NYS Music 20​17

Category: Reviews

  • Phish Delivers a Jam Filled Show on Night 4 of Baker’s Dozen

    On a night where jams were promised, jams were delivered. The complaint ‘Phish doesn’t jam anymore’ is now an antiquated phrase reserved for jaded vets and those looking for a reason to justify not attending a show. On Honey Dipped Jam-Filled Donut night, Phish’s Baker’s Dozen shifted into high gear starting the show with a 5 song first set with no song shorter than 10 minutes. By the time the show was over, the band had two 30 minute jams under their belt, as well as the debut of “End of Session” from 1998’s Story of the Ghost. The fourth night marked the best of the run, with nine nights still to go.

    Starting for the fourth show in a row with an ‘S’ song, the normally simple “Sample in a Jar” topped out at 10 minutes, far longer than usual. It was when “Lawn Boy” started that fans were in for a treat among treats, and 29:59 later, after enormous blissful jamming that began when Page stood up to get his keytar, everyone knew they’d gotten something far out of the ordinary. Repeated listens will be required to fully absorb what Phish threw into this jam filled “Lawn Boy,” no, “Lawn Man.”

    “My Friend, My Friend” and “Stash” both topped the 11-minute mark with stronger than normal Type I jams that kept the set flowing. “Bathtub Gin” followed suit, and despite these last three songs having as much punch as any first set jam this run, “Lawn Boy” slightly overshadowed the others, more for the factor of jamming “Lawn Boy” among all the other songs in their repertoire.

    The second set started with “Fuego” clocking in at close to 20 minutes, followed by “Thread” which debuted in Chicago as a unique prog-rock number but also provided a bridge between jam vehicles, as “Crosseyed and Painless” provided an additional dose of jam that was promised. The Talking Heads cover veered into the usual improvisation and picked up speed as it dipped into a “2001” prelude that shifted gears and instead continued the “Crosseyed” jam in a third, or even fourth altogether different section.

    “Makisupa Policeman” with nods to Page and Mike from Trey and the jam out of Makisupa melted into “End of Session,” which debuted to the delight of the few who recalled the final track on Story of the Ghost, an ambient composition on many fans bucketlists. The set was capped by “Tuesday” and “Cavern” and fans picking up the jaws that were dropped in the 33 minute “Crosseyed.”

    To end the show, “Julius” came out rocking and segued into the ending of “Lawn Boy” to the intense delight of fans who saw the show come full circle, heading into Powdered donut night.

    Setlist via Phish.net

    Set 1: Sample in a Jar, Lawn Boy[1] > My Friend, My Friend[2] > Stash, Bathtub Gin

    Set 2: Fuego > Thread > Crosseyed and Painless > Makisupa Policeman -> End of Session[3] > Tuesday > Cavern

    Encore: Julius > Lawn Boy

    [1] Page on keytar.
    [2] No “Myfe” ending.
    [3] Debut

  • Photo Gallery: Tom Petty and The Heartbreakers Celebrate 40 Years at Air Canada Centre in Toronto

    Tom Petty and the Heartbreakers made a stop on their 40th anniversary tour at the Air Canada Center on July 15. The veteran rockers played to a sold-out crowd of over 19,000.

    The band played mostly hits, but dropped in an occasional B-side or rare track. They kicked off their set by going way back to the first song off their very first album, Rockin’ Around (With You). Petty and the Heartbreakers took us on a ride through time which Petty described as “We’re going to pretend like this is a record spinning around up here playing our entire catalog and every now and then we are going to drop the needle.”

    Petty took fans through a history of his solo and the Heartbreakers catalog, including “Mary Jane’s Last Dance,” “You Don’t Know How it Feels,” softer hits like “Wildflowers” and “Crawling Back to You.”  They ended the evening with fan favorite, “American Girl.” Check out the photo gallery below.

  • Sunday Velvety Sunday: Night 3 of Phish’s Baker’s Dozen

    After two nights of Phish extending jams amid bustouts and debuts during the Baker’s Dozen, it was clear that these donut themed shows would be filled with jam and not jelly. On Red Velvet donut night, the audience was treated to a pair of Velvet Underground covers bookending the show, as a red hue illuminated the Garden and once again the mantra ‘Never miss a Sunday Show’ held true.

