Upon arrival, you’d think there wasn’t much going on at Darien Lake Amphitheater, but once you entered the venue, it was a whole different story. It was pretty packed inside and fans were scrambling around to get to their seats before O.A.R came on. You could see the dividing wall between casual concert goers and ones who were die hard based on the shirts or what they sang, for every song that both bands played that night. Whichever side you fell on, you were not to be disappointed by the upcoming performances.
Train is led by singer/guitarist Pat Monahan and the stage made it clear who was in charge. Except for a couple of occasions, everybody stayed on their designated risers, leaving the front of the stage to Monahan. He’s full of stage tricks, seeing which side of the crowd can sing louder or turning a video camera onto the audience. During the song “If It’s Love,” Pat grabbed cell phones from the audience and would take a selfie while flawlessly singing the song. He also brought out Natasha Bedingfield to sing the song “Bruises” and it was a perfect duet to say the least.
O.A.R.’s music is a genial blend of straightforward rock and light reggae. They are a six-piece band from Rockville, Maryland and a mighty band indeed. From start to finish, their presence was strong and most members had quite the facial expressions and charisma. Guitarist Richard On was engaging with the crowd and even at one point tossed a pick to a little girl in the front row. Vocalist Marc Roberge was all smiles during the show and had the fans singing along with him swaying to and fro. The night went without a hitch and not one individual seemed to leave displeased by the night’s performances.
On Friday, June 23, 2017 the American chart topping Southern rock/Country rock group Blackberry Smoke rolled into Wilkes-Barre, PA to perform in front of a stoked up crowd at the F.M. Kirby Center in the heart of downtown Wilkes-Barre. Having toured extensively most of last summer on tour with Gov’t Mule, they released their fifth studio album Like an Arrow on October 14, 2016.
With five studio albums under their belt, including Bad Luck Ain’t No Crime (2004), Little Piece of Dixie (2009), The Whippoorwill (2012), Holding All the Roses (2015) and most current Like an Arrow, Blackberry Smoke has an enormous catalog of songs to choose from. Hailing from Atlanta, Georgia, these Southern boys are no stranger to the road, touring and performing throughout the United States. Formed in 2001, Blackberry Smoke have headlined as well as opened for major artists such as Zac Brown Band, ZZ Top, Lynyrd Skynyrd, Eric Church and more. For the past sixteen years they continue to tear up the charts and road with mega hits and touring, playing on average, 250 shows a year. They have developed quite the eclectic fan base as well ranging from the classic Southern rock, country, rock and roll, grassroots and jam band fans. They have been know to frequently break into long jams, throwing covers into the mix of their music and play all night long.
Guitarist and lead singer Charlie Starr shares, “There’s so many elements to what people call rock. There’s gospel and country and swing and blues. We’re just trying to write songs that include all those different types of elements. It keeps it interesting for musicians and songwriters.” And what great musicians and songwriters these guys are. If most of the sold out crowd at the Kirby Center didn’t appreciate the classic and vintage gear these guys used live which lended to their unmistakable sound, they certainly appreciated and knew the music as they sung along, clapped and foot stomped from the beginning to the end of their epic twenty-song set. Some songs on the set were definitely epic jams such as “Sleeping Dogs” which featured a very cool rendition of the Beatles “Come Together” tossed in the mix.
Blackberry Smoke’s original lineup of Charlie Starr (lead vocals, guitar), Richard Turner (bass, vocals), Brit Turner (drums), Paul Jackson (guitar, vocals), and Brandon Still (keyboards) have been together since the beginning and are as tight knit and in the groove as any band could be. Yet they don’t stand still and settle in the pocket, musically that is. They always seem to be pushing the boundaries and digging into new territory with their music. Their diversity and growth can definitely be heard throughout their albums and setlist. Their set at the Kirby Center had a multitude and mix of great songs from their recordings.
At 8 p.m. Brooklyn, NY based Indie/Alt-country blues band The National Reserve got things started with a forty-minute set that surely set the tone for the headliners. The National Reserve were a fun, musically diverse quintet. A fun and talented bunch of guys who could be your friend, hanging out, drinking whiskey in any local pub or starting up an impromptu jam in your mom’s living room. A great group of talented musicians led by guitarist/frontman Sean Walsh.
Blackberry Smoke hit the stage at 9:15 pm and played a twenty-song set which lasted til after 11 p.m. The crowd was on their feet for the entire two hours, some even waiting for the after show VIP meet and greet. Blackberry Smoke started off the set with “Let Me Help You (Find The Door)” from 2015 Holding All the Roses, followed by “Testify” from their 2003 album Bad Luck Ain’t No Crime, and “Six Ways To Sunday” from the 2012 release The Whippoorwill. Blackberry Smoke continued throughout the night playing many hits, foot stomping tunes, acoustic tunes, jam tunes, along with a few covers including “Hey, Hey, What Can I Do” by Led Zeppelin as their first of three encores. Blackberry Smoke hit Wilkes-Barre, PA like “a freight train runnin’” and had their fans captivated “starin’ at them like a deer in the headlights” like they didn’t see this one coming. They put on a hell of a show for their fans and I am certain they made many more fans that night as well that just went along for the ride and left amazed.
Blackberry Smoke Setlist: Let Me Help You (Find The Door), Testify, Six Ways To Sunday, Good One Comin’ On, Wish In One Hand, Waiting For The Thunder, Rock And Roll Again, Let It Burn, Sleeping Dogs/Come Together, Shakin’ Hands With The, Holy Ghost, Whippoorwill, Up In Smoke, Lay It All On Me, Ain’t Got The Blues, Running Through Time, One Horse Town, Like An Arrow
Encore: Hey, Hey, What Can I do, Who Invented The Wheel, Ain’t Much Left Of Me
Parkway Drive brings their last US tour of the year to the greater North American area. Thursday, June 22 they paid a visit to Upstate Concert Hall.
The crowd was off of their feet the second Parkway Drive came on stage and started their set with the song “wild eyes.” With nonstop crowd surfing and moshing throughout the whole set, you could feel the energy and the room shaking from the stage all the way to the back of the venue! You do not want to miss this tour.
Setlist: Wild Eyes, Carrion, Dedication, Vice Grip, Karma, Sleepwalker, Dark Days, Destroyer, Boneyards, Writings on the wall, Idols and anchors, Romance is Dead
Ten minutes down the road from Saratoga Performing Art Center’s Dead and Company concert June 20th, the performing arts center was co-hosting with Skidmore a classical event “Mozart in Havana.” While stylistically different from the jam up the road, and certainly separate in target audiences, the Cuban orchestra inspired by free expression and lighthearted love for music.
Pianist Simone Dinnerstein and the Havana Lyceum Orchestra intrigued a full house of excited classical music lovers with over two hours of intricate dialogues between piano and orchestra. The concert featured a classical piece from Cuba, two Mozart concertos, a Copland, and a surprise arrangement of Cuban music that had the orchestra members dancing in their seats, and eventually off stage to a salsa rhythm. Simone Dinnerstein, a well-respected and acknowledged talent of her generation, paired her love of piano music with her interest in Cuban music and culture on this cool June evening.
Taking the stage at Skidmore’s Arthur Zankel Music Center, Ms. Dinnerstein held the audience captivated with the technically challenging yet beautifully managed Mozart concertos. Both concertos 21 and 23 were recognizable to the audience, making the music selection accessible to audiences while also demonstrating Ms. Dinnerstein’s well-controlled and expressive musicianship.
Simone Dinnerstein, a well-respected and acknowledged talent of her generation, paired her love of piano music with her interest in Cuban music and culture on this cool June evening. The concert’s bookends were well-loved compositions from both Cuban and American cannons for orchestra. Concert notes reflected thought about how to best bridge the cultures through classical music
The concert’s bookends were well-loved compositions from both Cuban and American canons for orchestra. Concert notes reflected thought about how to best bridge the cultures through classical music choices and had settled on Farinas and Copland for this purpose.
The true excitement of the night, however, came from an encore performance of an arrangement composed by the orchestra’s own violinist, Jenny Pena Compo, who delighted audiences with dueling melodies on the trumpet and later violins. Showcasing musicianship and a true passion for their country’s music, the young and diverse orchestra members swayed together to the rhythms of Cuba’s traditional melodies. Musicians left the stage dancing and playing their instruments with a joyful, young energy often missing from classical concerts.
Audience members shared culture through music in the concert hall, laughing and dancing in their seats in an invigorating and inspiring night of music.
