Category: Jam/Progressive

  • ARISE Has Risen

    ARISE Music Festival was held at Sunrise Ranch in Loveland, Colorado, on a jovial weekend August 4-6, surrounded by rock formations, pleasant lakes, and mysterious meadows. This land was indeed filled with love, so its name holds true to its essence. It was a glorious gathering of all walks of life – an open, family friendly, health conscious like-minded atmosphere where one can simply be whoever they please. Acceptance was a big feature of the time that was had and the energies that flooded the air proved this to be true. People united and rejoiced in ways the whole world could learn from.

    ARISEThe weekend consisted of countless extraordinary artists including performances by Atmosphere, Tipper, Lettuce, Beats Antique, Ani DiFranco, SunSquabi, Rising Appalachia, Brother Ali, Break Science, The Brothers Comatose, Desert Dwellers, and Dopapod, just to name a few. The vibe of these acts included a wide range of eclectic music including electronic, hip-hop, funk, jazz, world fusion, folk, soul, and progressive rock.

    Despite the waves of torrential downpour fluctuating all weekend, flooding and destroying the temporary homes of many, everyone at ARISE seemed to shine through the rain and it only made people dance even harder to the grooves of mother earth, especially when a calm, strong, and bright double rainbow appeared at the end of a fierce shower on the third day. This experience was an evolution of mankind, uniting positivity and kindness throughout each moment.

    Food vendors provided healthy and nutritional options for all types of eaters, as well as the festival’s own farmer’s market. As you entered from the main camping ground through giant neon totem poles, there was eye candy everywhere; each white tent displayed an extensive collection of interesting goods to be sold, not to mention countless painters, sculptors, and artists of all kinds.

    Temptations with zero expectations. Hammocks galore! There were yoga workshops and practices, domes to climb, beaded huts, teepees, and much, much more. This interactive experience gave one the liberty to wander to different areas such as the “Wisdom Village,” “Children’s Village,” and “Solutions Village”, which all co-created a friendly habitat for the weekend in its own worldly bubble. As a good-vibe-only festival, people could be found at any of the stages, including Big Sunrise Dome, StarWater, Scene Magazine, Green Tree, and main headliners at the Eagle stage.

    Sound mimicked the rhythm of body movements and the full moon and clear night on the final evening of the journey fabricated unparalleled liveliness. For anyone interested in participating in a relaxing care-free time with no service whatsoever, ARISE should be on the top of your list, where you can freely admire the sun and moon rise and set over this magical land while opening your mind to stellar soundwaves.

  • Nights Of Fire: A Conscious Evolution Festival Preview

    It is officially time to prepare for this year’s Nights Of Fire: A Conscious Evolution festival.  Hosted by Spun Out Productions, the annual music festival kicks off on Thursday, August 17, and runs through the morning of Monday, August 21.  Located at The Woods at Bear Creek, a “glamping”–glamorous camping–ground in Franklinville, NY, Nights of Fire will offer it’s patrons an educational exploration through fire dancing, art, live music, and workshops.

    As  eloquently described on the Nights Of Fire Event PageNights Of Fire is a FIRE, Art, Music, & EDUCATIONAL RETREAT. We invite all likeminded individuals and those who seek to learn and do more to improve themselves and the world around US. NIGHTS OF FIRE is an educational retreat where YOU can come study many different forms of FIRE SPINNING, FLOW, DANCE, DRUMMING, PAINTING and much more. Evolve with us at night as we will teach you how to celebrate life and simply being alive through song and dance with live music.”

    Pre-sales for the festival are no longer online, however, you can pick up a $75 ticket thru a ticket rep, or grab one for $100 at the gate! The ticket includes camping and parking.

    Take a peek below and click the play button. You’ll find a Rochester Groovecast podcast episode. This episode is a preview of the upcoming Nights Of Fire Music Festival.  During the episode, you’ll listen to Roots of Creation, Freekbass, The Mantras, Madam Bliss, Dixon’s Violin, Stereo Nest, Subsoil, Space Junk, Haewa, and  Flux Capacitor.  All of these artists are performing at this year’s Nights Of Fire Music Festival.

    If you peek even farther below, you’ll find an episode timestamp, and Nights Of Fire’s daily schedule.

    Enjoy!