    Opening with Velvet Underground’s “Sunday Morning” with Fishman in a Cardinal’s stole and mitre, he sang a perfect song to fit the day and theme, all while blessing the crowd with the ‘holy water’ that was in his scepter. And with that, the show amped up the energy with “Axilla” driving the crowd into a frenzy, “Your Pet Cat” throwing in a dose of funk, and an 11 minute “Back on the Train” that easily ventured beyond the usual length for the Farmhouse fan favorite. “How Many People Are You” kept the energy flowing, and while “Glide” isn’t an intense song, the oft-chased after song was greeted by all as another example of working through the band’s deep catalog to ensure no repeats throughout the 13 show run.

    After a standard “Theme From the Bottom,” the jam of the evening took off inside “It’s Ice,” with the band stretching this version out past the 15 minute mark with a deeply exploratory jam built on patience from all four members. Setting the tone with jams in non-traditional jam vehicles has been a hallmark of this tour (see: Dayton “Wombat,” Pittsburgh “Mr. Completely”) and “It’s Ice” with its jazzy improvisation follows this trend. Closing the set was “More,” something everyone was asking for after the “Ice” jam.

    After a creamy first set, Phish came out firing with a brief, but punchy “AC/DC Bag,” which a lot of fans were hoping would get lengthy jam treatment. While it clocked in at its typical time, “Bag” still got the Garden dancing as Anastasio brought some youthful playing to one of Phish’s oldest and most played songs.

    Whatever song was up next was sure to get stretched out, as the band has displayed incredible improvisational prowess on this tour throughout each show, but especially in the second sets. So, with the opener providing more of a quick rocker, “Wolfman’s Brother” brought out a very audible cheer from the crowd, as Chris Kuroda followed suit with maybe the most intense lights of the run so far. From behind the stage, it appeared, at times, that the red lights morphed into a reflective orange, which made the crowd appear, at times, on fire. Meanwhile, after Phish got through the song portion of “Wolfman’s Brother,” the band kicked it 50 yards past high gear with a sort of circular feeling ambient jam that saw Mike Gordon lead a layered approach to another old and beloved song, which bled into “Twist.”

    phish sunday baker's

    This “Twist” can really be described by its several distinct sections, and was highlighted by Page McConnell’s stellar use of his new synth toy. It seems that every member of the band has added something new, at it showed in this jam, which gave way to a series of loops from Anastasio. When it all came together, the peak settled back gently into the song’s theme. “Waves” came next, and quickly went dark and deep, but the jam was the only flat part of the entire set. Some around the section were loving it, but others were not sold on the jam. “Miss You” filled in where “2001” seemed to be emerging from the spacey jam out of “Waves.”

    “Boogie On Reggae Woman” and, of course, “Wading In the Velvet Sea” closed out the set in funky and somewhat emotive fashion. Everyone knew “Velvet Sea” was coming, and it was pretty well placed after a set chock full of improvisation, landing well.

    For the first time since Deer Creek 2012, Phish busted out a fan favorite in the Velvet Underground’s “Sweet Jane.” Kuroda brought back the red light theme, and Phish played the song flub free, ending with the crowd in a frenzy as the Anastasio jumped up and down to conclude another stellar show of the Baker’s Dozen.

    Night 4 of Baker’s has been announced as Jam Filled, with mini Raspberry donuts the theme of the night. Few things can get a phan’s heart pumping than to know a night full of jamming is on tap.

    Setlist via Phish.net

    Set 1: Sunday Morning[1], Axilla, Your Pet Cat > Back on the Train, How Many People Are You, Glide, Theme From the Bottom >It’s Ice > More
    Set 2: AC/DC Bag > Wolfman’s Brother[2] > Twist > Waves > Miss You, Boogie On Reggae Woman, Wading in the Velvet Sea
    Encore: Sweet Jane
    [1] Phish debut. Trey on drums.
    [2] Unfinished.

    phish sunday baker's
    phish sunday baker's
    phish sunday baker's
    phish sunday baker's

  • Unusual And Sexy: Lauper and Stewart Take Saratoga By Storm

    Rod Stewart is still sexy, if you were wondering. And he likes his job. A lot.

