Category: Jam/Progressive

  • Falling short on a chance to open Albany’s largest block party, The Late Shift thrives nonetheless

    Wednesday night gigs guarantee small crowds. The Late Shift was one of four bands to play Jupiter Hall on what was the final round of Wednesday night shows 102.7 WEQX organized for a weekly Battle of the Bands. The vertical string of mid-week nights strung across the month of August to determine who would open its annual Pearlpalooza music festival in Albany that summer.

    There is, of course, an exception to every rule of thought. It wasn’t just a “battle” amongst musicians fighting for recognition: each band was tasked with the near impossible task of coaxing its fans to come out for support. Thursday mornings are not the time to be nursing a hangover, either from alcohol consumption, sleep deprivation or both. It’s the type of dedication to their bands that fans pay forward with sloppy TPS reports and copious amounts of coffee.

    The Late Shift consists of four guys who graduated from Shaker a few years back. They messed around with some instruments in high school and about five years ago, band frontman Scotty Somerville said they flipped the switch to become the group they are today. That band has cultivated a following that now allows them to host an annual Halloween party on the Captain J.P. Morgan Cruise and a regular “Thanksgiving Eve” gig at The Hollow Bar and Kitchen.

    When Scotty, Mike Davies, Jake Lester, and Sean Murphy took to the Jupiter Hall stage, a relative swell of people crossed the floor towards the stage — relative in terms that a bulge of bodies from the approximately 80 in attendance started dancing. In a competition where the crowd was asked to submit hand written ballots to decide the winner, the proverbial hat had been tipped. Chanting and singing along to the songs, the favorite seemed to have already been named with still two bands yet to perform. But, it wasn’t so.

    Ultimately, Hasty Page won over the crowd as the final act of the evening. The three-piece band out of Albany (has since been playing with a fourth band member) earned the spoils of kicking off the Capital City’s biggest block party of the year. But, it turns out that oft-quoted line by Ricky Bobby “If you ain’t first, you’re last,” isn’t true.

    “Sometimes it’s a humbling experience to go into something very confidently and not necessarily have the results you want,” said Somerville, who added he and his bandmates didn’t walk into the room with the expectation of winning. He acknowledged that the pool of bands they were up against, like Hasty Page, were already “more up-and-coming than us.” [But,] we actually wound up getting a lot of great exposure from it. It really started our relationship with a lot of people.”

    Along with the exposure to additional fans and WEQX, Somerville said Greg Bell of Guthrie Bell Productions was in attendance, too. Bell is responsible for bringing in many of the regional acts who perform at the Palace Theatre, Cohoes Music Hall and The Hollow. Somerville said the performances at the Battle of the Bands impressed Bell enough to have The Late Shift open for Jimkata’s farewell performance at The Hollow in October.

    Jimkata is one of those regional bands with the reputation of working hard, performing more than 150 shows a year. After several years together, the band’s last album In Motion dropped last year, Jimkata decided to call it quits. The opportunity to play with them, Somerville said, was inspiring.

    “It’s funny whenever you get an opportunity to play with a band having a lot of success, whether that success is coming to an end or it’s just starting,” he said. “Just speaking with them, we’ve done a lot of things similar as bands, we know a lot of similar people. It’s amazing to find people who are having a lot of success and see that they do a lot of the things you are, it’s definitely inspiring.”

    Flash forward to the day before Thanksgiving. Another Wednesday night gig. Another surprisingly large crowd. The Late Shift is headlining its “Thanksgiving Eve” party, a show they’ve put together now for four years at arguably one of the hottest joints in a hot local music scene. “There are more and more incredible acts popping up everywhere,” said Somerville. “It seems like on any Saturday, you’ll see several great shows that you actually have to pick and choose between what you can actually go see. To me, although it fluctuates… I see the scene as hot as it’s ever been right now.” And, on an evening before fans go to see family for the holidays, a vibrant crowd packed the Hollow to see The Late Shift, along with local hip-hop artists Wavy Cunningham and DJ Mercy, and The Other Brothers, a funk rock band out of New Paltz. No TPS reports or college papers due the following day so the crowd let loose. Late into the night, The Late Shift lead the crowd into a sing-along to Aerosmith’s “I Don’t Want to Miss a Thing.” It’s an obvious favorite, but it lends something of an anthem. A mid-week crowd wishing it can “stay lost in this moment,” dedicating themselves to both a band and music scene on the rise.

    Plans are already in motion for 2018. Somerville said the band has two more gigs planned this month, including a New Year’s Eve show that’s still being worked out. The band already has the bridge work laid out to follow-up last year’s Fork & Knives.

