NYS Music 20​17

Category: Blues/Jazz

  • Clearwater Festival Returns After a One-Year Hiatus

    Returning to Croton Point Park after taking last year off, the Clearwater Great Hudson River Revival (Clearwater Festival), the country’s oldest music and environmental festival started by none other than folk legend Pete Seeger, came back full force in 2017. Taking place during its usual Father’s Day Weekend, Clearwater continued its tradition of being one of the most family-friendly festivals out there, making it the ideal location to take dad on his special day.

    From the kid-oriented Story Grove and Family Stage, providing entertainment and education to people of all ages, to the Dance Stage and Circle of Song, giving folks the opportunity to actively participate in the music, to the “new this year” Workshop Stage, giving audience members the chance to see artists in a more intimate setting and learn more about their backgrounds and how they got into music, not to mention the main Rainbow and Hudson Stages, featuring some of this event’s biggest named artists to date, Clearwater has something for everyone.

    Saturday’s line-up featured Clearwater favorites Toshi Reagon, Holly Near and The Kennedys to ring in this year’s festival, helping to bring everyone back into the spirit of this folk­ gathering. Day One also included Woodstock locals Larry Campbell & Teresa Williams, a Hudson Valley Song Swap, indie/folk singer Josh Ritter, NYC’s dance brass band Lucky Chops, the soulful and sultry Joan Osborne and bluegrass-influenced Lake Street Dive. And this is all on top of the lovely and varied crafts, jewelry, and clothing to be found in Handcrafters’ Village, the Artisanal Food & Farm Market, where everything from tempeh reubens and kombucha to shiitake mushroom starter kits could be purchased and, perhaps most excitingly, the sending off of the Sloop Clearwater on a historic sail to Washington, D.C. to demonstrate to our country’s officials that clean water is a right for all.

    Sunday, the hotter but drier day of the two, saw its own share of big names mixed with festival faves like David Amram and Jay Ungar & Molly Mason (based out of Ashokan, from right here in our backyard). A day of commemorations unfolded, including Story Songs of Harry Chapin, featuring Harry’s equally talented brother Tom Chapin, Songs of Leonard Cohen, which climaxed with an emotional sing-along of “Hallelujah” and a 50th anniversary celebration of the Beatles’ album Sgt. Pepper’s Lonely Hearts Club Band  given a New Orleans twist by Brother Joscephus and the Love Revolution.  Acts on the main Rainbow Stage included the Dolly Parton-meets-Beyonce, Valerie June, ‘60s British folk rocker Richard Thompson and folk trio Cry Cry Cry, consisting of folk legends Dar Williams, Lucy Kaplansky and Richard Shindell, performing together for the first time in 18 years. To top it all off, with a beautiful sunset as the backdrop on the Hudson River Stage, jamband The Barr Brothers flawlessly meshed guitar, bass, percussion and harp in a bluesy-folky blend. And perhaps the most fitting way to end the festival on the Rainbow Stage was Arlo Guthrie with his signature political folk stylings.

    Clearwater provides a plethora of musical entertainment, tasty food choices and unique shopping options, and plenty of opportunities to learn more about environmental issues and ways to help make this world a better place. You can feel good about buying your ticket to this festival as all proceeds go directly to support Clearwater’s environmental research, education and advocacy efforts to help protect the Hudson River. For those who haven’t been able to make it to a Clearwater Festival yet, this is definitely one you’ll want to be sure to add to your calendars for next year’s Father’s Day Weekend.

  • Albany’s The Egg Presents Made In The Shade Outdoor Concert Series

    Albany’s Made in the Shade series makes a comeback this year with performances every Wednesday at noon under The Egg.

    Dance troupes Aikun Ballet Theatre and Ellen Sinopli Dance Company make their return to the stage, interspersed with an array of musical performances, including Hudson Valley R&B act the Big Takeover, Boston folk-rockers Adam Ezra Group and San Francisco blues aficionado Joe Louis Walker. Shows are free, and parking is available in the Empire State Plaza Visitor’s Parking Lot for $5.

    Ellen Sinopoli Dance Company

    2017 Made in the Shade Series:

    June 28 – the Big Takeover
    July 5 – Adam Ezra Group
    July 12 – Beg, Steal or Borrow
    July 19 – Joe Louis Walker
    July 26 – Ajkun Ballet Theatre
    Aug. 2 – Incendio
    Aug. 9 – the Soul Rebels
    Aug. 16 – Roosevelt Dime
    Aug. 23 – the Sweetback Sisters
    Aug. 30 – Ellen Sinopoli Dance Company

    For more information, visit The Egg’s website.