    He performed a high energy set to a sea of fans at Saratoga Performing Arts Center on Saturday, July 22 surrounded by fantastic musicians, including a show stopping tenor performance by Jimmy “Saxman” Roberts.

    Cyndi Lauper opened for the legendary Stewart with “Funnel of Love,” and even some of her biggest fans were confused. Behind the beat and somewhat flat, Lauper’s entrance was disappointing. Her talking with the audience was scattered, and until she played “Money Changes Everything,” she failed to connect to the music she was playing energetically.

    That all changed with “Girls Just Wanna Have Fun,” though. With a slide show of women’s rights posters from the Women’s March in January, Lauper empowered her audience members to demand their rights. At one point, she even stopped her band and coached the audience to sing “more convincingly,” noting if they ever wanted to get what they really wanted, they needed to ask for it.

    “True Colors” followed and reminded anyone who may have forgotten that Lauper has been an energetic activist for LGBTQ rights. From writing and producing “Kinky Boots” to using her music to encourage kindness, Lauper’s 30-year career has been inspiring. Audience members forgave the initial flat notes, and this writer even questioned if perhaps she was sick, as she had a slight cough.  The last few songs of her set absolved all of the concerns about her earlier performance, even forgiving the cover of country hit “End of the World” and silly story about her time in Nashville.

    Lauper left the stage reminding the audience to have a good summer and “be good to each other,” and when the lights came up audience members were visibly moved by her gentle words.

    Rod Stewart’s stage was covered by a black and white checkered curtain, and his entrance was built up dramatically with classical music. His band members entered first, covered in gold glittering costumes, and he joined them crooning “Infatuation.” Stewart moved quickly through a high energy set, singing “Some Guys Have All the Luck,” “This Old Heart of Mine,” and “Tonight’s the Night” with full audience participation.

    Stewart was all smiles and spread his contagious joy singing “Forever Young.” Mid-song he left for a costume change, and three percussionists entertained the crowd with a mesmerizing and heart pounding trio.  Stewart gladly promoted the drummers, fiddlers, harpsichordist, and saxophonist on stage with him, frequently offering opportunities for solos.

    During a grouping of love songs, Stewart floated pictures of his wife and kids on the screens behind him. He smiled and admitted he had a great job as he sang a bluesy cover from Muddy Waters. With a nod to jazz blues, Stewart disclosed he owes a lot of those who inspired him.

    Possibly the best moment of the night, however, came as he brought the crowd to their feet with “Downtown Train.” At its close, the tenor sax’s sweet round notes juxtaposed with high pitched screams demonstrated Jimmy Roberts’ smooth jazz talent and breath support.

    From that moment to the night’s end, Rod Stewart and his fellow musicians only got more animated. “Proud Mary” gave Stewart time to again change costume, followed by faster and faster-paced songs. He kicked his characteristic soccer balls into the audience, reminding everyone he was a pro soccer player and danced at a high pace. The crescendo peaked when Stewart asked, “Do You Think I’m Sexy.”

    Clearly, the crowd does think Stewart is still sexy. At age 72, Stewart doesn’t seem to be slowing down anytime soon.  He still fills hearts with gladness and brings audacious musicians along for the ride.

  • Baker’s Dozen Night Two: The Strawberry Goo

    As the first weekend of Phish’s Madison Square Garden Baker’s Dozen residency rolls on, and with a memorable Friday night show already in the books, Saturday delivered another rousing two sets of music set to the tune of the next donut flavor of choice: Strawberry milkshake glaze. Once announced, speculation ran rampant as to what the band could pull out of its hat in order to comply with tonight’s theme.  Perhaps a rare Strawberry Alarm Clock cover?  An extended “Halley’s Comet” with strawberry jam?  As usual, The Phish from Vermont did not disappoint.

    phish bakers strawberry

    The show began with all four band members at the front of the stage in barbershop quartet formation as they debuted an a cappella version of one of the more popular cover song guesses of the evening, The Beatles’ “Strawberry Fields Forever.”  Those in the “Halley’s Comet” for an opener crowd were then quickly rewarded next with the standout version that followed, replete with thousands of delighted fans singing in unison about the preferred method of their strawberry goo intake.

