I love it when two super giants in the metal underground come together to create something new and refreshing. Especially if is something sludge, blacken, and even synth driven! Who would have thought Jenks Miller of Horseback and Neil Jameson from Kreig would give birth to something that touches new boundaries when it comes to the creative process. The two titans created an amazing group and EP known by the same name of Poison Blood (released via Relapse Records) Ah, yes this review needs to happen as I have been up all night enjoying this material. Hope you are ready for this mystic kind of journey with this review!
Of course the influences on the band’s bandcamp does state they have an appreciation for Beherit’s Drawning Down the Moon LP. The many influences they bring from good old dirty sludge riffs melded with black metal tremolo picking, and sludge hammer like drumming just make this EP stand out among the other contenders in 2017. With Neil Jameson on vocals and the main lyrical writer and Jenks Miller on basically everything else (guitar, bass, drums, keys, synth), this duo has found a great way to come together on this piece of material. The opening song, “The Scourge And The Gestalt,” is rich in that crusty yet groovy type of guitar playing and you will find yourself lost in its splendor. The lo-fi quality of the track and album brings back the raw power of distortion, which I feel is where metal still dominates being the best genre for this type of approach when it comes to production style.
If you want more of a mellow based tune, try out the track “Circles of Salt.” The haunting synths and high pitch guitars will set the scene of a very rockabilly type of mixture. Let me tell you, when I first heard this track, I was stunned. Kinda felt as if Fields of Nephilm combined with some great heavy riffage. With the harpy like vocals throughout this song, you can imagine your soul is being ripped apart in a dark void. Overwhelming sensation from the ambiance alone will make this song a great fix when you need some time alone to unwind from the workday. Goes well with a dark brew if you ask me!
This EP is indeed short, not so sweet, and gets in the spirit of both creators behind its dark magic. If you are a big fan of black metal, groove, and sludge well, look no further! This album was made this year especially for you guys! I will give Poison Blood 4.5 out of 5 pentagrams! Go check out the band’s bandcamp to get yourself a copy of the album!
Key Track: The Scourge And The Gestalt, Circles Of Salt, Myths From The Desert
Death metal has many faces, much like the seven headed beast that rises from the sea! It can have the speed and ferocious nature of a great white shark, thrashing while tearing the flesh apart without mercy! Or the infernal beast can take a sickening slow approach. Slowly filling your body and soul with dread as you gasp for air! Yes, the genre has taken many shapes and forms. One of the most recent incarnations, has risen from the depths of the nine circles once again. This demonic beast is known to those as Incantation from Jonestown, Pennsylvania. They have unleashed the most disgusting of all unholy sounds with their latest release Profane Nexus (released via Relapse Records). Let us delve into the hellish world of death metal, but with severe caution in this album review.
Profane Nexus is the follow up from 2014’s Dirges of Elysium ( released via Listenable Records). With this latest release mixed and mastered by Dan Swano at Unisound Studios, most known for helping the Swedish death metal scene with such groups like Entombed, you can bet already the album will have that filthy muddied sound we love to drown ourselves in. The album starts with the blistering guitar works from McEntee and Lombardozzi on the opening track “Muse.” With the familiar down tuned style of the band, it contains both groove orientated soundscape combined with clearly mastered technical skills of both guitar players. You can feel the riffs gorge on your remnants with each passing second!
If you need something for those blasphemy outings, “The Horns of Gefrin” shall be your unholy hymn of choice for you then! Severn (drums) will have you begging for the barrage of intense and unforgiving dynamic display he is showcasing in his drumming to stop before your skull cracks open! He will bash your head in with a smile on his face. Incantation is most known for their more sludge driven type of death metal much like Autopsy and Disma. The track “Incorporeal Despair” brings that sudden sensation of dread and suffocation to the album. McEntee’s vocal approach will make you feel as though he is speaking from the deepest parts of the abyss. Dragging through the river of Styx you shall find Sherwood as your ferryman as he plays the most blood curdling bass riffs, cracking your soul in half!
Even throughout the many band changes in regards to live performance members, the name Incantation shall reign forever in the death metal world from the past, present, and the future! I give this album an 8/10. Check out the band’s site to order, and sample the album, Relapse Records online store, and of course check out your local record store to see if they can supply you with this perfect dose of death. Remember boys and girls, hail the goat!