  • Interview: The Dirty Pennies on Developing Their Own Style of Blues

    The Dirty Pennies play a mean twelve bar blues. However, they don’t box themselves into the genre. They use the blues as a springboard to launch into other musical directions.

    Their debut album Kick Out The Rocks demonstrates this versatility – from the boogie-woogie title track to the alt rock “Explosions” and the folk ballad “Man on a Wire.” The Dirty Pennies started as a duo five years ago, with Ryan Klem on vocals and lead guitar and Lucas Howe on drums. Last year, bassist Joe Mungo joined the group. NYS Music sat down with the trio at Boulder Coffee Co. in their hometown of Rochester to discuss the evolution of the band and their sound.

    Lucas Howe, Joe Mungo, Ryan Klem

    Paula Cummings: Ryan and Lucas, you started as a duo about 5 years ago. How did you meet & decide to start a band?

    Lucas Howe: We played in another band before that wasn’t really our cup of tea, you could say, and then we both decided to jam and start our own thing.

    Ryan Klem: I remember when we were playing in the band, but we both had different writing styles. I came from the singer-songwriter style. We came up with a happy medium of sound, bringing in that twelve-bar blues like The White Stripes, The Black Keys.

    PC: Tell me about how you became a trio.

    Joe Mungo: When I moved out here three years ago, I started working with Ryan. The first weekend out here I saw them play a show. So I approached him a couple days later at work and said, “Hey, man, if you ever want to jam or anything sometime, I’d be interested in playing with you guys.” The first time we played collectively, after practice they were like, “Okay, you’re in. Let’s do this.”

    RK: We had someone working with us from Cleveland for a while who said, “You guys should get a bassist.” We also had enough people coming up to us after shows saying “You guys sound like the Black Keys” or “You guys sound like the White Stripes.” I don’t want to sound just like The Black Keys and The White Stripes, so bringing in another element has been able to…

    LH: It opens up a lot more.

    RK: What we were doing was straightforward, what we were able to do. There was a big margin where we could write what we wanted, but there was only so much we could do with a guitar and drums. With a bass now, we can touch indie rock, we can touch country… we can touch lots of different things.

    PC: You’ve been a live band for so long, what was it like when you finally got into the studio?

    RK: It’s strange because people think of us as a live band, but we did an EP that took the course of three years. I was up at school, living in the Adirondacks, and I would come back and just play a show every once in a while, not really knowing where all of this was going. But what I will say is Kick Out The Rocks was the first time I’ve felt like going into the studio and hammering something out.

    JM: For me it was return-to-my-roots. When I lived in Geneva, my hometown, I was in another band, my friend and I, and we were setting up a studio. It was a very grassroots thing in a basement. I think we played four shows total, so all the time we were playing it was in the studio setting. So it was nice to go back to that. But it was a completely different experience because Blue Brick Recordings is a legitimate studio with different rooms and things set up. It was really fun to have the professional setting.

    LH: I still think I like that people look at us as a live band. You hear the songs on the record, but I think you don’t get the same experience… I like to go nuts.

    RK: Right, live is different.

    JM: Recording in the studio, one thing that trips me up a bit is “Okay, I need to nail it this time.”

    LH: It’s really stressful.

    JM: It gets really frustrating if you can’t get it after a few tries. You get frustrated and you just want to move on for the day. But live, it doesn’t have to be the same every time.

    PC: The album has strong blues overtones, but also blends a wide range of sounds. Who are some of the bands that inspire you?

    RK: I like Wilco.

    LH: Deer Tick is pretty sweet.

    JM: If I had to name a band that’s currently out, I’d say Houndmouth has a similar sound to us.

    RK: I feel like we’re always listening. It’s harder now to find your style. If you’re someone who really grasps onto music – you want to listen to music, you want to play music – there’s just so much of it out there.

    JM: The more cool stuff you hear, it’s like, “Let’s do something like that.”

    RK: And then it will change and I’ll be like, “Why do I like so much reggae stuff now?”

    PC: What is your favorite comment by someone who reviewed your album?

    JM: Frank DeBlase (City Newspaper) gave me my best one. He said my bass was “sassy and precarious.” I really liked that comment, sassy and precarious.

    LH: I mainly liked that it seems like everyone that wrote about us said you can’t find one song that’s not catchy, that you can’t tap your foot to. We always hear that it’s catchy music.

    RK: The thing is that you get a little of everything. That’s what we’re trying to do, a little of everything.

    LH: That’s important to do, to split up the album – not just have it all grunge garage blues the whole time.

    RK: I think we touch on all of our strengths on the album, which is nice. We all have different backgrounds in music. In the twelve songs we have, I can name one song in particular in each of our styles where we really honed in on that track specifically. And it’s very cool we all got to do that. We compromise in a sense but we also stay unique through it, which is really hard to do sometimes.

