Upon arrival, you’d think there wasn’t much going on at Darien Lake Amphitheater, but once you entered the venue, it was a whole different story. It was pretty packed inside and fans were scrambling around to get to their seats before O.A.R came on. You could see the dividing wall between casual concert goers and ones who were die hard based on the shirts or what they sang, for every song that both bands played that night. Whichever side you fell on, you were not to be disappointed by the upcoming performances.
Train is led by singer/guitarist Pat Monahan and the stage made it clear who was in charge. Except for a couple of occasions, everybody stayed on their designated risers, leaving the front of the stage to Monahan. He’s full of stage tricks, seeing which side of the crowd can sing louder or turning a video camera onto the audience. During the song “If It’s Love,” Pat grabbed cell phones from the audience and would take a selfie while flawlessly singing the song. He also brought out Natasha Bedingfield to sing the song “Bruises” and it was a perfect duet to say the least.
O.A.R.’s music is a genial blend of straightforward rock and light reggae. They are a six-piece band from Rockville, Maryland and a mighty band indeed. From start to finish, their presence was strong and most members had quite the facial expressions and charisma. Guitarist Richard On was engaging with the crowd and even at one point tossed a pick to a little girl in the front row. Vocalist Marc Roberge was all smiles during the show and had the fans singing along with him swaying to and fro. The night went without a hitch and not one individual seemed to leave displeased by the night’s performances.
On Friday, June 23, 2017 the American chart topping Southern rock/Country rock group Blackberry Smoke rolled into Wilkes-Barre, PA to perform in front of a stoked up crowd at the F.M. Kirby Center in the heart of downtown Wilkes-Barre. Having toured extensively most of last summer on tour with Gov’t Mule, they released their fifth studio album Like an Arrow on October 14, 2016.
With five studio albums under their belt, including Bad Luck Ain’t No Crime (2004), Little Piece of Dixie (2009), The Whippoorwill (2012), Holding All the Roses (2015) and most current Like an Arrow, Blackberry Smoke has an enormous catalog of songs to choose from. Hailing from Atlanta, Georgia, these Southern boys are no stranger to the road, touring and performing throughout the United States. Formed in 2001, Blackberry Smoke have headlined as well as opened for major artists such as Zac Brown Band, ZZ Top, Lynyrd Skynyrd, Eric Church and more. For the past sixteen years they continue to tear up the charts and road with mega hits and touring, playing on average, 250 shows a year. They have developed quite the eclectic fan base as well ranging from the classic Southern rock, country, rock and roll, grassroots and jam band fans. They have been know to frequently break into long jams, throwing covers into the mix of their music and play all night long.
Guitarist and lead singer Charlie Starr shares, “There’s so many elements to what people call rock. There’s gospel and country and swing and blues. We’re just trying to write songs that include all those different types of elements. It keeps it interesting for musicians and songwriters.” And what great musicians and songwriters these guys are. If most of the sold out crowd at the Kirby Center didn’t appreciate the classic and vintage gear these guys used live which lended to their unmistakable sound, they certainly appreciated and knew the music as they sung along, clapped and foot stomped from the beginning to the end of their epic twenty-song set. Some songs on the set were definitely epic jams such as “Sleeping Dogs” which featured a very cool rendition of the Beatles “Come Together” tossed in the mix.
Blackberry Smoke’s original lineup of Charlie Starr (lead vocals, guitar), Richard Turner (bass, vocals), Brit Turner (drums), Paul Jackson (guitar, vocals), and Brandon Still (keyboards) have been together since the beginning and are as tight knit and in the groove as any band could be. Yet they don’t stand still and settle in the pocket, musically that is. They always seem to be pushing the boundaries and digging into new territory with their music. Their diversity and growth can definitely be heard throughout their albums and setlist. Their set at the Kirby Center had a multitude and mix of great songs from their recordings.
At 8 p.m. Brooklyn, NY based Indie/Alt-country blues band The National Reserve got things started with a forty-minute set that surely set the tone for the headliners. The National Reserve were a fun, musically diverse quintet. A fun and talented bunch of guys who could be your friend, hanging out, drinking whiskey in any local pub or starting up an impromptu jam in your mom’s living room. A great group of talented musicians led by guitarist/frontman Sean Walsh.
Blackberry Smoke hit the stage at 9:15 pm and played a twenty-song set which lasted til after 11 p.m. The crowd was on their feet for the entire two hours, some even waiting for the after show VIP meet and greet. Blackberry Smoke started off the set with “Let Me Help You (Find The Door)” from 2015 Holding All the Roses, followed by “Testify” from their 2003 album Bad Luck Ain’t No Crime, and “Six Ways To Sunday” from the 2012 release The Whippoorwill. Blackberry Smoke continued throughout the night playing many hits, foot stomping tunes, acoustic tunes, jam tunes, along with a few covers including “Hey, Hey, What Can I Do” by Led Zeppelin as their first of three encores. Blackberry Smoke hit Wilkes-Barre, PA like “a freight train runnin’” and had their fans captivated “starin’ at them like a deer in the headlights” like they didn’t see this one coming. They put on a hell of a show for their fans and I am certain they made many more fans that night as well that just went along for the ride and left amazed.