    “We can’t put a date on it, but there’s definitely some stuff going on behind the scenes,” said Somerville. “There’s some new songs, and some new approaches for some of the songs, too. Some new styles. All within our wheelhouse, but kind of exploring a few different things. There’s some stuff we’re really excited about.”

    This article was originally published by The Spot 518 and is the property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYS Music. TheSpot518 and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.

  • Twiddle Announces Headlining Evening at Red Rocks

    Vermont based jam band Twiddle has announced their headlining debut at famed venue Red Rocks in Morrison, Colorado.  Twiddle will perform two sets on Star Wars day, Friday, May 4. Twiddle will also share the stage with California based  roots/reggae/dub outfit Stick Figure. Florida based world beat/indie band the Hip Abduction will play in support.

    Twiddle has graced the Red Rocks stage twice in support of String Cheese Incident (2015) and the Disco Biscuits(2016).  Their 2017 show with moe. was cancelled after moe. announced a hiatus while bassist Rob Derhak underwent treatment for nasopharyngeal cancer.

    The announcement comes as Twiddle hits the road in 2018 along with Stick Figure and Iya Terra for sixteen dates.  Twiddle has had a stellar year in 2017 and continued to make headlines.  The year was highlighted by a showing on the Billboard charts as their much-anticipated release PLUMP debuted at #6 on the Alternative New Artist Album charts and a sit-in from Grateful Dead bassist Phil Lesh at the band’s Tumble Down Music Festival.

    Self-taught musician Scott Woodruff writes, produces and records  under the moniker, Stick Figure. Woodruff tours with a full band to craft his live shows. His latest release, Set in Stone, has solidified the musician’s vision of a new melodic subgenre.

    The Hip Abduction toured in support of Twiddle during August and September of 2017.  The vibrant St. Petersburg, FL-based collective celebrates a mutual appreciation for West African and early Jamaican reggae/dub music.

    Twiddle Fan Club and AEG presales are available online as of the announcement.  Several pre-sale VIP packages are available with options including a special VIP performance at Red Rocks on Thursday, May 3. General on sale goes live on Friday, December 15 at Noon EST.

  • Keller Williams and Danton Boller Perform Intimate Show at The Egg’s Swyer Theater

    Guitar virtuoso Keller Williams returned to The Egg Performing Arts Center on Thursday, December 7, and performed two intimate one hour sets in the Swyer Theater, alongside stand up bassist Danton Boller, the first of three shows together.  Keller recalled his previous shows in the Hart Theater (which he referred to as the “Red Room”), and how years ago before going on stage, he stuck his head into the Swyer Theater and professed a desire to play the room.

    Keller Williams Danton BollerKeller started the first of two acoustic sets with the Grateful Dead’s “Bird Song” and Phish’s “Birds of a Feather,” all while wearing a guitar strap featuring Angry Birds. Williams showed some more love for Jerry Garcia in the form of the Peter Rowan tune “Mississippi Moon,” and after the classic “Freeker by the Speaker,” wrapped up the first set with a 78 RPM version of “Samson and Delilah.”  Set 2 kicked off with the audience contributing to “Off Time” and “Breathe,” with one of Keller’s best hits, “Best Feeling,” emerging from an open call to the audience for suggestions. A little more Dead followed in the form of a tease-happy “Scarlet Begonias” wrapped up the show with an encore of “I Feel High” off the appropriate album, Vape. Keller Williams and Danton Boller will wrapped up their three show run on Saturday night at Stage One at FTC in Fairfield, CT.

  • Aqueous Announces Gorillaz NYE Theme

    Buffalo groove rockers Aqueous will be making their Town Ballroom headlining debut this New Year’s Eve.  In anticipation of the evening, the Buffalo based quartet has announced that in addition to their own catalog, they will be dedicating a set of music to the English virtual band, Gorillaz.

    aqueous gorillaz“AQ draws from many different bands’ catalogs for inspiration, and the Gorillaz catalog is one that all four of us are HUGE fans of,” noted Aqueous frontman and guitarist Mike Ganzter via press release.  “Their catalog integrates four styles of music that we all love: hip-hop, rock, punk and electronic, and once the idea got thrown out there to do a Gorillaz themed set, it was clear that that was the vibe we wanted to really set our NYE party over the top!”