    PC: What’s on the horizon for The Dirty Pennies?

    LH: We’re touring in mid-August.

    RK: Other than that, we’re writing new stuff.

    JM: I think that’s the focus right now – new music.

    RK: I love our record, but I’m ready for new stuff already.

    LH: We have been playing some new songs in practice that we haven’t really played live or are obviously not on the record.

    JM: We’ve got three or four new ones that are almost there.

    LH: It’s always nice to write new stuff. It’s nice to go in other directions.

    PC: What else would you like our readers to know about you?

    RK: We’re high-energy. We like to put on a fun live performance.

    Their next show on July 15 is at the BASIC BRAND (skate board / apparel company) Launch Party at Kashong Creek Craft Cider in Geneva, NY. For updates on shows and events, check their website or follow them on Facebook.

    Kick Out The Rocks is available through Spotify, Bandcamp and  iTunes.

    Photos of interview by Corinne Cummings

  • Trombone Shorty brings N’Awlins to The Egg

    Trombone Shorty and Orleans Avenue brought the N’awlins flavor to The Egg in Albany on Wednesday, June 14 to the delight of a sold out audience. Troy Andrews AKA Trombone Shorty and friends made jaws drop by their range in abilities and genres in which they proved to be fluent.

    The once brass prodigy now household name, arrived on stage to a surprisingly hard rock sound with blinding lights and funky riffs from band mate Pete Murano. It was certainly not the typical “N’Awlins” intro one might expect, but added a certain level of intrigue that would continue throughout the nearly 90-minute set.

    From funk to blues to R&B and soul, each song brought a new variation but with the consistent Louisiana street party the crowd came to see. Andrew’s ability to seamlessly move between trumpet, tambourine, vocals, drums and of course, trombone, highlighted the musical Renaissance Man’s many talents.

    The largely middle-aged crowd was shy at first, sitting politely while bopping along to the rhythm, but it took almost no time to move them to their feet. Andrews engaged the fans with call and response vocals, and naturally handed out beads to the excited ladies in the front row.

    Each of the six members of the band had many opportunities to showcase their talents. BK Jackson on tenor sax along with his brass partner Dan Oestreicher on baritone sax worked their magic as both musicians and dancers, gliding across the stage with ease while muscling through some impressive solos. Michael Baily practically did an army crawl across the stage while thudding the bass, his CamelBack strapped on only adding to his masculine charisma.

    Song selections sprawled across the board including old favorites like “Where Y’At” and new songs like “Where it At” from their latest album “Parking Lot Symphony.”  Andrews “took it to the bridge” with James Brown samples as he moonwalked across the stage, sending the crowd into a loud roar.

    Their rainbow lights that splashed across the interior walls of The Egg served as street lamps as they paraded into the crowd to Louis Armstrong’s “When the Saints go Marching In,” a true staple of The Big Easy.

    “We’re going to have to come back to Albany more often,” said Andrews to end the incredible evening.

  • The NYS Music Guide to the 2017 Xerox Rochester International Jazz Festival

    Starting June 23, and up until July 1, 2017, Rochester will once again become one of the hottest destinations for live jazz, and music in general. Once a year, for a nine-day stretch, the Xerox Rochester International Jazz Fest brings this medium-sized city wall-to-wall big city talent from across the globe. Headliners at the glorious Eastman Theatre, the Club Series making use of every viable hall in the East End neighborhood, and free shows filling the streets with sound; it’s a music lover’s paradise. With so much to see and hear, and only two eyes and two ears with which to take it all in, decisions must be made. Hit this, not that. But what? Well, that’s why we’re here. Here again we have compiled must-see acts for every type of fan. No matter what tune you’re singing as you stroll down Jazz Street, there’s something for you. Don’t forget to check out our tips for the best way to enjoy your time at the Rochester Jazz Fest.


    “It don’t mean a thing if it ain’t got that swing”
    Are you more of a traditionalist? You’ll want to be at these sets:

    Miguel Zenon
    Puerto-Rican saxophonist Zenon is a Grammy winner and a Guggenheim and MacArthur Fellow. He brings his longtime quartet and the music from his fantastic new release, Tipico, which blends his Latin roots and adventurous hard bop for a sound that can be reminiscent of Horace Silver, with more than a few unexpected turns.
    June 26, Kilbourn Hall    , 6:00 p.m. and 9:00 p.m.; $35 or Club Pass