Blackberry Smoke Setlist: Let Me Help You (Find The Door), Testify, Six Ways To Sunday, Good One Comin’ On, Wish In One Hand, Waiting For The Thunder, Rock And Roll Again, Let It Burn, Sleeping Dogs/Come Together, Shakin’ Hands With The, Holy Ghost, Whippoorwill, Up In Smoke, Lay It All On Me, Ain’t Got The Blues, Running Through Time, One Horse Town, Like An Arrow
Encore: Hey, Hey, What Can I do, Who Invented The Wheel, Ain’t Much Left Of Me
There seems to be a growing trend in metal music of rap-metal making a comeback since Prophets Of Rage emerged last year. You could argue that bands like Body Count have been around for a long time, but now the genre seems to be in the spotlight again. And with any sub-genre of metal, you get the flash in the pan bands or the goofy sounding bands that don’t last, however, Powerflo has landed and makes a statement.
Consisting of powerhouse members of Biohazard, Fear Factory, Downset, and fronted by Cypress Hill’s Sen Dog, their self titled debut album makes you stop and say, “Hey, we got something here.” You always get a feeling with super groups that they could not work or blend well or just seem to be an odd fit. This is not the case. Powerflo is tight, has chemistry and contains killer hooks and a hard sound that grabs you by the collar and makes you listen.
The opening track “My M.O.” opens with a crushing guitar riff and dope rhymes straight from Sen Dog with a fantastic rhythm and beat from bassist Christen Olde Wolbers and drummer Fernando Schaefer. Its perfect to get you hyped up or that necessary kick you need to listen to while you’re at the gym. The next track “Resistance” is heavily vocal, driven with sick drums. But the song that stands out most is “Less Than a Human” because of how motivating it is. The track that highlights the band the best is the single “Victim of Circumstance.” If you want to get someone hooked on this band, show them this track. It’s a perfect sports anthem. I would expect to hear this band at sporting and fight events. Book it.
Some of the Biohazard fans may be let down because they’re expecting to hear the kick ass break downs and guitar solos from a band that made them so iconic. Poweflo isn’t driven by break downs and solos, it’s driven by catchy hooks. The hooks punch HARD. And Sen Dog really shines because he’s front and center. This is a band with a bold move by guitarist Billy Graziadei, because everyone is used to him being front and center anchoring for Biohazard, but he has a different role in Powerflo. But it works. This album is a must have for any hip hop, hardcore or metal fan. Keep an eye out for Powerflo. It’s easily the best debut metal album of this year.
Key Tracks: “My M.O.”, “Less Than A Human”, “Victim Of Circumstance”
Ever since my first local show experience in my hometown of Syracuse, N.Y, I was addicted to finding local bands. The one thing us New Yorkers know best is how to make our own brand of metal. Look around in the Central New York area and you will find some of the most talented bands you can find from Ire Clad, which has some of the best mixture of Black Sabbath’s doom approach mix with some of the hard rock vibrations of Soundgarden, and Vile Tyrant who continues to liberate the black metal underground with their melodic approach to the genre. New York bleeds metal! To present my case, I give you this album review of A Fitting Revenge’s album, Tempus Fugit. I now have the floor!
A Fitting Revenge is based out of Rochester, N.Y. We have Ledwing Hernandez on both guitars and vocals to bring the battlecry, Chris Xu on guitar to help bring the groove back to the mosh floor, Chandler Moran on bass to make your skin vibrate with excitement, and Aaron Smith on drums fueling the fire with his sonic attack behind the kit! Tempus Fugit is a deadly cocktail of groove and melody. The track “Cured of Faith” has some of the best groove induced execution I have seen in recent years. The band’s influences really show here. From the vocal approach much in the style of Randy Blythe, from Lamb of God, to the very catchy riff playing similar to Dimebag Darrell, the band still gives this track some NY style flavor. Hernandez’s vocals are just murderous and carries very well with the intricate drumming of Smith; by far my favorite track from the group. Moran’s bass playing will make you pick up your feet as Smith’s sounds the battle drums! Prepare for a moshpit for this one!
Even with the intense amount of aggression, you can still find some of the best melodic material from A Fitting Revenge. The track for me that screams out to in this manner is the beautifully constructed ‘Quiverfull’. The guitars harmonize very well on this song. Xu and Hernandez really have that chemistry to make this song hit hard. It is like taking a punch from Tyaon; yes including the ear biting! The fingering and precision is remarkable. Not even once when I was this demon did they lose my attention on this track; superb. Extremely catchy and melodic, it will have you begging for more as Hernandez’s guitar soars and compounds the solos with no struggle. The bass playing of Moran is spot on as it helps propel the emphasis of the bottom end of the song with the help of Smith’s very technical playing to keep that neck of yours breaking!
These musicians are extremely talented in what they do. With the aggressive tracks, like “Cured of Faith” and “Quiverfull,” and the melodic tracks, like the instrumental “Neuromancer” and “Wintermute,” the band no doubt has mastered their craft. In my opinion you should check out this band if you need a groove fix for your collection. I give this album 5 out of 5 horns. Go to the band’s links below to show your support!