    This past March, Aqueous made their performance debut at the Town Ballroom opening in support of Vermont’s genre fusing jam band, Twiddle.  As AQ steps into the headlining position to close out 2017, Ganzter reveals the evening’s importance to the band. “This city has so much love for us and has supported us on a really profound level at every turn,” he said. “We’re coming into this gig with true gratitude and a mission to deliver in a big way at a venue that we all grew up seeing our favorite bands perform at.”

    Buffalo post-rock art band Lazlo Hollyfeld has been added in support.

    On Thanksgiving eve, Ganzter stopped by the Lazlo Hollyfeld annual Thanksgiving Eve show for an unannounced sit-in.  Besides their own unique brand of musical stylings, Lazlo Hollyfeld is also known for their perfected tribute sets, including performances of the Talking Heads, Radiohead and most recently, Arcade Fire.

    Aqueous is currently finishing up a nearly three month tour of the greater United States before retuning home to celebrate the New Year with their hometown fans. AQ will kick off 2018 with performances on Jam Cruise as well as tour in support of Papadosio for recently announced dates in February and March.

    Tickets for Aqueous’ NYE Gorillaz bash at Hometown Ballroom are $20 in advance and are still.

    Aqueous Upcoming Tour Dates

    Dec. 6 – Omaha, NE – Reverb Lounge
    Dec. 8 – Fort Collins, CO – Hodi’s Half Note
    Dec. 9 – Frisco, CO – The Barkley Ballroom
    Dec. 12 – Davenport, IA – Redstone Room
    Dec. 13 – St. Louis, MO – The Bootleg at Atomic Cowboy
    Dec. 14 – Lexington, KY – Cosmic Charlie’s
    Dec. 15 – Columbus, OH – Woodlands Tavern
    Dec. 16 – Pittsburgh, PA – The Rex Theater
    Dec. 29 – Denver, CO – Fillmore Auditorium *
    Dec. 31 – Buffalo, NY – Town Ballroom
    Jan. 17 – 22 – Miami, FL – Jam Cruise

    * w/ Umphrey’s McGee

  • Get Brainwashed with ShwizZ’s Quirky video for “Listen To It”

    This past week, ShwiZz released their video for “Listen To It,” a satirical song with an equally odd video that bounces around similar to the jams ShwiZz performs. Watch below.

    “Listen To It” was conceptualized and written by Ryan Liatsis and brought to life in 2017 with the band ShwizZ. The self-referential tune encourages the listener to indeed “listen to it,” over and over again. Guitarist Ryan Liatsis shared some background on the video. “The original idea was to write more of a pop song to take the band in a different direction, but of course our love for Zappa shone through and we wound up adding quite a bit of humor and satire. The song is merely a mockery of the power mainstream media has over so many minds, “telling” them all what should be listened to, whether you like it or not! We are undoubtedly not the first people or group to shed light on this matter, but our hope is that people who view this video will consider giving a listen to small time bands, music you’ve perhaps never heard and non commercial radio and media. Or perhaps we just want to brainwash everyone as well.”

    shwizz at garcia's Shwizz Listen to it“Listen To It” was directed and produced by Paul Liatsis and Bridgeside Productions out of Bay Ridge in Brooklyn, NY, and was filmed at Bridgeside Productions Studio in Nyack, NY.

    Catch ShwiZz on December 9 at B.R.Y.A.C in Bridgeport, CT, December 15 at Casa Del Sol in Nyack, NY and on January 11 at 10pm they’ll be part of a live TV performance “Raw Music Sessions,” available for viewing on Channel 79 Time Warner Cable and Fios Staten Island

  • Pigeons Playing Ping Pong Play Packed Paradise

    Friday, December 1st, the Paradise Rock Club in Boston, MA hosted a sold out Pigeons Playing Ping Pong show. “One of the fastest sellouts we’ve ever had,” exclaimed Greg Ormont, rhythm guitarist and front man of Pigeons Playing Ping Pong. The crowd was surging for both sets in the packed club, the band feeding off their energy. You could see it in their eyes as they belted out heavy jams.

    pigeons playing paradiseTheir cover of Stevie Wonder’s “Signed, Sealed, Delivered, I’m Yours” was met with a very positive scream from funk-hungry fans. Their set list was a “flocker’s” wet dream, keeping them in motion for the whole night. Even during the set break, it seemed like the dance floor was still in rhythm. After two incredible sets, the quartet ended with a long, dark and heavy “Live It Up” encore.

    Pigeons is closing their “Pizazz” tour this weekend in Philly at the TLA and Pittsburgh at Mr. Smalls Theater on December 8 and 9. They close the year on a high note with two shows in Cleveland at Beachland Ballroom December 29 and 30, and end with a bang at Madison Theater in Covington, Kentucky on New Year’s Eve.