    Billy Childs Quartet
    Previously seen on a XRIJF stage as the pianist in Chris Botti’s band, Childs brings his own quartet this year, playing from his own impressive songbook. Perhaps he will throw in a Laura Nyro cover or two from his Reimagining Laura Nyro record, but more likely the set will lean heavily on his superb 2017 release, Rebirth.
    June 24, Kilbourn Hall, 6:00 p.m. and 9:00 p.m.; $35 or Club Pass

    4 By Monk By 4
    Four piano masters celebrating the works of a trailblazer and legend of jazz, Thelonious Monk. Kenny Barron, Benny Green, George Cables and Cyrus Chestnut will combine forces to do the man justice, playing together in various combinations. This has the all the makings of a special night of music.
    June 29, Lyric Theatre, 4:00 p.m.; $30 or Club Pass
    June 30, Kilbourn Hall, 6:00 p.m. and 9:00 p.m.; $35 or Club Pass

    Also make time for…
    Kendrick Scott Oracle
    June 27, Xerox Auditorium, 6:30 p.m. and 9 p.m.; $30 or Club Pass

    Hot Club of Cowtown
    June 28, Big Tent, 8:30 p.m. and 10 p.m.;$30 or Club Pass


    “It don’t mean a thang if it ain’t got that twang”
    In the, well this ain’t jazz category, here are some acts for the lovers of the tried and true roots and Americana tradition.

    The Jerry Douglas Band
    The unquestioned best dobro player around, Douglas might best be known these days for his work in Alison Krauss’ band, but he has been kicking around in the newgrass scene since it’s inception. He’ll be with his new band previewing his new album What If, which is out in mid-August.
    June 24, City of Rochester East Ave and Chestnut Street Stage, 9 p.m.; FREE

    John Paul White
    White found great success as the male half of the much acclaimed folk duo, The Civil Wars. Moving on from that project, White returned to his solo roots, plumbing the depths of Americana for his second solo effort, Buelah, released last year.
    June 25, Squeezers Stage at Anthology, 7:30 p.m. and 9:30p.m.; $30 or Club Pass

    The Dustbowl Revival
    An eight-piece that combines bluegrass, gospel, New Orleans swing and blues, they are no mere string revival band, mixing in some brass to throw it all for a unique loop.
    June 29, Montage Music Hall, 6 p.m. and 10 p.m.; $30 or Club Pass

    Also make time for…
    Jack Broadbent
    June 25, Montage Music Hall, 6 p.m. and 10 p.m.; $30 or Club Pass

    Lera Lynn
    June 26, Squeezers Stage at Anthology, 7:30 p.m. and 9:30p.m.; $30 or Club Pass


    “It don’t mean a thing if it ain’t got six strings”
    The festival has an unusually strong slate of guitar slingers this year.

    Bill Frisell & Thomas Morgan
    If the Jazz Fest existed for the singular purpose of getting Frisell to Rochester every couple of years it would be well worth it. Your favorite guitar player’s favorite guitar player, he is returning for his seventh festival. Every time he brings a different band and it never disappoints. This year he is presenting a duo set with bassist Thomas Morgan.
    June 25, Kilbourn Hall, 6:00 p.m. and 9:00 p.m.; $35 or Club Pass

    Matthew Stevens
    A major contributor to the sound behind Esperanza Spalding’s standout 2016 hit Emily’s D+Evolution, Stevens is out with a stunning brain melter of an album of his own this year, Preverbal. Angular and adventurous, you’re in for a thrilling ride at these sets.
    July 1, Wilder Room    , 6:00 p.m. and 10:00 p.m.; $30 or Club Pass

    Eric Krasno
    The guitarist for jamband and XRIJF veterans Soulive, Krasno returns for a set with his own band. He has mixed in more rock and blues to the funk and soul, and even added vocals to the repertoire, but there’ll still be plenty of improvisation to go around.
    June 30, Squeezers Stage at Anthology, 7:30 p.m. and 9:30p.m.; $30 or Club Pass

    Also make time for…
    Charlie Hunter Trio
    June 27, Squeezers Stage at Anthology, 7:30 p.m. and 9:30p.m.; $30 or Club Pass

    International Orange
    July 1, The Little Theatre, 7:00 p.m. and 9:15 p.m.; $30 or Club Pass

     
    “It don’t mean a thing if I ain’t moving my thing”
    If you want to move while you listen, these are the acts that will have the crowd out of their chairs and on their feet. Don’t forget to bring your dancing shoes.