Positive Mental Trip recently releasedThe Black and White Album, a collection of 15 songs that spans the genres of reggae, progressive rock, alternative rock, and more. The band is from Catskill, and The Black and White Album is their sophomore album coming five years after Change Your Mind. The band’s core writer/recording musician is Luke Weiler; he taught himself drums and bass to record nearly every instrument you hear on the album. The few exceptions are the sax parts in “The Bronco Rides at Midnight” and “Circles,” recorded by Chris Bonnano, and additional guitar from Steve Repka on “Circles,” “The Happy Old Man,” and “As a Friend” and Walt B on “The Bronco Rides at Midnight.”
The album kicks off with two reggae-styled tracks: “The Road” and “The Happy Old Man.” “The Happy Old Man” is one of those feel-good songs with simple structure, ending each lyrical phrase with “cuz I’m the happy old man.” It makes good use of percussion and guitar arpeggios. “The Road” is one of the best on the album with a laid-back groove emphasized by the scratchy/distorted guitar. “December Winds” stands out as the heaviest track on the album, greatly juxtaposing the lighter works throughout. It has a driving backbeat and prominent guitar until the end where the track suddenly shifts to a slower, lethargic tempo. “Sleeping Dreamland” artistically features some flat pitch bending in the guitar to illicit a dream-like or even a disoriented state by the listener. “Circles” closes out the album with an upbeat, funky, progressive jam that really caps the project with an exclamation point!
The album is quite diverse in song structure, featuring tracks only about a minute long up to almost 12 minutes, and it’s also inclusive of multiple genres; it has something for all listeners. They used a number of vocal effects which added a bit of depth to the vocalist’s sound. Weiler mixed and mastered the entire project with a little help from Tony Gonzo on “The Road.” The bass and drums could have been higher in the mix throughout to give the music a little more support, but still impressive nonetheless that Weiler crafted this album himself.
The album is a bit more experimental than the last, illustrating the artist’s growth in musicianship and willingness to diversify the writing. The band took some liberties with the recording process by tracking anywhere from 5 to 12 layers of guitar and including an array of instruments throughout. They’re not touring in support of this album, save for the CD release party in Athens, NY. So this allowed them to focus on creating densely textured tracks without worrying about how to recreate them live. Click here to check it out!
Key Tracks: The Road, The Happy Old Man, and The Bronco Rides at Midnight
Parkway Drive brings their last US tour of the year to the greater North American area. Thursday, June 22 they paid a visit to Upstate Concert Hall.
The crowd was off of their feet the second Parkway Drive came on stage and started their set with the song “wild eyes.” With nonstop crowd surfing and moshing throughout the whole set, you could feel the energy and the room shaking from the stage all the way to the back of the venue! You do not want to miss this tour.
Setlist: Wild Eyes, Carrion, Dedication, Vice Grip, Karma, Sleepwalker, Dark Days, Destroyer, Boneyards, Writings on the wall, Idols and anchors, Romance is Dead
Ten minutes down the road from Saratoga Performing Art Center’s Dead and Company concert June 20th, the performing arts center was co-hosting with Skidmore a classical event “Mozart in Havana.” While stylistically different from the jam up the road, and certainly separate in target audiences, the Cuban orchestra inspired by free expression and lighthearted love for music.
Pianist Simone Dinnerstein and the Havana Lyceum Orchestra intrigued a full house of excited classical music lovers with over two hours of intricate dialogues between piano and orchestra. The concert featured a classical piece from Cuba, two Mozart concertos, a Copland, and a surprise arrangement of Cuban music that had the orchestra members dancing in their seats, and eventually off stage to a salsa rhythm. Simone Dinnerstein, a well-respected and acknowledged talent of her generation, paired her love of piano music with her interest in Cuban music and culture on this cool June evening.
Taking the stage at Skidmore’s Arthur Zankel Music Center, Ms. Dinnerstein held the audience captivated with the technically challenging yet beautifully managed Mozart concertos. Both concertos 21 and 23 were recognizable to the audience, making the music selection accessible to audiences while also demonstrating Ms. Dinnerstein’s well-controlled and expressive musicianship.
Simone Dinnerstein, a well-respected and acknowledged talent of her generation, paired her love of piano music with her interest in Cuban music and culture on this cool June evening. The concert’s bookends were well-loved compositions from both Cuban and American cannons for orchestra. Concert notes reflected thought about how to best bridge the cultures through classical music
The concert’s bookends were well-loved compositions from both Cuban and American canons for orchestra. Concert notes reflected thought about how to best bridge the cultures through classical music choices and had settled on Farinas and Copland for this purpose.
The true excitement of the night, however, came from an encore performance of an arrangement composed by the orchestra’s own violinist, Jenny Pena Compo, who delighted audiences with dueling melodies on the trumpet and later violins. Showcasing musicianship and a true passion for their country’s music, the young and diverse orchestra members swayed together to the rhythms of Cuba’s traditional melodies. Musicians left the stage dancing and playing their instruments with a joyful, young energy often missing from classical concerts.
Audience members shared culture through music in the concert hall, laughing and dancing in their seats in an invigorating and inspiring night of music.