The third and final chapter in NYS Music’s threepart series on moe.down revisits the 11th through 15th festivals. In 2010, the band moved the festival from the grounds of Turin, NY, where they spent the last decade, to a new location at Gelston Castle Estate in Mohawk, New York. For the next two years, moe.down would call this location home.
moe.down XI
Line-up: moe. The Black Keys. Nas & Damian “Jr. Gong” Marley. Mike Gordon. Lotus. Grace Potter and The Nocturnals. Punch Brothers. Built to Spill. Tortoise. Ryan Montbleau Band. The Macpodz. The Brew. Monkey Wrench. Orgone. Turbine. Sister Sparrow and the Dirty Birds.
moe.down XI was the first time a multi-day festival had been held at the Gelston venue. Infrastructure had to be built to pump in water to the campgrounds and crude roads had to be roughly smoothed out to get attendees on site. This first year on the grounds also brought drizzles of rain throughout, as well as a chill, damp air that lingered each day, with touches of sun peaking through here and there.
The original line-up in 2010 featured Jakob Dylan, but he unfortunately had to back out and was replaced with Grace Potter and The Nocturnals for this year’s events. It’s not very often that artists on the original line-up have to back out, but this year’s schedule change kept the flow going. Who doesn’t love watching Grace Potter literally grace the stage with her beauty, Flying V guitar in hand, and breathy vocals melting into the microphone? Other noteworthy performances over the weekend included sets by Phish bassist Mike Gordon and his solo band, who’s set included Radiohead’s “15 step,” as well as The Brew blowing up the venue with an unexpected cover of Foreigner’s “Juke Box Hero.”
Host band moe. played on the main stage each day of the festival. The customary kids parade occurred on Saturday, with the stream of kids attending ending up on the main stage while moe. laid down some energetic jams. Each year, a mayor is chosen by the audience. The winner of the annual election of the mayor of moe.down went to Rage Lincoln and his reading of the Headysburg Address.
Notable sets included the evening Saturday set that opened with “Plane Crash” and then closed out the night, before encore, going back into “Plane Crash,” bringing the night’s performance to a smooth finish. The last night of the festival, moe. busted out a twisty turny extended “Farmer Ben” that was crammed with nuggets of unexpected surprises. Hints and teases of Rush splashed about through the jam, including touches of “Spirit of Radio,” “Tom Sawyer,” and “Working Man.”
moe. fan, Mike Quinn, looked back at some of his most unforgettable moments from moe.down and this year in particular brought fond memories. “I’ve been lucky enough to witness some really amazing things at moe.down. I’ve seen friends get engaged (moe.down 11) and then two years later get married at the top of the hill (moe.down 13). I was with my friends when they felt their son in utero kick for the first time at moe.down (11).”
Check out a smoking “Recreational Chemistry” from 9/4/2010:
9/3/10 – Gelston Castle Estate – Mohawk, NY Set 1: Zed Naught Z>(nh) Time Again>Waiting For The Punchline, Blue Jeans Pizza>(nh) Captain America>Puebla>George, Brent Black>Akimbo
Encore: Brent Black>Billy Goat
9/4/10 – Gelston Castle Estate – Mohawk, NY Set 1: Skrunk>Lazarus>Spine Of A Dog*, New York City^, St. Augustine>32 Things
Encore: Y.O.Y.^^
Set 2: Plane Crash>Hector.’s Pillow>Bring You Down, Daydreaming, Paranoid Android#>Ricky Marten>Time Ed
Set 3: Seat Of My Pants>(nh) Bearsong>(nh) Runaway Overlude>(nh) Recreational Chemistry, Not Coming Down>Wormwood>Plane Crash
Encore: Faker
* w/ Powerhouse ending ^ moe.down Kids’ Tent Parade ^^ Dedicated to Monkey Wrench (who played on the Buzz Stage right afterwards) # Last time played 7/20/07
9/5/10 – Gelston Castle Estate – Mohawk, NY Set 1: Buster>Haze>Yodelittle>McBain, Cornflake Girl>(nh) Timmy Tucker
Set 2: Moth>Queen Of Everything, Four>Rebubula
Encore: Deep This Time, Tubing The River Styx>The Pit>Farmer Ben**>Moth
* Ben jam section: Ben>Spirit Of The Radio (Rush)>Ben>Tom Sawyer (Rush)>Ben>Working Man (Rush)>Powerhouse>Ben
moe.down XII
Line-up: moe. The Levon Helm Band (featuring special guest Bob Weir). Ween. TV On The Radio. Slightly Stoopid. Bruce Hornsby & The Noisemakers. Ozomatli. Railroad Earth. The New Mastersounds. Rubblebucket. Danger Muffin. The Ragbirds. Empire Sound. Band. Gary Clark, Jr.
This year’s three-day event called into question whether it may even go on. Hurricane Irene rolled through the area just a few days prior, shutting down the flooded thruway. Those concerns were dashed, however, as the thruway opened and the show went on.
Once again, the festival was held at Gelston Castle Estate in Mohawk, NY. One big draw was heavy hitter Bob Weir as special guest with The Levon Helm Band. Gary Clark, Jr., an up and coming artist at that time, was slated to perform, along with well seasoned bands, Ween and Slightly Stoopid. Railroad Earth also made an appearance, and will be returning to this year’s moe.down.
The weather did have it’s say on some of the schedule during the weekend. The Levon Helm Band was postponed for nearly an hour due to lightning in the area. Fans took shelter under tarps and tents until the storm subsided. When the band finally took to the stage, Bob Weir sat in for their moving set.
On Saturday, moe. performed back to back sets in the evening, with the encore featuring “Crab Eyes” played on iPads to honor the passing of Steve Jobs. Sunday’s moe. evening sets brought Bob Weir to the stage as he joined in on a jaw dropping triple punch during “The Other One>Smokestack Lightning>The Other One.” The winner of this year’s mayor of moe.down was announced before encore and went to both Bob Weir and Rob’s hair. “Spine of a Dog” and “Seat of My Pants” brought the festival to a close.
Check out the band performing “Crab Eyes” completely on iPads:
9/2/11 Gelston Castle Estate – Mohawk, NY Set 1: Captain America, Down Boy>(nh) Skrunk>George, Where Does The Time Go?>Dr. Graffenberg, Deep This Time>32 Things
Encore: Plane Crash
9/3/11 Gelston Castle Estate – Mohawk, NY Set I: Rise>(nh) St. Augustine, She Sends Me, Nebraska^, Puebla>(nh) Mar-Dema>Timmy Tucker, Hi & Lo>Moth
Set 2: Good Trip>Akimbo, Blue Jeans Pizza, Downward Facing Dog, Tubing the River Styx>The Pit, Haze@>Rebubula@
Set 3: meat.>Don’t Fuck With Flo>Yodelittle>Lazarus, Four>Buster
Encore: Crab Eyes**, Bearsong
* w/ moe.down Kid’s Tent Parade @ w/ al. on ’74 double-neck Gibson ** w/ band playing on iPads
9/4/11 Gelston Castle Estate – Mohawk, NY Set 1: Rainshine, Happy Hour Hero, Big World>Ricky Marten>The Other One*#>Smokestack Lightning*##>The Other One*#, Stuck Inside of Mobile (with the Memphis Blues Again)@*%, Feel Like A Stranger*%%
Set 2: Wind It Up, Faker>Billy Goat, Suck A Lemon, Paper Dragon>Recreational Chemistry
Encore: Mayor of moe.ville Election$, Spine of a Dog>Seat of My Pants
* w/ Bob Weir @ w/ al. on mandolin # LTP > 7/17/09 ## FTP – Chester Burnett, a.k.a. Howlin’ Wolf cover % FTP – Bob Dylan cover %% FTP – Grateful Dead cover $ w/ Bob Weir (and rob.’s hair) elected mayor
moe.down XIII
Line-up: moe. Umphrey’s McGee. North Mississippi Allstars Duo. SOJA. Bright Light Social Hour. Timbre Coup. Aqueous. Grace Potter and the Nocturnals. Galactic. The Wood Brothers. Marco Benevento. Kyle Hollingsworth. The Everyone Orchestra. Leroy Justice. JC Brooks and the Uptown Sound. Infantree.
This year’s moe.down was moved back to the original Turin, NY venue at Snow Ridge Ski Resort. It was also moved up to an earlier date, this time in August. The move back to the original venue, as well as an earlier time slot made for a successful festival, and one of their best to date. Fans were ecstatic to be back on the old stomping grounds and, much to their delight, were able to experience two full sets of moe. each day. 2012 also brought much anticipated camping areas designated for families and sober attendees.
It just wouldn’t be a moe.down without some rain in the forecast. Occasional showers rolled in on Friday night, but the bands that took to the stage made sure to keep the energy going late into the night. Once again, Grace Potter and the Nocturnals performed, opening up the main stage on the first day. She later joined in with moe. during their cover of the Rolling Stones’ “Gimme Shelter.”
