NYS Music 20​17

Category: Bluegrass/Country

  • In Their Own Words: JP Biondo of Cabinet

    On Friday September 29, folk powerhouse Cabinet landed in Ithaca, NY, and played two long sets at The Haunt. Since their birth in 2006, Cabinet has built a committed grassroots following by providing an eclectic roots sound. They have earned unconditional respect with their commitment to quality songwriting, and impressive ability to cross between genres of bluegrass, country, jam, and psychedelic. Before Cabinet’s foot-stomping performance, NYS Music had the  opportunity to sit down with Cabinet co-founder, singer, songwriter, and mandolin player JP Biondo. NYS Music is ecstatic to present you this edition of “In Their Own Words.” Here we have a collection of bite size nuggets of knowledge, quoted directly from J.P Biondo of Cabinet:

    On a Musical Childhood:

    My first instrument ever was a Tuba. I joined the band as a young teenager in around 1998. As a child, I always loved music. I always loved singing a bunch. I came from a very musical family. Growing up, I was surrounded by music all the time. For example, my dad would teach me how to sing harmonies on car rides.

    I come from a very large musical family. My dad has eight brothers and sisters, and so, I have like a whole slew of 1st cousins. There is a total of 35 of us or something like that. The family has at least one family reunion every year at grandma’s house. She lives on a big farm near Scranton, PA. At last year’s family reunion, there was like 180 us. Every year, the sun goes down and everybody knows  it’s time to get around the campfire and sing. We sing, play harmonies, and just hang out and have fun. This is how I first learned to sing. At our family reunions, I would pick an elder out for the night and stand by their side and listen to everything they were singing. I would be like, “ohh thats how you do that. Ok cool.”  So a lot of my teaching came organically that way.

    Later on, I started to take playing very seriously.  I started playing guitar when I was about 14 or 15. I learned every Dave Matthews song in the book–like any young kid does. I just loved it. I always loved music. Until this very day, music pulls me like nothing else in life. When it came to playing music, I didn’t really have a choice in the matter.

    On Songwriting:

    I don’t have a specific goal. Every song is different for everybody. I like to write about life experiences, For example, I wrote a song called “The Tower,” about this place where I grew up, we called it the “Dry Dam.” It’s a dam that was supposed to provide drinking water for the town of Scranton, but, for whatever reason or another, it didn’t end up working. The lake stayed there, and above this dam there was a big tower.  It was like 30 or 40 feet high. As kids we would climb up the tower and jump off into the lake. We also would just hang out, drink under age or whatever, all the stuff kids do. It was a big time hang out spot for me and friends. I had a lot of fun experiences there. I like writing about my personal experiences and hopefully, someone can relate to them in some sort of way.

    Advice For a Kid or Young Adult With A Passion For Music:

    Follow your heart…Decide if music is something you’d like to make money at or if it’s something you just enjoy doing. Try to decide that as soon as you can, and either way is fine, but, just make that decision at some point and know where you’re at with it.

  • Hearing Aide: Blind Owl Band ‘Skeezy Patty’

    Just in time for peak fall foliage, the Blind Owl Band are set to release their third studio album, Skeezy Patty on October 13.  Hailing from the beautiful Saranac Lake region of the Adirondack Mountains, this 7-year-old quartet resembles the type of grizzly musicians you expect to see kicking up dust at a bluegrass festival. The self-proclaimed “Freight Train String Music” that they create can be heard heading down the tracks with a thunderous roar that certainly resembles bluegrass, but with a little extra coal added to the fire.

    In the third spot, “Hit Em High” clocks out as the longest track on the album and tightly packs a fantastic bass breakdown into the genre-blending composition.  Christian Cardiello’s uniquely placed slaps add a jazzy undertone to the heavily bluegrass driven tune which combines the elegance of a downtown Manhattan lounge with the rowdiness of an Upstate NY dive bar.  The clever lyrics are sung as a team and give each of the members a voice in the storytelling.  Imagine a group of gnarly pirates sitting around a bottle of whiskey as the waves chaotically surround and collide into their ship and that is “Hit Em High” in a nutshell.

