Category: Special

  • Round 4 of NYS Music’s 2017 March Madness

    And then there were 8…

    Last Monday, we started with an field of 64 original bands from across New York State – some you’ve heard of, and some you might not know about. These bands were recommended for inclusion in our field of 64 by NYS Music staff, contributors and readers and we brought in bands from every corner of New York State, from Long Island to Buffalo, The Catskills to the North Country and all points in between.

    NYS Music March Madness 2017 is a great way to discover a new and upcoming band in your area and show your support and love for bands you see often. We focus once again this year on the bands who are on the cusp of greatness. There was only room for 64 but we made some great choices and picked a wide array of genres to bring to you this year. Here are the elite bands that have made it through to Round 4:

    Funktional Flow (funk n jam) vs Raibred (Progadelic)
    Intrepid Travelers (improv/jam) vs Ampevene (prog rock)
    Root Shock (reggae) vs Barroom Philosophers (reggae rock)
    Boogie Low (acid rock) vs Big Mean Sound Machine (funk)

    Voting begins at Noon on Thursday, March 23 and ends at Midnight on Saturday, March 25. The Final Four begins next Monday!

    We’d like to thank our regional sponsors The Hollow Bar and Kitchen, Nietzsche’s Buffalo, The Downtown Barn and Castle Studio. These small businesses represent the best of what New York State has to offer and celebrate music while inviting local and touring bands to perform for growing local scenes across the state.

  • Round 3 of NYS Music’s 2017 March Madness

    We kick off the week with Round 3 of the 2017 NYS Music March Madness! We’re down to 16 teams out of 64 in our friendly tournament style competition for readers to discover new artists who call New York home.

    The original field of 64 bands are those you might not know about, but should. Recommended for inclusion in our field of 64 by NYS Music staff, contributors and readers, we hit every corner of New York State, from Long Island to Buffalo, The Catskills to the North Country and all points in between.

    NYS Music March Madness is a great way to discover a new and upcoming band in your area and show your support and love for bands you see often. We focus once again this year on the bands who are on the cusp of greatness. There was only room for 64 but we made some great choices and picked a wide array of genres to bring to you this year.

    We’d like to thank our regional sponsors The Hollow Bar and Kitchen, Nietzsche’s Buffalo, The Downtown Barn and Castle Studio. These small businesses represent the best of what New York State has to offer and celebrate music while inviting local and touring bands to perform for growing local scenes across the state.

    Funktional Flow (funk n jam) vs Sly Fox & the Hustlers (rock)
    The New Daze (psychedelic jam rock) vs Raibred (Progadelic)
    Intrepid Travelers (improv/jam) vs Space Carnival (psych groove rock)
    Annie in the Water (acoustic rock) vs Ampevene (prog rock)

    Root Shock (reggae) vs Last Daze (black country rock)
    Barroom Philosophers (reggae rock) vs Chris James and Mama G (Ameribeat)
    Boogie Low (acid rock) vs Kimono Dragons (surf rock)
    Big Mean Sound Machine (funk) vs Formula 5 (jam rock)

    Round 3 voting begins at 12noon on Monday, March 20 and closes at midnight on Wednesday, March 22. Round 4 voting begins on Thursday, March 23 at noon. Vote now for your favorites and discover some of the great up and coming music that New York State has to offer!

  • Round 1 of NYS Music 2017 March Madness

    It’s March and it’s time for the 2017 NYS Music March Madness, Round 1! We bring together 64 up and coming bands from across New York State for a friendly tournament style competition throughout the month of March for readers to discover new artists who call New York home.

    These are 64 bands you might not know about, but should. Recommended for inclusion in our field of 64 by NYS Music staff, contributors and readers, we hit every corner of New York State, from Long Island to Buffalo, The Catskills to the North Country and all points in between. NYS Music March Madness is a great way to discover a new and upcoming band in your area and show your support and love for bands you see often. We focus once again this year on the bands who are on the cusp of greatness. There was only room for 64 but we made some great choices and picked a wide array of genres to bring to you this year.

    We’d like to thank our regional sponsors The Hollow Bar and Kitchen, Nietzsche’s Buffalo, The Downtown Barn and Castle Studio. These small businesses represent the best of what New York State has to offer and celebrate music while inviting local and touring bands to perform for growing local scenes across the state.