Saturday’s second set by moe. in the evening turned spicy as Galactic joined the group on stage to bust out The Band’s “Up On Cripple Creek,” which was immediately followed by a hefty jam session by both. The double jamming session continued as they flowed into “How Many More Years” with both Vinnie Amico and Jim Loughlin on percussion.
One attendee, Chris Perrault, recalls the magic of this year’s festival overall. “Musically, I remember standing high up on the hill as the sun was setting, watching everyone groove. As the sun went down, everything became electric or illuminated. The stage. The hula hoops. The glow sticks. But mostly the dancers and the music just changed course from happy daytime music to crunchy ‘oh, you want to get down? Well, then let’s!’ It was fantastic!”
Sunday’s performances brought a heavy hitting set by Umphrey’s McGee, which included a sit-in by Stanley Jordan. moe.’s evening performance included Umphrey’s McGee joining in for a band switch during a double dose of Pink Floyd covers, performing “Time” and “Breathe.” This year’s mayor of moe.down went to Goldbond. A surprise second set delighted fans as fireworks blew up in the sky, with “Billy Goat>meat.” bringing the event to a close.
8/10/12 Snow Ridge Ski Area, Turin, NY Set 1: Plane Crash@ >(nh) Not Coming Down@ > Wormwood > Okayalright, Gimme Shelter*#, Tubing The River Styx > The Pit > Puebla > Timmy Tucker, Letter Home^, Wind It Up
Set 2: Tailspin## > head., Happy Hour Hero**, McBain > Skrunk > Brent Black
Encore: Seat Of My Pants^^ >(nh) Akimbo
@ w/ al. on ’74 Gibson double-neck guitar *w/ Grace Potter on vox ** w/ Kyle Hollingsworth on keys ^ ’97 / Reggae version ^^ SDB tease # Last time played 3/06/08 ## Last time played 1/31/11
8/11/12 Snow Ridge Ski Area, Turin, NY Set 1: Crab Eyes>(nh) Down Boy>(nh) The Bones Of Lazarus, Blue Eyed Son@, Captain America>Waiting For The Punchline, Faker>Moth
Set 2: Paper Dragon>Dr. Graffenberg, Sticks and Stones, Zed Naught Z>Don’t Fuck With Flo>Zed Naught Z, Up On Cripple Creek*>moe. / Galactic Jam>How Many More Years**, George, Recreational Chemistry
@ w/ al on electric mandolin * w/ Galactic ** Galactic w/ Vin & Jim on percussion
8/12/12 Snow Ridge Ski Area, Turin, NY Set 1: Haze@, It>St. Augustine>Downward Facing Dog, Bring It Back Home*, Spine Of A Dog>Buster
Set 2: Bullet>Deep This Time, The Road>Kyle’s Song>Kids, Time^>moe. / Umphrey’s band-switch>Breathe
Encore: Rebubula
Encore 2: Billy Goat>meat.
@ w/ al on ’74 Gibson double-neck guitar * w/ moe.down Kid’s Tent Parade ^ w/ Umphrey’s McGee Mayor of moe.ville = Goldbond Fireworks went off after Rebubula, and band played a 2nd encore as surprise to fans
moe.down XIV
Line-up: moe. Steve Kimock Band. Mike Dillon Band. Conehead Buddha. Pennyshine. Conspirator. Stanley Jordan Trio. Savoy. Floodwood. Dr. Dog. Del McCoury Band. Karl Denson’s Tiny Universe. RAQ. Eastbound Jesus. Wolf! The Stepkids.
This year’s event was once again held in Turin, NY. The crowd of attendees was much smaller, and more intimate, than usual. Friday’s musical set began on a stylish note, as the Del McCoury Band took to the stage. With perfectly coifed hair and stylish suits, these guys brought nothing but class and bluegrass to the stage. It was a refreshing musical change to the festival without a doubt. moe.’s Friday set included a tip of the hat to Jerry Garcia with a performance of “Casey Jones,” as the anniversary of his death was August 9. For the first time in recent years, the Friday night sky was crystal clear, without a hint of rain in sight.
Saturday’s events brought a lost wandering Beagle puppy to the attention of everyone. moe. even made an announcement to try and find the owner. Without any luck finding who the dog belonged to, she was eventually turned over to the local Humane Society, to which she was appropriately named “Moe.Na.” Speaking of moe., their evening set busted out a ridiculously energetic version of “Plane Crash” that included Shannon and Terry Lynch, of Conehead Buddhas, on horns. If that wasn’t enough to blow fans away, second set was basically one of the most insane sets they’ve ever played. Fierce compositions followed one after the other, filled with emotional jams that brought a wave of energy up and down as the melodies ebbed into each other. That set brought down the house, and had fans staring in disbelief at the amazing shreds the band was throwing out to the mountain side.
Sunday’s musical delights included the Mike Dillon Band, with Carly Meyers of ROAR! crushing a killer trombone as part of the ever rotating cast of musicians in this project. Stanley Jordan, famous for his two-handed tapping guitar style, had fans who’ve never seen him perform watch on in awe and dropped jaws. Speaking of Jordan, he joined moe. during encore with “Rebubula,” after the new mayor of moe.down went to the ditch. “Happy Hour Hero” closed out the year, followed by the annual fireworks display.
Watch moe.’s entire second set from 8/10/13:
8/9/13 Snow Ridge Ski Area, Turin, NY Set 1 Big World>Ricky Marten>Bring You Down, Casey Jones, Blue Jeans Pizza>Silver Sun>Mexico
Set 2: St. Augustine>32 Things, Deal#, Time Ed>Water*>Brent Black%>Mar-DeMa>Time Ed
Encore: Spine Of A Dog**
# LTP > 12/02/12 * w/ Enter Sandman Jam % unfinished ** w/ Powerhouse ending
8/10/13 Snow Ridge Ski Area, Turin, NY Set 1: Skrunk>Timmy Tucker, Wind It Up, Godzilla*, Puebla>Tubing The River Styx>The Pit>Plane Crash**
Set 2: Smoke>Chromatic Nightmare>Smoke>Recreational Chemistry>Akimbo>Tubing The River Styx>Seat Of My Pants>meat.#>Brent Black^
Encore: Traveling Light##, Dr. Graffenberg
* w/ Chris Michetti on guitar ** w/ Shannon & Terry Lynch on horns ^ completes 8/09/13 version # unfinished ## first time played- (cover – JJ Cale) – dedicated to JJ Cale and Mikey Houser
8/11/13 Snow Ridge Ski Area, Turin, NY Set 1: Stranger Than Fiction, Suck A Lemon, Crackers, Bearsong*, Billy Goat > CalfironIA >(nh) Y.O.Y.>Buster**
Set 2: Queen Of Everything, Moth>Hi & Lo>Opium, Yodelittle%>meat.#, The Bones Of Lazarus>George
Encore: – Rebubula^, Happy Hour Hero^^
* w/ moe.down Kids Parade & Carly Meyers on trombone ** w/ Mike Dillon on percussion % w/ Stanley Jordan on guitar # completes 8/10/13 version – Ditch voted in as mayor. of moe.ville ^ w/ Stanley Jordan on guitar & Kenwood Dennard switched out for a period of time with Vin, who played percussion with Jim, before switching back with Kenwood on drums ^^ Fireworks were shot afterwards
moe.down XV
Line-up: moe. Gogol Bordello, O.A.R., Lotus, Solve, Les Claypool’s Duo De Twang, Jerry Douglas Band, Everyone Orchestra, Twiddle, Floodwood, Aqueous, The Werks, Conehead Buddha, American Babies, Wild Adriatic
Since 2000, moe. has been hosting this festival for fans, friends and family. This year, the three day festival was especially welcome as the event returned to the original Labor Day weekend date at Snow Ridge in Turin, NY. Not having to go to work on Monday was a big factor for fans, as many did not want to miss the epic fireworks display after the band’s last song on Sunday. The rain held up for most of the weekend, keeping the grounds dry during the day.
Two bands making debut appearances this year included Twiddle and Wild Adriatic. Both bands are scheduled to appear this year for moe.down XVI. Conehead Buddha, Lotus, and Les Claypool’s Due De Twang gave powerhouse performance sets jam packed with high energy. Lotus took the place of The Rich Robinson Band, who were originally scheduled to perform. The most surprising act of the festival was from Gogol Bordello, an intensely high energy band whose music was a combination of bordello, punk and theatrics all rolled into one.
moe.’s Saturday evening performance included the members of Conehead Buddha horns joining the group on stage for the majority of the set. moe. put out the call to fans stating that if their Facebook page reached 100,000 likes, they would play a “Voter’s Choice” song during moe.down. They did not disappoint. They brought out the rare instrumental “Canned Pastries,” that had only been played five times previously, making it’s last appearance on the setlist on August 25, 1994. Before the encore of “Rebubula,” the mayor of moe.ville was announced. This year finally went to Rex Thomson, who had been competing for the mayor for the past few years.
