the band’s most memorable songs such as “Welcome Home,” “Ten Speed (of God’s Blood & Burial)” and “The Suffering.”

    Coheed & CambriaWith Coheed and Cambria being a band originally from New York, the home crowd truly turned out with some of the most diehard fans I’ve ever seen for any kind of band ever. Coheed made it’s first NY stop of it’s tour on May 5, 2017 at Terminal 5 in Manhattan, NY. Terminal 5 has a very open lay out with most of the venue being general admission standing, and three levels above the main floor with a “mezzanine” type layout where people can spectate from above. The general admission floor and all of the mezzanine levels were packed to capacity with fans anxiously awaiting Coheed and Cambria to grace the stage. Opening for the main event was The Dear Hunter, a prog rock band from Providence, Rhode Island. Coheed fans showed much love to the prog rock stylings of The Dear Hunter performing a tight, groovin’ set with a good deal of energy.

    Coheed & CambriaWhile I’ve been to a couple of Coheed and Cambria shows I have not been to one that was quite as crazy as this show. I made the mistake of purchasing a beer and finding a good spot closer to the front of the venue. I will explain my “mistake” in a moment. The show began with the intro from Good Apollo: I’m Burning Star IV Vol 1 which is a violin lead overture. Claudio Sanchez then stepped on the stage and the crowd immediately went wild for him – he started with the acoustic performance of “Always and Never” (track 2 on the album) as the rest of the band got on the stage. Here’s where my mistake occurred – Coheed and Cambria really kicked off the show with the in-your-face fan favorite “Welcome Home” while I had a full beer in my hand. The crowd immediately went nuts to the intro riff and there was a sudden rush from the back of the crowd pushing everyone to the front. Most of my beer wound up all over myself and probably everyone within a four-foot radius of me. “Welcome Home” shows off Coheed and Cambria’s metal side with it’s prog rock elements so it makes sense the crowd went crazy.

    Coheed & CambriaConsequently, after Coheed played their next song “Ten Speed,” I found myself near the stage looking up at Claudio Sanchez going nuts on his guitar. As he delivered his signature high pitched, charismatic and unique vocals over a punk rock-ish chorus, his famous long puffy hair was flying in all sorts of directions. As Coheed and Cambria played through the album, there wasn’t a song fans couldn’t recite. About halfway through the set, while guitarist Travis Stever was swapping guitars, Claudio took a back seat to his band’s ever impressive rhythm section of Josh Eppard on drums and Zach Cooper on bass. The jam broke down first into one of the dopest bass solos I’ve heard in a while – in fact, how often do you hear a bass solo? Then, Josh Eppard got into a super tight, high energy drum solo for which the crowd made a ton of noise. Playing the style of music that they do, each band member holds their own as an extraordinary musician.

    The night of excellent music was closed out by an encore of three of my favorite Coheed songs – the first being “Island” off their 2015 release The Color Before the Sun. When the album was coming out it was announced that this would be the band’s first album not connected to Claudio Sanchez’s Amory Wars comic book series but would instead reflect on the band’s personal lives. Claudio tied this in by giving some back story to the song and his family that was in the audience who the song related to. He also stated that the band has been performing while having the flu and required some assistance from the crowd. Who would have known anyone in the band was sick with all of the energy they put out? The night ended with “Delirium Trigger” and “Keeping Secrets of Silent Earth 3” which is the title track of the album preceding Good Apollo I’m Burning IV Vol 1 (and my personal favorite album from Coheed and Cambria). In the universe of the Amory Wars, “Keeping Secrets of Silent Earth 3” tells the epic tale of one of the protagonists leading a resistance against a formidable space armada/army, with the battle cry “Man your battle stations!” being a big part of the chorus. It was insanely cool to hear a group of people chant something that epic as though we really were going into battle. Claudio Sanchez barely had to do much singing as the crowd really took charge of the lyrics on the final song of the night – you could even see a smile from Sanchez as though he was truly humbled by the fact that his art really resided in the hearts of a room full of people.

    Coheed & CambriaOverall, while I left the show soaked in probably everyone else’s sweat and I’m pretty sure someone’s shoe flew across the room and hit me, it was the most fun I’ve had at a rock concert in a long time. Coheed and Cambria has the blessing of having some of the most loyal fans in the world, especially in New York City. I left the show with more energy than I walked in the door with and Coheed played probably one of the tightest sets they could ever have played. They later returned to Terminal 5 on May 22, 2017, playing a similar setlist.