    First round matchups in Nietzsche’s Buffalo region include:

    Mister F (jam/prog) vs Subsoil (hip-hop)
    Funktional Flow (funk n jam) vs Gowanus (jamtronica)
    Folkfaces (bluegrass) vs Phineas and the Lonely Leaves (indie rock)
    Sly Fox & the Hustlers (rock) vs King Buffalo (blues/stoner rock)
    Lucky Jukebox Brigade (indie/pop/punk) vs The Other Brothers (jam)
    The New Daze (psychedelic jam rock) vs Druse (post hardcore)
    Ire Clad (metal) vs Raibred (Progadelic)
    Tart Vandalay (indie) vs Lord Electro (jamtronica)

    In the Castle Studio region we have these 8 matchups:

    Teddy Midnight (electro jam) vs Vaporeyes (jam)
    Super Killer Robots (stoner rock/metal) vs Intrepid Travelers (improv/jam)
    Space Carnival (psych groove rock) vs Murder in Rue Morgue (Metalcore/groove metal)
    Mike Powell (folk) vs Let’s Be Leonard (jazz/jam fusion)
    Talking Underwater (indie rock) vs Let Go Daylight (hard rock)
    Annie in the Water (acoustic rock) vs Hot Mayonnaise (rock n roll)
    Candy Ambulance (grunge rock) vs Jeremiah’s Razor (heavy rock)
    Red Shift (rock) vs Ampevene (prog rock)

    The Hollow Bar and Kitchen region features:

    St. Philip’s Escalator (rock) vs The Medicinals (reggae)
    Root Shock (reggae) vs Schmave (indie)
    Breakfast for the Boys (rock) vs North and South Dakotas (y’allternative)
    Last Daze (black country rock) vs Oogie Wawa (alternative/reggae)
    Castle Creek (blues rock) vs Unknown Woodsmen (funklove)
    Humble Braggers (indie ambient) vs Barroom Philosophers (reggae rock)
    Wavy Cunningham (soul) vs Chris James and Mama G (Ameribeat)
    Ocular Panther (prog/electro) vs SchwizZ (prog funk rock)

    The final 8 matchups are in The Downtown Barn region:

    Frank Palangi (solo rock) vs Boogie Low (acid rock)
    Skeptic (death metal) vs Cousin Earth (folk rock fusion)
    Fall of Humanity (metal) vs Dead Superstars (metal)
    Kimono Dragons (surf rock) vs Further Unsound (psych rock)
    Love Deep (jam/blues/rock) vs The Demos (indie pop)
    Big Mean Sound Machine (funk) vs Danielle Ponder & Tomorrow People (soul)
    EVHO (rock) vs Space Bacon (jamtronica)
    Stellar Young (indie punk rock) vs Formula 5 (jam rock)

    First Round voting begins at 10AM EST on Monday, March 11, and closes at midnight on Wednesday, March 13. Second Round begins at 10AM EST on Thursday, March 14 with the remaining 32 teams. Vote now for your favorites and discover some of the great up and coming music that New York State has to offer!

  • Gorillaz Announce Demon Dayz Festival

    Gorillaz, the Grammy-winning virtual band co-created by multi-instrumentalist Damon Albarn and comic book artist Jamie Hewlett in 1998, has laid plans for its own festival, which is to be called Demon Dayz Festival, after its second album. While the lineup has yet to be released, this is slated to be Gorillaz’ first live performance since the conclusion of 2010’s Escape to Plastic Beach Tour in Auckland, New Zealand.

    demon days festivalAt that show Albarn warned fans that it might be the last ever for Gorillaz, so today’s news comes as a sigh of relief for Gorillaz fans worldwide, who, for several years now, have been inundated with rumours of Albarn and Hewlett’s falling-out, delayed releases, and other speculation.

    The announcement comes following an increase in social media activity by the band, which has included biographies for the band’s four virtual members—2D, Murdoc Niccals, Russell Hobbs, and Noodle—a revised timeline of the band’s history, and the January release of “Hallelujah Money,” a single featuring Benjamin Clementine. While an album of new material has been in the works for a couple of years, a 2017 release now appears to be imminent. Check out the video for “Hallelujah Money” here.

    The single-day Demon Dayz Festival is scheduled for June 10 in Margate, England at the Dreamland amusement park. Tickets are now available starting at £60.00, with priority entry tickets for £70.00. Tickets include full access to the park’s rides. RedBull TV will also live stream the festival. Click here to visit the Demon Dayz website for tickets and more information.