Key Tracks: The Horns of Gefrin, Incorporeal Despair, Ancients Arise
With the seasons being so diverse in their nature, many find comfort with each emotion they bring along with them. The cold bitterness of winter as wildlife and forestation finds rests, the welcoming embrace of spring when life resurrects again, summer brings the heat to keep our spirits filled with fire, and fall the season of beautiful changes and wonderful spices. Much like the four seasons, metal has the ability and beauty of melding together all sorts of aspirations. Only a few groups have been able to incorporate these elements to make masterpieces in our time. It has been five years since the 2012 release of Time I (released via Nuclear Blast Records), which pushed boundaries which a metal band should sound like. With much anticipation of the latest album from Wintersun, The Forest Seasons (released via Nuclear Blast), the musicians of this ever changing and growing tribe has without a shadow of a doubt created another masterpiece that will stand throughout time. This band is no other than Wintersun! With their third studio album under their belt, it is time to give into nature and give this album a proper review!
Back in January 2017, Wintersun announced they were finished recording the newest album and you can bet the metal community was set on fire. Through every metal forum I was on to my Facebook feed, the flavor that everyone wanted to taste the most this year was Wintersun. Upon them releasing this album, you bet metalheads world wide were eating this up like the mead from Thors goblet! The first track of the album, “Awaken From The Dark Slumber (Spring),” opens up with such galloping force, it will overtake you in mere seconds. Jari Mäenpää (vocals/guitar) has the perfect mold for beauty and relentless attitude with both his clean vocals and growls. Mäntysaari joins Mäenpää on guitar to help propel the song on an ever ending journey of soaring guitar riffs as well as very delicate yet masculine precision. Much like many great progressive metal bands, such as Dream Theater and Symphony X, you will find the guitar work is mesmerizing as much as the lyrical content. The visual of dreams fading and life not returning back to the lands, this track will take you on a brand new journey of rebirth and darkness.
What I adore most form the boys in Wintersun are the elements they bring across the spectrum into all of their material. Pulling influences from folk metal, black metal, power metal, and progressive elements to craft a very unique sound that many tried over the years to copy, but failed doing so. With such huge amounts of inspiration from previous projects they have done like Ensiferum for example, they know how to make the influences work as one. The track which really builds upon the many musical backgrounds of the members is “Eternal Darkness (Autumn).” This song is so over the place, yet the band knows exactly how to bring it altogether. Koskinen adding some more bass along with Mäenpää (also drum programming), they give it a very sinister sound with a hint of sorrow hidden in the wall of sound they have created. It has the power symphonic feel of Dimmu Borgir while giving it such a technical sound, it blows your mind! This track is made for the black metal type of fans as well the symphonic metal camps. The tremolo picking is so fast it is face melting. If I can suggest you listen to any track by itself to get the main idea of the album, you should blast this one when you can. You will not regret it, I promise!
With such a huge amount of production they used on this album you see some great vocals on the choir pieces with great vocalists that worked with Tyr, Children Of Bodom, and Moonsorrow for a couple of examples. What gives this album even more of a mystic vibe to it are the liner notes giving those who had the most hands on this album their own seasons. Mäenpää (winter), Mäntysaari (spring), Koskinen (Autumn), and Hahto (Summer). This album carries all the best elements of what metal and what musicianship should be crafted as. It gets a 10/10. Go check out the album on the band’s page.
Key Tracks: Eternal Darkness (Autumn), Awaken From The Dark Slumber (Spring), Loneliness (Winter)
Blabbermouth reports on a recent Aaron Lewis interview by Chris Mathews from the South Carolina classic rock radio station 104.9 The Surf. In the interview, Lewis was asked if he’s ready to return to the road with his old band Staind, which last toured together in 2011, but seems content on where he is in his solo country music career for the time being.
Lewis was asked about the “touring machine” that is Staind: He replied:
The touring machine, as you call it, of Staind will never be again. Not like that, no. Never. Never. I could never go back to playing six shows [a week] eight weeks in a row. I can’t do that. I have grown in my age and become very accustomed to playing Thursday, Friday and Saturday and being able to go home for a few days and unwind and try to kind of have a life aside from doing this. I worked really, really, really hard to get to this point where I can play three days a week and still do just fine.