  • Breaking: Dead & Co. Scraps Tonight’s New Orleans Show; Mayer Hospitalized

    Dead & Company’s scheduled show tonight at the Smoothie King Center in New Orleans has been postponed due to John Mayer being hospitalized.

    Mayer Hospitalized

    Mayer was hospitalized early Tuesday for an emergency appendectomy. No make up date was given for the show but tickets for tonight’s show will be honored at the rescheduled date. Refunds will be offered at point of purchase.

    Dead & Company are in the tail end of their fall tour with stops in Orlando and Sunrise, FL scheduled later this week. Those shows are still on schedule as of press time.

  • Dark Star Orchestra Continues 20th Anniversary Celebration at Paramount Hudson Valley

    On Nov. 12, Dark Star Orchestra traveled downstate from a show at the Palace Theater in Albany to Paramount Hudson Valley in Peekskill the next night to continue celebrating their 20th year of performing authentic Grateful Dead show replications. The saying “never miss a Sunday show” was once again validated by DSO’s stellar sets at the Paramount a day after the 20th anniversary of their first show in 1997.

    Dark Star Orchestra Paramount Hudson ValleyA fun game for the audience at any DSO show is to take a guess as to what Grateful Dead show the band is covering (which they later reveal before their encore). Shortly after the start of the first set it was fairly easy to narrow the time frame to the late 1980s/early 19990s from the prominence of the keys and later the style of the drum break.  DSO broke form slightly to perform a selective setlist in the style of a particular show which in this case was based on the stylings of 7-19-1990 at Deer Creek Music Center in Indiana. Even though the show wasn’t an exact replica of a Grateful Dead setlist, it showed DSO’s endowment for channeling a particular Grateful Dead style seamlessly through set substitutions to maintain the feel of a real Dead show.

    Set 1 started with a quick recognition of “Jack Straw” and continued on with an easy groove through the set. The 1940s blues standard “It Hurts Me Too” anchored the first set with a remarkable feature of singer Lisa Mackey’s vocals. Rounding off the first set was “Deal,” starting off like any Grateful Dead performance of the song interlaced with plenty of noodling intricately replicated by Jeff Mattson (who replaced long-time DSO guitarist John Kadlecick in 2010). Like a firecracker on a short fuse Mattson’s noodling quickly went from its regular form to a fiery hot guitar jam before coming back around to a quick refrain of the chorus.

    The second set was a bit more true to the Deer Creek show it was modeled after with just two song substitutions. True to a Grateful Dead second set the song run was continuous until the encore even with the contrast between some adjacent songs. Leading in from a “Playing In The Band” reprise, original DSO drummers Rob Koritz and Dino English gave the subtle hints about the drum break about to happen. Koritz and English began with a more structured duet between the two kits before loosening up to move around for a more improvised percussion break including some electronic drums (something Billy Kreutzman and Mickey Hart started incorporating in the late 1980s). While “Space” is what it is for some folks, it’s a good opportunity to zone in and hear something unexpected. The latter part of the second set capped off the show with a strong finish. A Spanish jam akin to Maurice Ravel’s 1928 composition “Bolero” (from which the music of Jefferson Airplane’s “White Rabbit” was inspired) segued into a crescendo that progressed through “Dear Mr. Fantasy,” “Black Peter,” and “Not Fade Away.”

    Keyboardist Rob Barraco took a few moments before the encore to explain a little bit of the setlist and to plug DSO’s four-night Jamaican excursion in January. The Dead’s 7-19-1990 show only included “U.S. Blues” but DSO took the opportunity to make it a perfect close to the show by adding on “Mr. Charlie.” With many unique and excellent Grateful Dead cover acts out there, Dark Star Orchestra has shown again their consistency in delivering a genuine Grateful Dead tribute.

    Dark Star Orchestra, Paramount Hudson Valley, Peekskill, NY

    Set 1: Jack Straw*, They Love Each Other*, Good Times Blues, Row Jimmy*, Blow Away, It Hurts Me Too, Althea* > Deal
    Set 2: Foolish Heart* > Playing In The Band* > China Doll* > Uncle John’s Band* > Playin’ Jam* > Drums* > Space* > Dear Mr. Fantasy > Black Peter* > Not Fade Away*

    Encore: U.S. Blues*, Mister Charlie

    * denotes songs from the Grateful Dead setlist

    (Omissions from Grateful Dead 7-19-1990 setlist: Desolation Row, Picasso Moon, Promised Land, Victim or the Crime, All Along The Watchtower)

    Check out a recording of this DSO show on archive.org.

