Boston is an amazing city in which to spend a three-night stint of one of your favorite bands. Starting Thursday, November 9, Twiddle fans rolled into bean-town for what will go down as a legendary run at the Paradise in Boston. All three nights sold out before doors opened the first night, something Twiddle fans are starting to get used to. The entire weekend was full of very unique set lists, weaving songs together for what felt like an entire set. Broccoli Samurai, Mister F, and Annie in the Water were the openers, and each band started the nights off with a bang.
NYSMusic was not present Thursday night but the setlist can speak for itself.
Set One: Peas and Carrots, Syncopated Healing ext, Second Wind > Apples > BBQ > Apples > Second Wind, Subconscious Prelude > Indigo Trigger > Subconscious Prelude
Set Two: Gatsby the Great > Purple Forest > Gatsby the Great, Ricky Snickle, The Catapillar, Jamflowman
Encore: Eyes of the World
Mister F began Friday night with a huge hour long set pumped full of heavy electro-funk. Their intense jams brought the crowd to life as the Paradise started to fill up. By the time they ended, the room was surging.
Twiddle came out to a roaring crowd, starting the night off with “Blueberry Tumble.” The first set was filled with songs from their most recent album, Plump 2, ending with a beautiful “When It Rains It Pours.” After intermission, the band played a very classic set, intertwining some of the best originals, and finishing off with a very rare “Tiberius” Encore.
Set One: Blueberry Tumble, Enter, Orlando’s > Nicodemus Portelay > Polluted Beauty > Nicodemus Portelay > Orlando’s, When It Rains It Pours
Set Two: New Sun, Dr. Remidis Melodium, Mamunesthefawn > Save Tonight > Mamunesthefawn*, >Brick of Barley > Carter Candlestick > Franklin’s Tower > Carter Candlestick
Encore: Tiberius (with extended jam)
If there was one thing I would take from the weekend, it’s don’t sleep on Annie in the Water. The energy that came off that stage was going to be tough to follow. However, if there was a second thing I took away from this run, it’s that Twiddle has reached a completely new level of music interpretation and improvisation. They came out of the gate hot with a very heavy “Blunderbuss,” getting the crowd pumped immediately. The first set was very fast paced and made you never want to stop dancing.
The second half of the night was more of a relaxed set, with a beautiful “Amydst the Myst” to start the last opener. Towards the end, a very special guest came out to play with the band. Billy Comstock of Annie in the Water was originally Twiddle’s bassist and wrote one of the group’s most memorable songs, “Latin Tang.” The current bassist bowed out for a bit so the OG quartet could rock out for an incredible Tang we won’t soon be forgetting.
Set One: Blunderbuss, Lost in the Cold > Drifter > Dr Remidis Melodium >Lost in the Cold, Doinkinboink > Drifter
Set Two: Amydst the Myst, Beethoven and Greene, Earth Mama, Latin Tang*, Zazu’s Flight
Encore: Ricky Snickle
The weekend was full of love and energy. Fans came together as a family of strangers and friends. You can see the guys in NY coming up, with a show on Long Island and two nights at the Capitol Theatre in Port Chester. Remember, relax and dream and love relentlessly.
Eight bands are part of the Jam for Tots lineup this year, a charitable effort that brings live music and holiday season charity. Luke Weiler (Positive Mental Trip) has brought this series of shows to venues around Northeast, and has been expanded this year to span across New York State and includes 87/90 artists Intrepid Travelers, Cousin Earth, Formula 5, Space Carnival, Gowanus and Let’s Be Leonard, as well as Funkworthy and Chinatown Lights.

With the crowd excited to see what the band was going to open with, they started the night off with a unique “Shakedown Street.” Next, Dead & Company finally debuted “Greatest Story Ever Told.” The crowd erupted, making it one of the highlights of the night. This was followed by “Bertha,” giving John Mayer his first chance to sing. After a jam filled “Cassidy,” the band gav


The trio kicked off the set with a cover of The Chemical Brothers “Go,” setting the tone for the night. Next up was the new original “Menudo Phalanges” that is a high energy disco romp in the vein of LCD Soundsystem’s relentless grooves. After a cover of EDM classic “We Are Your Friends” by Justice and Simian, the trio invited former Chromatropic guitarist Andrew Carton to the stage. Carton ripped through the first old Teddy song of the set, “Velvet Mist,” and continued through another new tune, the funky deep house influenced “French Press” and then a jam filled cover of the
The first notes of Specimen transport the listener to a different dimension. The intricately woven acoustic rhythms and spacey loops featured throughout create an aura that is somewhere in between the past and future, but certainly not in the now. If you close your eyes and dig deeper into the EP you may suddenly get the feeling that you are alone, lost on a farm in Medieval times. However, you cannot be sure you have gone too far into the past as spaceships and the glowing effects of technological advancements cautiously linger above. The combination of folk-influenced songwriting with psychedelic loops throughout create a futuristic Americana sound that can delicately be defined as an Emersonian audio experience.
Yes Darling, a duo featuring Hayley Jane and Ryan Montbleau opened the show playing for about an hour. This version of Everyone Orchestra played a number of improvisational jams “inciting love” throughout the crowd. The show filled the venue to almost its full capacity. The Putnam Den recently went through renovations updating the interior of the venue. With the soundboard now being located in the back, there was more room for people to dance and have a good time.
Normally used for Boy Scout camping purposes, the main lodge was transformed into a dance hall of sorts and nearby cabins were available for additional purchase as well for those that preferred bunk beds instead of roughing it outdoors. In fact, in a really unique twist, “campers” weren’t even informed of the event’s location until about 48 hours beforehand when an e-mail was sent to ticket holders. All that was known was that it would be somewhere in the 413 area code of MA. Those that were willing to put their faith in a party with no address were rewarded with a night of music that spanned multiple eras and genres.