NYS Music 20​17

Category: Jam/Progressive

  • Melvin Seals & JGB Return to Central NY

    This Wednesday, March 8, Melvin Seals & JGB will return to The Westcott Theater in Syracuse.  The “Keepers of the Flame” are no strangers to Central New York, having played the same venue less than six months prior and every year since 2012.

    The folky Dishonest Fiddlers as well as Upstate’s own Los New Yorkers are opening for Seals and his band, so fans can expect a little bit of everything on this upcoming hump day.   The Syracuse show is the third stop in the Empire State this tour, following their Friday night performance with special guests Ron Holloway and John Kadlecik at the Capitol Theatre in Port Chester and the Tuesday night gig at the Buffalo Iron Works with Pink Talking Fish.

    Melvin Seals and JGB continue to show their love for New York as they return to the Putnam Den in Saratoga Springs on Saturday, March 11 and the Bearsville Theater in Woodstock on Sunday, March 12.  The different bills feature eclectic opening acts from all over the Northeast, so prepare for something unique and special to happen at every show.

    Tickets for Wednesday night’s show at the Westcott Theater are still available and the remainder of the tour dates can be found here.

  • The Peach Music Festival Announces 2017 Lineup

    Montage Mountain, in Scranton, PA is ready for another four-day festival weekend this summer, as the Peach Music Festival, has announced its 2017 lineup for the festival’s sixth annual event which takes place Aug. 10-13.

    This year’s lineup will include several New York State, including New Hartford native Joe Bonamassa, NYC natives Lettuce, who will feature Chaka Kahn during their set, and Buffalo’s Aqueous, performing two sets during the festival.

    Other artist appearing over the four-day festival will include Gov’t Mule and Friends, My Morning Jacket, Dark Star Orchestra, Rusted Root, Mike Gordon, Papadosio, the Record Company, Whiskey Myers, Pink Talking Fish, Holly Bowling, the Jauntee, Elise Testone and Widespread Panic, who will be performing on two separate nights.

    Also, Umphrey’s McGee, and Joe Russo’s Almost Dead, will each perform 2 sets in one night during the festival.

    Jam band fans love the Peach Music Festival. The festival has a wide variety of music genres that include folk, country, jazz, and several styles of rock.

    The festival was created by the Allman Brothers Band, along with Live Nation Entertainment, in 2012. Festival lovers were worried in 2015, that the annual event would end, after the Allman Brothers Band decided to quit touring after 45 years in 2014, but side projects of band members appearing at the festival, helped ease the minds of attendees that the Peach Music Festival is sticking around for awhile.

    Vendors for the festival have not been named as yet, and the festival itself is still taking vendor applications.

    There are several different ticket levels to purchase. Pass levels include General Admission (GA), Reserved, VIP, and Super VIP. All passes include all four days of the festival. No single day passes are available. Prices for passes increase $20-$30 over time as the show draws closer. Children passes (ages 6-10) will be available at the door for $60 before fees while supplies last. Children five and under do not require a ticket.

  • The Magic Beans Get Down in Colorado with Special Guest Thom LaFond

    Sunday night, The Barkley Ballroom in Frisco, CO was home to a reunion of two former New Yorker bandmates turned Colorado transplants. Thom LaFond, former guitarist for Albany-based and Camp Bisco alum, Dirty Paris, joined his former bassist, Chris Duffy, with Duffy’s current band The Magic Beans for an ambient take on The Magic Bean’s space funk rager “Jabu Jabu’s Belly.”

    LaFond lent his hand in setting the tone with an opening improv jam, heavy with ambient delay which built the suspense and anticipation for the first drop into the meat of the song where Casey Russell took over with a soulful organ lick to get the bodies moving. Chris Duffy held things down for the bulk of the song with his thick bass grooves while the rest of the band moved through keeping things danceable yet continuing to utilize the spacey vibe that has become more familiar to a Beans dance party as they develop as a band.