The third and final chapter in NYS Music’s threepart series on moe.down revisits the 11th through 15th festivals. In 2010, the band moved the festival from the grounds of Turin, NY, where they spent the last decade, to a new location at Gelston Castle Estate in Mohawk, New York. For the next two years, moe.down would call this location home.
moe.down XI
Line-up: moe. The Black Keys. Nas & Damian “Jr. Gong” Marley. Mike Gordon. Lotus. Grace Potter and The Nocturnals. Punch Brothers. Built to Spill. Tortoise. Ryan Montbleau Band. The Macpodz. The Brew. Monkey Wrench. Orgone. Turbine. Sister Sparrow and the Dirty Birds.
moe.down XI was the first time a multi-day festival had been held at the Gelston venue. Infrastructure had to be built to pump in water to the campgrounds and crude roads had to be roughly smoothed out to get attendees on site. This first year on the grounds also brought drizzles of rain throughout, as well as a chill, damp air that lingered each day, with touches of sun peaking through here and there.
The original line-up in 2010 featured Jakob Dylan, but he unfortunately had to back out and was replaced with Grace Potter and The Nocturnals for this year’s events. It’s not very often that artists on the original line-up have to back out, but this year’s schedule change kept the flow going. Who doesn’t love watching Grace Potter literally grace the stage with her beauty, Flying V guitar in hand, and breathy vocals melting into the microphone? Other noteworthy performances over the weekend included sets by Phish bassist Mike Gordon and his solo band, who’s set included Radiohead’s “15 step,” as well as The Brew blowing up the venue with an unexpected cover of Foreigner’s “Juke Box Hero.”
Host band moe. played on the main stage each day of the festival. The customary kids parade occurred on Saturday, with the stream of kids attending ending up on the main stage while moe. laid down some energetic jams. Each year, a mayor is chosen by the audience. The winner of the annual election of the mayor of moe.down went to Rage Lincoln and his reading of the Headysburg Address.
Notable sets included the evening Saturday set that opened with “Plane Crash” and then closed out the night, before encore, going back into “Plane Crash,” bringing the night’s performance to a smooth finish. The last night of the festival, moe. busted out a twisty turny extended “Farmer Ben” that was crammed with nuggets of unexpected surprises. Hints and teases of Rush splashed about through the jam, including touches of “Spirit of Radio,” “Tom Sawyer,” and “Working Man.”
moe. fan, Mike Quinn, looked back at some of his most unforgettable moments from moe.down and this year in particular brought fond memories. “I’ve been lucky enough to witness some really amazing things at moe.down. I’ve seen friends get engaged (moe.down 11) and then two years later get married at the top of the hill (moe.down 13). I was with my friends when they felt their son in utero kick for the first time at moe.down (11).”
Check out a smoking “Recreational Chemistry” from 9/4/2010:
9/3/10 – Gelston Castle Estate – Mohawk, NY Set 1: Zed Naught Z>(nh) Time Again>Waiting For The Punchline, Blue Jeans Pizza>(nh) Captain America>Puebla>George, Brent Black>Akimbo
Encore: Brent Black>Billy Goat
9/4/10 – Gelston Castle Estate – Mohawk, NY Set 1: Skrunk>Lazarus>Spine Of A Dog*, New York City^, St. Augustine>32 Things
Encore: Y.O.Y.^^
Set 2: Plane Crash>Hector.’s Pillow>Bring You Down, Daydreaming, Paranoid Android#>Ricky Marten>Time Ed
Set 3: Seat Of My Pants>(nh) Bearsong>(nh) Runaway Overlude>(nh) Recreational Chemistry, Not Coming Down>Wormwood>Plane Crash
Encore: Faker
* w/ Powerhouse ending ^ moe.down Kids’ Tent Parade ^^ Dedicated to Monkey Wrench (who played on the Buzz Stage right afterwards) # Last time played 7/20/07
9/5/10 – Gelston Castle Estate – Mohawk, NY Set 1: Buster>Haze>Yodelittle>McBain, Cornflake Girl>(nh) Timmy Tucker
Set 2: Moth>Queen Of Everything, Four>Rebubula
Encore: Deep This Time, Tubing The River Styx>The Pit>Farmer Ben**>Moth
* Ben jam section: Ben>Spirit Of The Radio (Rush)>Ben>Tom Sawyer (Rush)>Ben>Working Man (Rush)>Powerhouse>Ben
moe.down XII
Line-up: moe. The Levon Helm Band (featuring special guest Bob Weir). Ween. TV On The Radio. Slightly Stoopid. Bruce Hornsby & The Noisemakers. Ozomatli. Railroad Earth. The New Mastersounds. Rubblebucket. Danger Muffin. The Ragbirds. Empire Sound. Band. Gary Clark, Jr.
This year’s three-day event called into question whether it may even go on. Hurricane Irene rolled through the area just a few days prior, shutting down the flooded thruway. Those concerns were dashed, however, as the thruway opened and the show went on.
Once again, the festival was held at Gelston Castle Estate in Mohawk, NY. One big draw was heavy hitter Bob Weir as special guest with The Levon Helm Band. Gary Clark, Jr., an up and coming artist at that time, was slated to perform, along with well seasoned bands, Ween and Slightly Stoopid. Railroad Earth also made an appearance, and will be returning to this year’s moe.down.