    “Reloading” was thought up by guitarist Arthur Buezo who exchanges lyrics with James Ford on banjo for the song.  As the band developed “Reloading” for live shows some of the stylistic layers were transformed into the current composition.  One major addition to the studio version is the voice effect used.  It is reminiscent of the Tom Waits appearance on Primus’ “Tommy The Cat” which adds a haunting and sadistic character to the lyrics which cover the topic of rejuvenation.  For a band that has played over 700 shows since 2011, they know a lot about being on the road and the importance of time management.  “We are stronger than we were” suggests that these periods of reloading have been an integral step to developing their first studio album in almost 5 years and now that they are refreshed, they can showcase their growth on the road.

    “The Gates” has a waltzy ballroom feel before energetically dancing back into the bluegrass barnyard realm that primarily rules the album.  Buezo’s burly and hellish vocals are complimented by the speedy mandolin playing of Eric Munley.  As a special addition, an electric guitar finds its way into the studio full of wood and steel for a rare and powerful moment.  “Two Sides of Story” is the final track and once again the intelligently crafted lyrics are the highlight of the piece.  It comes as a surprise to hear the hipster-esque “Hey!” chant in the background, but this dark and stormy album is anything but predictable.  The straightforward composition is a soothing way to close out an album full of peaks and valleys, much like the land where the band was born.

    The first Skeezy Patty release party will take place this Friday, October 13 at the Westcott Theater in Syracuse before making their way east to The Hollow in Albany for round two of their album release.  Tickets for both shows are available online or at the box office on the day of the show.

    Key Tracks:  Hit Em High, Electric Chair, Waterhole

  • Blind Owl Band Premieres “Reloading” from Upcoming Album ‘Skeezy Patty’

    On Friday,October 13, The Blind Owl Band will release their third studio album Skeezy Patty. NYS Music has an exclusive premiere of “Reloading” off Skeezy Patty.

    “Reloading is a chant for the resilient” (Arthur Buezo) and Blind Owl Boys have clearly reloaded on Skeezy Patty. “Reloading” is up tempo and slightly dark yet true, with a little Greensky Bluegrass influence in the tune’s peaks and valleys, with Arthur Buezo (guitar) trading lines with James Ford (banjo)
    The album pays homage to their beloved 1999 Ford Econoline tour van “Skeezy Patty,” who just like Blind Owl Band, has pushed the limits of life on the road. In the five years since their last release, the owls have played over 700 shows across 17 states, building their rowdy & dedicated fan base across the east coast.
    blind owl band skeezy patty
    An intricate offering of 10 fervent tracks, Skeezy Patty reflects heavy periods of musical and emotional growth, that offer a dark and dynamic raw sound while pushing the limits of their acoustic sonic tone. Blind Owl Band’s newest album reflects the stark reality of being musicians who continually strive to evolve with their music and live life of purpose. The boys push the limits of their engine night after night; climb aboard and get ready for a one-of-a-kind ride.

  • Dive Into Fall: A Fall Down Music Festival Preview

    Don’t let the weather deceive you, believe it or not, autumn began on September 22. Festival season in New York is nearing it’s close and festival goers are itching for a few last hurrahs. Next weekend, locals will be traveling to The Fall Down Music Festival at The “G” Lodge in Hannibal, NY. Presented by local booking and promotion company Hey Dude After Hours, The Fall Down is an intimate Central NY based music festival specializing in string music, jam bands, and singer-songwriters. Progressive string band Floodwood will be the headliner. Floodwood is lead by national talents of Vinnie Amico (moe) and Tony Markellis (Trey Anastasio Band). The Fall Down will take place next week at The “G” Lodge (81 Keller Rd, Hannibal, NY) on October 6th and 7th. Get your weekend passes for $50 here!