  • 5 Shows to See in Rochester in December

    How’d you do with our November picks Rochester? We were able to catch a few of our recommendations and thoroughly enjoyed each and every one. We’re back with five more choice live music options to fill up your Rochester in December calendar so you can end the year strong. Check them out and let us know what you see.

    Wednesday, December 6
    lespecial @ Funk n Waffles Music Hall

    First stop is Funk n Waffles for lespecial, a young electronic-infused trio carving out a name for themselves on the jam band circuit. Childhood friends, these guys have many years worth of connection to each other behind some otherworldly onstage communication. The music flips around furiously and often, keeping surprises around every corner. Is it rock? Or is it world? Is it punk? Or is it jazz? Is it funk? Or is it hip hop? The answer is yes.

    Tuesday, December 12
    The Black Lillies @ Abilene Bar and Lounge

    The joint will be jumping when The Black Lillies return to Abilene. With a full-blooded country and blues rock sound, the old house will be struggling to contain it all. They’re a bit of a rotating cast behind frontman and multi-instrumentalist Cruz Contreras. The current lineup includes bassist and vocalist Sam Quinn, drummer Bowman Townsend, and guitarist/vocalist Dustin Schaefer. This might be the last chance you have to see them before Abilene needs to upgrade these guys to one of their “On the Road” destinations.

    Friday, December 29
    Hinkley @ Three Heads Brewing

    Rochester’s own Hinkley will start the New Year weekend off at Three Heads. Nearing the 20 year mark as a band, they will have plenty of material to draw from, but will likely be favoring their fantastic brand new album, Peak of Light. Their sound hovers amongst the Wilcos and Death Cabs of the world; hints of Americana sand-blasted with more modern and experimental rock sounds.

    Friday, December 29
    Rubblebucket, Cuddle Magic @ Anthology

    Rubblebucket has made Rochester a stop along their New Year’s tour for the past few years at least. There’s not a better time to see them than when you’re in the mood to celebrate. The afro-beat-based horn-infused dance happy music is perfect for a party and this year the party will be at Anthology. Even though it won’t quite be New Year’s Eve, they won’t skimp on the balloons, confetti and wild antics. No stranger to Rochester either, Cuddle Magic will open with their unusual instrumentation and fantastically lush baroque rock sounds.

    Sunday, December 31
    Easy Star All Stars, Giant Panda Guerilla Dub Squad @ Anthology

    Speaking of parties at Anthology, the next two nights they’ll be throwing the Forever Party to end 2017 on a dub note. It all starts on the 30th with John Brown’s Body, Giant Panda Guerilla Dub Squad and Thunderbody. JBB and GPGDS are both members of the reggae label, Easy Star Records. The label’s signature band, Easy Star All Stars, are known for recreating famous albums in their own image. On New Year’s Eve they’ll be presenting their spin on a Pink Floyd classic, playing through their Dub Side of the Moon album. That will be followed by another set by GPGDS. Should be a fun time!

  • moe.’s Rob Derhak Cancer Free

    Rob Derhak, bassist and vocalist from moe., announced on Facebook through both his personal page and the band’s page that he is officially cancer free. He was originally diagnosed with oropharyngeal cancer in July.

    It has been about two weeks since moe. announced their return with two shows at Port Chester’s Capitol Theatre on Feb. 2 and 3. On Wednesday, Derhak announced that, following a visit with his doctor, he was given a clean bill of health and declared cancer free. The cancer diagnosis in July had the band on an indefinite hiatus that began back in August.

    Derhak’s statement:

    Hi Friends,
    I have some good news to post today. After being scanned, poked, and prodded my Dr.’s have given me a green light. Did I kick cancers ass? No, it beat me up pretty good. But I just didn’t have the sense to go down, and eventually the cancer grew tired and hit the mat. So essentially, I rope-a-doped the dam thing. Although I’ll need to continue the Dr.’s visits for the next 5 years, they’ve given me a clean bill of health and declared me cancer free, with only a minimal chance that it will return. So thank you to everyone that was pulling for me, the support I received was instrumental in helping me get through this. I am truly looking forward to seeing everyone when I hit the stage again this February, with moe.
    Thanks from Your Pal,
    Rob

    In addition to the shows at the Capitol Theatre, moe. will return to host their Summer Camp Music Festival along with Umphrey’s McGee over Memorial Day weekend and they will be playing a show at Red Rocks Amphitheatre in Morrison, Colorado on July 12.