    Things escalated quickly from there courtesy of a sterling rendition of “The Moma Dance” that was delightfully stretched out, showcasing the steady and patient jamming style the band has featured of late.  The “Breath and Burning” that followed was in the same vein and the normally straightforward reggae infused number took on an entirely different feel this evening with a complex and, at times, dark jam attached to it.  Bassist Mike Gordon took over on lead vocals for the next two songs, a typically energetic and rocking cover of “Funky Bitch” and the old school staple “Mound.”  To the delight of many, the first set continued with another Phish staple of yore, the rarely played “Foam” which is featured on the band’s first major release, Junta.  “Roggae,” always a popular first set selection followed before “The Squirming Coil” with Page McConnell’s signature piano solo capped things off. 

    https://www.youtube.com/watch?v=f0bdLdTJdKI

    Saturday’s second set kicked off with “Down with Disease” and its typical massive, psychedelic infused jam that seems to get deeper and more epic each time it’s played.  Only true musical nerds could have possibly guessed what was next as Phish brought out their second debut of the night, “Strawberry Letter 23,” a song first written by Shuggie Otis, popularized by a cover from The Brothers Johnson in 1977 and sampled endlessly in popular music ever since.  Before the shock of seeing this out of nowhere cover could wear off, Trey Anastasio’s opening guitar riff to “Birds of a Feather” rang through the Garden and sent the crowd into a frenzy, birds of a feather all singing and dancing in unison.  

    Another somewhat unexpected song selection followed with McConnell once again taking lead on the synthesizer fueled “I Always Wanted It This Way” which is found on the band’s most recent album, Big Boat. As the ensuing jam slowly winded down, a true bust out emerged with the first “All of These Dreams” played in over 250 shows which served as a true “breather” song.  The last segment of the second set was classic Phish in a nutshell.  The rhythm section of Gordon and drummer Jon Fishman initiated a “Split Open and Melt” that featured its typical dark, heavy improv section before eventually morphing back into the main riffs of “Down with Disease,” bringing the set opener full circle and leaving fans with mouths agape.  

    phish bakers strawberry

    To close out the set, Phish played a popular encore-like selection with another cover, this time The Rolling Stones’ sing along “Shine A Light.”  The actual encore was one for the books with “Peaches en Regalia” making an appearance there for the first time since the late 80s.  A fitting high energy but brief cover of The Talking Heads’ “Cities” followed before “My Sweet One” closed out the evening.  One of the highlights of the night was the extended pause at the end of the song that had everyone in attendance roaring in approval with a force so strong that it seemed to bring up the house lights – a fitting end to a most epic Baker’s Dozen ‘Strawberry’ show.

    Setlist via Phish.net

    Baker’s Dozen Night 2 – Strawberry

    Set 1: Strawberry Fields Forever[1], Halley’s Comet > The Moma Dance[2] > Breath and Burning > Funky Bitch, Mound, Foam, Roggae, The Squirming Coil

    Set 2: Down with Disease, Strawberry Letter 23[3] > Birds of a Feather, I Always Wanted It This Way[4] > All of These Dreams, Split Open and Melt > Down with Disease > Shine a Light

    Encore: Peaches en Regalia > Cities, My Sweet One

    [1] Phish debut; a cappella.
    [2] Unfinished.
    [3] Phish debut.
    [4] With Trey on Marimba Lumina.

  • Hearing Aide: Diluted ‘Never Fit In’

    We all know there are bands that ladies just dig, and groups with  lyrics that can get the booty shaking while keeping it gritty enough for the guys to be able to pump their fists to as well are even better. You know there is a band that many of us can enjoy when we want a party type of sound. There is one band from Rochester, NY who can supply such great tunage. Who is this group that promises nothing but good grooves and chaos? Diluted of course my dear friends! With their EP, Never Fit In, you will find yourself dancing and shaking more than the time you tried to reenact the bar dancing scene from Coyote Ugly! Let us get this album review in full swing boys and girls!

    dilutedThe first track off this album “Better Living Through Hennessy” goes from 0-60 in less than 2 seconds into the album. The guitar styles of Helmer and Coffey will take you by storm. Their funky yet hardcore approach for this track is nothing but full of life! You will have yourself singing along with the lyrics while moving those two left feet of yours. Let me tell ya, nothing beats a good old fashioned song you can find yourself singing to in the car.  This song is one of those jams I can see the whole venue singing along to with a couple drinks in hand!