The weather did have it’s say on some of the schedule during the weekend. The Levon Helm Band was postponed for nearly an hour due to lightning in the area. Fans took shelter under tarps and tents until the storm subsided. When the band finally took to the stage, Bob Weir sat in for their moving set.
On Saturday, moe. performed back to back sets in the evening, with the encore featuring “Crab Eyes” played on iPads to honor the passing of Steve Jobs. Sunday’s moe. evening sets brought Bob Weir to the stage as he joined in on a jaw dropping triple punch during “The Other One>Smokestack Lightning>The Other One.” The winner of this year’s mayor of moe.down was announced before encore and went to both Bob Weir and Rob’s hair. “Spine of a Dog” and “Seat of My Pants” brought the festival to a close.
Check out the band performing “Crab Eyes” completely on iPads:
9/2/11 Gelston Castle Estate – Mohawk, NY Set 1: Captain America, Down Boy>(nh) Skrunk>George, Where Does The Time Go?>Dr. Graffenberg, Deep This Time>32 Things
Encore: Plane Crash
9/3/11 Gelston Castle Estate – Mohawk, NY Set I: Rise>(nh) St. Augustine, She Sends Me, Nebraska^, Puebla>(nh) Mar-Dema>Timmy Tucker, Hi & Lo>Moth
Set 2: Good Trip>Akimbo, Blue Jeans Pizza, Downward Facing Dog, Tubing the River Styx>The Pit, Haze@>Rebubula@
Set 3: meat.>Don’t Fuck With Flo>Yodelittle>Lazarus, Four>Buster
Encore: Crab Eyes**, Bearsong
* w/ moe.down Kid’s Tent Parade @ w/ al. on ’74 double-neck Gibson ** w/ band playing on iPads
9/4/11 Gelston Castle Estate – Mohawk, NY Set 1: Rainshine, Happy Hour Hero, Big World>Ricky Marten>The Other One*#>Smokestack Lightning*##>The Other One*#, Stuck Inside of Mobile (with the Memphis Blues Again)@*%, Feel Like A Stranger*%%
Set 2: Wind It Up, Faker>Billy Goat, Suck A Lemon, Paper Dragon>Recreational Chemistry
Encore: Mayor of moe.ville Election$, Spine of a Dog>Seat of My Pants
* w/ Bob Weir @ w/ al. on mandolin # LTP > 7/17/09 ## FTP – Chester Burnett, a.k.a. Howlin’ Wolf cover % FTP – Bob Dylan cover %% FTP – Grateful Dead cover $ w/ Bob Weir (and rob.’s hair) elected mayor
moe.down XIII
Line-up: moe. Umphrey’s McGee. North Mississippi Allstars Duo. SOJA. Bright Light Social Hour. Timbre Coup. Aqueous. Grace Potter and the Nocturnals. Galactic. The Wood Brothers. Marco Benevento. Kyle Hollingsworth. The Everyone Orchestra. Leroy Justice. JC Brooks and the Uptown Sound. Infantree.
This year’s moe.down was moved back to the original Turin, NY venue at Snow Ridge Ski Resort. It was also moved up to an earlier date, this time in August. The move back to the original venue, as well as an earlier time slot made for a successful festival, and one of their best to date. Fans were ecstatic to be back on the old stomping grounds and, much to their delight, were able to experience two full sets of moe. each day. 2012 also brought much anticipated camping areas designated for families and sober attendees.
It just wouldn’t be a moe.down without some rain in the forecast. Occasional showers rolled in on Friday night, but the bands that took to the stage made sure to keep the energy going late into the night. Once again, Grace Potter and the Nocturnals performed, opening up the main stage on the first day. She later joined in with moe. during their cover of the Rolling Stones’ “Gimme Shelter.”
Saturday’s second set by moe. in the evening turned spicy as Galactic joined the group on stage to bust out The Band’s “Up On Cripple Creek,” which was immediately followed by a hefty jam session by both. The double jamming session continued as they flowed into “How Many More Years” with both Vinnie Amico and Jim Loughlin on percussion.
One attendee, Chris Perrault, recalls the magic of this year’s festival overall. “Musically, I remember standing high up on the hill as the sun was setting, watching everyone groove. As the sun went down, everything became electric or illuminated. The stage. The hula hoops. The glow sticks. But mostly the dancers and the music just changed course from happy daytime music to crunchy ‘oh, you want to get down? Well, then let’s!’ It was fantastic!”
Sunday’s performances brought a heavy hitting set by Umphrey’s McGee, which included a sit-in by Stanley Jordan. moe.’s evening performance included Umphrey’s McGee joining in for a band switch during a double dose of Pink Floyd covers, performing “Time” and “Breathe.” This year’s mayor of moe.down went to Goldbond. A surprise second set delighted fans as fireworks blew up in the sky, with “Billy Goat>meat.” bringing the event to a close.