In another recent interview conducted by Planet Weekly, Lewis once again talked about the future of Staind. He stated:
I definitely see it staying on hold for a while. I’ve got to stay focused on this [country career]. I’ve got to take this to where it needs to get to before I can start risking things with the good ole boy network reception and throwing in a handful of Staind shows in the summertime along with all of my country shows. But that’s down the road. I can’t even think about that right now.
Without reading too much into this, Lewis recently reunited with his old bandmates at his Aaron Lewis and Friends charity benefit concert on Aug. 4, at the Pines Theater in Northhampton, MA. The band played an encore, three-song acoustic set, that included the songs “Outside,” “Something To Remind You,” and “It’s been A While.”
Lewis released seven studio albums with Staind, and two solo efforts, The Road (2012), and Sinner (2016).
Over the years, Black Sabbath has been known to create not only the metal genre as a whole, but also inspired so many sub-genres from the roots of all things heavy. Because of the wall of sound and the occult themes, many fans were mesmerized by that approach and set out on pilgrimages to create their own form of occult rock. From bands like Candlemass, Angel Witch, whom brought the sound of wicked laced lyrics in their songs, to groups like Electric Wizard who brought the evil overtones with immense amounts of 60’s influence drug speak, it is fair to say Black Sabbath has given birth to so many great bands over the years with their influence. Among the children of Sabbath, we have Houston’s Venomous Maximus.
They started casting evil incantations with their debut album, Beg Upon The Light (released 2012 via Occulture), the band was eagerly accepted in the doom underground. Now it has been two years since their last spellbound of a record Firewalker (released 2015 via Shadow Kingdom Records). They came back from the crypt to cast one more feverishly dangerous of an album, No Warning (released via Shadow Kingdom Records), the doom rockers have once again unleashed hell and we love it!
No Warning is the third studio album from the band. The formula of New Wave of British Heavy Metal (NWOBHM) with the elements of Black Sabbath, this album hits you where it matters most. With Beg Upon The Light single “Give Up The Witch” we have the continuation of the story with “Return of The Witch.” Much like from the debut album, the vocals will have your skin crawling with excitement. Higgins (vocals/guitar) still sounds like an ominous banshee which you do not want to meet in a dark alley. Such a deep and very melancholy style of vocals, one will find themselves caught in the beauty of the darkness of the lyrical themes. With tracks like “All Of My Dreams” and “Pray For Me” displaying the most powerful of vocal creation, you will without a doubt be putting these tracks on repeat while you let the night take you away.
The band really knows how to make catchy songs while keeping that metal attitude alive. With Higgins, Larson (guitar/synth/backing vocals), Diles (bass), and Draungardy (Drums/percussion) working like an unholy covenant, the songs they create will have you banging at your next black mass! My personal favorite songs which I feel have the best girt type of mood would be “No Warning” and “Spellbound.” With such energy you will fall in love with Draungardy drumming and bass playing from Diles to penetrate into your mind the end of days is nye! It really will make those fans of Sabbath and Candlemass really feel as though the two groups made a Rosemary Baby and is offering the craft to the world! With the guitar work of Higgens and Larson working as one being, the 80’s guitar style is very clear in the tracks, with soaring guitar solos, but still carrying that doom induced dread that even the dead can enjoy rocking out to!
I have always been a huge fan of doom and occult themed bands. In fact it is one of my favorite genres of all time to enjoy with friends in the graveyard back in my youth. Doom metal will continue to haunt the underground and the passion for all things ominous. The genre will continue to be a favorite of the metal underground. With No Warning your passion will only grow with the genre and the band. This fine specimen gets an 8 out of 10 from me. You may go to the band’s bandcamp to get the album or Shadow Kingdom Records website. Get it out and may the spirit of the witch grace your ears!
Key Tracks: Return Of The Witch, Pray For Me, All Of My Dreams
Papa Roach frontman Jacoby Shaddix, once again had to go under the knife to fix his vocal cords, prompting the band to scrap the rest of its summer tour dates. No stranger to vocal cord surgery, Shaddix had a similar operation in 2012 to remove a nodule on his vocal cords which Shaddix stated in a past interview with Rolling Stone was like having a callus you would get on your hands, but on your vocal cords instead.