    Timestamp:
    00:00: Roots Of Creation- Different
    04:12: Episode Introduction
    09:56: Roots Of Creation- Row Jimmy
    15:23: Freekbass– Put It In A Letter
    18:42: Freekbass- Milkhunt
    23:25: The Mantras- Here We Go
    29:27: The Mantras- Dirt Nap
    35:26: Madam Bliss Remix- Notorious BIG “Dead Wrong”
    39:15: Madam Bliss Remix- Erykah Badu “On And On”
    44:10: Dixon’s Violin- Ignition (Correction! Jade Dragon is the album name)!
    46:31: Dixon’s Violin- Night Spirit
    50:56: Stereo Nest- Gradient Peak
    55:03: Stereo Nest- Elder Ladder
    59:39: Subsoil- Joe Rogan
    1:03:24: Subsoil- Great Unknown
    1:07:34: Space Junk- Ascension
    1:14:31: Haewa- Chem De-Vision
    1:18:15: Haewa- Swampin’
    1:23:35: Episode Closing Comments
    1:26:46: Flux Capacitor- Big Bad
    1:36:29: Flux Capacitor- Unit

  • It was Still Lawnboy: Phish Glazes the Crowd on the Final Night of Baker’s Dozen

    It took 13 consecutive shows for Phish to perform 237 songs at Madison Square Garden, with not a single repeat among them. It will take far longer than this Baker’s Dozen of shows to fully grasp the historic nature of this run of shows by Vermont’s famous quartet.

    On the final night of Phish’s Baker’s Dozen of shows at The Garden, a Pink Glazed donut was the flavor du jour, tickets were nearly impossible to acquire and fans flocked inside early to get ready for the last night of bustouts, first time covers and extended jams that have been the hallmark of Phish’s residency. While the donut flavor did not directly correlate to anything performed during the show, the audience and band were both glazed with joy, reaching the end of this unprecedented run of shows.phish baker's dozen

    The first set of the evening featured songs phans chase, including “Dogs Stole Things,” “Ha Ha Ha,” “Camel Walk,” and “Sanity,” among others. Vida Blue’s “Most Events Aren’t Planned” was a surprise cover, one of a handful that Phish learned in advance of the run. The long awaited bustout of Hendrix’s “Izabella” left many flat-footed with the original intro preceding the stand alone set closer, but once Trey kicked into familiar riff, the crowd cheers began to arise while some stood in disbelief and others with jaws dropped, as the cover shelved for 19 years finally made an appearance in the 25th set of the run.

    Set 2 began with “Simple” which wandered past the 25 minute mark, nearly matching the Northerly Island jam from July 14, kicking off a five song set. The new tune “Rise/Come Together” had a powerful, unifying message tied within the ascending rocker, and was greeted by fans with cheers as the “Rise up…. Come Together” lyrics were matched with Chris Kuroda’s growing light show. Bowie’s “Starman” followed, only the second version since The Rise and Fall of Ziggy Stardust and the Spiders from Mars was covered in full last fall in Las Vegas.

    “You Enjoy Myself” finally arrived, with all the pent up energy you would expect after nearly 2000 minutes of music, and the release on the lyric “Boy” was as powerful as it’s ever been. Prior to the vocal jam, Mike began to tease the “Izabella” bass line and instead of the usual vocal jam, Trey put his guitar back on and, began to jam back into “Izabella” on more time, one of those ‘Holy shit’ moments that kept happening night after night. The set was capped with The Rolling Stones’ “Loving Cup,” a perfect ending to the high energy, jam filled set.

    For the encore, Trey choked back tears as he began Willie Nelson’s “On the Road Again,” which was followed by Page leaving his key rig while the band kicked back into a jam on “Lawn Boy” that was last heard on July 25, jam-filled donut night. Page told the crowd “A lot of people have been asking me if this is still ‘Lawn Boy’…. It is,” referencing a fan made shirt that appeared only days after the half hour version of the typically standard three minute lounge singer tune.

    The laughs that erupted from the audience were due in part to the band being in on the joke and the audience/band interaction solidified as the run came to a close. Page sang a few bars of “Lawn Boy” and while he retreated to his rig, Mike and Fishman laid down the opening bass and drums to “Weekapaug Groove” to fake out the audience (there would be NO repeats this run) before the final release of “Tweezer Reprise” was finally laid out for the fans.