    St. Paul and the Broken Bones
    Paul Janeway, an energetic singer with an electric and unique voice, leads this eight-piece soul band that turns heads wherever they go, wherever they’re heard. The streets will be a sea of dancers when they unleash music from their latest, Sea of Noise.
    June 23, City of Rochester East Ave and Chestnut Street Stage, 9 p.m.; FREE

    The Nth Power
    Soulful groove and dance music from a group borne from a late-night jam session at the New Orleans Jazz Fest, this is a young band quickly making a name for themselves for their electrifying live shows.
    June 23, Rochester Regional Health Big Tent, 8:30 p.m. and 10 p.m.; $30 or Club Pass

    Electric Kif
    Another energetic soulful quartet, this Miami band started as a side project for the members but quickly grew into something special and lasting.
    June 28, Squeezers Stage at Anthology, 7:30 p.m. and 9:30p.m.; $30 or Club Pass

    Also make time for…
    Huntertones
    June 23, Montage Music Hall, 6 p.m. and 10 p.m.
    June 24, Rochester Regional Health Big Tent, 8:30 p.m. and 10 p.m.; $30 or Club Pass for either venue

    New Breed Brass Band
    June 26, Rochester Regional Health Big Tent, 8:30 p.m. and 10 p.m.
    June 27, Montage Music Hall, 6 p.m. and 10 p.m.    ; $30 or Club Pass for either venue


    “It don’t mean a thing if it ain’t got that sing”
    If you want some vocals with your jazz, check out these shows.

    Scott Bradlee’s Postmodern Jukebox
    Scott Bradlee invited different musicians to play today’s popular music in specific classic styles and quickly grew his concept into a YouTube sensation. Be prepared to hear familiar songs as you’ve never heard them before. It makes for a truly unique and exciting live performance like you’ve never seen before. Browse the endless string of videos at his web site and you’ll get the idea fairly quickly.
    June 27, Kodak Hall at Eastman Theatre, 8 p.m.; $45 – $85

    Mavis Staples
    One of the few true living legends featured at this year’s festival, Mavis Staples is an American treasure that is still making new and relevant music. If you’re looking for some soul and gospel, accept no substitute.
    June 28, Kodak Hall at Eastman Theatre, 8 p.m.; $25 – $65

    Eivor
    As long as you’re in a church, you may as well listen to a voice from the heavens. From Norway’s Faroe Islands, Eivor will do nothing if not mystify you.
    June 24, Lutheran Church of the Reformation, 7:30 p.m. and 9:30 p.m.; $30 or Club Pass

    Also make time for…
    Danielle Ponder and the Tomorrow People
    June 29, City of Rochester Midtown Stage, 7:00 p.m.; FREE

    Youn Sun Nah
    June 29, Harro East Ballroom, 5:30 p.m. and 7:15 p.m.; $30 or Club Pass


    “It don’t mean a thung if it ain’t fresh and young”
    People have been calling for the death of jazz for decades, but the youth keep reinvigorating the genre. Check out these younger acts to keep hip to what’s new. But if you want to catch the youngest talent, plan to catch some of the school bands gracing the Jazz Street stage throughout the festival.

    Phronesis
    This piano trio is making a very welcome return to the XRIJF lineup. The London Jazz News sums them up nicely: “established as one of the great trios. Three players, moving as one – head, heart and hands.”
    June 29, Christ Church, 6:45 p.m. and 8:45 p.m.; $30 or Club Pass

    Neil Cowley Trio
    Like Phronesis, another brilliant British piano trio making their Jazz Fest return. These guys lean more heavily on the hook-laden melodies, adding a pop and rock sensibility to their compositions.
    June 24, Christ Church, 6:45 p.m. and 8:45 p.m.; $30 or Club Pass

    Donny McCaslin Group
    The band behind David Bowie’s universally-lauded final album, Blackstar, this is jazz highly influenced and informed by that experience.
    July 1, Xerox Auditorium, 6:30 p.m. and 9 p.m.; $30 or Club Pass

    Also make time for…
    Binker and Moses
    June 30, Christ Church, 6:45 p.m. and 8:45 p.m.; $30 or Club Pass

    Jacob Collier
    June 23, Squeezers Stage at Anthology, 7:30 p.m. and 9:30p.m.; $30 or Club Pass


    “Doo wah, doo wah, doo wah, doo wah”
    And now for something a little different. When you invite bands from around the world you can get into some interesting and adventurous stuff.