    If you like groups like Faith No More, who has a nice little mix of rap flow blended with some great punk related attitude, the track “Hipster Helmets & Harpsichords” will make those feet of yours go manic! I really enjoy this track from the get go!  Like seriously digging it with my whiskey right now! The vocal approach by Mulligan and Coffey reminds me of the glory days of my youth with such bands like Neurosonic and Skindred. Excellent destructive vocal execution  fused with modern hip-hop type of lyrical construction made this song stand  out the most to me personally.  The most fascinating part of this track is the communication between West (drums) and Kimak (bass), which really lays down the foundation for the energy of this sweet tune!  The beat is never lost and you can really swing your body to it all the way through! This will be the jam the ladies will be losing their minds to. Look out fellas, we have some bonafide lady killers on our hands!

    Now this album has some great party songs on it, but it also contains great heavy tunes like “Sledge Hovercraft.” Much like the other tracks on the EP, it has a great flow with both the lyrics and musicianship. You can tell the boy’s formula is spot on with this gem! The screeching sound of the vocals on the track will make you bang your head! If you want some Red Hot Chili Peppers type funky style with your hardcore music, but want to be mad as hell at the same time, well this track is for you. This song is made for the guys hands down. If you get drunk enough and want to start a bar brawl, this will be your theme song for the ring.

    Over all there are so many other great tracks on this album from Diluted. I wouldn’t think I would find myself enjoying a band like this, but I am hooked and I cannot stop blasting this. My fingers are starting to bleed from pressing the repeat button so many times! Go out and buy this sick product of jams! 4 stars out of 5 for sure! Go check out their page. You will not regret it, I promise you!

    Key Tracks: Better living Through Hennessy, Sledge Hovercraft, Hipster Helmets & Harpsichords

    https://www.youtube.com/watch?v=m7EeFtvvxkU

  • Phish Goes Coconut: Night 1 of The Baker’s Dozen

    The buildup and anticipation for Phish’s 13 night ‘Baker’s Dozen’ run at Madison Square Garden hit a fever pitch on July 21 as the band kicked off the first of 13 shows with a coconut theme, free donuts, free Ben & Jerry’s ice cream and a show full of surprises and deep jams with excitement stoked for the next 12 shows.

    phish bakers coconut

    Having not repeated a song during the first 5 shows of the run, heavy speculation among fans pointed to no repeats this run, with the band working new songs and side project covers into the rotation early. Alongside this was a ‘Coconut’ theme tonight, which was also the flavor of Federal Donuts handed out for free inside the venue this evening, all setting the stage for 12 more themed nights of donut flavored musical fun.

    “Shake Your Coconuts” debuted to kick off the run, an energetic tune with lyrics inciting the crowd to get moving, “Just keep on dancing now / Just keep on getting down / Just keep on having fun / This party’s just begun.” “Martian Monster,” “Timber Ho!,” and “555” raised the funk factor with “Pigtail” and “Halfway to the Moon” barely mellowing the crowd. Cheers grew throughout the peaks that came out of these longer than usual versions. The phenomenal duo of “Reba” > “Moorage Daydream” threw a dose of early 90’s old school jamming with an arena rock level drive to each. “Walls of the Cave” closed out a set that raised the bar for the 25 sets to follow. All throughout, Chris Kuroda’s new light rig took on a life of its own, floating above the band and adding another layer to the already stellar light show.

    The 16 minute “Tweezer” that opened up the second set grew patiently into an expansive jam, shifting into “Seven Below,” serving as a one-two punch to crank the second the set gears. “Billy Breathes” and “Sparkle” let the audience catch their breath for a moment before a TAB song “Everthing’s Right” took a spin for over 11 minutes and jammed nicely, fitting into the second sets of this tour more than any other debut thus far. A peaking “Slave” and “Suzy Greenberg” seemed to cap the set, but that was done with a cover of “Coconut” (the ‘Lime in the Coconut’ song by Harry Nilsson) done barbershop quartet style with Mike stealing the show. “Mango Song” and “Good Times Bad Times” paired perfectly with the two rocking sets that preceded.

    trey bakers dozen

    Tonight’s theme has been announced as Strawberry, and we’re not far from Central Park. Strawberry Fields Forever, anyone?