    Phish had done it – 13 consecutive shows, no repeats, over 200,000 tickets sold over the course of the run, and a gleeful crowd embracing the joy of the final night of a piece of music history. But most importantly, it was still ”Lawnboy.”

    Setlist from Phish.net

    Set 1: Dogs Stole Things, Rift, Ha Ha Ha, Camel Walk, Crazy Sometimes > Saw It Again > Sanity > Bouncing Around the Room,Most Events Aren’t Planned[1], Bug, I Been Around, Izabella
    Set 2: Simple > Rise/Come Together > Starman, You Enjoy Myself, Loving Cup
    Encore: On the Road Again > Lawn Boy Reprise > Tweezer Reprise
    [1] Phish debut

  • Hearing Aide: The Southern Belles ‘In the Middle of the Night’

    The sort of plasmic, shape-shifting rock and roll spawned by The Southern Belles of Richmond, VA, has been released to humans everywhere for their listening and dancing pleasure on August 5. Their third album, In the Middle of the Night, is oddly akin to Willie Wonka‘s three course dinner chewing gum, in that, through the consumption of one product, several flavors can be indulgently experienced in a brief period. At least by listening to this album, no one will need a swarm of oompa loompas to roll them to the juicing room… that we know of.

    This album dives deeper than their previous release Close to Sunrise, offering heavier jams, tighter instrumentation and an overall more spacious and grandiose sound. The Southern Belles is Adrian Ciucci (guitar), Tommy Booker (keys), Aaron Zarrow (drums), and Derrick Englert (bass). In the Middle of the Night was recorded at The Ward recording studio in Richmond.

    “Everywhere 1” floods the eardrums with runaway guitar like an antsy racehorse exploding out of the starting gate. In under a minute the tune relaxes before getting groovier, continuously arousing the listener’s curiosity. Ciucci’s vocal tone is a crosshatch of Motion City Soundtrack’s Justin Pierre and Jimmy Eat World’s Jim Adkins. The song culminates with an uplifting message of gratitude: “Everything I try to be, there’s someone there reminding me/ Life is grand, we’re so lucky/ And it’s amazing everywhere it takes me.” This closing sentiment is a suiting cap to the opening song of an album, almost an anthem to their success, four musicians converging, playing their brand of music together in a way no other combination of musicians could exactly replicate. Something to be thankful for.

    “Deja Vu” offers a more somber beginning, with higher octave backing vocals that emulate The Flaming Lips with a sea of airy voices echoing Ciucci. It shifts from whirring organ to bouncy guitar, offering an uplifting release from the heavier tone. “L.A. Moves” opens with delicate guitar and elements reminiscent of NY synth-rock band Jimkata. “Tryin” promptly brings the Vulfpeck vibes with playful keys before escalating into a rock-opera ballad replete with gospel-like vocals and undulating tempos. The album closes with “Everywhere II,” trickling in with calming water effects, muted organ and vocals with Pink Floyd connotations before Ciucci utters the heartening sentiment, “Just know in the end you’re gonna get where you’re goin, so take good care of your friends/ They’re the only ones who know you and the only ones who care so be kind and fair.” The song then picks up tempo and finishes on a high note with a cathartic swirl of guitar and pounding drums, bringing it full circle to the beginning of the album.

    In the Middle of the Night was officially released on August 5 at The Broadberry in their hometown. The single is being streamed via Soundcloud and their website, and can be heard on SiriusXM’s Jam On. The Southern Belles have been touring the East Coast leading up to the album release, and will hit the road again for their fall tour. They will be playing Saturday August 12 in Capon Bridge, WV at La La Land, followed by the Peace of Mind Fest in Halifax, PA on August 31.

    Key Tracks: Everywhere I, Tryin, Everywhere II

  • Lemon Yellow Fun: Night 11 of the Baker’s Dozen

    The final weekend of Phish’s historic Baker’s Dozen, a run of 13 shows at Madison Square Garden, kicked off on Friday to much fanfare and a lot of fingers in the air, with Friday being lemon donut night.

    These shows sold out in advance and were a hot and dwindling commodity throughout the week. On Friday, Phish came on stage and performed a cover of Blind Lemon Jefferson’s “See that my Grave is Kept Clean,” before jumping into a standard, but well played take on fan favorite “Punch You in the Eye,” which bled into a fun, short “Party Time.”

    lemon baker's dozen

    “Big Black Furry Creature from Mars,” “Dinner and a Movie,” a rousing and Trey-led “Ocelot,” “Poor Heart,” “Winterqueen” and “Bold as Love” continued what turned out to be a straight rock set without too much in the way of improvisation. Just when it felt that Phish may have laid a clunker set, they dropped into “First Tube,” which had the Garden shaking and crowd going absolutely ballistic heading into setbreak.