8/10/12 Snow Ridge Ski Area, Turin, NY Set 1: Plane Crash@ >(nh) Not Coming Down@ > Wormwood > Okayalright, Gimme Shelter*#, Tubing The River Styx > The Pit > Puebla > Timmy Tucker, Letter Home^, Wind It Up
Set 2: Tailspin## > head., Happy Hour Hero**, McBain > Skrunk > Brent Black
Encore: Seat Of My Pants^^ >(nh) Akimbo
@ w/ al. on ’74 Gibson double-neck guitar *w/ Grace Potter on vox ** w/ Kyle Hollingsworth on keys ^ ’97 / Reggae version ^^ SDB tease # Last time played 3/06/08 ## Last time played 1/31/11
8/11/12 Snow Ridge Ski Area, Turin, NY Set 1: Crab Eyes>(nh) Down Boy>(nh) The Bones Of Lazarus, Blue Eyed Son@, Captain America>Waiting For The Punchline, Faker>Moth
Set 2: Paper Dragon>Dr. Graffenberg, Sticks and Stones, Zed Naught Z>Don’t Fuck With Flo>Zed Naught Z, Up On Cripple Creek*>moe. / Galactic Jam>How Many More Years**, George, Recreational Chemistry
@ w/ al on electric mandolin * w/ Galactic ** Galactic w/ Vin & Jim on percussion
8/12/12 Snow Ridge Ski Area, Turin, NY Set 1: Haze@, It>St. Augustine>Downward Facing Dog, Bring It Back Home*, Spine Of A Dog>Buster
Set 2: Bullet>Deep This Time, The Road>Kyle’s Song>Kids, Time^>moe. / Umphrey’s band-switch>Breathe
Encore: Rebubula
Encore 2: Billy Goat>meat.
@ w/ al on ’74 Gibson double-neck guitar * w/ moe.down Kid’s Tent Parade ^ w/ Umphrey’s McGee Mayor of moe.ville = Goldbond Fireworks went off after Rebubula, and band played a 2nd encore as surprise to fans
moe.down XIV
Line-up: moe. Steve Kimock Band. Mike Dillon Band. Conehead Buddha. Pennyshine. Conspirator. Stanley Jordan Trio. Savoy. Floodwood. Dr. Dog. Del McCoury Band. Karl Denson’s Tiny Universe. RAQ. Eastbound Jesus. Wolf! The Stepkids.
This year’s event was once again held in Turin, NY. The crowd of attendees was much smaller, and more intimate, than usual. Friday’s musical set began on a stylish note, as the Del McCoury Band took to the stage. With perfectly coifed hair and stylish suits, these guys brought nothing but class and bluegrass to the stage. It was a refreshing musical change to the festival without a doubt. moe.’s Friday set included a tip of the hat to Jerry Garcia with a performance of “Casey Jones,” as the anniversary of his death was August 9. For the first time in recent years, the Friday night sky was crystal clear, without a hint of rain in sight.
Saturday’s events brought a lost wandering Beagle puppy to the attention of everyone. moe. even made an announcement to try and find the owner. Without any luck finding who the dog belonged to, she was eventually turned over to the local Humane Society, to which she was appropriately named “Moe.Na.” Speaking of moe., their evening set busted out a ridiculously energetic version of “Plane Crash” that included Shannon and Terry Lynch, of Conehead Buddhas, on horns. If that wasn’t enough to blow fans away, second set was basically one of the most insane sets they’ve ever played. Fierce compositions followed one after the other, filled with emotional jams that brought a wave of energy up and down as the melodies ebbed into each other. That set brought down the house, and had fans staring in disbelief at the amazing shreds the band was throwing out to the mountain side.
Sunday’s musical delights included the Mike Dillon Band, with Carly Meyers of ROAR! crushing a killer trombone as part of the ever rotating cast of musicians in this project. Stanley Jordan, famous for his two-handed tapping guitar style, had fans who’ve never seen him perform watch on in awe and dropped jaws. Speaking of Jordan, he joined moe. during encore with “Rebubula,” after the new mayor of moe.down went to the ditch. “Happy Hour Hero” closed out the year, followed by the annual fireworks display.