Check out the encore which wrapped up the last moe.down three years ago:
8/29/14 Snow Ridge Ski Area, Turin, NY Set 1: meat.*>Dr. Graffenberg>Low, Same Old Story, Chromatic Nightmare, Don’t Fuck With Flo>Timmy Tucker, White Lightning Turpentine, Faker>meat.
Encore: Spine Of A Dog>Seat Of My Pants
* w/ Bullet Jam / false start
8/30/14 Snow Ridge Ski Area, Turin, NY Set 1: Mar-DeMa>(nh) Captain America, Okayalright>(nh) Crab Eyes, This I Know, Billy Goat%, Skrunk>Blue Jeans Pizza>Waiting For The Punchline Reprise>Waiting For The Punchline, Downward Facing Dog
Set 3: Silver Sun, Threw It All Away*, Not Coming Down*>Wormwood*>Brittle End*, The Wizard*^, Spanish Moon*>Blond Hair And Blue Eyes*, Late In The Evening*, Plane Crash*
Encore: Jazz Wank>Hava Negilah>Long Island Girls Rule
% w/ moe.down Kid’s Tent Parade * w/ Conehead Buddha horns: Shannon Lynch on saxaphone, Terry Lynch on trumpet, Shaun Bazylewicz on trombone ^ w/ Terry Lynch on vox
8/31/14 Snow Ridge Ski Area, Turin, NY Set 1: Paper Dragon, Annihilation Blues, Do Or Die, Water>Hector’s Pillow>Four>32 Things, Canned Pastries# Set 2: Big World>Rickey Marten>Time Ed>Moth, Puebla>Kyle’s Song
Dead and Company roared into Saratoga Springs on a rainbow for a show at SPAC on Tuesday, June 20 after a hot weekend of shows at Fenway Park. The national tour has Deadheads and Mayerheads alike buzzing about the continued pairing of the Grateful Dead’s Bob Weir, Bill Kreutzmann and Mickey Hart with John Mayer, Oteil Burbridge and Jeff Chimenti. Few tours of this nature attract an audience where grandparents bring grandkids to the show, tying music across generations and inviting fans of all ages to enjoy the music of the Grateful Dead with an infusion of new blood.
Out of the gate, Weir led the troupe through “Hell in a Bucket,” and let Oteil take over on “Next Time You See Me,” laying down the deepest of bluesy grooves that Pigpen would nod at approvingly. “Loose Lucy” and “Mississippi Half Step” had the audience singing along with Bob and John, but “Looks Like Rain” was where the music connected with Mother Nature. Just as Weir returned to the chorus, the skies opened up and a soft sunshower began with a subsequent rainbow appearing over the gleeful crowd moments later. The refreshing rain led to a “Dire Wolf” sing along followed by “Lost Sailor > “Saint of Circumstance” that wrapped up a tight first set.
The second set started with “Chinacat Sunflower” and instead of expected “I Know You Rider,” Mayer shifted gears into “Deal” where he let off steam, jumping up and down as he led through a rip roaring version of “Deal,” easily the highlight of the night. “China Doll” with Oteil’s heavenly vocals and “Terrapin Station” were the centerpiece of the second set feast. Bass ripples from “Drums>Space” rolled into mellow noodling that soon became “All Along the Watchtower” with Bob charging full ahead before pulling up the reigns for “Black Peter.” To sandwich the set, a patient segue into “Rider” tied the night together with tantric energy built up throughout. For an encore, “Goin Down the Road Feelin Bad” capped the night with a delighted crowd singing loudly and gleefully.
Set 1: Hell in a Bucket, Next Time You See Me, Loose Lucy, Mississippi Half-Step, Looks Like Rain, Dire Wolf, Lost Sailor>Saint of Circumstance
Set 2: China Cat Sunflower>Deal>China Doll>Terrapin Station>Drums>Space>All Along the Watchtower>Black Peter>I Know You Rider
With well loved music festivals being forced to fold their cards and encountering unfortunate mishaps in an ever-growing and highly competitive field, it’s both refreshing and reassuring that Stephentown, NY’s Disc Jam 7 can boast a laid back atmosphere and tightly-woven, yet growing community and still come out on top. A jam-packed, 4-day musical jaunt with a star-studded lineup attracted herds of fans from all over the Northeast and then some. Nearly 4,000 flocked to the cozy farm for a potpourri of funky jam headliners, late night producer and DJ sets, skilled vendors, a hula hooping and fire spinning flow tribe, on site artists and food trucks to keep festival dwellers happy, well-fed and entertained.
Thursday set the tone for the sunny weekend ahead, as Albany’s Lord Electro warmed things up on the CEG stage, before Strange Machines welcomed the booming voice and bubbly personality that is Hayley Jane, for the first of her many sit-ins as artist at large. Just after their set, they hopped on Teddy Midnight’s RV, also accompanied by a hot tub, for a quick interview on Teddy TV, which we later found out doubled as a surprise, late night party bus.
NYC trio Lespecial jumped up on the main stage to deliver some night-time grit and grime as Thursday night headliners. Their odd time signatures, heavy tunes and musical fortitude brought fitting teases of Tool, Rage Against the Machine and Primus’ own “Cannibal Holocaust.” After the help of Dopapod drummer Neal “Fro” Evans on the genre bending “Enter Sandman” into “Sandstorm,” the trio closed out their headlining performance on the main stage, riding the wave of symbiotic high energy between fans and artist.
Friday found a string of New York state bands representing their native stomping grounds into the early evening, including an all-star lineup of Aqueous, Giant Panda Guerilla Dub Squad, Wild Adriatic, Chromatropic, Leila, Litz, The Motet and jamtronica four piece Teddy Midnight, who rolled out phish teases and a number of stellar covers of The New Deal, STS9 and a pair of hard-hitting Disco Biscuits tunes, “Rock Candy” and “Tricycle,” proving Wiley Griffin can absolutely man handle a guitar. Over on the tent stage, Litz worked their magic to hype up the crowd while the saxophonist alone had enough personality on hand for the whole group. A sound malfunction forced immediate improv with bongo and guitar solos. Doing so seamlessly, the group dove right back into the jams once all issues were resolved and held down their set like true musicians and professionals.
The excitement for Friday night’s headlining Dopapod set loomed in the air as other festival favorites, Kung Fu, took the stage. Beau Sasser and company brought an arsenal of just that to the stage at Disc Jam this year for their one of a kind “Sunset-Set.” With Disc Jam 7 being their 6th time playing the festival, Kung Fu has been a fan favorite of the fest since 2012. That being said, the Fu you now groove to in 2017 may not have been the same back in 2012. With fresh tunes and a familiar sound, the group proved why they get invited back every year to the ever-growing festival. Kung Fu welcomed Hayley Jane during their set to perform Joan Jett’s “Reputation,” or for Freaks and Geeks fans, it’s notable theme song while their full set jammed through a slew of songs such as “Chop Suey,” “Joyride,” and a set closer of Steely Dan’s “Charlemagne.”
In past years, Dopapod have been known to deliver two sets to the festival they’ve been with since its culmination seven years ago. Unfortunately a gig in Colorado called for the festival veterans to head out early but not before offering up an eye-opening set that had all on feet and moving to the zips Eli’s keys and defined head bobs. Adorned in a blue Dopapod hoodie, Rob Compa took to the front row of the crowd to incite fan engagement, asking what songs they’d like to hear. After a “Trapper Keeper” suggestion and “Nerds” being loudly projected to the forefront of the stage, they launched into none of the above as they continued with songs of their choice. While the hour and a half set didn’t boast a laundry list of material, each delivery had a flair of its own and incorporated lengthy jams throughout, leaving fans both thankful and energized. Fans were treated to an opener of “8 years,” new track “Mucho, classic Dopapod hits and two-bit favorites “Priorities,” “Trickery” and “Cloud.”
Feeling wired post-Dopapod, a two hour “after party” ensued at the tent stage with the Motet’s uplifting and encapsulating music. Their kinetic energy and signature style made it impossible to stand still, as everyone underneath the tent found a dance partner in the strangers to their left and right. Paired with groovy visuals on the back wall of the tented stage, the Motet provided time travel through the decades with their genre-spanning music. Just in case anyone let out a yawn or felt their bodies slowly yearning for sleep, singer Lyle Divinsky doubled as hype man for the group, spewing catch phrases into the mic and pumping up the crowd as he stalked back and forth across the front of the stage.