    To open the second stanza, Phish performed an acapella “Dem Bones,” before leaping into “No Men in No Man’s Land.” A long and spacey jam followed, something Phish has displayed it can do with utmost patience this run. Out of “NMINML” came “Everything in its Right Place,” by Radiohead. There was confusion over what the song was, before word spread that Phish was playing Radiohead. It was well played, if not spectacular.

    “What’s the Use?” blended into “Scents and Subtle Sounds,” which featured the most interesting jam of the night, a nearly 17-minute type-II journey that finished when Mike took the lead at the end. A nice and jammed out “Prince Caspian” led directly into “Fluffhead,” and it’s safe to say that the Garden crowd ended the set on the highest of notes. “Frankenstein” served as the encore, which was a fun ending to a rather unspectacular Phish show. But if you place this show in the middle of any typical tour, it will be talked about as a highlight for years to come. That’s how spoiled we have become during these 13 nights.

    Setlist via Phish.net

    Set 1: See That My Grave Is Kept Clean[1], Punch You In the Eye > Party Time, Big Black Furry Creature from Mars, Dinner and a Movie, Ocelot,Poor Heart, Winterqueen, Bold As Love, First Tube

    Set 2: Dem Bones, No Men In No Man’s Land > Everything In Its Right Place[1], What’s the Use? > Scents and Subtle Sounds[2] > Prince Caspian >Fluffhead

    Encore: Frankenstein[3]

    [1] Phish debut.
    [2] No intro.
    [3] Page on keytar.

  • Boston Dream Pie: Phish’s Baker’s Dozen hits Night 12

    With 11 nights down and only 4 sets left, Phish still had not repeated a song at their Baker’s Dozen run of 13 shows at Madison Square Garden. 198 songs in 11 nights is no small feat but Phish stepped up to the plate for the penultimate show of their residency.

    phish boston bakers dozen

    Saturday proved to be an even harder ticket than the night before. The last show with a weekend day following wasn’t going to be easy to get in if you didn’t secure tickets in advance and especially not for this end to the Baker’s run of shows

    “Soul Shakedown Party” got the night off to a groovy start, before “Uncle Pen” and “The Sloth” got the rowdy crowd even more fired up.

    “Gotta Jibboo” provided the first bout of improv of the night, stretching past 12 minutes of Trey-led bliss. Just when you thought the song would wind down, Trey began hitting new licks and taking the song, while within its typical structure, beyond the scope of its typical role.

    “Fuck Your Face” was standard, with Mike having a bit of a lyrical gaffe midway through, before Phish decided to mash up Boston and Cream songs for an epic medley. “Sunshine of Your Feeling” began with Cream’s “Sunshine of Your Love,” before the band began dropped suddenly and seamlessly into Boston’s “More Than a Feeling” to which the crowd erupted in shock and awe. “Foreplay/Longtime,” “Tales of Brave Ulysses” and “The White Room” all were woven into the Boston/Cream mashup that the band admitted right after, that they had been waiting 20 years to play, and tongue-in-cheek, the genesis for the Baker’s Dozen concept. 

    The Trey ballad “Frost” then gave way to a super fun and danceable “Scent of a Mule,” which saw Mike and Page extend the Mule Duel portion longer than usual but without Trey taking to the Marimba Lumina. Jimi Hendrix’s “Fire,” “Alaska” and Trey Anastasio Band tune “Plasma” rounded out the first set, with the closer featuring a slowed down funk jam that built to a nice peak.

    “Ghost” opened the second set, and will undeniably go down as a must hear jam from the Baker’s Dozen. After a bliss jam, the band turned the keys to Trey, who brought the song to a soaring peak, complete with one of the more creative light shows Chris Kuroda has put on this run. The feeling was all happiness and smiles.

    “Petrichor,” the song Phish rang in 2017 with at MSG, took over, for a straightforward and well executed version. “Light” featured a nice, relaxing jam, before the band started the opening notes of “The Lizards.” Every fan in attendance turned their attention to the stage as Phish ran through one of their most beloved songs, singing in unison.

    trey anastasio

    “The Horse”>”Silent in the Morning” had a fun segue into “Quinn the Eskimo,” before the set closed with the ever energetic “Rocky Top.”