    Take a glance below and click the play button. You’ll find a Rochester Groovecast podcast episode. This episode is a preview of the upcoming 2nd annual The Fall Down Music Festival.  During the episode, you’ll listen to The Crooked North, Floodwood, Haewa, The Dwayne Johnsons, Folkfaces, Dirty Blanket, Timothy Braley, and Jungle Steve & The Gysophelias. All of these bands will be at this year’s The Fall Down Music Festival. If you scroll even further down, you’ll find a detailed episode timestamp.

    Timestamp:
    00:00: The Crooked North- Hop High My Lulu Gal
    03:24: Introduction
    06:19: The Crooked North- You Don’t Fit In
    10:02: Floodwood- Waiting For The Punchline (Moe Cover)
    18:58: Floodwood- Caught
    24:22: Haewa- Chem De-Vision
    28:04: Haewa- Swampin
    33:37: The Dwayne Jonhsons- About That
    37:17: The Dwayne Johnsons- Cold Pizza
    41:24: Folkfaces- Angels And Demons
    44:31: Folkfaces- Freedom Fries
    48:24: Dirty Blanket- My Getaway
    54:28: Dirty Blanket- Getting In The Way
    57:58: Timothy Braley- Graceland (Paul Simon Cover)
    1:02:15: Conclusion
    1:03:55: Jungle Steve- Safe & Sound

  • Rochester Fringe Festival Starts Off with a Bang

    The city was alive with the sound of music Friday, September 15. Dozens of venues throughout the downtown Rochester area are participating in the fifth annual KeyBank Rochester Fringe Festival, featuring more than 500 music, art, and theatrical performances over a 10-day timeframe. I spent the evening at Parcel 5, the site on Main Street on which Midtown Plaza once stood. The plan for tonight was to catch a theatrical performance by French troupe Plasticiens Volants and a set of music by local legends Teagan and The Tweeds.

    Teagan and The Tweeds

    Upon approach to Parcel 5, I heard strains of syncopated reggae rhythms filling the air. Festival goers lingered around the lot, some heading closer to the stage, and others staring in fascination at props for the Plasticiens Volants show, and others joining the lines of food trucks parked along the street. Reggae music, courtesy of Rochester’s Noble Vibes, gave way to the sound of bagpipes from Rochester Scottish Pipes and Drums, as people continued to pour into the square.

    The sun went down, and the lights came up on the far end of the lot. Plasticiens Volants began to perform a show they call “Big Bang.” Although the French street performance troupe was founded in 1976, this is their first time on tour in the US.

    Curiosity abounded as people young and old were drawn to viewing a video projected onto an inflatable globe. Narration spoke about the origin of life. A film began, which showed the evolution of civilization. The significance of the experience was not lost on those who grew up in Rochester, the birthplace of modern photography and film.

    Shadow puppets were incorporated into the visuals, and speakers pumped world music with a heavy techno beat. Suddenly, large inflatable balloons came to life, lifted by puppeteers who carried them through the crowd. Seashells and fantastical beasts and planets soared above the crowd, dipping and swaying to the music.

    Children on tiptoe stretched their arms to the star-studded sky to brush the balloons with their fingertips. The music and narration told the story of The Big Bang as a sci-fi fantasy. The magnificently choreographed spectacle ended in a light display, with mirrors like facets of diamonds catching spotlights and splaying beams of light across the city skyline.

    Teagan Ward of Teagan and The Tweeds posted a video of Platiciens Volants on social media as they prepped for their set, the final event of the night at this location. People gravitated towards the stage as the band cranked out boot-stomping tunes.

    This was my first time seeing the band, and I was completely enraptured. My jaw dropped as I watched Teagan, a barefoot blonde bombshell, belt out whiskey bar blues.