Canceled dates due to the surgery include Aug. 11 at the Douglas County Fair in Roseburg, OR; Aug. 19, at Moonstock 2017 in Carterville, IL and Aug. 25 at the Alaska State Fair in Palmer, AK. Fans who hold tickets for those events are instructed to contact their local ticketing company. Papa Roach hopes to return for their overseas run, and continue to tour in support of the band’s ninth studio album, Crooked Teeth, on Sept. 9, at The Circus, in Helsinki, Finland.
Papa Roach posted the following statement on social media:
It is with a heavy heart that we are forced to cancel our upcoming shows in the Oregon, Illinois and Alaska this month due to the need for Jacoby Shaddix to have immediate vocal cord surgery and rest.
This week, Jacoby was advised by his doctors and vocal specialists to have surgery on his vocal cord and to give his vocal muscles enough time to heal before Papa Roach resumes their current touring schedule in September. Jacoby had a similar surgery about five years ago.
Fortunately, the diagnosis was made early and full recovery should be soon. The vocal cords are a muscle and like any athlete, muscles can get injured in the course of their profession and we appreciate your understanding this diagnosis.
We wish to thank all of our fans in advance for your prayers and good wishes. We know some of you had travel plans and we will return next year to perform for you.
Please contact your local ticketing company for more information on the following shows.
Thanks again,
Jacoby, Tobin, Jerry, Tony, & Team Papa Roach
Rap metal heavyweights, Hollywood Undead and metalcore band Butcher Babies recently announced their North America 2017 tour. Anthology in Rochester will be one of their stops on Friday Nov. 17.
Both bands have new unreleased albums but only Hollywood Undead have officially released details on their new album titled Five (stylized as V), while Butcher Babies have only stated on social media that they have finished recording a third full length album only referred to as BB3, presumably Butcher Babies 3. Tickets go on sale Friday July 28 at 10:00 a.m., with prices ranging from $25 to $30. This show will be 16 and up.
Primus has named their 2017 tour Ambushing the Storm and that’s exciting in and of itself being they haven’t toured since 2014. It starts Oct. 1 in Texas and will make its way towards the east coast with New York dates Oct. 27 at the Palace Theater, the Capital Theatre on Oct. 29 and Brooklyn Steel on Oct. 31. Tickets will be available for purchase Oct. 1 on the Primus website.
But what’s even more interesting is the inspiration behind their new album that will hit the market Sept.29. The collection will be called The Desaturating Seven and it’s inspired by an Italian children’s book Les Claypool read his own kin years ago called Rainbow Goblins. So far, the public has only been graced with a single call “The Seven” (video link below) which holds a very promising tone and attitude. It’s synonymous with “Jerry Was a Racecar Driver” according to Claypool and retains that classic Primus sound coupled with dramatic shifts in tempo and time signatures.
This project is something Claypool says he has been itching to work on, according to an interview with Rolling Stone.
“I remember being incredibly impressed with the artwork and the storyline and the content and the message, and I thought, ‘Wow, this would make a great piece of music,’” he says. “As I’m getting older, I’m realizing I need to start knocking some of these things off my list. So we did the Willy Wonka soundtrack a couple years back, and this was a project I wanted to do.”
What’s more – the gang is back together. Claypool originally considered piecing this album together with a side project of his, Claypool Lennon Delirium, but opted to work with his Primus band mates, Larry “Ler” LaLonde and Tim “Herb” Alexander instead. The group reportedly had some trouble taking off with such an unique platform but were able to piece together something they’re proud of.
“These days,” Claypool admits, “you gotta go the extra mile because otherwise people just take it off the internet.”
Sevendust guitarist Clint Lowery, who is currently on tour as second guitarist with Seether, recently sat down with Scott Bowling, from the website “Good Company.” In the interview, Lowery opens up about Sevendust’s plans to follow up their tenth studio album, Kill The Flaw and his lack of desire to make full length albums in today’s music industry. Lowery will also appear on Seether’s upcoming new music video.
Bowling asked Lowery about performing as a singer with his side project Call Me No One, with Sevendust drummer Morgan Rose:
It made me understand and respect what Lajon [Witherspoon] goes through or any other singer you know. When you have to cover an entire record, you know, how you make your voice not get redundant, how do you make it interesting, and not use the same melodies, it’s just different. I write for singers a lot, but singing them myself, and really developing myself as a singer, it was a learning experience man.