    After all that energy, Phish came on and played “Joy” for the encore, which elicited a few groans, but as the band delved deeper, it became apparent that they were thanking the fans for being a part of this unique and intimate part of Phish history.

    Let’s see what tonight brings!

    Setlist via Phish.net

    Set 1: Soul Shakedown Party, Uncle Pen, The Sloth, Gotta Jibboo, Fuck Your Face, Sunshine of Your Feeling[1], Frost, Scent of a Mule, Fire,Alaska, Plasma

    Set 2: Ghost, Petrichor, Light > The Lizards, The Horse > Silent in the Morning > Quinn the Eskimo > Rocky Top

    Encore: Joy

    [1] Debut

  • McLovins 2017 Fall Tour Stops in NYC, Rochester, Hannibal

    The McLovins dropped some initial tour dates for fall 2017, including three stops in New York this month including a stop at New York City’s Mercury Lounge for a Phish Baker’s Dozen after party.

    Hailing from Hartford, Connecticut, the McLovins have been making waves since their start in 2009 playing alongside big names in music like the Gin Blossoms, Buddy Guy and George Porter, Jr. They’re currently working on two EPs as a followup to their 2015 self-titled album McLovins, which should be released this fall.

    The McLovins fall tour starts tomorrow for a Phish Baker’s Dozen after party at the Mercury Lounge in New York City. The tour takes them up and down the eastern seaboard with several dates in Georgia and Alabama, closing out at Milkboy in Philadelphia on Nov. 22. In addition to tomorrow’s show, they play two other shows in New York. They hit up the Photo City Improv in Rochester on Aug. 17 and play the Big “G” Jam in Hannibal on Aug. 19. They also make a stop in nearby Erie, Pennsylvania on Aug. 12 at the Kings Rook Club.

    McLovins Fall Tour 2017 Dates
    Aug. 5 – Mercury Lounge, New York, NY
    Aug. 12 – Kings Rook Club, Erie, PA
    Aug. 17 – Photo City Improv, Rochester, NY
    Aug. 19 – Big “G” Jam, Hannibal, NY
    Sept. 1 – Port City Music Hall, Portland, ME
    Sept. 14 – Doc Taylor’s, Virginia Beach, VA
    Sept. 16 – The Whiskey, Wilmington, NC
    Sept. 21 – Dingus Magees, Statesboro, GA
    Sept. 22 – Nowhere Bar, Athens, GA
    Sept. 23 – The Thirsty Turtle, Macon GA
    Sept. 28 – Green Bar, Tuscaloosa, AL
    Sept. 29 – Zydeco, Birmingham, AL
    Sept. 30 – Bourbon Street, Auburn, AL
    Oct. 6 – Harvest Ball, Starks, ME
    Nov. 2 – The State Theatre, State College, PA
    Nov. 22 – Milkboy, Philadelphia, PA

  • Mountain Jamming: 2017 Peach Music Festival Preview

    It is not unusual in this day and age for a band to have it’s own festival. It is however, unusual, for a band’s festival to outlast the band itself. The Peach Music Festival, running August 10-13, 2017 was started by the Allman Brothers Band back in 2012. The band broke up for good a little more than two years later, but the festival lived on, featuring various off-shoots and solo projects of the band each year. 2017 has seen the untimely deaths of founding members Gregg Allman and Butch Trucks.

    But the festival lives on. It will again host performances from Allman-related bands, including Gov’t Mule (joined by guitarist John Scofield and other unnamed guests), Jaimoe’s Jasssz Band, and the final performance of Les Brers. More importantly, will be the special, not-to-be-missed Peach Tribute to Gregg Allman and Butch Trucks, which will feature Chuck Leavell, Jaimoe, Oteil Burbridge Marc Quiñones, Duane Trucks, Devon Allman and many more family and friends.

    “Caterpillar sheds his skin to find a butterfly within…”

    Gregg and Butch, Berry Oakley and Duane Allman, and the Allman Brothers Band, will live on in the spirit of the Peach Music Festival. The bands invited this year will surely keep it very much alive. A who’s who of the world of jam, it is a lineup that is tough to top in a summer crowded full with festival goodness. The headliners Thursday through Sunday read like a 2017 jam band All-Star team: Joe Russo’s Almost Dead reinvigorate the music from the king of jam bands on Thursday night, My Morning Jacket will set the mountain ablaze with their rock torches Friday night, and southern jam titans Widespread Panic sneak their limited tour north of the Mason-Dixon line for shows on both Saturday and Sunday nights.