    Once the mesmerized gathering got over their initial shock, an impromptu dance floor opened up in front of the stage. Drummer Alfredo Encina provided a strong backbone and bassist Jeremy Stoner laid down grooves as deep as the day is long. They provided a foundation for Katy Wright’s stellar performance on the keys and Lou Giglio’s fancy fretwork. Tommy Formicola took it on home with his pedal-steel guitar.

    The people behind me must have been fans, because they knew all the words to “Morning Glory” and “Give It Up or Let Me Go.” They even played a new song, “Route 100.”

    Elsewhere, the city-wide party was still going strong. A silent disco was about to rage around the corner at the Speigeltent. Attendees donned headphones, through which they could switch between channels as three DJ’s in the tent dueled for the crowd’s favor. The dance wound down at 2am. (If you missed it, don’t worry, they’ll do it again on Saturday September 16, Friday September 22, and Saturday September 23.)

    Plasticiens Volants will reprise their performance on Saturday, September 16 at 8pm. Arrive by 6:30 to catch local pop band The Demos, and plan to stay late for Ithaca’s Big Mean Sound Machine.

    Rochester Fringe Festival runs through Sunday, September 24. For a complete listing of events, go to the website. Advance ticket purchases are recommended, as several shows have already sold out.

  • Kettlefest to Feature Homegrown Music

    The lineup for this year’s KettleFest includes Anastazja, Some Ska Band, Ruckus Juice Jug Stompers and String Chickens. The one day celebration of sustainable farming takes place in on Saturday, Sept. 16 at Kettle Ridge Farm in Victor, NY. In addition to music, there will be workshops, children’s events, crafts from local artisans, and a wide selection of food and beverages.

    kettlefestAdmission is $6, and children under 13 are free. Kettleridge Farm is located at 515 Log Cabin Road in Victor, NY. For more information, visit the Kettlefest website.

    Music Schedule:

    Main Stage:
    – 10:15 a.m. – Anastazja
    – 12:15 p.m. – Some Ska Band
    – 2:15 p.m. – Ruckus Juice Jug Stompers

    Porch Stage:
    – 10 a.m. – 12 p.m. – String Chickens

    kettlefest

  • Hear Sydney Worthley’s New Single and Album Title Track, “Strong”

    Songwriter Sydney Worthley will release her first full album on September 9 on Ambassador Music Group, with an exciting album release show to follow at Jupiter Hall in Albany. The show will feature Worthley’s set, along with other artists such as Ryan Clark and Zan Strumfeld. With 14 tracks on the new album Strong, this event will surely feature a large selection of songs for fans to hear. In advance of the release date, Ambassador Music Group has released the title track of the album as a single.

    If you’re in the Albany area, you don’t want to miss this pop-country fusion when Sydney Worthley graces the Jupiter Hall stage at 7pm. The event is posted on Worthley’s website, and the official RSVP can be found on Facebook.

  • Leann Rimes Heats up the Crowd on a Chilly Day 9 of NY State Fair

    As the weather turned fall-like on Day 9 of the Great NY State Fair on Thursday, August 31, country music’s Leann Rimes took to the stage and welcomed both the cooler weather and the crowd that braved the elements as they sat huddled in hoodies, sweaters, and blankets. Beginning her set with a bluesy tune called “Love Line,” it was apparent her powerful vocals could make every genre of music sound amazing.

    leann rimes

    Leann Rimes is a multiple award winning musician, collecting awards from the Academy of Country Music, American Music Awards, Country Music Association, and Country Music Television, to name a few, however she’s probably best known as the youngest to win a Grammy with her rendition of Bill Mack’s song, “Blue.”  Although the song was to be recorded by Patsy Cline, it never was to be and although it did go on to be recorded by others, it would be Leann Rimes to make the song a top ten hit for Bill Mack.  Rimes is often compared to Patsy Cline as they both share a similar soprano vocal style.  She was asked to honor Patsy Cline a few years ago with a melody of Patsy’s hits, which she once again performed for fair goers last evening to their happy approval.