    Shabaka and the Ancestors
    London-ite Shabaka Hutchens put together this ensemble of South African musicians, which recorded one of the most thrilling new records of 2016, The Wisdom of Elders. Spiritual afrocentric jazz that is equal parts soul-stirring and soul-soothing, in the vein of Coltrane or Sun Ra.
    June 25, Harro East Ballroom, 5:30 p.m. and 7:15 p.m.; $30 or Club Pass

    Dakha Brakha
    This Ukrainian quartet plays music from another side of the world. Unusual, both visually and aurally, but quickly familiar and enjoyable, they blend tribal rhythms, chant-like singing and an odd mix of instruments into an infectious melting-pot of sound. This set will have Jazz Street talking.
    June 29, Rochester Regional Health Big Tent, 8:30 p.m. and 10 p.m.; $30 or Club Pass

    Dinosaur
    Led by trumpeter Laura Jurd, this young quartet plays creative instrumental music that rests in the crux of jazz, rock, electronic and funk.
    June 26, Christ Church, 6:45 p.m. and 8:45 p.m.; $30 or Club Pass

    Also make time for…
    Klabbesbank
    June 28, Lutheran Church of the Reformation, 7:30 p.m. and 9:30 p.m.; $30 or Club Pass

    Ikonostasis
    June 26, Lutheran Church of the Reformation, 7:30 p.m. and 9:30 p.m.; $30 or Club Pass

    See the full lineup and all of the festival details at RochesterJazz.com.

  • Hearing Aide: Andy Hall & Roosevelt Collier ‘Let the Steel Play’

    Roosevelt Collier, the pedal steel player from the Lee Boys, and Andy Hall, the dobroist for The Infamous Stringdusters, forged a friendship aboard the Jam Cruise in 2012. Since then, they’ve managed to play together occasionally when their schedules aligned. The relationship grew and has finally borne fruit, in the form of their new release, Let the Steel Play.

    Collier was born into the church music of the sacred steel tradition while Hall’s life has been steeped in the roots of bluegrass. Different musical worlds bridged by steel strings and glass slides. The resulting sound is a perfect blend of the heavenly and the down home, a religious experience happening casually from the porch of a country home.

    The set opens with “This Little Light of Mine,” a tune familiar to both gospel and bluegrass. It serves as the perfect introduction to the unique blended traditions present throughout. The melody flips back and forth between the two instruments flawlessly. Their version is wordless, but by the end you’ll surely be singing along, “This little steel of mine, I’m gonna let it shine!” And shine they do.

    The album borrows from the rich traditions of both players with their takes on some more old traditional tunes, like the stunning beauty “Maiden’s Prayer,” a bopping run through “Reuben’s Train” and the spirited “Power in the Blood.” They also try their hands at a more modern classic with a version of The Grateful Dead’s “Crazy Fingers” that will steel your face right off of your head.

    Interspersed with the traditionals, the album includes a handful of original tunes the pair wrote specifically for this outing. Collier’s steel sounds almost organ-like on the fun “Rosebud,” while “Remington” is a great ‘newgrass’ tune where the part of fiddle is played by a pedal steel. It would be a surprising head turner were it not already in the context of this album. “The Darkest Hour” gets more deliberate and less freewheeling in a fairly sinister sounding turn. As an added bonus, the album closes with a three-way steel stringed jam, with Greensky Bluegrass’s Anders Beck joining the duo on another dobro. A thorough exploration by two masters of their craft, this album is certainly a must listen for any pedal steel or dobro fan.

    Key tracks: Reuben’s Train, The Darkest Hour, Rosebud

  • The Record Company Rocks the Westcott

    “We’re the Record Company, and we play rock and roll.” This is how the Record Company’s lead vocalist/guitarist/harpist Chris Vos often introduces his band at the start of a performance. While said in an understated fashion, it is no understatement.

    Throughout the nearly hour and a half performance at Syracuse’s Westcott Theater May 20, The Record Company proved time and again that they do indeed play rock and roll. Steeped in a blues tradition but still maintaining a contemporary rock sound, the Record Company is out to prove that rock is not dead.

    Before The Record Company hit the stage, opening act, Nashville-based duo Smooth Hound Smith, won over the crowd early with some self-deprecating humor and foot stomping blues. The husband and wife duo, Zack and Caitlin Smith had a great stage presence and could easily have passed as the headliner on this night.

    Zack Smith plays guitar, harmonica and foot drum as well as handling the majority of the vocals, a virtual one-man band. He has a country-blues feel with a touch of rockabilly. Caitlin Smith adds percussion and lush vocals with a bit of a Nashville touch and the occasional Janis Joplin wail to round out the Smooth Hound Smith sound.

    The Record Company, Vos, Alex Stiff on bass/vocals and Elmira native Marc Cazorla on drums/keys are as cohesive a unit as you’ll find in music today. The rhythm section is tight and Vos is a multi-instrumental maestro. Vos’s bluesy vocal style was perfectly complemented by Stiff and Carzola’s harmonies all night.

    One can derive many influences in the music of The Record Company – Delta and Chicago blues, gospel, mid-70s stadium rock and even hip hop. The latter was exhibited in a spirited, bluesy cover of the Beastie Boys “So What’cha Want” that had the near capacity crowd happily bouncing along.