    Setlist: Keeping the Blade, Always and Never, Welcome Home, Ten Speed, Crossing the Frame, Apollo 1: The Writing Writer, Once Upon Your Dead Body, Wake Up, The Suffering, The Lying Lies & Dirty Secrets of Miss Erica Court, Mother May I, The Willing Well I: Fuel for the Feeding End, The Willing Well II: From Fear Through the Eyes of Madness, The Willing Well III: Apollo II: The Telling Truth, The Willing Well IV: The Final Cut, Island Delirium Trigger, In Keeping Secrets of Silent Earth 3

  • Hearing Aide: Andy Hall & Roosevelt Collier ‘Let the Steel Play’

    Roosevelt Collier, the pedal steel player from the Lee Boys, and Andy Hall, the dobroist for The Infamous Stringdusters, forged a friendship aboard the Jam Cruise in 2012. Since then, they’ve managed to play together occasionally when their schedules aligned. The relationship grew and has finally borne fruit, in the form of their new release, Let the Steel Play.

    Collier was born into the church music of the sacred steel tradition while Hall’s life has been steeped in the roots of bluegrass. Different musical worlds bridged by steel strings and glass slides. The resulting sound is a perfect blend of the heavenly and the down home, a religious experience happening casually from the porch of a country home.

    The set opens with “This Little Light of Mine,” a tune familiar to both gospel and bluegrass. It serves as the perfect introduction to the unique blended traditions present throughout. The melody flips back and forth between the two instruments flawlessly. Their version is wordless, but by the end you’ll surely be singing along, “This little steel of mine, I’m gonna let it shine!” And shine they do.

    The album borrows from the rich traditions of both players with their takes on some more old traditional tunes, like the stunning beauty “Maiden’s Prayer,” a bopping run through “Reuben’s Train” and the spirited “Power in the Blood.” They also try their hands at a more modern classic with a version of The Grateful Dead’s “Crazy Fingers” that will steel your face right off of your head.

    Interspersed with the traditionals, the album includes a handful of original tunes the pair wrote specifically for this outing. Collier’s steel sounds almost organ-like on the fun “Rosebud,” while “Remington” is a great ‘newgrass’ tune where the part of fiddle is played by a pedal steel. It would be a surprising head turner were it not already in the context of this album. “The Darkest Hour” gets more deliberate and less freewheeling in a fairly sinister sounding turn. As an added bonus, the album closes with a three-way steel stringed jam, with Greensky Bluegrass’s Anders Beck joining the duo on another dobro. A thorough exploration by two masters of their craft, this album is certainly a must listen for any pedal steel or dobro fan.

    Key tracks: Reuben’s Train, The Darkest Hour, Rosebud

  • Rock AM Ring Festival Resumes After Possible Terror Threat

    With the most recent tragedy at the Ariana Grande concert in Manchester, England still fresh, authorities are taking every security threat very seriously. Germany’s annual rock festival, Rock AM Ring, had to be halted on it’s opening night Friday for what authorities called “concrete leads,” in a possible terror threat against the festival that police wanted to eliminate before the festival continued.

    With over 80,000 fans attending the festival over the weekend, authorities wanted to make sure that everything and everyone is safe. Friday’s lineup included headliners Rammstein, Five Finger Death Punch, In Flames, Clutch and many more.

    rock am ring festivalAfter the Ariana Grande concert bombing, Rock Am Ring disallowed back packs at the festival and beefed up security to 1000 officers. Festival promoters made the following statement to fans after they were informed by the police:

    Due to a terrorist threat, the police have advised us to interrupt the festival. We ask all festival visitors to leave the festival site in a calm and controlled manner towards the exits and camping grounds. We have to support the police investigations. All visitors will be kept informed about any developments on all Rock Am Ring social media channels, radio and the speakers. We hope that the festival will continue tomorrow. Thank you for your cooperation.

    One of the concerns involved a person who helped erect and organize the security fencing for the event. The Koblenz police released a statement about the possible threats:

    Because of the last attack on a concert in Manchester, the security concept for Rock Am Ring was modified in advance and the number of security officers was significantly increased to around 1,200… Since a threat could not be ruled out, all necessary measures were taken immediately. We cannot provide any further details on the background information. We take all tips and suspicious incidents extremely seriously and investigate closely.

    Rock AM Ring resumed early Saturday in Nurburg, once promoters got word that everything was clear. Festival organizers released a statement telling fans the festival would indeed resume, “After intensive searches and sweeps of the complete festival site by the police, the suspicion of a potential terrorist threat has not been confirmed.”