    With an eclectic mix of both old and new tunes performed throughout the evening, Leann wowed the crowd and warmed them up one-by-one with her most amazing vocals all night long, ending the evening with a tribute to those victims in Texas singing Leonard Cohen’s “Hallelujah.”  Although Leann Rimes is best known for her number “Blue,” I can guarantee you that not one fan left last night in that state of mind.

    Setlist: Love Line, Nothin Better To Do, One Way Ticket/Fast Car, Blue, Patsy Cline Medley, I Need You, Love Is Love, How Do I Live?, Commitment, Long Live Love, Bottle Let Me Down, What I Cannot Change, Life Goes On, Can’t Fight the Moonlight, Summertime

    Encore: I’m Every Woman/ Waterfalls/ Respect (mashup), Hallelujah (Leonard Cohen cover)

  • Soulful Sunday Closes out LOCKN’ 2017

    People seemed to lazily roll out of their tents on the final day of LOCKN’ 2017′, but Keller Williams returned to the stage on Sunday in full force, this time with his Grateful Gospel project. It was specifically conceived as a Sunday morning installation for LOCKN’. Playing some of their favorite Grateful Dead tunes with a black gospel spice, it filled the dusty air with a fitting soundtrack for the snoozy attitude shared by many.

    Virginia-based Anthony Rosano and the Conqueroos stayed with the funky blues theme, Rosano’s sturdy bellowing voice married soulfully with a sweetly played saxophone. “Devils Hand” was among their setlist, as was a tease of Zeppelin’s “Black Dog.” Mid-set he addressed the crowd, “Make some noise so I know you’re still breathing out there!” Glancing around at the listeners, some with nose and mouth draped in a bandana to block out the red dust billowing up, there was no doubt everyone’s lungs were a little worse for wear after four days of inhaling the dirt-speckled air. A quick nostril excavation would surely reveal the treasure trove of crusty reddish-black gems harbored by festival goers all weekend.

    Keepin it classy, Eric Krasno Band‘s jazzy flair featured an old school organ with those quintessential revolving speakers that have fallen out of popularity but are always a nostalgic site. The female vocalist sharing the stage complimented Krasno’s vocals beautifully, making for some soulful harmonies.

    Over at the main stage, The Record Company emerged with their rough and rowdy rock n roll to which lead vocalist Chris Vos assured, “It’s rock n roll, it ain’t gotta be pretty. At least not the way we do it I suppose.” After a short but intense set, the band thought their time was up but were cued to keep playing, to which Vos announced, “And now we will play the entire Rush 2112 album,” followed by cheering in the audience. Vos quickly responded, “Just kidding, we couldn’t play that if we tried! But glad you’d let us get away with it.” His humble humor made his set stand out even more after bonding with the crowd over a good laugh.

    JJ Grey and Mofro followed, dressed to the nines with lead vocalist JJ Grey donning a black sport coat and red satin tie. Bouncy keys and two horn players, who swayed in choreographed unison, brought a more upbeat and dance-worthy feel. Grey sang several songs inspired by his grandmother, a woman who heavily influenced his life. He exclaimed, “If she taught me one thing, it’s that you can’t fight darkness, you have to be the light.”

    The atmosphere mellowed out during Margo Price’s set which transitioned to a slightly more country folk style. Her soft vocals almost felt a bit lost as they floated through the crowd, her music seeming muted after the two lively sets before. Her song “Desperate and Depressed” spoke of the woes of trying to make it as a musician, but things must be looking up, getting a slot at LOCKN’.

    The Revivalists opened their set with “Bulletproof” and also played their popular radio hit “Wish I Knew You.” They played mostly to the books, without too much experimentation outside of their established  song structures. The band concluded with a classic, “With a Little Help from My Friends.” 