  • This Week in Protest Music: Tribe at the Grammys, Depeche Mode and Standing Rock

    In a busy week for protest music, the Grammy’s served as ground zero for speaking out against the actions of the Administration in Washington, D.C. Katy Perry wore a ‘Persist’ armband, a nod to Senator Elizabeth Warren.

    A Tribe Called Quest stole the show at the Grammy’s with a three song medley of “Award Tour,” “Movin Backwards,” and “We the People,” which featured Busta Rhymes thanking the President:”

    “I wanna thank President Agent Orange for perpetuating all the evil that you’ve been perpetuating throughout the United States. I wanna thank President Agent Orange for your unsuccessful attempt at the Muslim ban. Now we come together!”

    Depeche Mode released the video for “Where’s the Revolution,” off their upcoming album Spirit, due out March 17th. The lyrics are straightforward – wondering where the revolution is – and the video dark with nods to authoritarian leaders.

    “You’ve been kept down / You’ve been pushed ’round / You’ve been lied to/ You’ve been fed truths / Who’s making your decisions / You or your religion / Your government, your countries / You patriotic junkiesWhere’s the revolution / Come on people / You’re letting me down / Where’s the revolution / Come on people / You’re letting me down”

    Joan Baez talked to Rolling Stone to discuss protest movements in the 1960s and today and her feelings on our current president.

    Billboard checked in with record shops around the country to see what protest music people are buying. Stores in L.A, NYC, Detroit and Madison, WI were sampled and among others, Bob Dylan’s music stands the test of time.

    Wayne Coyne isn’t a fan of protest music, telling Newsweek “If you want to protest, you can’t do it abstractly. Music only works as an abstraction.”

    Musicradar.com takes a negative (or tongue in cheek – we really couldn’t tell) look at why protest songs are making things worse.

    Glassine, a musician from Baltimore, created a track comprised solely of samples from the Women’s March to benefit Planned Parenthood.

    Charlene Haparimwi from Depaul University writes for Huffington Post with a look at women of color in folk music, a direct tie-in to protest music of today and yesteryear.

    Trapdoor Social, an activist-centered music group, produced “Never Stop Listening,” focuses on the group’s experiences at Standing Rock in North Dakota, and the fight that has yet to come.

    This cover of Bob Dylan’s “Masters of War” includes overviews of the protests in the past four weeks.

    People Magazine has as list of 16 protest songs from the past century, including some lesser known tunes.

    Brendan Maclean’s explicit “House of Air” video was pulled off YouTube and Huffington Post discussed the idea behind the song and video with him.

    Washington D.C. group Coup Sauvage and The Snips released Heirs of Nothing, the title track speaking like a sermon on gentrification before it gets funky.

    The Cornel West Theory released “#weaintblack,” using samples from Cornel West speeches ahead of deep lyrics on race and the struggle of African-Americans through U.S. history

    The Observer, serving Notre Dame and Saint Mary’s colleges, reflects on how we arrived at 2017 with a look at modern protest music, summing up the current state of affairs:

    Internet fundraising in 2017 may not have Country’s Joe’s iconic flare or Springsteen’s popular appeal, but it makes up for these shortcomings with its clear logistical vision. Awareness won’t cut it anymore. A successful movement turns its obstacles into assets and embraces a political game movement in which persuasion is king and money the most convincing premise

  • This Week in Protest Music: Father John Misty, Eminem and India.Arie

    MoogFest announced a Protest Stage at the May 2017 festival, in Response to HB2/Travel Ban. A statement from the festival invites fans to “Attend the Protest Stage, a dedicated space for resistance. As one of our key themes this year, Protest will also be brought to life through workshops, installations, conversations, and masterclasses. We will stand in full accord with artists from various communities to collectively celebrate inclusivity and elevate the fight against discrimination here in North Carolina and across the world.

    Read a history of protest music from Iowa State Daily, then read the The Leftsetz Letter as to why we dont have as much protest music now.

    From our neighbors to the north, Ottawa Citizen breaks down how to write a good protest song.

    Read WBUR’s interview with singer/activist India.Arie and her songs for Black Lives Matter and Martin Luther King, Jr’s birthday.

    Father John Misty’s “Two Wildly Different Perspectives” is a poignant take on US immigration policy, saying of the incredibly touching video, “More kids are going to die now thanks to the unbelievably selfish immigration policy of places like Saudi Arabia and the USA.”