    Setlist via Phish.net
    Set 1: Shake Your Coconuts[1], Martian Monster, Timber Ho! > 555, Pigtail, Halfway to the Moon, Reba[2], Moonage Daydream, Walls of the Cave
    Set 2: Tweezer > Seven Below > Billy Breathes > Sparkle, Everything’s Right > Slave to the Traffic Light, Suzy Greenberg,Coconut[1]
    Encore: The Mango Song, Good Times Bad Times
    [1] Phish debut.
    [2] No whistling.

  • Outlaw Music Festival Takes Over Syracuse Lakeview Amphitheater

    As a convoy of tour buses pulled in and parked along the water’s edge at the Lakeview Amphitheater for the fourth show in as many days, they prepared to unload and set up for the  final  performances of the weekend. A night of Country, Americana and Rock was on tap as the Outlaw Music Festival had arrived in Syracuse and Lakeview was ready to rock the crowd. The top outlaw was the one and only, legendary Mr. Willie Nelson.

    outlaw festival lakeviewBringing a few of his closest outlaw friends along, the crowd met Nashville newcomer Margo Price as well as rock stars Sheryl Crow and My Morning Jacket. This balmy day was lining up to be one epic sunny Sunday that was soon would become a highlight of this gal’s summer. As the gates opened at 3 pm, the winding line that had extended clear out to the bus drop off area quickly moved this eclectic mix of concertgoers into the venue to find the perfect spot on the lawn or their seats under the pavilion area.

    Beginning the evening was Margo Price. This Nashville newcomer was dressed like a true country legend herself in sequins and fringe. As she began to sing, her truly twangy, country voice dazzled the crowd with a classic country style. A bit of a cross between Dolly Parton and Carrie Underwood, it took no time at all to win over the audience and set the stage for those to follow.

    Next up was Sheryl Crow.  A petite firecracker of a woman, this larger than life musician owned the stage and the audience from the get go. Singing and playing both new music and crowd favorites, she amazed with her unbound energy and talent. Sharing stories about her children, it was obvious that motherhood suits her and completes her life as they ride around this summer on tour with her.

    As the sun began to set on Onondaga Lake, My Morning Jacket took the stage.  A new band to some and an old favorite to others, I have to admit I was categorized into the first of the two groups and was curious.  From the moment Jim James began to sing and the band began to play, I was hooked.  Was it the mysterious look he conveyed with his Johnny Cash suit and Ray-Bans, or was it the sultry tonality of his voice that hooked me?  A mix of the two, I do believe. Their style and sound is not anything I’m accustomed to, as it doesn’t fit neatly into one genre.  This rainbow of tunes melded together to create truly unique music that pulls you in like a Pied Piper.  Shooting the first three songs of a set, a photographer generally goes to town to get as many photos during that time frame in order to optimize the chances of capturing a new and unique photo. For me, something different occurred.  I found myself lowering my camera throughout the allotted time and capturing the sounds of the moment versus the sights of the moment. Perhaps MMJ was considered a new band to me originally, but I definitely left considering them an old favorite.

    Finally, the main outlaw that everyone was there to see was taking the festival stage at Lakeview.  Arriving to a standing ovation, it was beautiful to see how Willie is so loved by young and old.  This man’s music spans generations and represents special moments in so many lives over the decades, including mine.  Living in the moment must be a way of life for Willie; he just celebrated his 84th birthday this year. Taking the stage is a family affair as he was joined by his son, little sister and friends and band mates for years. He did not skip a beat and his playing skills were beyond impressive. As he strummed tune after tune on the beat up autographed guitar he’s had forever, you could only wish this well worn and loved instrument could tell us the stories it’s witnessed over the years!