With late night sets and DJs playing through the early stages of the morning, many found their way back under the tent to witness the magic that poured out of the tips of Holly Bowling’s fingers. While first depicting psychedelic visuals to pair with her compositions of well-loved jam tunes, Bowling offered the audience a “behind the scenes” look at her performance with a special camera placed in front of her hands. Viewers were able to watch her fingers tickle the instrument as she raced her hands back and forth while banging on the black and white keys, all while sporting a quirky smile on her face. It’s evident that Bowling is not only great at what she does but that it embodies the happiness she feels inside. Her takes on Grateful Dead, Phish and The Disco Biscuits found sweet symphonic sounds mimicking “Franklin’s Tower,” “It’s Ice,” and “Magellan” among others. Thankfully, this wasn’t the last we saw of the all-star pianist.
With at least one expected day of rain, the only dampening of the weekend came from the early morning dew and spilled beer across widely spread campsites. If you even attempted to get some sleep between the late woods parties and the beat boxers dressed in all black outfits adorned in glow sticks, the sun was enough to jolt you up out of your increasingly heated tent making you feel just Bearly Dead, or at least awake enough to go catch their early morning Grateful Dead tribute set–a slot they held at the tent stage all weekend. As Saturday progressed, Consider the Source took on their late afternoon set on the main stage, gathering a large crowd regardless of the fact they had a highly anticipated late night set scheduled for 2am. Ripping through well-known source tracks like “This Dubious Honor,” “Many Words of Disapproval” and “Closer to Home” paired with the wailing of instruments and heavy emotion written across their faces, the trio proved and surpassed reasons why they deserved two slots at disc jam. Never missing a note and playing the most difficult instruments and arrangements, consider the source managed to put a spin on their already involved tunes, oozing mastery musicianship.
Wild Adriatic brought their Saratoga Springs flair to the Disc Jam stage as declarations of “getting my hair like that guy’s” were made in the crowd, referencing to the stellar afro rocked by bassist Rich Derbyshire. Keeping it in the Capital region, Formula 5 boasted an unforgettable set, complete with a sit in by Holly Bowling and an emotional Allman Brother’s Band tribute cover. Drawing a solid, dance-ready crowd, Formula 5 brought the jams to those swaying back and forth on feet as well as those sitting and relishing in the moment. Bowling sat in for “Floating” as the group made what was the only Gregg Allman tribute of the weekend at the time, with an impassioned selection of “No One to Run With.” Mister F kept the upstate grooves going directly after, despite their recent misfortune of being down a tour van and itching to get new music out to fans, Scott Hannay showed his chops and delivered hard on keys before treating fans to a late night surprise.
Anticipation struck Gardner’s Farm for the party that Turkuaz was about to unleash on its weekend inhabitants. Making their rounds on the festival circuit, the 9-piece power funk ensemble offered harmonica stylings and powerful vocals with a groovy dance party to match. Shira Elias and Sammi Garrett have been getting more and more attention and for good reason. Their dialed up vocal chops, coordinated dance moves and soulful sound give enough reason as to why–plus, a cover of The Band’s “Don’t Do It” didn’t hurt.
Saying the tent stage was filled to capacity for Break Science Live would be an understatement. When they took the stage on Saturday night, the original duo of Adam Deitch and Borahm Lee reeled in a humongous crowd as well as support on stage when they were accompanied by a handful of Lettuce members– Erick Coomes on Bass, Eric Bloom on Trumpet, Adam Smirnoff on Guitar and Ryan Zoidis on Tenor Sax. The super group, paired with an intense light show captivated the audience with a combination of trip-hop, dub and jazz which found the tent jumping as a unit. During their set, Manic Focus joined Lee on the table to help with DJing, which brought a unique sound to an already extraordinary group of musicians.
A 2am set drew in a rather large and sleepy crowd underneath the tent stage. Known for their magical history with performing late night festy sets, most of the audience knew to place their blankets and tired bodies on the floor to witness an amplified, yet scaled back Consider the Source set in a more intimate setting with calming visuals to match. Two girls, however, missed the memo and kept prompting everyone to “stand up and enjoy the music” while others retaliated with, “but it’s a seated performance!” Nonetheless, all in attendance found themselves in awe at the mastery level in which the trio plays. Having checked off deliveries of stirring tracks, including one they learned during their trip to India and haven’t played since, Jeff Mann, John Ferrara and Gabriel Marin know how to nail a performance through tempo, chord progressions, arrangement and elements of surprise.
At the same time Consider the Source was delivering their intimate set to a lulled crowd, Teddy Midnight’s surprise RV party bus was at full force. Disc Jam artists swapped on and off the luxury bus, playing tunes from the backside of the opened vehicle and slithering guitar necks in between its doorways. Joe Davis and Matt Richards of Formula 5, Scott Hannay of Mister F, Adrian Tramontano of Kung Fu, Wiley Griffin of Teddy Midnight all took a musical ride on the bus.
As silent discos were offered into the premature minutes of the early mornings, Saturday night/Sunday morning offered listeners a stroll through the Techni-colored woods to “No Diggity” as one looked around and noticed life in the woods is a bit different than out on the wide open spaces of the farm. After placing a pair of silver headphones over your head, you were welcomed into a wooded world of festival dogs, multiple pin boards circulating and growing raves.
Sunday morning’s sunrise guided everyone to their tents for a quick nap ahead of the final day of Disc Jam 7. Upon awakening and being lazy around camp, the opening notes of Dopapod’s “Bubblebrain” trailed widely across the farm, conjuring many to the stage. Quickly, it had to be discovered who was playing such a top-notch delivery of the unique track. To the surprise of many, it was a group of kids from the ages 11-18 in Zachademy of Music All Stars, including a young boy with luscious blond locks, reminiscent to that of Formula 5 bassist James Woods. A mind blown audience watched as kids half the age of the festival goers shredded through a difficult catalogue including covers of Vulfpeck, Consider the Source and Kung Fu. Dopapod’s Compa went forth to share the “Bubblebrain” video to Facebook, announcing that even he messes up his guitar solo at times and further affirming the true talent boasted by the all stars.
Around noon, a very talented group new to the scene took the tent stage and made it their own. New Paltz’ The Other Brothers brought a unique sound to the festival, drawing a nice crowd to their set that blended a variety of genres. As always, Chris Owen was able to captivate the crowd with his larger than life vocals and impressive dance moves while Bera, Marquez, Morrison, Nelson and Mendelson kept every groove as tight as possible. Where one song took on the structure of a love ballad, the others were sure to get toes tapping and hips swiveling, gaining a new circle of Disc Jam fans. Be sure to check out this humble group on the rise, you won’t want to miss these brothers in a city near you before they ultimately break through. They’re currently out in L.A. recording their spirited music at the famous Sound City Studios.
Comparable to the tunes of Twiddle and their upbeat feel, Annie in the Water proved to be the fun 5-piece they are with a super involved set– a smorgasbord of sit ins by Holly Bowling on ‘Carry the Burden,” “Girl Let’s Dance,” with Twiddle’s Dempsey and Hannay of Mister F as well as Hayley Jane and Meadow Eliz offering assistance on “Crispy.” Keeping the theme going, a bulk of talent joined the Twiddle side project known as Gubbulidis. The group’s name derives from the combination the two members; Zdenek Gubb on bass Mahali Savoulidis on acoustic guitar and vocals. Usually all the two need are some loop pedals to make their sound one that very few could duplicate but to add depth to their one-off set, the power duo was joined by a plethora of talented artists such as the other components of Twiddle, Holly Bowling, Honeycomb, Billy Comstock of Annie in the Water, Wiley Griffin of Teddy Midnight and two members of Mister F; Colin Shore and Scott Hannay, making their Disc Jam set one of a kind. The full performance, which pieces together “Juggernaut,” “Rocky Raccoon,” “Mad World,” and more, can be found on Archive.org.
Later on in the day, a tent stage party was hosted by none other than G-Nome Project. The Israeli-based Livetronica Electro-Funk band rocked the tent and everyone inside with their synth-heavy instrumental tunes. Resembling jams taken on by trans-fusion/jam bands such as The Disco Biscuits, Lotus and Phish, G-Nome Project appealed to the masses, zeroing in on a unique blend of genres and inverted jams with covers of tunes from Game of Thrones, Lotus’ “Livingston Storm,” the Biscuits’ “Abraxas,” and Phish’s “Frankie Sez.”
Pink Talking Fish helped round out the festival with a Sunday evening performance, rotating their famous Pink Floyd, Talking Heads and Phish covers to an appreciative crowd. Mixing up the music of three undeniable bands in the scene, treats came in all sizes with covers of “One in a Lifetime,” “Run Like Hell,” “Mother,” “Rift” and “Harry Hood.” To close out their set, guitarist Eric Gould and artist manager brought out his latest guided talent, Hayley Jane to end with the second and final tribute to Gregg Allman with a moving version of “Soulshine.”