  • Woodhenge Music, Art and Sustainability Festival 2017 Announced

    Off the grid sustainable community, Woodhenge, has announced its first Woodhenge Music, Art, and Sustainability Festival, located in Adams Center near the Adirondacks, the community will host the festival on June 23-25, 2017.

    The three day event features a diverse mix of music genres including rock, jam, jazz, reggae, bluegrass, electronic, and funk, and features over 20 artist including Formula 5, Space Carnival, Root Shock, Intrepid Travelers, Lord Electro, Jiggawaltz and Drumadics.

    Fans will have the privilege to explore each morning the 60+ acres of nature and trails the area has to offer, along with yoga and workshops focused on how to live mortgage free, creating a sustainable lifestyle, optimal nutrition, and how to build with recycled materials. The event itself will be held in a field, between the village’s garden and orchard.

    In 1997, James and Krista Juczak, created the eco/self reliance village known as Woodhenge. The mortgage free community is set in the foothills of the Adirondack Mountains along the outskirts of a large forest, complete with a stream and waterfall set between a pond and an orchard. The off the grid solar and wind powered sustainable community practices upcycling, using environmentally friendly materials along with alternative building techniques.

    The village grows and cans most of their own fruits, berries, nuts and vegetables in their community garden and raises their own ducks and honey bees for honey and eggs. The community also hosts several workshops throughout the year on building a tiny house, living off the grid, and renewable energy.

    Known as the “King of Scrounge,” Juczak took 5 years to build his 3000 square foot home, set on 50 acres, out of recycled material including beams salvaged from an old bowling alley, and a two-story concrete column made out of scrapped manholes. Windows, doors, sinks, tubs, and other items were bought cheap, or salvaged for free from renovated buildings. The mortar holding the walls is made from 80% paper sludge waste from a nearby mill. The other 20% is made of masonry cement. Juczak has also buried a 10,000 gallon fuel tank used as a guest home buried into the side of a hill.

    Woodhenge has also hosted other music festivals in the past including Summer Solstice Campout in 2016, and the Halloween Costume Fiesta.

    Fans who purchase full weekend passes to the festival online will save some cash. The online pass costs $50 for all three days, and $60 at the gate on Friday, June 23. Other passes range between $20-$40. Camping is available in the field, and in the forest close by.

  • Stephanie Quayle Takes ‘The Flock’ on the Road for the 2017 Winnebago Tour

    Standing out in a crowd of thousands is what each country music artist hopes for as they head to Nashville to pursue their dreams.  Keeping a pulse on the music scene, Rolling Stone magazine often features the newest up and coming country artists making waves in music city.  These artists stand out in the crowd of thousands and it’s generally a uniqueness in their sounds and character that catches the eyes of the media world. Stephanie Quayle is one of May’s featured artists that shines like a star among the night time honky tonks and pubs on music row.

    With the release of “Drinking With Dolly” last year, it was no surprise this tried and true country gal would soon achieve her dreams and the country music world would take notice.

    Raised in Montana on her family’s bison farm, Stephanie shares how she often listened to country music’s legends on the AM radio in the barn while doing chores.  At the age four she began piano lessons, and at fifteen bought her first guitar. It was immediately after that she took to performing and knew  this was what she was meant to do.

    Splitting her time these days with her husband between her homes and farms in Montana, North Carolina, and Nashville. Stephanie finds time to do it all.  A huge philanthropist, she advocates for St. Jude’s Children Hospital, Operation Smile and the local food bank raising funds and awareness for those in need. Recently signed as the ambassador for Murdoch’s Ranch and Home Supply, you can see that she is country through and through.

    Her recent release of “Winnebago,” a fun loving tune, takes the listener across the nation both through the lyrics as well as this summer as she hits the road on the 2017 Winnebago Tour with KOA Campgrounds.

    Making two stops along the way in New York, you can catch her perform in New York City at the Rockwood Music Hall, as well as at the Staller Center for the Arts at SUNY Stony Brook.  Don’t miss your chance to meet this multi talented young lady as she becomes a household name and her music hits the airwaves this summer.

  • Photo Gallery: Tool Thrills in Rochester

    It was an incredible night on Tuesday, May 30, at the Blue Cross Arena. Tool made a stop in Rochester and was nothing short of incredible and a visual masterpiece as one would expect!! They brought with them the jazzy and trippy Oakland, CA based band Once and Future. It was a very visually and musically intense show to which Tool are masters of. Some of the high points of the show would definitely be them playing some tracks I have not heard live probably in close to fifteen years. “Opiate,” “Third Eye,” and a really deep cut off their debut album “Sweat.” Please enjoy the selection of photos below from this show.