    Around the 8:20 mark, drummer Cody Wales started laying out the heavy snare hits, signaling the jam to open up, transforming into a high flying shred fest. Lafond adeptly built the speed and intensity of his lead work while Beans guitarist Scott Hachey complimented, both matching LaFond’s picking runs and building things up behind LaFond to take the final few minutes of this jam into something that had the whole room soaring before being dropped straight back into the dance party for a few more measures.

    If you haven’t had a chance to experience The Magic Beans in person, be sure to catch them on tour in April.

    magic beans thom lafondThe Magic Bean’s 5th annual music festival Beanstalk, will be held June 22nd-25th at the legendary festival venue Rancho del Rio along the Colorado River in Bond, CO. The lineup includes tons of faces familiar to the Northeast jam scene including Holly Bowling, lespecial, Corey Henry, Tom Hamilton as well as a smattering of established and up-and-coming awesome Colorado based bands. Don’t miss out on a chance to learn why Colorado is so in love with The Beans.

    You can catch LaFond’s band, Banshee Tree, at License No. 1 in Boulder, CO every Saturday night for a swing dance-dance party.

    magic beans thom lafond

  • Tumble Down 2017 Lineup Includes Fruition, Aqueous

    Twiddle has announced the 2017 lineup for their second annual Tumble Down music festival, held on the Burlington, Vermont waterfront, will include Fruition, Madaila, Aqueous and more.

    Tumble Down, Twiddle’s music festival returning to Waterfront Park in their hometown of Burlington, Vermont July 28 and 29, features four sets from Twiddle along with sets from Americana/bluegrass act Fruition, Burlington psych pop band Madaila, Buffalo jammers Aqueous, and San Francisco-based Midnight North. The festival also features daytime sets from New York based acts Lucid and Teddy Midnight, along with Strange Machines, Holly Bowling and Vermonters Navytrain and The Mangroves.

    In addition to the waterfront festival, Tumble Down features late night performances each night. July 28 will see the Everyone Orchestra, conducted by Matt Butler and featuring Holly Bowling along with members of Twiddle, Fruition and Midnight North, at Higher Ground, while lespecial and the Pitchblak Brass Band play Club Metronome. On July 29, Mihali and Friends play Higher Ground, and Gang of Thieves with Backup Planet are at Club Metronome. All the late night shows start at 11 p.m. The Higher Ground shows are all ages and are $18 in advance or $23 at the door, while you must be 21 or over to attend the Club Metronome shows, which are $10.

    Tickets for Tumble Down 2017 and all the late night shows are on sale now. A two day pass for Tumble Down costs $63.

  • Kung Fu and lespecial Bring Friday Night Heat to Putnam Den

    An eager, tight-knit crowd impatiently awaited a double header of CT-rooted funk-fusion Friday, February 24 at Putnam Den, straight from the talents of lespecial and Kung Fu.

    Fresh off the heels of a sold-out double header at Vermont’s own Nectar’s and Bishop’s in Northampton, livetronica act and festy favorite, lespecial, is riding their wave of growing fame. Last year at Disc Jam they offered an unforgettable late night set to their fans in Stephentown, NY, just 40 minutes out from the Den’s home. Kung Fu made a return to the Saratoga Springs venue in less than a year, after their last run around performance with Particle to a 330-person crowd. Acting as their first show of 2017, the five-some will soon after embark on tour before hitting the summer festival circuit, incorporating one original set and one Steely Dan set each night of The Fez Tour.

    lespecial hopped on stage with an impressive amount of gear to warm things up for a Saratoga crowd. As the aggressive, death-funk dance trio exploded into the first set of the night, gentle improv ensued but not for long. Completely unforeseen, the genre-spanning musicians swiftly ditched light and airy tunes and kicked into high-gear heavy metal paired with matching facial expressions. The intensity was written all over drummer Rory Dolan’s face as the grit grew stronger, so did the jam face.