Neal “Fro” Evans, Holly Bowling and Hayley Jane certainly made their rounds throughout their four days on the farm, collectively marking an impressive number of sit ins. Evans brought his skill on the kit to help Lespecial and Giant Panda Guerilla Dub Squad on stage. Bowling spent time jamming with Electric Beethoven, Formula 5 and Annie in the Water while Hayley Jane notched an impressive sit in count of nine, with a TLC “Don’t Go Chasing Waterfalls” cover alongside Roots of Creation and appearances with Strange Machines, Bearly Dead, Aqueous, Congo Sanchez, Kung Fu, After Funk, Pink Talking Fish and, Annie in the Water. Her final performance with Ryan Montbleau tucked Disc Jam 7 into bed and put the weekend to sleep with one last performance as Yes Darling, as they ripped through a set of original material.
An intimate experience and independent effort, Disc Jam 7 sure packed a punch of a weekend before coming to a close. Every year, Disc Jam sees exponential growth and although it’s tucked away in the cozy knolls of Stephentown, NY, it’s small town aesthetic and low maintenance atmosphere is exactly what keeps fans coming back for more. When you step onto the farm, you step into the Disc Jam Fam–a world in which you meet and click with those you cross paths with if only for the weekend, a world in which you most likely already know an abundance of people there. After a widely successful seventh year in operation, those who self-identify as Disc Jam Fam left Gardner’s farm already mapping out next year’s detailed blueprints for Disc Jam 8.
After three decades Deep Banana Blackout still has their charm. On Friday, June 16, DBB played alongside The Breakfast, who both now have another excellent performance to put under their belts. Their performance Deep Banana Breakfast, although typical, was well received by the wide demographic of people that attended.
Typically, the Fairfield Theater Company gains the attention of people who seemingly aren’t so interested in the band that’s playing, but are more attracted to the idea of seeing live music on Friday night. They come to almost every show the FTC has to offer but always seem so uninterested, sometimes leaving halfway through a show. But not this time. The men and women were flabbergasted by the momentum and energy that DBB brought. Their well-rounded and classic sound combined with a contemporary layout made for an absolutely epic night that was enjoyed by patrons of all ages.
The Breakfast played for an hour and fifteen minutes with their efforts not going unappreciated. The only gripe some people might have had with their performance was that they came out swinging hard – they peaked early and as the room filled out it was easy to see the crowd had lost interest come the end of their set. They consist of: Tim Palmieri on guitar and vocals, Adrian Tramontano of Kung Fu on drums and vocals, Chris DeAngelis on bass and vocals and Jordan Giangreco on keyboards and vocals. They’re very technical and multi-directional with enough talent to last for years. Listeners can sense influences of rock, jam, funk and hints of jazz throughout their pieces. They too have been playing for almost three decades and still performed with unrelenting energy.
DBB, who’s show wasn’t the most incredible one they’ve ever done by any means, was much appreciated for their consistency. There are some member changes compared to their performances 10 years ago, but the feel of their show is still alive and well and that is something to appreciate. There were a few teases and a wide variety of tastes and styles that fluctuated throughout the show. Their selections ranged from a crowd favorite, “Bump and Sway,” to Peter Gabriel’s, “Sledgehammer,” to a lively version of James Brown’s, “Turn Me Loose, I’m Dr. Feel Good.” They played about fifteen total songs before moving to the highlight of the night when The Breakfast combined with DBB to play The Allman Brothers ”Stand Back” and “Southbound” as tribute to the late Greg Allman. As stated before, the show didn’t blow people away – patrons were drinking and talking the majority of the time and kept the smoking section of the patio full the entire time. What was most astounding was the consistency of the group over all of these years.
It’s a shame to see these two groups don’t have plans to work together again anytime soon because they compliment each other beautifully and have a plethora of talent and experience under their belts. DBB’s next show is in Westport, CT at the Blues, Views and BBQ Fest @ Levitt Pavilion and The Breakfast has no plans at the moment. Hopefully this performance is well received enough to have them do a similar show like this one.
Legends of their various genres pass through the Capital District all the time. The Egg’s Roots and Branches series brings acts that can bring an intimate audience together with a legend who has touched their lives through his or her music. June 16 found Bobby Whitlock of Derek and the Dominos in The Swyer Theater at The Egg for an two hour acoustic performance with plenty of story time built in between songs.
I’ve listened to Bobby for years, wearing out burned copy after burned copy of Derek and the Dominos at The Fillmore East 10/23/70 and 10/24/70. Every minute of those shows is pure rock n roll at the start of its greatest decade. By the end, the audience had a different view of Layla and Assorted Love Songs and heard the original songs performed in one of the songwriter’s to the classic album.
“We just come to play for your guys, we’re not promoting an album or with merch,” Bobby shared with the audience prior to “Anyday” off Layla. Bobby and Coco Sherman, whom has been performing alongside Coco for nearly 20 years, each played acoustic guitars while Reuben Chess from Brooklyn played backup electric guitar.
Chess took his solos with reserved grace so as not to step on the toes of Bobby Whitlock. “Got to get Better in a Little While” was gritty and not rushed. Whitlock shared a story of how he spent a year in England with Clapton, intending to be there for just a week., leading to “I Looked Away,” the first song they wrote together.
“Keep on Growing” was preceded by an extended story on recording the song with Clapton and George Harrison; the story reflected on how Sam and Dave’s vocals influenced Clapton and Whitlock’s on “Growing.” This story made the audience sit up in their seats and get comfy while they listened to Bobby tell tales from the road.
Whitlock switched to piano and Carmel to saxophone for “The Captain’s Song,” “Slowdown,” and “Bell Bottom Blues.” The closer, “Layla,” took on its own life – slow and bluesy during the verses, but back up to 38rpm for the chorus. The second half of the song was performed just as God/Clapton intended, and Chess closed the song out effortlessly. In three years, Layla and Assorted Love Songs will be 50 years old – let’s hope we can see Clapton and Whitlock together to perform the one of rock’s most influential and classic albums.
NYS Music continues its review of the history of moe.down, one of the most established and successful summer festivals the state has to offer. We looked at the first 5 moe.downs last week, and here’s a look back at some of the more memorable moments in years 6 through 10, as moe.down set roots down in Turin, NY and became a Labor Day Weekend tradition.
moe.down VI
After five increasingly successful years in Turin, moe.down had established itself as one of the premier summer festivals in the Northeast. It was now not only a “must go” destination for moe.rons but for music fans alike thanks to increasingly diverse lineups that featured more and more nationally prominent acts. The sixth rendition featured Keller Williams, who was everywhere at that time, The Violent Femmes, Matisyahu and Medeski, Martin & Wood as the lineups continued to be made with a blend of popular acts and those that were favorites of the band.
Night one of the festival only calls for one moe. set, and while this year would be no different, it was definitely cover heavy with versions of “Stairway to Heaven,” “The Night They Drove Old Dixie Down” and “All Along the Watchtower,” the latter of which featured Keller Williams sitting in. Setlists courtesy of Phantasy Tour.
9/2/05 Snow Ridge Ski Area, Turin, NY
Set 1: Jazz Wank> Rebubula*> Cornflake Girl> Recreational Chemistry, Wind it up, Salt Creek, Stairway To Heaven Jam^> All along the Watchtower^, Faker> Moth> The Pit> Brent Black> Moth
Encore: The Night They Drove Old Dixie Down
* unfinished ^ with Keller Williams
The following day’s opening sat saw guitarist Al Schnier’s children get involved and ended appropriately enough with a rousing rendition of “Kids.” Other highlights included a “Timmy Tucker” that was stretched across two sets and a full on instrument switch with Japanese band Big Frog. The band switch continued a recent tradition of sorts as the same thing had been done in years past with other headliners like The Disco Biscuits and Galactic, showing just how gracious the festival hosts are in sharing the spotlight at their festival.
9/3/05 • Snow Ridge Ski Area, Turin, NY
Set 1: Spine Of A Dog> Buster, Shanna Robe*, Ayla Schnier solo^, She, Crab Eyes, Hi and Lo> Timmy Tucker&> Kids
Set 2: New York City, Head> Timmy Tucker&+, Happy Hour Hero%> Rise> Karma Police> Head
Set 3: Not Coming Down> Wormwood> St. Augustine> 32 Things$, The Road> Kyle’s Song, Akimbo
Encore: Time, Sensory Deprivation Bank
* with Ben Schnier
^ Ayla Schnier solo on piano
& unfinished
&+ finished
% with complete band switch with Big Frog
$ with members of Dread Clampett
moe.down VI was closed out in style with a show that featured the band’s first ever take on The Grateful Dead classic “Terrapin Station” before steering back into a “Rebubula” that was left unfinished from the day before. As if that weren’t enough, the encore ended with a superb version of “Meat” that gave way to a brilliant fireworks display that left everyone gazing at the sky as the band completed another stellar chapter in the book of moe.down.