    Of Tomorrow, a funk/hop-hop group out of Washington D.C. released a video for “Order of the Red Banner,” with the lyrics “Remember the November of treason and plot – when we stayed home, woke up and groaned, and this is what we got.

    And Eminem appeared on the Big Sean song “No Favors,” calling the president a bitch and vowing to “make his whole brand go under.”

    https://www.youtube.com/watch?v=WRzlq6tWNWU

  • Erin Harkes, the Busiest Woman in Show Biz

    The interview was wrapping up just a few minutes before her show was to start. Was there anything you’d like to add that my questions didn’t touch upon?, I asked. “We didn’t even talk about my sobriety,” said Erin Harkes.

    The local musician and, as of four years ago, comedian is never shy about the subject of alcoholism. Her sobriety has been covered in newspaper features. It’s a part of her comedy skit.

    I didn’t want to ask, because I didn’t want readers to think it defined you.

    “It’s very much a part of me,” said Harkes. “I would not be who I am without my sobriety.”

    According to the National Council of Alcoholism and Drug Dependence, Inc., roughly one in twelve people in the United States suffer from alcohol or substance abuse. Harkes has been sober for six years. Those participating in Alcoholics Anonymous carry a token depicting the length of their respective sobriety. A reminder. A last extension of a helping hand before one walks into a bar.

    Harkes spends her life in bars. According to last year’s schedule, she worked 274 shows; on a 365-day calendar, that’s three-quarters of her days. The musical comedienne quit her day job about four years ago. “It’s a hard thing to do when you’re surrounded by …,” she said, gesturing behind her: a bar that stretched the length of the room, lights bouncing off bottles of liquor and the shiny metal of beer taps. In a career that often obligates her to perform in front of her former vice, she expressed pride in her ability to maintain the course.

    But, Harkes said she understands not to be overconfident. She’s her own manager, and her own accountant. “No one does me better than me,” said said. She’s her own boss in a line of work that requires a thick skin impervious to crowds unreceptive to her jokes, indifferent to her songs, or the occasional heckler. It’s also needed when she listens to her body, feels a familiar urge, and packs up her equipment. She said it doesn’t happen often, but it boils down to a short conversation between herself and the venue owner: the owner either understands or she doesn’t play there again. Her attitude is not out of contempt. In the end, she said, she has to take care of herself.

    Despite her propensity for travel — again, 274 shows last year — Harkes has attempted to be more selective with her shows. When she first quit her job, she said she would take every opportunity presented her way. Last year, she attempted to taper off the number of shows by selecting quality over quantity. It was a means to prevent herself from burnout. There’s also the balance between her music career, and her comedy one.

    “If I wasn’t doing music full time, I’d probably be doing a lot more comedy,” said Harkes. Her reputation is strongest with music, so it pays more. “It’s like you couldn’t take an unpaid work day to go do whatever your hobby is. So, it’s really hard for me to take comedy shows. They have to be really worth it. … I have to sit down and seriously look at it. Is it really worth it? Is it a good investment? Sometimes the return, you don’t make any money at all doing comedy. So, I just work really hard on the other end to supplement it.”

    So, you’re a double threat like a Bo Jackson?

    “[Laughs.] Do you really have to make a sports reference to a musician?” she asks.

    Adam Sandler?

    “I prefer Bo Jackson.”

    Truth be told, she holds on to early comparisons to former Fleetwood Mac lead singer, Stevie Nicks. Harkes’ soulful lyrics, her music delivery and, perhaps, her light-hued locks, has had people comparing her another double-threat. (Nicks has long been known as a dancer during live performances, and is recognized for her contributions to fashion, as well.)

    “The first music I remember listening to was Fleetwood Mac,” said Harkes. “I loved the harmonies. I loved everything about it. … I was born in 1977. Clearly these albums were before my time. I’d just like to state that [for the record],” she said, as she laughs some more.

    Jackson — again with the sports reference — was a rare gem of an athlete who excelled at two professional sports. He would often be asked as to which he prefered, and obscurely referred to one as a hobby over the other. Harkes said she loves both music and comedy — and doesn’t want to choose.

    “I love music,” she said. “It provides for me. I feel very blessed. I mean, I work really hard and it just blows my mind that I’m able to do it [for a living]. The comedy is way harder. I don’t know if it’s because it’s still new to me still. The excitement is so fresh. I get nervous, and I enjoy that.”