Watch moe.’s entire second set from 8/10/13:
8/9/13 Snow Ridge Ski Area, Turin, NY Set 1 Big World>Ricky Marten>Bring You Down, Casey Jones, Blue Jeans Pizza>Silver Sun>Mexico
Set 2: St. Augustine>32 Things, Deal#, Time Ed>Water*>Brent Black%>Mar-DeMa>Time Ed
Encore: Spine Of A Dog**
# LTP > 12/02/12 * w/ Enter Sandman Jam % unfinished ** w/ Powerhouse ending
8/10/13 Snow Ridge Ski Area, Turin, NY Set 1: Skrunk>Timmy Tucker, Wind It Up, Godzilla*, Puebla>Tubing The River Styx>The Pit>Plane Crash**
Set 2: Smoke>Chromatic Nightmare>Smoke>Recreational Chemistry>Akimbo>Tubing The River Styx>Seat Of My Pants>meat.#>Brent Black^
Encore: Traveling Light##, Dr. Graffenberg
* w/ Chris Michetti on guitar ** w/ Shannon & Terry Lynch on horns ^ completes 8/09/13 version # unfinished ## first time played- (cover – JJ Cale) – dedicated to JJ Cale and Mikey Houser
8/11/13 Snow Ridge Ski Area, Turin, NY Set 1: Stranger Than Fiction, Suck A Lemon, Crackers, Bearsong*, Billy Goat > CalfironIA >(nh) Y.O.Y.>Buster**
Set 2: Queen Of Everything, Moth>Hi & Lo>Opium, Yodelittle%>meat.#, The Bones Of Lazarus>George
Encore: – Rebubula^, Happy Hour Hero^^
* w/ moe.down Kids Parade & Carly Meyers on trombone ** w/ Mike Dillon on percussion % w/ Stanley Jordan on guitar # completes 8/10/13 version – Ditch voted in as mayor. of moe.ville ^ w/ Stanley Jordan on guitar & Kenwood Dennard switched out for a period of time with Vin, who played percussion with Jim, before switching back with Kenwood on drums ^^ Fireworks were shot afterwards
moe.down XV
Line-up: moe. Gogol Bordello, O.A.R., Lotus, Solve, Les Claypool’s Duo De Twang, Jerry Douglas Band, Everyone Orchestra, Twiddle, Floodwood, Aqueous, The Werks, Conehead Buddha, American Babies, Wild Adriatic
Since 2000, moe. has been hosting this festival for fans, friends and family. This year, the three day festival was especially welcome as the event returned to the original Labor Day weekend date at Snow Ridge in Turin, NY. Not having to go to work on Monday was a big factor for fans, as many did not want to miss the epic fireworks display after the band’s last song on Sunday. The rain held up for most of the weekend, keeping the grounds dry during the day.
Two bands making debut appearances this year included Twiddle and Wild Adriatic. Both bands are scheduled to appear this year for moe.down XVI. Conehead Buddha, Lotus, and Les Claypool’s Due De Twang gave powerhouse performance sets jam packed with high energy. Lotus took the place of The Rich Robinson Band, who were originally scheduled to perform. The most surprising act of the festival was from Gogol Bordello, an intensely high energy band whose music was a combination of bordello, punk and theatrics all rolled into one.
moe.’s Saturday evening performance included the members of Conehead Buddha horns joining the group on stage for the majority of the set. moe. put out the call to fans stating that if their Facebook page reached 100,000 likes, they would play a “Voter’s Choice” song during moe.down. They did not disappoint. They brought out the rare instrumental “Canned Pastries,” that had only been played five times previously, making it’s last appearance on the setlist on August 25, 1994. Before the encore of “Rebubula,” the mayor of moe.ville was announced. This year finally went to Rex Thomson, who had been competing for the mayor for the past few years.
Check out the encore which wrapped up the last moe.down three years ago:
8/29/14 Snow Ridge Ski Area, Turin, NY Set 1: meat.*>Dr. Graffenberg>Low, Same Old Story, Chromatic Nightmare, Don’t Fuck With Flo>Timmy Tucker, White Lightning Turpentine, Faker>meat.
Encore: Spine Of A Dog>Seat Of My Pants
* w/ Bullet Jam / false start
8/30/14 Snow Ridge Ski Area, Turin, NY Set 1: Mar-DeMa>(nh) Captain America, Okayalright>(nh) Crab Eyes, This I Know, Billy Goat%, Skrunk>Blue Jeans Pizza>Waiting For The Punchline Reprise>Waiting For The Punchline, Downward Facing Dog
Set 3: Silver Sun, Threw It All Away*, Not Coming Down*>Wormwood*>Brittle End*, The Wizard*^, Spanish Moon*>Blond Hair And Blue Eyes*, Late In The Evening*, Plane Crash*
Encore: Jazz Wank>Hava Negilah>Long Island Girls Rule
% w/ moe.down Kid’s Tent Parade * w/ Conehead Buddha horns: Shannon Lynch on saxaphone, Terry Lynch on trumpet, Shaun Bazylewicz on trombone ^ w/ Terry Lynch on vox
8/31/14 Snow Ridge Ski Area, Turin, NY Set 1: Paper Dragon, Annihilation Blues, Do Or Die, Water>Hector’s Pillow>Four>32 Things, Canned Pastries# Set 2: Big World>Rickey Marten>Time Ed>Moth, Puebla>Kyle’s Song
Dead and Company roared into Saratoga Springs on a rainbow for a show at SPAC on Tuesday, June 20 after a hot weekend of shows at Fenway Park. The national tour has Deadheads and Mayerheads alike buzzing about the continued pairing of the Grateful Dead’s Bob Weir, Bill Kreutzmann and Mickey Hart with John Mayer, Oteil Burbridge and Jeff Chimenti. Few tours of this nature attract an audience where grandparents bring grandkids to the show, tying music across generations and inviting fans of all ages to enjoy the music of the Grateful Dead with an infusion of new blood.
Out of the gate, Weir led the troupe through “Hell in a Bucket,” and let Oteil take over on “Next Time You See Me,” laying down the deepest of bluesy grooves that Pigpen would nod at approvingly. “Loose Lucy” and “Mississippi Half Step” had the audience singing along with Bob and John, but “Looks Like Rain” was where the music connected with Mother Nature. Just as Weir returned to the chorus, the skies opened up and a soft sunshower began with a subsequent rainbow appearing over the gleeful crowd moments later. The refreshing rain led to a “Dire Wolf” sing along followed by “Lost Sailor > “Saint of Circumstance” that wrapped up a tight first set.