    Dipping into afro-latin fusion with “Harambe Zombie” and funky, self-explanatory acid jazz improv, they took the crowd by storm with Star Wars’ delights as the opening notes of “Imperial March” had all ears perked up. Jonathan Grusauskas and Luke Bemand swapped their guitar and bass to face each other on synths and samplers for the Darth Vader theme. Another treat of the night came wrapped up with a Beau Sasser sit in. The Kung Fu keyboardist aided the trio with a Beatles cover, bringing the naturally slow and emotional “Because” into an unforgettable reggae jam with sprints of polka sprinkled in between. Cowbells were broken out during “Jackwise” ahead of a “Feel it in the Air” cover that segued in and out of what sounded comparable to R.L. Grime/DipLo and Friends mix samples.

    https://www.instagram.com/p/BQ7CMFtjtBD/?taken-by=nystatemusic

    Their hard-hitting and glitch-hop tunes have a way of capturing you inside of a real-life video game as each level-up introduces you to yet another genre or sample. Conventional isn’t their game– and that’s why they’re so captivating. Their ability to span multiple genres in one song and effortlessly transition between them makes you wonder why these guys haven’t gotten the blown up recognition they so rightfully deserve. Yet at the same time, you cherish the fact that they’re still loved in a small, niche group and not popularized to the masses for your own selfish reasons.

    An already amped crowd moved forward and tightly packed together for Kung Fu’s introductory show of 2017, which quickly and almost instantly incited an electro-fusion 70’s dance party. In addition to recent waves of global warming, Kung Fu brought the heat, making Den dwellers feel as if they stepped into a groovy time machine.

    Beau Sasser, Todd Stoops’ keyboard replacement, Adrian Tramontano and Chris DeAngelis of Fu have all been recently found in the Albany/Capital Region area playing with side projects and supergroups at local pubs and restaurants, offering smooth tunes at Speakeasy 518 or getting funky at the City Beer Hall for what used to be Funk Night Wednesday’s. Although this Putnam Den stop wasn’t scheduled as part of the Fez Tour, fans certainly got a treat of what was to come with two Steely Dan songs, “Black Cow” and “Peg” sandwiched throughout the night’s tunes of “Scorpion>Gungho” and “Bopcorn,” before closing out with an encore of “Getdown.”

    Imaginations were left to roam wild and wonder what Steely Dan bust outs will make their way to the national, 28-date Fez tour.

    https://www.instagram.com/p/BQ8Uxa8DcV9/?taken-by=nystatemusic

    If Friday night was anything close to what fans can expect from both groups on tour and on festival bills, summer 2017 is one to be cherished. lespecial will continue their current tour with four more NY dates in Ithaca, Buffalo, Rochester and NYC while Kung Fu embarks on their inaugural tour of 2017, making their Putnam Den stop feel like an ultimate launch party.

    lespecial Set List: Improv> Pentachronic, Harambe Zombie, Pressed for Time, Acid Jazz Improv, New Fish, Imperial March>Force>Lamp, Because*,Sound We Do, Jackwise, Bugg’n>Air>Bugg’n
    *the Beatles

    Kung Fu Set List: Hammer>Paragon, Black Cow*, Scorpion> Gung Ho, Bopcorn, Peg*, Do The Right Thing, Saul Good, Samurai
    Encore: Getdown
    *Steely Dan

  • Benevento/Russo Duo and WOLF! at The Brooklyn Bowl

    This past Saturday, February 25, The Benevento/Russo Duo and WOLF! played at the Brooklyn Bowl as a part of the Freaks Ball XVII.

    The show was The Duo’s first official show in the states in 7 years, although they played a last minute warm-up show for Jamcruise at Threes Brewing in Brooklyn a few weeks ago.  Both bands have strong ties to the Freaks Ball as Joe Russo has played in 14 of them, but Scott Metzger of WOLF! has him beat with 15 appearances himself. The show sold out in 30 seconds, extras were expensive or scarce, and although the venue was packed, it was full of people who wanted to be there.

    WOLF! played a great opening set, they let the energy build up as Scott Metzger shredded throughout the whole set. The Benevento/Russo Duo slid back into their catalog like a worn glove. They crushed all the classics, the peak of the night came during the “Becky” and “Scratchitti” section. They paired two of their most loved, high-energy songs together and the crowd at the Brooklyn Bowl was losing it. Though they’ve played together throughout the years in different bands and line-ups, it’s hard to deny the chemistry and connection those two old friends have when it’s just them on stage together making music. The Duo has no other shows scheduled for this year, but I think it’s safe to say that they will be back again soon.