    “They each have their pros and cons,” Harkes said. “I wouldn’t say I love them equally. I love them much differently.” With music, she said, she sits down and dives into the music. No interaction with the crowd is needed. However, she describes comedy as sometimes “terrifying,” because she’s not able to hide behind anything. The interaction between performer and audience is vital to the quality of a show. “It’s like every few seconds, someone’s standing on your chest.”

    “With the comedy, you need the audience and you need the attention,” said Harkes. “It seems like I’m putting myself in a precarious situation, because I’m already an attention-starved individual.”

    It’s January, and Harkes has her schedule planned out for the entire year. She’s the regular host of the all-female comedy show “Chicks Are Funny” at the Funny Bone in Crossgates, in addition to the hundreds of shows to which she travels. There is no time to reflect on her progression, but she said she sets goals with each coming year; one of which was performing last year at Carolines on Broadway in New York City.

    “I don’t ever like to tell people my goals,” said Harkes, “and I’m the only one who knows if I fail them.” But, just as she did when she quit her day job, she’s taking the opportunities that come to her. Only this time, the opportunities are getting much better. Before she was able to establish goals for 2017, she was already accepted to perform at the Boston Comedy Festival. And on television, she was asked to appear for the third season of Hulu’s “Laughs TV.”

    “The things I didn’t expect, the things I didn’t anticipate I would get, I got them,” said Harkes. “I don’t know. Sometimes it’s throwing so many things up onto the wall and seeing what sticks.”

  • This Week in Protest Music – Gorillaz, Frank Turner and Carole King

    Artists of all genres and popularity take part in this American tradition, one that we at NYS Music hold dear. Our series “This Week in Protest Music” arrives at a time when there should not be silence from the media and amplify the voices of the people who strive to be heard, in particular those who are amplified by musicians. Dissent is patriotic.

    This week we have the first new song from Gorillaz in six years, Frank Turner’s “The Sand in the Gears”, an ode to protesting, with lyrics beginning “Can’t I spend the next four years at a punk show?” and ending “Let’s be the sand in the gears for the next four years,” Carole King’s re-released “One Small Voice,” reaffirming the role of the individual voice, and Radney Foster’s “All That I Require,” singing about the rise of fascism in politics today.

    Most recently, Bruce Springsteen performed in Australia on Friday, performing “American Land”, and saying “America is a land of immigrants, this is fundamentally un-American. This is a song about immigrants.”

  • This Week in Protest Music – Audioslave Reunites, new tracks by Arcade Fire and Dumpstaphunk

    A vast history of protest music has been written in response to events in our American history. Songs well known (“This Land is Your Land,” “Masters of War,” “Fortunate Son”) and lesser known (“Waist Deep in the Big Muddy,” “Ashes of War,” “Hardsome Johnny“) have been written and popularized thanks to the American right to peacefully assemble and speak freely, without fear of persecution. Artists of all genres and popularity take part in this American tradition, one that we at NYS Music hold dear. We begin this week with our new series, This Week in Protest Music. This is not a time for silence by the media, nor is it a time to ignore the voices of the people whose voices strive to be heard, in particular those who are amplified by musicians. Dissent is patriotic.

    We will share the most current and relevant protest music that is written in light of the events surrounding the new administration’s ascent to power. Neil Young took four weeks to write “Ohio” in the wake of the Kent State shooting in 1970. Thanks to technology and the immediacy of news, songs in response to unpopular actions will be more frequent and plentiful in number.

    Music is universal. Music speaks for us all. Music takes a stand.

    We share that music with you.

    This week in protest music:

    Audioslave reunited at a Prophets of Rage show at Teragram Ballroom in Los Angeles. The event also featured Vic Mensa, Jackson Browne, Jack Black and the Los Angeles Freedom Choir. 

    Arcade Fire were joined by Mavis Staples for “I Give You Power.”

    Dumpstaphunk debuted the video for “Justice,” featuring Trombone Shorty. Regarding the song’s message, Ivan Neville told Relix, “The human part is that major common thread that some other humans have the ability to ignore.” He added, “This song is to remind people that we are all in this together no matter what your beliefs, race, or any other perceived differences. When you look at how far we’ve come and think about all the progress we’ve made and then think about how far we still have to go. That’s when you need justice in all its form.”

    https://www.youtube.com/watch?v=lp_tdt61EVA

    The National headlined a Planned Parenthood benefit and debuted “Turtleneck.”

    In honor of the Women’s March this weekend, Fiona Apple debuted “Tiny Hands.”

    https://www.youtube.com/watch?v=geQPkEYJtf4