9/4/2005 Snow Ridge Ski Area, Turin, NY Set 1: The Ghost Of Ralph’s Mom, She Sends Me, Tailspin> Californ IA> Bullet> Big World
Set 2: Y.O.Y.> Down Boy, McBain, Four> Dr. Graffenberg> Terrapin Station*> Rebubula^ Encore: Tijuana Donkey Show, Meat&
* first time played ^ completed from friday night & with fireworks
Here’s a clip of the aforementioned “Meat” which closed things out.
moe.down VII
The seventh rendition of moe.down had a Phish-y vibe to it with three of the four members appearing on the bill. Bassist Mike Gordon played with his side project Ramble Dove while Page McConnell and Jon Fishman also lent their talents on keys and drums, respectively, to the festivities. Naturally, rumors of guitarist Trey Anastasio appearing as well swirled about as 2006 was right in the middle of the band’s near five year hiatus – an event that undoubtedly fostered some of the festival and band’s growth. This year also featured a band skyrocketing in national popularity in Umphrey’s McGee, an up and coming act in Grace Potter and the Nocturnals, Ziggy Marley and Yolk, a legendary NY band with roots in Binghamton.
moe. opened up their portion of the weekend with a ripping cover of Blue Oyster Cult’s “Godzilla” and later brought out McConnell to assist on two of the band’s more classic numbers in “Buster” and “Mexico” as well as “Blue Jeans Pizza,” a fairly new one at the time.
9/1/06 Snow Ridge Ski Area, Turin, NY
Set 1: Godzilla> Spine Of A Dog> Plane Crash> Buster*, Mexico*, Blue Jeans Pizza*, Good Trip> Wind it up
Encore: Meat
* with Page McConnell
The hosts enlisted some more help the following day with two separate Umphrey’s McGee sit ins. First, Jake Cinninger (guitar) and Kris Meyers (drums) came out and assisted on “Faker” which cooled things down after a monster 2nd set “George” that was accentuated by some brilliant disco ball lighting effects. Later in the set, guitarist Brendan Bayliss came out for the staple “Rebubula,” just as he had done a few summers earlier at the first Bonnaroo during moe.’s epic late night set – an event that, arguably, entrenched both of these bands on the national stage.
9/2/06 Snow Ridge Ski Area, Turin, NY
Set 1: Not Coming Down> Wormwood> The Ghost Of Ralph’s Mom, Akimbo, Lazarus*, 32 Things, Tailspin> Timmy Tucker
Set 2: Head> George, Faker^> Water> Rebubula&
Set 3: Crab Eyes, Bullet> Big World, The Road> Don’t Fuck With Flo$> The Pit> Godzilla
Encore: Karma Police> Head
* with Stephen Perkins
^ with Jake Cinninger, Steven Perkins, and Kris Meyers
& with Brendan Bayliss
$ with Andrew Bellivia and Willie Waldman
Sunday saw two more moe. classics get the special guest treatment as pedal steel guitar virtuoso Gordon Stone joined in for “New York City” and “Waiting for the Punchline” in a first set that was a highlighted by a “Moth” that nearly bookended the whole thing.
The Rolling Stones classic “Can’t You Hear Me Knocking” served as a more than tasty treat in the 2nd set and the weekend was capped off with a rip roaring “Recreational Chemistry” that closed the book on the 7th moe.down.
9/3/06 Snow Ridge Ski Area, Turin, NY
Set 1: Moth> New York City*, Down Boy, Waiting For The Punchline*, Y.O.Y.> Moth> Brent Black
Set 2: Jazz Wank> Dr. Graffenberg^> Can’t You Hear Me Knocking> Plane Crash, Brittle End, Seat Of My Pants
Encore: Recreational Chemistry
* with Gordon Stone
^ with Willie Waldman
Check out this 2006 promo for moe.down. It gives a great view as to the surroundings and communal vibe that this festival cultivates so well. And if that’s not enough, it also contains a baby faced Al Schnier and a tasty outro jam from a live version of “The Road.”
moe.down VIII
By 2007, the festival had become a well oiled machine and was not only producing a string of memorable Labor Day Weekends one after the other, but also showing the ability to adapt on the fly. Ryan Adams was scheduled to be one of the headliners at moe.down 8 but had to cancel. Instead of replacing him with a local or unknown artist, the festival was able to score Perry Farrell of Jane’s Addiction fame and his side project Satellite Party. This continued the precedent set last year when Stephen Perkins, drummer for Jane’s Addiction, appeared with his band Banyan in addition to sitting in with moe. on a take of “Lazarus.”
This year showcased a really impressive array of musical selections. There was the classic hip-hop/R&B stylings of The Roots, 90s jam band Strangefolk, alternative legends The Meat Puppets, a young electronica influenced band called Lotus and Medeski Martin Scofield & Wood all on the same bill. As moe.down continued to grow in popularity, it seemed to produce festival lineups with more and more depth each year.
Set 1: Stranger Than Fiction, Bearsong, Bullet> Tailspin, Kyle’s Song, Opium> lyleloveit., She> 32 Things
Encore: Don’t Do It*, She Sends Me
* First time played.
Saturday’s sets at moe.down 8 exemplified everything the festival had become, beginning with a “Buster” opener that saw a parade of kids marching on and around the stage. Just as it had grown in popularity and musical talent, each year there seemed to be more designated areas and activities scheduled for children, showing that the festival could also cater to families as well. And in keeping with other moe.down traditions, Saturday also had a full band switch with the Meat Puppets in the middle of “Big World” and a captivating sit in from Perry Farrell on a cover of the Jane’s Addiction tune “Ocean Size.”
9/1/07 Snow Ridge Ski Area, Turin, NY
Set 1: Buster*, The Road, Shoot First^, Down Boy, The Ghost Of Ralph’s Mom, So Long&, Mexico%
Set 2: Lazarus> Skrunk, Ocean Size$, Okayalright> Wind it up, Plane Crash
Set 3: Big World> Meat Puppets Jam#> Big World, McBain> George, Faker> Timmy Tucker
Encore: Spine Of A Dog@> Spaz Medicine
* with The Kid Zone Buster parade lining the front of the stage.
^ with Rob on upright bass, Al on acoustic guitar
& with Set the Controls for the Heart of the Sun (Pink Floyd), Al on acoustic guitar.
% with Curt Kirkwood (Meat Puppets) on guitar
$ First time played. w/ Perry Farrell on vocals
# moe. / meat puppets band switch
@ with Al solo intro
Closing out the festival this year featured more of the same with a beautiful ending to the opening set with a cover of “The Weight” that saw various members of Uncle Earl and The Brakes give this classic number an acoustic feel. Later in the evening, another band member switch of sorts took place as moe.’s crew members each took over an instrument on a cover of “Everybody Knows This Is Nowhere” before yet another spectacular fireworks display set from atop the hill sent everybody home.
9/2/07 Snow Ridge Ski Area, Turin, NY
Set 1: Crab Eyes, Hi and Lo> Kids, The Pit> Meat, The Weight*
Set 2: Blue Jeans Pizza> Recreational Chemistry^, Not Coming Down> Wormwood> St. Augustine> Everybody Knows This Is Nowhere%$> Rebubula
Encore: Akimbo, Letter Home#
* with KC Groves, Kristin Andreassen, Abigail Washburn, Bryn Davies of Uncle Earl on backing vocals, Rayna Gellert of Uncle Earl on fiddle, and Zach Djanikian of The Brakes on vocals.
^ with Chuck on bass guitar and Rob on guitar for part
% with Jeff Waful on Chuck’s guitar and vocals, Frank Robbins on Al’s guitar, Hector Jimenez on bass and vocals, Steve Young on keyboards, Cass Libbers on drums, and Ken “Skip” Richman on percussion
$ first time played (Neil Young & Crazy Horse)
# Fireworks followed “Letter Home” with Rainboe. singing “The Star Spangled Banner” and “God Bless America”
moe.down IX
With moe.down now firmly entrenched as a summer festival staple, the 2008 version offered a lineup chock full of easy listening with acts like The Levon Helm Band that, naturally, did a bunch of popular The Band covers, The Sparrow Quartet featuring Abigail Washburn (back from last year) and Bela Fleck, Cornmeal and Yonder Mountain String Band. For the non-acoustic fans, groups like U-Melt, American Babies and The Benevento Russo Duo offered their various takes on improvisational rock. And Presidents of the United States of America seemed to fit the early 90s/alternative band slot this year and wowed the crowd with a fun Sunday afternoon set under a blazing hot sun.