    Vos leans heavily on his weathered Fender lap steel at shows and for good reason, he made that thing sing, especially on the greasy blues dirge “Rita Mae Young.” His harmonica style, especially in the band’s single “Hard Day Comin’ Down” beckons Bob Dylan.

    Speaking of Dylan, midway through the show, the band worked in a three-song acoustic mini-set, anchored by a scorching version of “Subterranean Homesick Blues.”

    The set closed with Vos lying his acoustic guitar across his lap for lesson in the slide. Stiff and Cazorla kept the back beat while Vos furiously worked the guitar and later the harmonica on the appropriately titled, “The Burner.” Cazorla was often pulling double duty on his bass, sometimes playing it as a lead instrument as well as using a slide.

    The show closed with a one-song encore, a new one from the band’s latest album. “In the Mood” is a blues, via Mod era Who, romp that ended the night on a high note, including crowd participation on the chorus. The band took a collective bow with appreciative smiles, the audience reciprocated, another audience won over. This is a band that is on to bigger things, dragging honest rock and roll along with it.

    The Record Company Setlist: On the Move, Baby I’m Broken, Hard Day Coming Down, Night Games, Rita Mae Young, Feels So Good, Crooked City (acoustic), I’m Changing (acoustic), Subterranean Homesick Blues (acoustic) (Bob Dylan cover), Don’t Let Me Get Lonely, So What’cha Want (Beastie Boys cover), Turn Me Loose, Off the Ground, The Burner
    E: In the Mood

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  • Hearing Aide: Let’s Be Leonard ‘Live at Gugs’

    After planting their musical seed in Saratoga Springs, Let’s Be Leonard sprouted rather quickly into a jam-jazz fusion powerhouse with all intentions of climbing the jam community ladder. Just a few short years after their formation and quitting their jobs, they’ve become a prized outfit in the Capital Region and beyond. Following the debut of their 2015 debut Cow., LBL put forth four live recordings on Bandcamp, this time, releasing the fifth, Live at Gugs in Glens Falls.

    The 5-piece, led by Karl Bertrand (vocals and rhythm guitar), Matt Griffin (guitar), Connor Dunn (saxophone), Chris Cronin (bass) and Paul Guay,
    (drums) took on their Thursday night gig at Gugs on March, 23.      The 14-track live recording displays the group’s organic and majestic improvisations, whether they’re taking it slow and steady with poppy lyrics and sing-a-long choruses or bringing back the blues with suave, seductive saxophone solos.

    The gathering at Gugs was treated to a debut opener of “Spit it Out,” a fresh track with buttery-smooth jazz from start to finish and soft vocals to match. “Kindergarten Blues” follows as a well-known LBL track off of Cow. If you’re a previous fan, you’ve probably heard the blues-referenced track, as well as “Frisbee,” the third execution of the night, on radio stations like WEQX. The back-to-back hits ended with attention honed in on Dunne’s tickling of the saxophone, a busted drum pedal and verbal rant by Mike Rios. “Jump Ship” comes next with a switch-up in musical approach. Vocals take precedence in this easily accepted track with a story to tell, while the band acts as support on this Bertrand-led venture.

    In relation to their debut album, Bertrand described them as “generated by feelings you have at the best time in your life: childhood.” It’s safe to say that the material played at Gugs drew from that same care-free mentality. Other highlights of the night include a blues-heavy “Young Sprite,” which bears a slight, yet pleasant sounding comparison to the Dead’s “Sugaree” at moments, as well as unmistakable insight to the groups comfort with one another and stage banter, regardless of the time span they’ve officially been Let’s Be Leonard. If all that wasn’t enough to be wrapped around their fingers, the sensationally executed guitar solos mark a personal favorite milestone in the set.

    A surprise “Brad Paisley” cover ended the night with unconventional onstage vocal motif between the guys, extremely comparable to Phish’s “David Bowie.” All members repeatedly sing and spew out the country star’s name over and over in a mimicked care-free manner as the jam icons. The light-hearted song acted as an engaging way to close out a set that was so obviously and mutually enjoyed by band members and the crowd alike.

    While Saratoga Springs is no stranger to celebrity strolls down in its perfect weekend-visit city with SPAC just round the corner, it’s hard for residents not to get excited when Brad Paisley is spotted in a local coffee shop. In town for his summer show at SPAC, a local mentioned the group’s own “Brad Paisley.” I wonder if he ever found his way to track of his namesake.

    Bertrand and company recently snagged a headlining spot for Glenn’s Falls 2nd annual GEM Festival held on July 29 and sits among local artists on the newly announced trio of Sunday afternoon concerts on SPAC’s gazebo stage. From their youngest hours as a group, they’ve gained fast and hard earned notoriety. With signing on as one of the founding bands on NYS Music 87/90, it’s safe to say things will keep moving with the same onward energy and hunger to get their next gig booked and festival played.