    Tool – Blue Cross Arena – Rochester – Tuesday, May 30, 2017

    Set 1: The Grudge, Parabol, Parabola, Schism, Opiate, Ænema, Descending, Jambi, Third Eye, Forty Six & 2

    Set 2: Chocolate Chip Trip, Vicarious, Sweat, (-) Ions, Stinkfist

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  • Hearing Aide: Cycles ‘Vacation’

    Cycles is a three-piece band from Denver, CO that performs “psychedelic rock fusion” with a blend of other genres like jazz, funk, and more. The band features Patrick Harvey on guitar, Michael Wood on drums, and Tucker McClung on bass and vocals. They’re celebrating the release of their new album Vacation with a show at Cervantes Masterpiece Ballroom on Saturday, June 3. This new album comes a little more than a year after their 2016 EP Loads of Fun.

    cycles vacationVacation was masterfully recorded in Blackhawk, CO at Mountain Star Studio. There’s a high attention to detail with every note throughout as the band writes each song themselves. The title track on the album kicks off with a great instrumental build into the lyrics where McClung sings that “you’re just along for the ride”- the ride through this aural vacation of an album. “The Aloe Parade,” cleverly named after the post-beach sunburn remedy, features some funky bass techniques throughout that are sure to have listeners grooving along. Instrumental track “Green” sounds like a tune you want to have playing as you drive to a great vacation destination to somewhere open and scenic. 

    Characterized by repetitive rhythms and clean doubling between guitar and bass, ”The Store” is quite unique with its various changes and phrasing. The listener doesn’t stay too comfortable in a mode before switching. The band artistically paints the picture of a day in “Twilight” with ascending chordal motifs in the first half of the song to show the progression of the sun, and descending motifs once ‘twilight’ hits, signifying the sun has almost set. To ruminate means to meditate or ponder. “The Ruminator,” a funky and slower jam, shows the process of pondering a situation or making a decision. The listener thinks the song is over about halfway through it, but the driving ride cymbal lets you know that the song isn’t quite done, showing a thought or idea changing its shape during the second half.

    This album blurs lines between genres and takes listeners on a sonic journey. The album is quite symbolic inside and outside of the lyrics, and each song plays around in different modes showing the diverse capabilities of the group. It’s evident that they strive for variety in both their recordings and performances. This album accurately reflects the groups’ writing talents and individual musicianship as they manage to produce a full sound with just three members.

    Cycles is hitting the road this summer on a tour appropriately called the “Summer Vacation Tour.” They’re set to hit many spots around Colorado and they’re branching out of state to Kentucky, Ohio, Illinois, Texas, and more. Try to catch them in action on the road!

    Key Tracks: Green, Everything Must Go, The Call

  • Mountain of Youth: The 5th Annual Susquehanna Breakdown Recap

    “And they’re off!” On Friday, May 19 the gates lifted in Scranton, Pennsylvania and campers raced to grab the flattest and grassiest space on the The Pavilion Lawn at Montage Mountain.  They were not there for the 142nd Preakness Stakes, which traditionally takes place in Maryland every third Saturday in May, but instead were celebrating a new bluegrass tradition, the 5th annual Susquehanna Breakdown. Some attendees dressed in jockey-like colors and patterns with ridiculous hats and clothing combinations.  Others wore graphic t-shirts splattered with band names like Cabinet, Umphrey’s Mcgee, Greensky Bluegrass and Phish.  By the beginning of the first set at 6:30pm, one thing was clear… everyone was there to place their bets on a winning weekend.

    The Dishonest Fiddlers, orchestrated by founder Dave Brown, are a Scranton local bluegrass act that switches up the bill every time they perform.  The lightweight and easy listening bluegrass invited campers to put down their tent poles and join in the music at the smaller “Breakdown Stage.”  Breakdowners were delighted to discover that Cabinet’s own fiddle player, Todd Kopec, was sitting in during the festival’s opening act.  The Dishonest Fiddler’s performance marked the first of many expected Cabinet sit-ins over the weekend, but that comes as no surprise as the festival is named after one of their songs!  Next up on the bill was the American-festival veteran Keller Williams.  It is hard to think of the word “bluegrass” or just “grass” in general and not think of the pumpkin pie hair-cutted freak bouncing around stage barefoot from instrument to instrument.  Once you have seen one Keller show, you have seen them all, but that doesn’t stop anyone from attending.  Keller Williams got his start in parking lots playing to the energetic crowds that gathered before the main attraction, The Grateful Dead.  For over 20 years, he has been marching to the beat of his own drum, guitar, synth and whatever else he decides to bring on stage.  The completely improvised sets travel through space and time reminiscent of a spun-out music junky that can’t decide which radio station to listen to as they station hop.  Keller closed his roots-filled funky set with a cover of Marian Hill’s “Down,” which lyrically is the most genius song to kick off a festival.  If you hate on modern pop music, give this one a listen.