The second set started with “Chinacat Sunflower” and instead of expected “I Know You Rider,” Mayer shifted gears into “Deal” where he let off steam, jumping up and down as he led through a rip roaring version of “Deal,” easily the highlight of the night. “China Doll” with Oteil’s heavenly vocals and “Terrapin Station” were the centerpiece of the second set feast. Bass ripples from “Drums>Space” rolled into mellow noodling that soon became “All Along the Watchtower” with Bob charging full ahead before pulling up the reigns for “Black Peter.” To sandwich the set, a patient segue into “Rider” tied the night together with tantric energy built up throughout. For an encore, “Goin Down the Road Feelin Bad” capped the night with a delighted crowd singing loudly and gleefully.
Set 1: Hell in a Bucket, Next Time You See Me, Loose Lucy, Mississippi Half-Step, Looks Like Rain, Dire Wolf, Lost Sailor>Saint of Circumstance
Set 2: China Cat Sunflower>Deal>China Doll>Terrapin Station>Drums>Space>All Along the Watchtower>Black Peter>I Know You Rider
After three decades Deep Banana Blackout still has their charm. On Friday, June 16, DBB played alongside The Breakfast, who both now have another excellent performance to put under their belts. Their performance Deep Banana Breakfast, although typical, was well received by the wide demographic of people that attended.
Typically, the Fairfield Theater Company gains the attention of people who seemingly aren’t so interested in the band that’s playing, but are more attracted to the idea of seeing live music on Friday night. They come to almost every show the FTC has to offer but always seem so uninterested, sometimes leaving halfway through a show. But not this time. The men and women were flabbergasted by the momentum and energy that DBB brought. Their well-rounded and classic sound combined with a contemporary layout made for an absolutely epic night that was enjoyed by patrons of all ages.
The Breakfast played for an hour and fifteen minutes with their efforts not going unappreciated. The only gripe some people might have had with their performance was that they came out swinging hard – they peaked early and as the room filled out it was easy to see the crowd had lost interest come the end of their set. They consist of: Tim Palmieri on guitar and vocals, Adrian Tramontano of Kung Fu on drums and vocals, Chris DeAngelis on bass and vocals and Jordan Giangreco on keyboards and vocals. They’re very technical and multi-directional with enough talent to last for years. Listeners can sense influences of rock, jam, funk and hints of jazz throughout their pieces. They too have been playing for almost three decades and still performed with unrelenting energy.
DBB, who’s show wasn’t the most incredible one they’ve ever done by any means, was much appreciated for their consistency. There are some member changes compared to their performances 10 years ago, but the feel of their show is still alive and well and that is something to appreciate. There were a few teases and a wide variety of tastes and styles that fluctuated throughout the show. Their selections ranged from a crowd favorite, “Bump and Sway,” to Peter Gabriel’s, “Sledgehammer,” to a lively version of James Brown’s, “Turn Me Loose, I’m Dr. Feel Good.” They played about fifteen total songs before moving to the highlight of the night when The Breakfast combined with DBB to play The Allman Brothers ”Stand Back” and “Southbound” as tribute to the late Greg Allman. As stated before, the show didn’t blow people away – patrons were drinking and talking the majority of the time and kept the smoking section of the patio full the entire time. What was most astounding was the consistency of the group over all of these years.
It’s a shame to see these two groups don’t have plans to work together again anytime soon because they compliment each other beautifully and have a plethora of talent and experience under their belts. DBB’s next show is in Westport, CT at the Blues, Views and BBQ Fest @ Levitt Pavilion and The Breakfast has no plans at the moment. Hopefully this performance is well received enough to have them do a similar show like this one.
There seems to be a growing trend in metal music of rap-metal making a comeback since 
A Fitting Revenge
This year’s three-day event called into question whether it may even go on. Hurricane Irene rolled through the area just a few days prior, shutting down the flooded thruway. Those concerns were dashed, however, as the thruway opened and the show went on.
This year’s event was once again held in Turin, NY. The crowd of attendees was much smaller, and more intimate, than usual. Friday’s musical set began on a stylish note, as the Del McCoury Band took to the stage. With perfectly coifed hair and stylish suits, these guys brought nothing but class and bluegrass to the stage. It was a refreshing musical change to the festival without a doubt. moe.’s Friday set included a tip of the hat to Jerry Garcia with a performance of “Casey Jones,” as the anniversary of his death was August 9. For the first time in recent years, the Friday night sky was crystal clear, without a hint of rain in sight.
Since 2000, moe. has been hosting this festival for fans, friends and family. This year, the three day festival was especially welcome as the event returned to the original Labor Day weekend date at Snow Ridge in Turin, NY. Not having to go to work on Monday was a big factor for fans, as many did not want to miss the epic fireworks display after the band’s last song on Sunday. The rain held up for most of the weekend, keeping the grounds dry during the day.