    Slip just below the top line and the names don’t get much smaller, with Mike Gordon fresh off Phish’s Baker’s Dozen run at the Garden, blues-guitar phenom Joe Bonamassa, and progressive jammers Umphrey’s McGee joining the ranks of the aforementioned Allman-related artists.

    The rest of the lineup is buoyed by smaller but well-established bands like Galactic, Steve Kimock, Greensky Bluegrass, Lettuce, The New Mastersounds, Keller Williams, as well as new rising stars like Aqueous, Cabinet, Spafford, The Record Company and Pigeons Playing Ping Pong. At no point does this lineup’s bottom fall out however, it remains solid to the last dot.

    “First there is a mountain, then there is no mountain, then there is…”

    The Peach Music Festival will once again be held on Montage Mountain in Scranton, PA. Not only is it a naturally beautiful location, but it also includes a full and accessible water park with rides, slides and a lazy river. This is no ordinary waterpark, it comes equipped with a custom live music soundtrack running throughout the entire day of course! The mountain also includes a full restaurant, bar, and bathrooms, in addition to the usual festival fare.

    Once you bite into this Peach, the sweet juices will be flowing all weekend, but that large Allman Brother pit from which it grew, will continue to hold it all together. For daily or weekend passes, and all the information you’ll need to prepare for your time at the fest, visit the official festival site at thepeachmusicfestival.com. See you on the mountain, jamming!

  • The Hole-y Word: Night 10 of Phish at the Garden

    With the last of the supposed “dark horse” weekday shows taking place on Wednesday, Phish has now completed 10 of its historic 13 show residency at Madison Square Garden.  As the last mid-week show, Wednesday escalated the general malaise associated with the relatively mellow Tuesday show from the night before and served as a valid reminder why every show these days falls into “can’t miss” territory when it comes to the legendary Vermont jam outfit.  In keeping up with the daily tradition of The Baker’s Dozen, Wednesday’s assigned donut theme was “Holes,” which came in the form of Munchkin-like peanut butter coated donuts handed out before the show and classic, spellbinding Phish tunes during it.

    phish bakers strawberry

    If recent history has been any indication, Phish has not waited long to tip its collective cap towards the daily donut theme and tonight was no different as yet another debut song surfaced as the opener with a cover of Tom Waits’ “Way Down In The Hole,” known to many as the theme song from the popular TV show The Wire.  As if it was even possible, an MSG bust out of sorts occurred next with the first “Buried Alive” ever performed by Phish at MSG.  A more traditional show opener, this song served its purpose and seemed to finally get everyone up and moving in celebrating a unique “first” at The Garden, regardless of the semi-comical false start necessitated by drummer Jon Fishman.  Slotting perfectly into its traditional early first set slot, “Kill Devil Falls” confirmed all in attendance were actively engaged as the entire arena lent its collective vocal support to the wailing lyrics before a long awaited and seemingly forgotten “Guyute” made an appearance for the first time in 50 shows.

    Phish then rattled off a stream of typical first set selections with “I Didn’t Know,” which featured the first vacuum performance from Fishman this tour, a straightforward yet lively “NICU” and a nicely jammed out, hearty version of “Meat” that saw some serious extended improv on the back end.  Sensing a peak of sorts in the opening set, the band kept the pedal down and then launched into “Maze” complete with its signature standout solos from guitarist Trey Anastasio and keyboardist Page McConnell.

    After the two impressive “M” songs and the intensity brought by each, a breather of sorts was instituted in the form of a traditional bluegrass cover of “Ginseng Sullivan” and a mellow, laid back take on “Waiting All Night,” a newer song from the band’s recent album Fuego.  “Heavy Things,” replete with its “two holes in my face” lyric then began to pick things back up a little before a raging “Run Like An Antelope,” a much anticipated song that had yet to be played at The Garden this year,  closed things out in extremely enjoyable, traditional fashion.  For those keeping count, 19 sets of music at MSG were now in the books without a single repeat in sight.