    Throughout the night, Willie played hit song after song.  Whether it was hits of his own or covers from others, the crowd could not get enough.  Included in this set was Hoagy Carmichael’s “Georgia On My Mind,” Willie’s tunes “Whiskey River,” “Angel Flying Too Close to the Ground” and, of course, the crowd’s favorite tune that he wrote together with Merle Haggard,”It’s All Going to Pot.”  It was easy to sing along with Willie to songs such as Toby Keith’s “Beer For My Horses” or  Hank Williams’ “Hey Good Looking,” “Jambalaya” and “Move It On Over.”  Patiently awaiting and hoping to hear my favorite, Willie didn’t disappoint as he played Brenda Lee’s “Always On My Mind.” Speaking for most, I can remember times associated with these songs and I took this trip back together with Willie as he performed them all.

    Closing out the weekend of Outlaw Festival events at the Lakeview Amphitheater, it was a definitely a treat to check off a bucket list item in seeing Willie Nelson in person.  Add the opportunity to see all three opening acts along side Willie and, yes, I definitely felt like I won a musical lottery.

  • Showmanship and Vocals: How to Spend a Summer Night in Saratoga

    If you were smiling in Saratoga on Wednesday night, you were probably at the Performing Arts Center singing along to Post Modern Jukebox and Straight No Chaser.

    PMJ took the stage to “All About That Bass,” performing the familiar tune in a jazzy 1940s style. Complete with costume, dancers, and instrumentation, PMJ didn’t disappoint fans of the well-loved YouTube sensation.  While the songs were from today’s radio, anyone listening could’ve sworn we were transported back in time to radio days of our grandparents.

    Group member Ariana brought the laughs, and sultry energy, as she sang, danced and introduced each song. The group brought out Demi to tap while Casey crooned to “Umbrella,” complete with a costume of yellow raincoat and umbrella. Demi then gave as close to a burlesque show as possible as she sang to “It Wasn’t Me,” and brought the laughs with self-deprecating jokes.

    The big moments of the night, though, were stolen by Kenton, a small Asian man who pulled off Nine Inch Nails “Closer” with unexpected energy. Joined on stage by Ariana and Dani, Kenton jumped, gyrated and sang a shockingly charged version of the well-known song.

    Casey’s rendition of “Creep” was the only thing that could follow such a performance. He crooned and laughed at himself initially, only to later bring the crowd to its feet with his vocals. Barely needing a microphone, Casey belted out “Creep” with possibly the most talented vocals of the show.

    Straight No Chaser followed the zany PMJ with more traditional energy and vocals. Noticeably more focused on harmonizing while wearing their matching summer suits, the group opened with “Sweet Dreams” with a nod to “Make Your Hands Clap” mid-song.

    Band members graciously demonstrated the different vocal parts of an a cappella group, for those who were unfamiliar, joked with audience members and learned the history of the group’s college origins. The singers played around with musical lyrics, performing “Straight No Chaser: The Musical” to the amicable crowd.

    Straight No Chaser demonstrated professional cohesion and musicianship, and also a joyfulness to quality music that comes from sharing best-known songs from across all genres. From pop music to country, the group offered something familiar for everyone to sing and dance to.

    All and all, it was a fun night out for fans of the non-traditional cover groups.

  • Photo Gallery: Foreigner and Cheap Trick Bring Rock Back to SPAC

    It might have been a Tuesday night in Upstate New York on July 18, but the music was loud and people were dancing. Saratoga Performing Arts Center was fresh off a two-week stint with the NYC Ballet when Foreigner, Cheap Trick, and Bonham rolled into town to blare good old rock ‘n roll throughout the famed amphitheater and perhaps equally infamous ‘lawn.’

    The night was full of hits from the 70’s and 80’s, Jason Bonham brought his Led Zeppelin Experience to the stage to perform his father’s classic hits “Ramble On” and “Whole Lotta Love” along with a slew of Zeppelin songs that even the ushers were singing every word.  Followed up by the self-proclaimed, Greatest F’ing Rock and Roll Band, Cheap Trick put on their usual stellar and high energy performance.  The headliner was Foreigner and 40 years has taken a bit of a toll on the band with only Mick Jones remaining from the original members.  That didn’t stop them or the crowd to rock their socks off with an endless stream of favorites.

    The night ended with a special encore involving the area’s own Mayfield School Chorus on stage with Foreigner.  Something those kids will remember for the next 40 years.