    As the sun finally disappeared on Day 1 of the festival, the audience was treated to more Keller Williams for the first semi-official Cabinet set of the weekend entitled “Keller & Cabinet.”  Launching into the bluegrass traditional tune, “My Grass Is Blue,” got the fans boppin’ and air pickin’ before a cover of “Float On” by Modest Mouse.  As more and more non-camping 2-day-pass holders made their way into the venue, the atmosphere began to feel less like a backyard BBQ and more like a full-fledged festival.  The communal body heat kept everyone warm as “Ain’t Gonna Work Tomorrow” served as a reminder that Montage Mountain was home for the next 36 hours.  It wouldn’t be Night 1 of a festival without some minor technical difficulties.  After three minutes of tinkering, the stage was back on track and Cabinet allowed Keller to take the wheel for his originals, “Alligator Alley” and “Sing for My Dinner.”  Before the final track of the collaborative set, Keller commented that he wanted to do a reggae version of the upcoming tune but Cabinet insisted on playing it fast.  Much like Ricky Bobby in Talledega Nights, they wanted to go fast, and fast they went through Amy Winehouse’s “Rehab.”  Ironically enough, ambulance lights flickered through the crowd during the Winehouse cover as the first festival attendee maybe had too much too fast. Members of the crowd looked on in hopes that this would be the one and only emergency rescue of the weekend.

    On a brighter note, Cabinet came out swinging for their first major set of the weekend, tackling their catalog of reggae, bluegrass, roots and rock.  “The Smile” breezed into the first slot as the symbolic greeting tune of the evening.  “Hey Baby” gave Mickey Coviello’s guitar and Pappy Biondo’s banjo some focus in the spotlight and afterward they modestly commented it was “groovy as all hell.”  Pappy was once again the center of attention during their rendition of “Diamond Joe.” Building the song up with some fantastic peaks and valleys via JP Biondo’s mandolin and Todd Kopec’s fiddle, the 6-piece band transformed the poetic country tune into a jam-grass meltdown.  The “Diamond Joe” lyrics feature horses, betrayal and payback which are central themes in many old-timey tunes and Cabinet made this timeless piece their own to showcase their talent during this set.  The band mentioned that the crowd size was much larger compared to years past and I took it as a sign of festival growth, strength and some perfect weather.  The friendly fireside vibe of the Cabinet set was not complete without a singalong and “Pine Billy” served as a fitting choice.  The “way up on a mountain” lyrics got extra howls as families and friends belted out “Pine Billy” during the second half the short set.  “Sunday 60 Breakdown” finished off the set and the crowd significantly thinned as their beloved Cabinet went to get some rest before a big Day 2.

    The evening was not over yet as late night funk trio Organ Freeman treated the mountain to an ass shaking dance party.  Drummer Rob Humphreys, organist Trevor Steer and Erik Carlson on guitar answered the age-old question “Won’t you take me to Funkytown?”    For those in attendance looking for poppy instrumental jazz or experimental and danceable funk, they found it right off the bat with “We’re On Our Way.”  The band tested out several new songs during their set and considering most in the audience didn’t know the names to their originals anyway, it was all new and exciting to us.  The first cover came in the form of Stanton Moore Trio’s “Pie Eyed Manc.”  It was clear that Moore’s sound has a strong influence on Organ Freeman as they worked their layered grooves into every jam they went into.  My one critique is that at 1:30 in the morning, instrumental jazz begins to all sound the same.  As many non-campers such as myself began exiting the venue, it was incredible to clearly hear the echoes of funk during the entire walk back to the parking area thanks to mountain’s valley walls, which acted as natural amplifiers.  The successful first night of music was complete and the main attraction was only hours away.  The Breakdowners were nestled all snug in their beds, while visions of mandolins played in their heads.