    Key tracks: Spit it Out, Young Sprite, Brad Paisley

    Live at Gug’s Set list:

    Spit It Out,  Kindergarten Blues,  Frisbee, Jump Ship, “Salvation”, Balloons, Most Days > How Do You Fall In Love?, Open Your Eyes,  Channel 2, Young Sprite, Comet > High n Dry, Birdsong > Rocky Road, Sad Town
    E: Brad Paisley

  • Get Ready for Second Annual IT Fest with Intrepid Travelers!

    Founded on friendship, fun and a sense of freedom. Intrepid Travelers are a quartet based in Buffalo that defines itself through boundless improvisation and eclectic evolution. 2017 has been a huge year for the band. Touring relentlessly around the United States from coast to coast, the fellas in IT have been redefining the limitations of improvisational music, and have their own fest. Be sure to check them out at Summer Camp if you are there this weekend.

    A little bit about IT:   Two days and two nights including Friday, June 9 and Saturday, June 10. Entrance to the festival will cost you just $20. The festival is held on the beautiful private property of Josh Skowronski in Alden, NY. Enter at the green gate on South Blossom Lea Drive. This is an all weather event. Parking and camping are included upon entry. The Land itself is 14 gorgeous acres with hiking trails and the beautiful Cayuga Creek. There will be an array of food and drink vendors on site. Intrepid Travelers will play three sets over the two days. One on Friday and two on Saturday. Saturday night’s set will feature live painting from various Buffalo artists. Music ends at 10pm each night.

    IT Fest’s mission is to showcase local talent across Western New York. This year will feature fire performer Asha Ashwell on Friday and Saturday night. Saturday morning will feature a yoga class with Ashley Strazzella. Saturday afternoon will also feature a Kan Jam tournament, a hoop class, a workshop on mysticism, spirituality, public health and tarot card readings! Their goal for the weekend is to create a temporary community in which the arts are brought to the forefront in unison with nature. After the music ends each night there will be a massive campfire. Bring your instruments for the campfire jams. More information here.

    I’ll leave you with a message from Josh & Intrepid Travelers:

    “The band and I look forward to having you share in the special event with us. See you at the Land.”

    * Please no fireworks, illegal substances or unauthorized vending*

  • Newport Folk and Jazz Festivals to Host Non-Profits

    The legendary Newport Folk and Jazz Festivals will host a formal non-profits village for the first time since their foundings in the 1950s. Non-profit organizations from Rhode Island and the surrounding states will be part of the “Participation Row” social action village at both festivals.

    The Newport Folk Festival and the Newport Jazz Festival will make it easier for attendees to make a positive impact on the community through Participation Row. Organized by Headcount, Participation Row will feature several non-profit organizations focused on environmental protection, health and civic participation. Each organization will feature a specific action attendees can take to better the world around them and help the festivals make a positive impact on the community. Headcount is currently accepting applications for Participation Row.

    In addition to Participation Row, Headcount, who has had a presence at Newport Folk Festival for nearly a decade, will host a silent auction to benefit the participating organizations.

    The Newport Folk Festival takes place July 28 to 30 at Fort Adams State Park in Newport, Rhode Island. Performers include the Fleet Foxes, Wilco, John Prine, Regina Spektor, American Acoustic (Punch Brothers, I’m With Her and Julian Lage), the Drive-By Truckers and Alone & Together (Kevin Morby, Sam Cohen, Eric D. Johnson of the Fruit Bats, Joe Russo and Josh Kaufman). Tickets for the festival are sold out, but the organizers setup an official fan ticket exchange.

    The Newport Jazz Festival takes place Aug. 4 to 6 also at Fort Adams State Park in Newport, Rhode Island. The festival features headliners Béla Fleck and the Flecktones, Snarky Puppy and The Roots. Other performers include Maceo Parker, the Branford Marsalis Quartet, Rhiannon Giddens, Hudson (Jack DeJohnette, Larry Grenadier, John Medeski and John Scofield), Philadelphia Experiment (Questlove, Christian McBride and Uri Caine), John Medeski on solo piano and D.J. Logic’s Project Logic. Tickets are available now for $170 for a three-day pass or $145 for a two-day Saturday and Sunday pass. Single-day tickets are also available for $65 for Friday and $79 for Saturday or Sunday. The Newport Jazz Festival offers a special student ticket for $20 each day for students ages 16 and older with a valid student ID.

    Headcount is currently accepting applications for Participation Row for both festivals.