    Setlist: Best Reason To Buy The Sun, Sunny’s Song, 9X9, Soba, Powder, Walking, Running, Viking, Welcome Red, Becky, Scratchitti > Something For Rockets, Hate Frame, My Pet Goat

    Encore: Play, Pause, Stop

  • Hearing Aide: The Bowling Alley Sound ‘The Bowling Alley Sound EP’

    On Friday, February 24, New Jersey’s own The Bowling Alley Sound will release their self-titled EP on their label 46 West. Their sophomore release brings musical and physical growth, as the original 4-piece has now transformed into a quintet with the addition of bassist and album cover artist, Andrew Capuano.

    The post-rock follow up to their 2014 debut, Metaphysical You, begins with the most energetic release of the four-track list, “Henry and Clark.” Well-known bands in the post-rock genre such as Explosions in the Sky and Mogwai can be heard echoed in their opening song as EP producer and guitarist, Mike Basil, kicks it off with a soft and subtle rift. Nick Looney’s drum playing anchors the song in place until the final section finds Issac Rubins’ violin eerily bringing the song to an end.

    “Night Flight” recreated the rich and repetitive textures heard in the first track, but much like the song title, the listener is reminded of dreams about flying. While the song will not make you want to get up and dance, or get up at all really, it would fit well at a yoga studio, meditation session, or music score of a Planet Earth episode.

    During the final two tracks, they inject muffled crowd noise to bring the listening audience together as one with the band. The group attempts vocals for the first time during the closing track, “The Conversation Of The Street Lights Will Pass As Quickly As Our Words,” a title almost as long as the EP itself. The post-rock vocal approach is very different from the typical verse-chorus structure found in many other rock genres, and The Bowling Alley Sound stay true to form using soft, spoken words to poetically describe a 2017 New Year’s resolution. While I would have liked to hear more trumpet textures from Danny Molloy, the final track sends the listener off in a tranquil and serene mood.

    The digital-only release of The Bowling Alley Sound will be available on all major platforms and can be pre-ordered now for only $1 (US currency).

    Key Tracks: Henry and Clark, The Conversation Of The Street Lights Will Pass As Quickly As Our Words

  • SPAC 1995 is the Latest Live Phish Release

    The latest release from Live Phish features the band’s June 26, 1995 performance at Saratoga Performing Arts Center (SPAC).

    SPAC 1995 Phish

    This show would be the last time Phish performed at SPAC until June of 2004. The show highlights include a rare cover of “Don’t You Want to Go?,” an extended “Down with Disease” > “Free” (see video below), and a monster “You Enjoy Myself.”

    Setlist via Phish.net:

    Soundcheck: Time Loves A Hero > Dog Log/Time Loves A Hero mashup, Nellie Kane, Santana Instrumental, Rocky Mountain Way

    Set 1: My Friend, My Friend, Don’t You Want To Go?, Bathtub Gin, NICU > The Sloth, My Mind’s Got a Mind of its Own, It’s Ice > Dog Faced Boy > Tela > Possum

    Set 2: Down with Disease [1] -> Free > Poor Heart > You Enjoy Myself , Strange Design > Run Like an Antelope

    Encore: Sleeping Monkey > Rocky Top

    [1] Unfinished.
    My Friend started with a Pomp and Circumstance March No. 1 tease from Trey. Trey teased and quoted Long Tall Glasses in Bathtub Gin. Possum contained a Heartbreaker tease and YEM contained Immigrant Song teases from Trey. Down with Disease was unfinished. This show is available as an archival release on LivePhish.com.

    Read our detailed breakdown of this 1995 live Phish performance at SPAC here.

  • Hearing Aide: Ross Jenssen ‘Stories’

    Future groove group Ross Jenssen put forth their sophomore release February 7, titled Stories. The instrumental nature of the album , sans lyrics, provides a suitable backdrop for listeners to marry their own imagination with the instrumentation. A frantic moodiness looms throughout the EP, keeping the listener ever so slightly on edge. Ross Jenssen (writer/producer), Brian Ross (bass), Sam McGarrity (guitar), Jules Jenssen (drums/moog), and Ricky Tiven (violin on tracks 2,3) are the instrument wielders behind the madness.