8/29/08 Snow Ridge Ski Area, Turin, NY
Set 1: Spaz Medicine, Blue Jeans Pizza, Funky Reuben*, Letter Home> Okayalright, Darkness> Shoot First^> The Road> Rebubula
Encore: Sensory Deprivation Bank
* Last time played 02/15/92 (1552 shows)
^ with Bela Fleck
The guest appearances this weekend fell right in line with the country feel to this year’s bill with Bela Fleck lending his talents to “Shoot First” and Jeff Austin from YMSB fitting in perfectly on “Bring You Down.” One of the weekend’s other memorable sets was delivered by Cornmeal who played an engaging set of bluegrass and uptempo folk tunes with Allie Kral, now of YMSB, on fiddle.
https://www.youtube.com/watch?v=lQ9I5-_s7gI
8/30/08 Snow Ridge Ski Area, Turin, NY
Set 1: Bring It Back Home, Bearsong, All Roads Lead to Home*, Captain America^> Waiting For The Punchline, Brent Black#
Set 2: Defrost@> Crab Eyes, Sticks and Stones*, Deep This Time*, The Pit, Bullet> Bring You Down$
Set 3: Buster> Second Cousins&> Runaway Overlude> She*%, Voodoo Child> Seat Of My Pants
Encore: Spine Of A Dog> Yankee Doodle+
* with Nadine LaFond on vocals
^ with Kids tent parade coming on stage
# with Marco Benevento on keyboards and Joe Russo on drums
@ last time played 01/22/97 (1228 shows)
$ with Jeff Austin on mandolin
& First time played and on stage setlist as “ShitLy”
% band segue with Fishbone
+ last time played 03/18/99 (947 shows)
For the hardcore moe. fans, there were bust outs galore at moe.down 9. Songs like “Funky Reuben” and “Defrost” that hadn’t been played since the 90s made appearances. It seemed as if the entire moe.playbook was an option this weekend. While plenty of songs from the recently released Sticks and Stones album also got some play, standout versions of old school hits like “Sensory Deprivation Bank,” “Recreational Chemistry” and a rollicking third set opener of “Buster” from Saturday night really made their mark this year.
https://www.youtube.com/watch?v=NeHrYNV1PwI
Sunday was not lacking in special moe.ments either as Cornmeal made another appearance and helped close out the first set set with their version of ‘jamgrass’ on a blistering “32 Things” that closed out the first set. And the second set saw Shannon and Terry Lynch of Conehead Buddha lend some brass support on “Happy Hour Hero.” Not to be outdone by the previous days’ offerings of bustouts, the second set also contained a “Roll >Armageddon Jig>Strychnine Waltz” sequence that hadn’t been seen in more than 7 years. But, by far, the most unexpected performance of the weekend may have been the last one as the entire band played around one mic and sent moe.down 9 attendees away for another year with their heads up thanks to the Monty Python sing-a-long classic, “Always Look on the Bright of Life,” replete with responsive whistling from another year’s worth of tired yet satiated fans.
8/31/08 Snow Ridge Ski Area, Turin, NY
Set 1: Tailspin> Timmy Tucker> Understand, Queen of Everything, Down Boy, Macintyre Range*^> 32 Things^
Set 2: George> Happy Hour Hero$> Recreational Chemistry, New York City> George> Roll#> Armageddon Jig#> Strychnine Waltz#> Plane Crash
Encore: Wind it up, Always Look on the Bright Side of Life@&
* without Rob
^ with members of Cornmeal
$ with Shannon Lynch on saxophone and Terry Lynch on trumpet
# last time played 4/22/01 (710 shows)
@ first time played (Monty Python). Chuck on guitar and Jim on tambourine. Entire band around one mic, Rob singing lead.
& second encore (after fireworks)
moe.down X
As a testament to the tireless work put in by moe.’s management team and the bond created with Snow Ridge over the years, 2009 marked the 10th year of the festival, all at the same location. And perhaps no previous lineup offered such a diverse selection of musical artists. Not too many other festivals could promote a bill that had acts like Ani DiFranco alongside ones like Method Man and Redman. And in a rare treat for any East Coast show, the festival was able to lure out California-based rock outfit CAKE who delighted the Saturday night crowd with a set of classic hits. Fledgling bands at the time like The Heavy Pets and The New Mastersounds both increased their exposure thanks to sets at the smaller stage on site. And like any other moe.down, the hosts were everywhere and playing with everyone.
moe. brought out something of a new trick this year as well. Each day, their performances began with one member on stage beginning a song before slowly being joined by everyone else one by one. Vinnie Amico got things started on night one with an opening drum solo before being joined by the rest of the band in a set that delivered such staples as “New York City,” “Hi and Lo” and “Four.”
9/4/09 Snow Ridge Ski Area, Turin, NY
Set 1: Buster*> New York City, Big World> Hi and Lo> Tubing The River Styx> The Pit, The Seed^, Spine Of A Dog$> Waiting For The Punchline$, Four$> Buster$
Encore: McBain
* Vinny drum solo > Jim > Rob > Al > Chuck to start Buster
^ first time played (new moe. song)
$ with Kirk Juhaus
MVP honors for the weekend could have easily been given to Sam Bush who not only played an afternoon set with his band, but lent his violin prowess and infectious energy on sit ins with moe. on songs like “Tambourine” and a rocking “Meat” that closed out Saturday’s second set. Perhaps no song befits moe.down’s rapid ascension into the top tier of the summer music festival hierarchy better than “Where Does the Time Go?” from the final set of night two.
9/5/09 Snow Ridge Ski Area, Turin, NY
Set 1: Mexico*, Crab Eyes, Tambourine^, 32 Things%, Deep This Time> Brent Black
Set 2: Zed Nought Z&> Skrunk> Akimbo, Queen of Everything, Lazarus> George, Meat#
Set 3: Dr. Graffenberg, Understand> Okayalright, Where Does the Time Go?> Plane Crash, Captain America> Recreational Chemistry@
Encore: Wind it up
* Al solo > Chuck > Vinny > Jim > Rob > jam (kids parade) prior to the start
^ with Sam Bush on vilolin w/ bow
% with Sam Bush on minature gutiar
& Jim malletkat solo > Vinny > Rob > Chuck > Al prior to the start
# with Sam Bush on violin
@ with Suke Cerulo
As the sun set on yet another year of magic in Turin, NY, expectations were that the festival would continue to motor along on its current pace and continue the tradition it had firmly established at Snow Ridge Ski Resort. As we’ll see in the upcoming part 3 of NYS Music’s moe.down review, this would not necessarily be the case. However, even though the venue may change, it’s clear that the spirit and the elements that make this festival special never will.
9/6/09 Snow Ridge Ski Area, Turin, NY
Set 1: Shoot First*> Bearsong, Borderline^, Bullet> Hector’s Pillow> Ricky Marten> Second Cousins> Runaway Overlude, She$
Set 2: Timmy Tucker, Seat Of My Pants> Sensory Deprivation Bank@, Happy Hour Hero@, Not Coming Down@> Wormwood@> St. Augustine@, The Road@
Encore: Rebubula@
*Chuck solo > Vinny > Jim > Rob > Al prior to the start
This year’s three-day event called into question whether it may even go on. Hurricane Irene rolled through the area just a few days prior, shutting down the flooded thruway. Those concerns were dashed, however, as the thruway opened and the show went on.
This year’s event was once again held in Turin, NY. The crowd of attendees was much smaller, and more intimate, than usual. Friday’s musical set began on a stylish note, as the Del McCoury Band took to the stage. With perfectly coifed hair and stylish suits, these guys brought nothing but class and bluegrass to the stage. It was a refreshing musical change to the festival without a doubt. moe.’s Friday set included a tip of the hat to Jerry Garcia with a performance of “Casey Jones,” as the anniversary of his death was August 9. For the first time in recent years, the Friday night sky was crystal clear, without a hint of rain in sight.
Since 2000, moe. has been hosting this festival for fans, friends and family. This year, the three day festival was especially welcome as the event returned to the original Labor Day weekend date at Snow Ridge in Turin, NY. Not having to go to work on Monday was a big factor for fans, as many did not want to miss the epic fireworks display after the band’s last song on Sunday. The rain held up for most of the weekend, keeping the grounds dry during the day.
Whitlock switched to piano and Carmel to saxophone for “The Captain’s Song,” “Slowdown,” and “Bell Bottom Blues.” The closer, “Layla,” took on its own life – slow and bluesy during the verses, but back up to 38rpm for the chorus. The second half of the song was performed just as God/Clapton intended, and Chess closed the song out effortlessly. In three years, Layla and Assorted Love Songs will be 50 years old – let’s hope we can see Clapton and Whitlock together to perform the one of rock’s most influential and classic albums.