    Phish has made its mark this tour with a patient approach to some of its storied jam vehicles and this second set would prove no different, starting with a monstrous “Mike’s Song” that featured the once common but now rare “second jam.”  Another popular pre-show guess by fans, this “Mike’s” went above and beyond and thrilled show goers from the 400 level all the way down to the floor.

    A spellbinding jam soon made its way into a spacey, ambient section that gave the band a chance to remind everyone of tonight’s theme again, courtesy of a completely unexpected vocal take while ensconced in smoke on the traditional Christmas tune “O Holy Night.”  Before everyone could fully comprehend this, McConnell’s signature piano intro to “Taste” began and off the band went again on another improvisational journey that stretched to almost 20 minutes – a staple of Phish in 2017 it seems. This segued almost perfectly into “Wingsuit” which gave the crowd somewhat of a chance to rest and gear up for the high powered closing section of “Sneaking Sally Through the Alley” with its accompanying funk jam and the expected “Weekapaug Groove” set closer that had MSG, once again, bouncing and gyrating in euphoric unison.

    The ever clever jam legends then encored with The Beatles’ classic “A Day in the Life,” with a little emphasis on the “4,000 holes in Blackburn Lancashire” line given.  Night 10 was now in the books and kept in line with The Baker’s Dozen tradition of mixing long, extended jam sections with well thought out and intelligent song selections.  With three nights to go before the residency’s end, it’s clear anything and everything is on the table going into the home stretch.  Unless it involves a repeated song.

    Setlist courtesy of phish.net

    August 2, 2017 Madison Square Garden, New York, NY

    Set 1: Way Down in the Hole*, Buried Alive, Kill Devil Falls, Guyute, I Didn’t Know, NICU, Meat, Maze, Ginseng Sullivan, Waiting All Night, Heavy Things, Run Like an Antelope

    Set 2: Mike’s Song > O Holy Night* > Taste > Wingsuit > Sneakin’ Sally Through the Alley > Weekapaug Groove

    Encore: A Day in the Life

    Notes: *Phish debut

  • Syrupy Jams Highlight Night 9 of Baker’s Dozen

    On Night 9 of Phish’s Baker’s Dozen residency, Maple was the donut theme of the night and with that came jams that slowly dripped out from Phish’s tap, leaving 4 nights to go and not a single song repeated thus far.

    A tribute to our Maple loving neighbors to the north started the show, with a spotlight on the Canadian flag and one on Trey as he tore into ‘O Canada!’ A dozen songs followed through in the set, with nothing overly ambitious or stretched out like the previous 8 nights but the band dove into their catalog for fan favorites and rarer tunes. Highlights included the upbeat “Daniel Saw the Stone” that felt like a church revival as the lights brightened the entire arena; “Guelah Papyrus” which included Page performing Scott Joplin’s ragtime classic “Maple Leaf Rag” in between sections; “McGrupp” and a firey “Walk Away” capped the set of a full Baker’s Dozen of songs.

    mike phish maple bakers

    Set 2 brought out a usual jam vehicle “Golden Age” that stretched for 20 minutes and could have been the jam of the night if it were not for the latter half of “Swept Away” > “Steep” which took a spacey spin for 12 minutes and grew into an improvisational jam that has been a staple of the residency. Growing from “Steep” was a trio of heaters: “46 Days,” the long awaited (but not slow built) “Piper” followed by “Possum” made for 35 minutes of firey rock n roll to cap the show. An encore of Bowie’s “Rock and Roll Suicide” didn’t have the emotional impact that the debut during Halloween in Las Vegas had, but Trey singing the Ziggy Stardust coda still packs an emotional punch.

    Holes is the theme for tonight’s 10th show of the Baker’s Dozen. Could Phish pay tribute to the late Chris Cornell with “Black Hole Sun?”

    Setlist via Phish.net

    Set 1: O Canada[1], Crowd Control, Sugar Shack, When the Circus Comes, Daniel Saw the Stone, Army of One, The Wedge, Guelah Papyrus, Maple Leaf Rag[2], Guelah Papyrus, McGrupp and the Watchful Hosemasters > Limb By Limb > Walk Away

    Set 2: Golden Age, Leaves, Swept Away > Steep > 46 Days > Piper > Possum

    Encore: Rock ‘n’ Roll Suicide

    [1] Phish debut; instrumental.
    [2] Phish debut; performed solo by Page