    Phil Lesh and friends accompanied by moe. was an eagerly anticipated collaboration given that it will be one of the last times moe. plays for a while as Rob Derhak tackles a recent cancer diagnosis. Their lighthearted sound brought a warmth felt throughout the crowd. After their set, the crowd thinned out a bit, leaving more room for fans excited to watch The Avett Brothers close out the festival. They opened with “Satan Pulls the Strings,” and also played “Down with the Shine,” during which their vocals could have been raised, a sentiment echoed by several in the crowd.

    The laid-back comfort between the band members gave the feeling that  they could just as easily be playing together in a cozy living room instead of on display in front of thousands of fans. Cellist Joe Kwon didn’t even utilize his cello stand, preferring to hold the instrument up and walk around with it, which was both amusing and impressive. Violinist Tania Elizabeth and Scott Avett shared a fun chemistry, as they both enjoyed breaking it down, at one point standing face-to-face before bending down on their knees at the front of the stage to the delight of the audience.

    The Avett Brothers also played “Headful of Doubt/Road Full of Promise,” “Laundry Room,” “Morning Song,” “Vanity,” “Kick Drum Heart” and “Murder in the City” before Bob Weir joined them onstage. Weir’s sweet guitar added a richness to their set, a perfect marriage of sound they continued to carry out for the rest of their performance. The Avett Brothers made a fitting cap to the four day festival, with their honest storytelling illustrating scenes many in the crowd can relate to. As their set played out, listeners seized the last opportunity to genuinely connect to the music and with the LOCKN’ family of music fans they forged over the long weekend.

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  • LOCKN’ 2017 Day 1 Recap

    As the sun lowered behind the Blue Ridge Mountains, bathing the show field and it’s patrons in an opulent cloak of sun-kissed finery, the Mount Zion First African Baptist Choir paraded onto the main stage to welcome patrons to the 2017 LOCKN’ Music Festival. A sense of contentment swirled with eager anticipation permeated the crowd as the National Anthem and “Amazing Grace” drifted through the air.

    A moment of silence in honor of recent events in Charlottesville unified the respectfully silent crowd before local group Kendall Street Company took to the stage to get into the festival groove with some homegrown, incredibly danceable tunes. Their tight instrumentation and seasoned rock sound defied their youthful visage boldly displayed on the larger screens bordering both sides of the stage. Lead vocalist Louis Smith uttered the lyrics, “We are here now, so come along,” an inviting sentiment as patrons continued to accumulate near the stage. At one point Smith exclaimed, “I need to get things that fit tighter on my head. I’ve lost my glasses, I’ve lost my hat.” It was a fair representation of his energetic performance.

    Luckily LOCKN’ provides a general store on the grounds with a variety of essentials  for anyone, musicians and attendees alike, if they find themselves lacking something they can’t do without. Umphrey’s McGee did not seem to forget anything behind, producing an incredibly lively follow-up to Kendall Street Company. As night fell, the show field continued to populate with head banging humans, approving with jovial cheers and applause as Umphrey’s flooded the audience with dazzling lights and heart pumping jams.

    As Umphrey’s first set concluded, the stage gracefully spun 180 degrees as The String Cheese Incident flawlessly picked up where Umphrey’s left off, with no time wasted.   Lead vocalist/guitarist Keith Moseley donned a flat brim with a hooded sweatshirt and sunglasses, as if trying to remain incognito while playing their unique brand of bluegrass rock to thousands of spectators. During their set, some crowd members couldn’t resist the urge to release handfuls of vibrant glow sticks through the inky air despite being banned on festival grounds. They are a time-honored tradition that will die hard despite known environmental and personal health hazards. During their performance of “Texas,” the rhythm provided an almost salsa-like feel that even reflected in the bouncy footwork of the more enthusiastic dancers in the crowd.

    Umphrey’s and String Cheese each produced one more set seamlessly sharing the stage as festival goers danced, mingled, sampled the vast assortment of food and brews provided by local restaurants and breweries. At the conclusion of String Cheese set two, another seamless transition to the Relix stage took place as The Disco Biscuits took up residence to carry on the heavy and never-ending musical stimulation that LOCKN’ executes so well.