    CABINET FRIDAY NIGHT SETLIST:

    A Smile, Treat Me So Bad, Hey Baby, Diamond Joe, Mysterio, Eleanor, The Dove %, Pine Billy, Sunday 60 Breakdown

    % Brief Power Failure occurred twice during The Dove

    KELLER WILLIAMS SETLIST:

    My Grass is Blue, Float On*, Ripped 6 Pack, Ain’t Gonna Work Tomorrow, AGWT Reprise (post Power Failure), Alligator Alley, The Tower, Sing For My Dinner, Rehab **
    * Modest Mouse Cover ** Amy Winehouse Cover  (Setlist credit: Rich Stoler)

    ORGAN FREEMAN SETLIST:
    We’re On Our Way, (New Track 1), Only If You Mean It, Putin And I Get Along Fantastic, Life’s A Bench, Reptile Moonshine, Pie Eyed Manc*, Change For A Nickel, The Green Green Grapes, You Said You Quit Drinkin’, (New Track 2), Verve, Byrd vs Fish, (New Track 3), Go By Richard, Not By Dick  ENCORE: Hit The Ground Running, Come out Swinging
    *- Stanton Moore Trio

  • Mayfest 2017: “One. Two. Three… Ascend!”

    This past Memorial Day weekend, I returned to Surprise Lake Camp in Cold Spring, NY for the annual music, art, and yoga festival known (for now) as MAYfest 2017. This intimate, family friendly, wellness focused event has been a welcome addition to the arguably crowded, and monotonous festival scene here in the Northeast. Similarly setup to its cousin festival Catskill Chill, MAYfest offers attendees a picturesque, NY state campground littered with cabins, vendors, friendly faces, and a lake. However, unlike Chill or other primarily music-based festivals, this event is driven by founders Melia and Dave’s passion for yoga, and pursuit of positive energy.

    Mayfest 2017The schedule and setup (stage, yoga, and art space) was fairly identical to last year (see here), with one exception being the camping area, which was moved closer to the main building. Similarly, a few of the art activities that were across the lake found a new home in the main building and surrounding area. Now to be honest, this place is not that big, but it definitely cut down on a significant amount of walking (at least I’m out-of-shape), saving some energy to devote to taking on more classes, or relaxing between activities, which there was no shortage of. At any given moment during daylight hours, there were between five and ten activities happening, leaving little chance anyone should find themselves bored.

    The main stage was anchored each night by artists I have never seen, each offering vastly different musical stylings; singer-songwriter Dar Williams on Friday, Ozomatli on Saturday, and Rusted Root on Sunday. To be honest, I am not Dar Williams’ target demographic by any stretch of the imagination, so I have little commentary to offer beyond she has a lovely voice and a pretty damn sweet jacket (see below). But I am reliably informed if you attended Vassar in the 90’s, this was your JAM. Ozomatli on the other hand is my new jam. These guys have a ton a energy, and the fusion of Latin, rock, and hip-hop was perfect to get everyone moving their feet. I’m almost ashamed I was not enlightened to these guys earlier, but better late than never. Rusted Root kept the energy going on Sunday, starting off with a sit-in performance at the final yoga class in the gymnasium, and closing out the main stage with their classic hit, “Send me on my way,’ which was the encore for the weekend.

    Mayfest 2017Other musical highlights included DJ Taz Rashid, DJ Drez, Breakneck Boys, Hayley Jane & the Primates, and the Garcia Project, all who had crossover sets / sit-ins with yoga classes (except for HJ&tP). Overall, I’m going to say the line-up was well balanced. I arrived fearing it would not be able to compete with last year’s combination of Pink Talking Fish, the Sensory Collective, and Turkuaz, but the variety mixed well, and my opinion changed by Monday morning. What also had changed by Monday morning was the name of the festival, which will be known as Ascend moving forward.

    With merchandise already being sold for next year’s event, there seems little doubt that we will be back. Same place. Same time. Same good vibes. Till then, take a look at a few of the sights from the festival now formally known as MAYfest.

    Namaste

  • Foo Fighters Break Out with New Song and Music Video

    Foo Fighters are back with a new song, “Run.” The music video, directed by frontman, Dave Grohl, depicts members of the band breaking out of a nursing home while Grohl sings, “Wake up, run for your life with me.” This surprise release is the first new work they’ve put out since the 2015 EP Saint Cecilia. If this song represents what to expect from their upcoming ninth studio album, it’s going to be a banger.

    Visit the Foo Fighters website for tour information, photos, merch, a mix-tape generator, and newsletter.

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