When asked if he and Morgan toured the album:
We did like a three week run with Nonpoint. That was humbling man. I’m not a huge live singer, I love going to the studio, and I can write melodies and all that stuff, but its a lot of pressure, and a certain confidence that singers have to have man, so I learned a lot about that too, and it made me understand and respect what Lajon does on that side, delivering these songs live.
We’re gonna do another record in November man. We just started writing for it. It’s a different era, man. It’s, like, I’m touring with Seether, so there’s that; I’m really focused on that. But we’ve been demoing some stuff out, the same kind of creative team, and we’re gonna see what happens. We’re excited about it. We have a new label, Rise, and they’ve got some great bands, a great, creative team over there. So this will be our first real label that the band’s ever had.
With the multiple ways music is released these days, Lowery was asked if he would consider releasing music through a streaming service like Spotify. He commented:
I don’t wanna do full-length records anymore. I mean, I’m old school — I love vinyl and I love the whole presentation of a full record — but I do wanna be open to new ways to release music. I don’t feel like going in and taking a full year and this huge production and doing a full record. I mean, I believe in doing those, but I also believe that between these record cycles, just throw in a couple of sprinklings of new songs. I’m never gonna be one of those guys that will say, ‘Oh, don’t try it. Let’s just stick to the old thing until it’s completely ran into the ground.’ I’m open for new guys, a new energy and a new release strategies.
We all know there are bands that ladies just dig, and groups with lyrics that can get the booty shaking while keeping it gritty enough for the guys to be able to pump their fists to as well are even better. You know there is a band that many of us can enjoy when we want a party type of sound. There is one band from Rochester, NY who can supply such great tunage. Who is this group that promises nothing but good grooves and chaos? Diluted of course my dear friends! With their EP, Never Fit In, you will find yourself dancing and shaking more than the time you tried to reenact the bar dancing scene from Coyote Ugly! Let us get this album review in full swing boys and girls!
The first track off this album “Better Living Through Hennessy” goes from 0-60 in less than 2 seconds into the album. The guitar styles of Helmer and Coffey will take you by storm. Their funky yet hardcore approach for this track is nothing but full of life! You will have yourself singing along with the lyrics while moving those two left feet of yours. Let me tell ya, nothing beats a good old fashioned song you can find yourself singing to in the car. This song is one of those jams I can see the whole venue singing along to with a couple drinks in hand!
If you like groups like Faith No More, who has a nice little mix of rap flow blended with some great punk related attitude, the track “Hipster Helmets & Harpsichords” will make those feet of yours go manic! I really enjoy this track from the get go! Like seriously digging it with my whiskey right now! The vocal approach by Mulligan and Coffey reminds me of the glory days of my youth with such bands like Neurosonic and Skindred. Excellent destructive vocal execution fused with modern hip-hop type of lyrical construction made this song stand out the most to me personally. The most fascinating part of this track is the communication between West (drums) and Kimak (bass), which really lays down the foundation for the energy of this sweet tune! The beat is never lost and you can really swing your body to it all the way through! This will be the jam the ladies will be losing their minds to. Look out fellas, we have some bonafide lady killers on our hands!
Now this album has some great party songs on it, but it also contains great heavy tunes like “Sledge Hovercraft.” Much like the other tracks on the EP, it has a great flow with both the lyrics and musicianship. You can tell the boy’s formula is spot on with this gem! The screeching sound of the vocals on the track will make you bang your head! If you want some Red Hot Chili Peppers type funky style with your hardcore music, but want to be mad as hell at the same time, well this track is for you. This song is made for the guys hands down. If you get drunk enough and want to start a bar brawl, this will be your theme song for the ring.
Over all there are so many other great tracks on this album from Diluted. I wouldn’t think I would find myself enjoying a band like this, but I am hooked and I cannot stop blasting this. My fingers are starting to bleed from pressing the repeat button so many times! Go out and buy this sick product of jams! 4 stars out of 5 for sure! Go check out their page. You will not regret it, I promise you!
Key Tracks: Better living Through Hennessy, Sledge Hovercraft, Hipster Helmets & Harpsichords