    Stories opens with “The Chronicle,” which begins with brooding bass before quick and subtle percussion and guitar distorted with a trace of metal lend the song a sense of urgency. “The Tall Tale” holds a beat that ceaselessly drives the song forward before sliding into its own noodly jam. “The Myth” rounds out the three-track trio with a flurry of wavering tempos that suggest the group couldn’t settle on a cohesive rhythm for the closing tune.

    The songs are similar enough in style that if you were to listen without paying attention to track numbers or knowing this was a three song EP, you could mistake it as one lengthy jam. It’s a bit too repetitive, although the musicianship is crisp and controlled. Recorded at Sub Station Studio in Housatonic, MA, the EP was engineered by Jackson Whalan, Jules Jenssen, Ian Stewart, mixed by Ian Stewart, mastered by Taylor Larson (periphery, veil of maya, FFTL) with album cover by Simon Ban. Get the album here.

    Key Track: The Chronicle

  • Scott Hannay Joins Gubbulidis to Energize Crowd in Cohoes

    It had been quite a weekend for music in Albany thanks to the work of beloved promoter Greg Bell. Jamtronica founders, Particle, brought the heat to The Hollow Bar and Kitchen Friday, February 17 , followed there by Reed Mathis and Electric Beethoven Saturday, February 18. By Sunday evening, the fatigue of the long weekend had set in. But as committed fans, we got up, got dressed and headed up 787 to The Cohoes Music Hall to see Gubbilidis.

    Gubbulidis cohoesThe Twiddle side project, consisting of Mihali Savoulidis and Zdenek Gubb, was both upbeat and positive – the cup of Joe needed to energize this Sunday evening crowd. The added espresso shot was the venue itself. Having only recently come under management by The Palace Theater in Albany, many in attendance were visiting The Cohoes Music Hall for the first time. Built in 1874, the historical theater is the perfect size venue for shows too big for venues like The Hollow, but ones that would be dwarfed by the The Palace Theater. It boasts decorative details and grandeur but the wooden benches, floors and walls give the feeling of an old-timey, western saloon. The environment is thoroughly refreshing for Capital Region music fans growing bored of the same venues night after night.

    Using a loop pedal to layer the elements, Gubbilidis created the sound of a full band. Kicking off the evening with “Apples,” a Twiddle mainstay, Mihali beat boxed to create the percussion while Zdenek played his bass in such a way you’d think it was a lead guitar. “Every Soul” allowed the duo to get serious for a few minutes before letting the silly return with a funky “Brown Chicken Brown Cow.”

    Mihali and Zdenek welcomed Scott Hannay of Mister F to the stage. The 8-bit keys and synthesizer were loud and high pitched but added a fun, video game vibe to Blues Traveler’s “Run Around.” Hannay continued his sit-in for “Mamunes the Faun” before the trio paused for a set break.

    The second set featured an exciting mashup of “No Woman, No Cry,” “Glycerine,” “Farmhouse,” “Wagon Wheel” and “One Day.” Hannay returned to the stage for a cover of ALO’s “Barbeque” and Twiddle’s iconic “Jamflowman.” Zdenek nailed the bass solo and Mihali cranked out the guitar riffs, making this the highlight song of the evening.  The second set wrapped up with “Hattibagen McRat,” a touching tribute to Mihali’s late friend.

    All three men returned to the stage to encore with The Beatles’ “Rocky Raccoon,” which featured a thrilling solo by Hannay and intricate and powerful guitar riffs from Mihali.

    Set 1: Apples, White Light, Every Soul, Brown Chicken, Brown Cow, Run Around*, Mamunes the Faun*

    Set 2: Rivers Drift, No Woman No Cry/Glycerine/Farmhouse/Wagon Wheel/One Day, Zazu’s Flight, Barbeque*, Jamflowman*, Hattibagen McRat*

    Encore: Rocky Raccoon

    * w/ Scott Hannay